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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C23E5 it is the complementary color #A3DC1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C23E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C23E5 shade: #6123E0, #7235F3, #8347FF, #9459FF and #A56BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C23E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C23E5 shade: #5C23E5, #4B11D2, #3A00BF, #2900AC and #180099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C23E5 shade: #5D24E5, #9124E5, #C524E5, #E524D1 and #E5249D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C23E5 shade: #5D24E5, #2924E5 and #2424E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C23E5 shade matches the following richer shades: #5D24E5 and #5510F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C23E5 shade: #5D24E5, #6538D1, #6D4CBE, #755FAA and #7D7396

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C23E5 shade: #2454E5, #2724E5, #5B24E5, #8E24E5 and #C224E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C23E5 shade: #3E13A4, #4B18C8, #5D24E5, #7849EA and #936EEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C23E5 shade: #5C23E5, #E52488 and #3AE524

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C23E5 shade: #5C23E5, #E55B24 and #24E55B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C23E5 shade: #5C23E5, #E52488, #AFE524 and #24E581

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C23E5 shade: #5C23E5, #E5244E, #AFE524 and #24E5BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 85 / 0 / 10

HEX #5C23E5

RGB 92 35 229

HSL 257.63, 0.79%, 0.52%

LAB 36.24, 67.98, -86.46

 

Complementary color

CMYK 26 / 0 / 88 / 14

HEX #A3DC1A

RGB 163 220 26

HSL 77.63, 0.79%, 0.48%

LAB 81.32, -42.04, 76.9

 

CMYK 57 / 84 / 0 / 12

HEX #6123E0

RGB 97 35 224

HSL 259.68, 0.75%, 0.51%

LAB 36.22, 67.17, -83.62

 

CMYK 53 / 78 / 0 / 5

HEX #7235F3

RGB 114 53 243

HSL 259.26, 0.89%, 0.58%

LAB 42.15, 67.1, -84.58

 

CMYK 49 / 72 / 0 / 0

HEX #8347FF

RGB 131 71 255

HSL 259.57, 1%, 0.64%

LAB 47.69, 64.63, -82.13

 

CMYK 42 / 65 / 0 / 0

HEX #9459FF

RGB 148 89 255

HSL 261.33, 1%, 0.67%

LAB 52.58, 58.77, -74.08

 

CMYK 35 / 58 / 0 / 0

HEX #A56BFF

RGB 165 107 255

HSL 263.51, 1%, 0.71%

LAB 57.78, 52.95, -65.58

 

CMYK 60 / 85 / 0 / 10

HEX #5C23E5

RGB 92 35 229

HSL 257.63, 0.79%, 0.52%

LAB 36.24, 67.98, -86.46

 

CMYK 64 / 92 / 0 / 18

HEX #4B11D2

RGB 75 17 210

HSL 258.03, 0.85%, 0.45%

LAB 30.76, 67.05, -84.67

 

CMYK 70 / 100 / 0 / 25

HEX #3A00BF

RGB 58 0 191

HSL 258.22, 1%, 0.37%

LAB 25.75, 64.81, -81.91

 

CMYK 76 / 100 / 0 / 33

HEX #2900AC

RGB 41 0 172

HSL 254.3, 1%, 0.34%

LAB 21.76, 59.6, -77.24

 

CMYK 84 / 100 / 0 / 40

HEX #180099

RGB 24 0 153

HSL 249.41, 1%, 0.3%

LAB 17.89, 54.39, -72.13

 

CMYK 59 / 84 / 0 / 10

HEX #5D24E5

RGB 93 36 229

HSL 257.72, 0.79%, 0.52%

LAB 36.45, 67.73, -86.11

 

CMYK 37 / 84 / 0 / 10

HEX #9124E5

RGB 145 36 229

HSL 273.89, 0.79%, 0.52%

LAB 42.67, 73.55, -75.66

 

CMYK 14 / 84 / 0 / 10

HEX #C524E5

RGB 197 36 229

HSL 290.05, 0.79%, 0.52%

LAB 50.44, 81.32, -62.68

 

CMYK 0 / 84 / 9 / 10

HEX #E524D1

RGB 229 36 209

HSL 306.22, 0.79%, 0.52%

LAB 54.58, 83.9, -44.37

 

CMYK 0 / 84 / 31 / 10

HEX #E5249D

RGB 229 36 157

HSL 322.38, 0.79%, 0.52%

LAB 52.24, 77.52, -17.73

 

CMYK 59 / 84 / 0 / 10

HEX #5D24E5

RGB 93 36 229

HSL 257.72, 0.79%, 0.52%

LAB 36.45, 67.73, -86.11

 

CMYK 82 / 84 / 0 / 10

HEX #2924E5

RGB 41 36 229

HSL 241.55, 0.79%, 0.52%

LAB 32.68, 64.45, -92.49

 

CMYK 84 / 84 / 0 / 10

HEX #2424E5

RGB 36 36 229

HSL 240, 0.79%, 0.52%

LAB 32.47, 64.27, -92.85

 

CMYK 59 / 84 / 0 / 10

HEX #5D24E5

RGB 93 36 229

HSL 257.72, 0.79%, 0.52%

LAB 36.45, 67.73, -86.11

 

CMYK 66 / 94 / 0 / 2

HEX #5510F9

RGB 85 16 249

HSL 257.77, 0.95%, 0.52%

LAB 36.26, 77.18, -97.8

 

CMYK 59 / 84 / 0 / 10

HEX #5D24E5

RGB 93 36 229

HSL 257.72, 0.79%, 0.52%

LAB 36.45, 67.73, -86.11

 

CMYK 52 / 73 / 0 / 18

HEX #6538D1

RGB 101 56 209

HSL 257.65, 0.62%, 0.52%

LAB 38.2, 55.06, -71.73

 

CMYK 43 / 60 / 0 / 25

HEX #6D4CBE

RGB 109 76 190

HSL 257.37, 0.47%, 0.52%

LAB 41.43, 40.55, -55.38

 

CMYK 31 / 44 / 0 / 33

HEX #755FAA

RGB 117 95 170

HSL 257.6, 0.31%, 0.52%

LAB 45.45, 25.84, -37.18

 

CMYK 17 / 23 / 0 / 41

HEX #7D7396

RGB 125 115 150

HSL 257.14, 0.14%, 0.52%

LAB 50.48, 11.3, -17.55

 

CMYK 84 / 63 / 0 / 10

HEX #2454E5

RGB 36 84 229

HSL 225.08, 0.79%, 0.52%

LAB 41.8, 38.2, -77.41

 

CMYK 83 / 84 / 0 / 10

HEX #2724E5

RGB 39 36 229

HSL 240.93, 0.79%, 0.52%

LAB 32.59, 64.37, -92.64

 

CMYK 60 / 84 / 0 / 10

HEX #5B24E5

RGB 91 36 229

HSL 257.1, 0.79%, 0.52%

LAB 36.26, 67.55, -86.44

 

CMYK 38 / 84 / 0 / 10

HEX #8E24E5

RGB 142 36 229

HSL 272.95, 0.79%, 0.52%

LAB 42.26, 73.15, -76.34

 

CMYK 15 / 84 / 0 / 10

HEX #C224E5

RGB 194 36 229

HSL 289.12, 0.79%, 0.52%

LAB 49.96, 80.83, -63.47

 

CMYK 62 / 88 / 0 / 36

HEX #3E13A4

RGB 62 19 164

HSL 257.79, 0.79%, 0.36%

LAB 24.23, 53.83, -68.24

 

CMYK 63 / 88 / 0 / 22

HEX #4B18C8

RGB 75 24 200

HSL 257.39, 0.79%, 0.44%

LAB 30.2, 62.71, -79.76

 

CMYK 59 / 84 / 0 / 10

HEX #5D24E5

RGB 93 36 229

HSL 257.72, 0.79%, 0.52%

LAB 36.45, 67.73, -86.11

 

CMYK 49 / 69 / 0 / 8

HEX #7849EA

RGB 120 73 234

HSL 257.52, 0.79%, 0.6%

LAB 45.22, 56.4, -74.44

 

CMYK 38 / 54 / 0 / 7

HEX #936EEE

RGB 147 110 238

HSL 257.34, 0.79%, 0.68%

LAB 55.61, 42.9, -59.73

 

CMYK 60 / 85 / 0 / 10

HEX #5C23E5

RGB 92 35 229

HSL 257.63, 0.79%, 0.52%

LAB 36.24, 67.98, -86.46

 

CMYK 0 / 84 / 41 / 10

HEX #E52488

RGB 229 36 136

HSL 328.91, 0.79%, 0.52%

LAB 51.49, 75.43, -6.3

 

CMYK 75 / 0 / 84 / 10

HEX #3AE524

RGB 58 229 36

HSL 113.16, 0.79%, 0.52%

LAB 80.22, -73.98, 72.47

 

CMYK 60 / 85 / 0 / 10

HEX #5C23E5

RGB 92 35 229

HSL 257.63, 0.79%, 0.52%

LAB 36.24, 67.98, -86.46

 

CMYK 0 / 60 / 84 / 10

HEX #E55B24

RGB 229 91 36

HSL 17.1, 0.79%, 0.52%

LAB 56.35, 51.13, 55.93

 

CMYK 84 / 0 / 60 / 10

HEX #24E55B

RGB 36 229 91

HSL 137.1, 0.79%, 0.52%

LAB 80.27, -72.16, 53.61

 

CMYK 60 / 85 / 0 / 10

HEX #5C23E5

RGB 92 35 229

HSL 257.63, 0.79%, 0.52%

LAB 36.24, 67.98, -86.46

 

CMYK 0 / 84 / 41 / 10

HEX #E52488

RGB 229 36 136

HSL 328.91, 0.79%, 0.52%

LAB 51.49, 75.43, -6.3

 

CMYK 24 / 0 / 84 / 10

HEX #AFE524

RGB 175 229 36

HSL 76.79, 0.79%, 0.52%

LAB 84.63, -41.13, 78.02

 

CMYK 84 / 0 / 44 / 10

HEX #24E581

RGB 36 229 129

HSL 148.91, 0.79%, 0.52%

LAB 80.74, -66.59, 36.3

 

CMYK 60 / 85 / 0 / 10

HEX #5C23E5

RGB 92 35 229

HSL 257.63, 0.79%, 0.52%

LAB 36.24, 67.98, -86.46

 

CMYK 0 / 84 / 66 / 10

HEX #E5244E

RGB 229 36 78

HSL 346.94, 0.79%, 0.52%

LAB 50.06, 71.3, 26.89

 

CMYK 24 / 0 / 84 / 10

HEX #AFE524

RGB 175 229 36

HSL 76.79, 0.79%, 0.52%

LAB 84.63, -41.13, 78.02

 

CMYK 84 / 0 / 18 / 10

HEX #24E5BB

RGB 36 229 187

HSL 166.94, 0.79%, 0.52%

LAB 81.84, -54.3, 7.87

 

Description

Color code: HEX #5C23E5 | qconv.com Color code: HEX #5C23E5 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 35 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 35 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 85 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 85% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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