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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C16EE it is the complementary color #A3E911. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C16EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C16EE shade: #6116E9, #7228FC, #833AFF, #944CFF and #A55EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C16EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C16EE shade: #5C16EE, #4B04DB, #3A00C8, #2900B5 and #1800A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C16EE shade: #5C17EE, #9617EE, #D017EE, #EE17D1 and #EE1797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C16EE shade: #5C17EE, #2217EE and #1717EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C16EE shade matches the following richer shades: #5C17EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C16EE shade: #5C17EE, #632BD9, #6A3FC5, #7253B1 and #79679D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C16EE shade: #1745EE, #2117EE, #5B17EE, #9417EE and #CD17EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C16EE shade: #3E0CA5, #4C0FCC, #5C17EE, #773DF0 and #9263F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C16EE shade: #5C16EE, #EE177E and #29EE17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C16EE shade: #5C16EE, #EE5B17 and #17EE5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C16EE shade: #5C16EE, #EE177E, #A9EE17 and #17EE86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C16EE shade: #5C16EE, #EE173E, #A9EE17 and #17EEC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 91 / 0 / 7

HEX #5C16EE

RGB 92 22 238

HSL 259.44, 0.86%, 0.51%

LAB 36.03, 73.8, -91.94

 

Complementary color

CMYK 30 / 0 / 93 / 9

HEX #A3E911

RGB 163 233 17

HSL 79.44, 0.86%, 0.49%

LAB 85.05, -47.76, 81.21

 

CMYK 58 / 91 / 0 / 9

HEX #6116E9

RGB 97 22 233

HSL 261.33, 0.83%, 0.5%

LAB 35.98, 72.96, -89.16

 

CMYK 55 / 84 / 0 / 1

HEX #7228FC

RGB 114 40 252

HSL 260.94, 0.97%, 0.57%

LAB 41.41, 74.04, -90.85

 

CMYK 49 / 77 / 0 / 0

HEX #833AFF

RGB 131 58 255

HSL 262.23, 1%, 0.61%

LAB 45.73, 70.22, -85.34

 

CMYK 42 / 70 / 0 / 0

HEX #944CFF

RGB 148 76 255

HSL 264.13, 1%, 0.65%

LAB 50.32, 65.03, -77.76

 

CMYK 35 / 63 / 0 / 0

HEX #A55EFF

RGB 165 94 255

HSL 266.46, 1%, 0.68%

LAB 55.3, 59.61, -69.58

 

CMYK 61 / 91 / 0 / 7

HEX #5C16EE

RGB 92 22 238

HSL 259.44, 0.86%, 0.51%

LAB 36.03, 73.8, -91.94

 

CMYK 66 / 98 / 0 / 14

HEX #4B04DB

RGB 75 4 219

HSL 259.81, 0.96%, 0.44%

LAB 31.11, 71.47, -89.3

 

CMYK 71 / 100 / 0 / 22

HEX #3A00C8

RGB 58 0 200

HSL 257.4, 1%, 0.39%

LAB 26.93, 66.96, -85.24

 

CMYK 77 / 100 / 0 / 29

HEX #2900B5

RGB 41 0 181

HSL 253.59, 1%, 0.35%

LAB 23.02, 61.82, -80.54

 

CMYK 85 / 100 / 0 / 36

HEX #1800A2

RGB 24 0 162

HSL 248.89, 1%, 0.32%

LAB 19.24, 56.68, -75.41

 

CMYK 61 / 90 / 0 / 7

HEX #5C17EE

RGB 92 23 238

HSL 259.26, 0.86%, 0.51%

LAB 36.1, 73.57, -91.82

 

CMYK 37 / 90 / 0 / 7

HEX #9617EE

RGB 150 23 238

HSL 275.44, 0.86%, 0.51%

LAB 43.17, 78.91, -79.92

 

CMYK 13 / 90 / 0 / 7

HEX #D017EE

RGB 208 23 238

HSL 291.63, 0.86%, 0.51%

LAB 52.06, 86.73, -65.05

 

CMYK 0 / 90 / 12 / 7

HEX #EE17D1

RGB 238 23 209

HSL 308.09, 0.86%, 0.51%

LAB 55.48, 87.51, -42.85

 

CMYK 0 / 90 / 37 / 7

HEX #EE1797

RGB 238 23 151

HSL 324.28, 0.86%, 0.51%

LAB 52.98, 80.95, -12.88

 

CMYK 61 / 90 / 0 / 7

HEX #5C17EE

RGB 92 23 238

HSL 259.26, 0.86%, 0.51%

LAB 36.1, 73.57, -91.82

 

CMYK 86 / 90 / 0 / 7

HEX #2217EE

RGB 34 23 238

HSL 243.07, 0.86%, 0.51%

LAB 32.09, 71.06, -98.6

 

CMYK 90 / 90 / 0 / 7

HEX #1717EE

RGB 23 23 238

HSL 240, 0.86%, 0.51%

LAB 31.73, 70.86, -99.21

 

CMYK 61 / 90 / 0 / 7

HEX #5C17EE

RGB 92 23 238

HSL 259.26, 0.86%, 0.51%

LAB 36.1, 73.57, -91.82

 

CMYK 61 / 90 / 0 / 7

HEX #5C17EE

RGB 92 23 238

HSL 259.26, 0.86%, 0.51%

LAB 36.1, 73.57, -91.82

 

CMYK 54 / 80 / 0 / 15

HEX #632BD9

RGB 99 43 217

HSL 259.31, 0.7%, 0.51%

LAB 36.72, 62.68, -78.77

 

CMYK 46 / 68 / 0 / 23

HEX #6A3FC5

RGB 106 63 197

HSL 259.25, 0.54%, 0.51%

LAB 38.99, 49.06, -63.45

 

CMYK 36 / 53 / 0 / 31

HEX #7253B1

RGB 114 83 177

HSL 259.79, 0.38%, 0.51%

LAB 42.67, 34.08, -45.74

 

CMYK 23 / 34 / 0 / 38

HEX #79679D

RGB 121 103 157

HSL 260, 0.22%, 0.51%

LAB 47.24, 18.87, -26.7

 

CMYK 90 / 71 / 0 / 7

HEX #1745EE

RGB 23 69 238

HSL 227.16, 0.86%, 0.51%

LAB 38.92, 49.96, -87.27

 

CMYK 86 / 90 / 0 / 7

HEX #2117EE

RGB 33 23 238

HSL 242.79, 0.86%, 0.51%

LAB 32.05, 71.04, -98.66

 

CMYK 62 / 90 / 0 / 7

HEX #5B17EE

RGB 91 23 238

HSL 258.98, 0.86%, 0.51%

LAB 36, 73.51, -91.98

 

CMYK 38 / 90 / 0 / 7

HEX #9417EE

RGB 148 23 238

HSL 274.88, 0.86%, 0.51%

LAB 42.89, 78.68, -80.39

 

CMYK 14 / 90 / 0 / 7

HEX #CD17EE

RGB 205 23 238

HSL 290.79, 0.86%, 0.51%

LAB 51.57, 86.28, -65.87

 

CMYK 62 / 93 / 0 / 35

HEX #3E0CA5

RGB 62 12 165

HSL 259.61, 0.86%, 0.35%

LAB 23.68, 56.08, -69.75

 

CMYK 63 / 93 / 0 / 20

HEX #4C0FCC

RGB 76 15 204

HSL 259.37, 0.86%, 0.43%

LAB 30, 66.08, -82.42

 

CMYK 61 / 90 / 0 / 7

HEX #5C17EE

RGB 92 23 238

HSL 259.26, 0.86%, 0.51%

LAB 36.1, 73.57, -91.82

 

CMYK 50 / 75 / 0 / 6

HEX #773DF0

RGB 119 61 240

HSL 259.44, 0.86%, 0.59%

LAB 43.58, 63.56, -80.51

 

CMYK 40 / 59 / 0 / 5

HEX #9263F3

RGB 146 99 243

HSL 259.58, 0.86%, 0.67%

LAB 53.5, 50.05, -65.93

 

CMYK 61 / 91 / 0 / 7

HEX #5C16EE

RGB 92 22 238

HSL 259.44, 0.86%, 0.51%

LAB 36.03, 73.8, -91.94

 

CMYK 0 / 90 / 47 / 7

HEX #EE177E

RGB 238 23 126

HSL 331.26, 0.86%, 0.51%

LAB 52.17, 78.76, 0.92

 

CMYK 83 / 0 / 90 / 7

HEX #29EE17

RGB 41 238 23

HSL 114.98, 0.86%, 0.51%

LAB 82.74, -79.08, 76.96

 

CMYK 61 / 91 / 0 / 7

HEX #5C16EE

RGB 92 22 238

HSL 259.44, 0.86%, 0.51%

LAB 36.03, 73.8, -91.94

 

CMYK 0 / 62 / 90 / 7

HEX #EE5B17

RGB 238 91 23

HSL 18.98, 0.86%, 0.51%

LAB 57.77, 54.06, 62.34

 

CMYK 90 / 0 / 62 / 7

HEX #17EE5B

RGB 23 238 91

HSL 138.98, 0.86%, 0.51%

LAB 82.96, -75.78, 56.64

 

CMYK 61 / 91 / 0 / 7

HEX #5C16EE

RGB 92 22 238

HSL 259.44, 0.86%, 0.51%

LAB 36.03, 73.8, -91.94

 

CMYK 0 / 90 / 47 / 7

HEX #EE177E

RGB 238 23 126

HSL 331.26, 0.86%, 0.51%

LAB 52.17, 78.76, 0.92

 

CMYK 29 / 0 / 90 / 7

HEX #A9EE17

RGB 169 238 23

HSL 79.26, 0.86%, 0.51%

LAB 86.82, -47.56, 82

 

CMYK 90 / 0 / 44 / 7

HEX #17EE86

RGB 23 238 134

HSL 150.98, 0.86%, 0.51%

LAB 83.47, -69.58, 37.34

 

CMYK 61 / 91 / 0 / 7

HEX #5C16EE

RGB 92 22 238

HSL 259.44, 0.86%, 0.51%

LAB 36.03, 73.8, -91.94

 

CMYK 0 / 90 / 74 / 7

HEX #EE173E

RGB 238 23 62

HSL 349.12, 0.86%, 0.51%

LAB 50.85, 75.08, 37.77

 

CMYK 29 / 0 / 90 / 7

HEX #A9EE17

RGB 169 238 23

HSL 79.26, 0.86%, 0.51%

LAB 86.82, -47.56, 82

 

CMYK 90 / 0 / 17 / 7

HEX #17EEC6

RGB 23 238 198

HSL 168.84, 0.86%, 0.51%

LAB 84.69, -55.86, 6.18

 

Description

Color code: HEX #5C16EE | qconv.com Color code: HEX #5C16EE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 22 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 22 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 91 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 91% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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