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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C1558 it is the complementary color #A3EAA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C1558. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C1558 shade: #611553, #722766, #833979, #944B8C and #A55D9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C1558. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C1558 shade: #5C1558, #4B0345, #3A0032, #29001F and #18000C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C1558 shade: #5B1557, #5B1544, #5B1531, #5B151E and #5B1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C1558 shade: #5B1557, #4C155B, #39155B, #26155B and #15155B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C1558 shade matches the following richer shades: #5B1557, #650C60 and #6E0368

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C1558 shade: #5B1557, #521E4F, #492747, #40303F and #373937

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C1558 shade: #39155B, #4C155B, #5B1558, #5B1545 and #5B1532

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C1558 shade: #180517, #3A0D37, #5B1557, #7D1C78 and #9F2498

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C1558 shade: #5C1558, #5B2615 and #155B43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C1558 shade: #5C1558, #585B15 and #15585B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C1558 shade: #5C1558, #5B2615, #155B18 and #154A5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C1558 shade: #5C1558, #5B3C15, #155B18 and #15355B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 4 / 64

HEX #5C1558

RGB 92 21 88

HSL 303.38, 0.63%, 0.22%

LAB 22, 40.07, -23.41

 

Complementary color

CMYK 30 / 0 / 29 / 8

HEX #A3EAA7

RGB 163 234 167

HSL 123.38, 0.63%, 0.78%

LAB 86.71, -35.1, 25.68

 

CMYK 0 / 78 / 14 / 62

HEX #611553

RGB 97 21 83

HSL 311.05, 0.64%, 0.23%

LAB 22.66, 40.51, -18.96

 

CMYK 0 / 66 / 11 / 55

HEX #722766

RGB 114 39 102

HSL 309.6, 0.49%, 0.3%

LAB 29.38, 40.93, -20.73

 

CMYK 0 / 56 / 8 / 49

HEX #833979

RGB 131 57 121

HSL 308.11, 0.39%, 0.37%

LAB 36.24, 40.61, -21.89

 

CMYK 0 / 49 / 5 / 42

HEX #944B8C

RGB 148 75 140

HSL 306.58, 0.33%, 0.44%

LAB 43.1, 39.99, -22.73

 

CMYK 0 / 44 / 4 / 35

HEX #A55D9F

RGB 165 93 159

HSL 305, 0.29%, 0.51%

LAB 49.9, 39.25, -23.37

 

CMYK 0 / 77 / 4 / 64

HEX #5C1558

RGB 92 21 88

HSL 303.38, 0.63%, 0.22%

LAB 22, 40.07, -23.41

 

CMYK 0 / 96 / 8 / 71

HEX #4B0345

RGB 75 3 69

HSL 305, 0.92%, 0.15%

LAB 15.44, 38.53, -21.06

 

CMYK 0 / 100 / 14 / 77

HEX #3A0032

RGB 58 0 50

HSL 308.28, 1%, 0.11%

LAB 10.03, 32.86, -16.28

 

CMYK 0 / 100 / 24 / 84

HEX #29001F

RGB 41 0 31

HSL 314.63, 1%, 0.08%

LAB 5.15, 24, -9.77

 

CMYK 0 / 100 / 50 / 91

HEX #18000C

RGB 24 0 12

HSL 330, 1%, 0.05%

LAB 1.99, 9.55, -1.81

 

CMYK 0 / 77 / 4 / 64

HEX #5B1557

RGB 91 21 87

HSL 303.43, 0.63%, 0.22%

LAB 21.76, 39.63, -23.14

 

CMYK 0 / 77 / 25 / 64

HEX #5B1544

RGB 91 21 68

HSL 319.71, 0.63%, 0.22%

LAB 20.74, 36.49, -11.84

 

CMYK 0 / 77 / 46 / 64

HEX #5B1531

RGB 91 21 49

HSL 336, 0.63%, 0.22%

LAB 19.97, 33.99, 0.23

 

CMYK 0 / 77 / 67 / 64

HEX #5B151E

RGB 91 21 30

HSL 352.29, 0.63%, 0.22%

LAB 19.45, 32.23, 12.91

 

CMYK 0 / 77 / 77 / 64

HEX #5B1515

RGB 91 21 21

HSL 0, 0.63%, 0.22%

LAB 19.29, 31.66, 18.9

 

CMYK 0 / 77 / 4 / 64

HEX #5B1557

RGB 91 21 87

HSL 303.43, 0.63%, 0.22%

LAB 21.76, 39.63, -23.14

 

CMYK 16 / 77 / 0 / 64

HEX #4C155B

RGB 76 21 91

HSL 287.14, 0.63%, 0.22%

LAB 19.34, 36.71, -29.82

 

CMYK 37 / 77 / 0 / 64

HEX #39155B

RGB 57 21 91

HSL 270.86, 0.63%, 0.22%

LAB 16.31, 32.34, -34.86

 

CMYK 58 / 77 / 0 / 64

HEX #26155B

RGB 38 21 91

HSL 254.57, 0.63%, 0.22%

LAB 13.85, 28.58, -38.98

 

CMYK 77 / 77 / 0 / 64

HEX #15155B

RGB 21 21 91

HSL 240, 0.63%, 0.22%

LAB 12.29, 26.06, -41.6

 

CMYK 0 / 77 / 4 / 64

HEX #5B1557

RGB 91 21 87

HSL 303.43, 0.63%, 0.22%

LAB 21.76, 39.63, -23.14

 

CMYK 0 / 88 / 5 / 60

HEX #650C60

RGB 101 12 96

HSL 303.37, 0.79%, 0.22%

LAB 23.25, 46.31, -26.63

 

CMYK 0 / 97 / 5 / 57

HEX #6E0368

RGB 110 3 104

HSL 303.36, 0.95%, 0.22%

LAB 24.89, 51.33, -29.16

 

CMYK 0 / 77 / 4 / 64

HEX #5B1557

RGB 91 21 87

HSL 303.43, 0.63%, 0.22%

LAB 21.76, 39.63, -23.14

 

CMYK 0 / 63 / 4 / 68

HEX #521E4F

RGB 82 30 79

HSL 303.46, 0.46%, 0.22%

LAB 21.16, 31.52, -18.82

 

CMYK 0 / 47 / 3 / 71

HEX #492747

RGB 73 39 71

HSL 303.53, 0.3%, 0.22%

LAB 21.29, 21.61, -13.3

 

CMYK 0 / 25 / 2 / 75

HEX #40303F

RGB 64 48 63

HSL 303.75, 0.14%, 0.22%

LAB 22.17, 10.38, -6.64

 

CMYK 4 / 0 / 4 / 78

HEX #373937

RGB 55 57 55

HSL 120, 0.02%, 0.22%

LAB 23.72, -1.31, 0.94

 

CMYK 37 / 77 / 0 / 64

HEX #39155B

RGB 57 21 91

HSL 270.86, 0.63%, 0.22%

LAB 16.31, 32.34, -34.86

 

CMYK 16 / 77 / 0 / 64

HEX #4C155B

RGB 76 21 91

HSL 287.14, 0.63%, 0.22%

LAB 19.34, 36.71, -29.82

 

CMYK 0 / 77 / 3 / 64

HEX #5B1558

RGB 91 21 88

HSL 302.57, 0.63%, 0.22%

LAB 21.82, 39.81, -23.71

 

CMYK 0 / 77 / 24 / 64

HEX #5B1545

RGB 91 21 69

HSL 318.86, 0.63%, 0.22%

LAB 20.79, 36.64, -12.46

 

CMYK 0 / 77 / 45 / 64

HEX #5B1532

RGB 91 21 50

HSL 335.14, 0.63%, 0.22%

LAB 20.01, 34.1, -0.42

 

CMYK 0 / 79 / 4 / 91

HEX #180517

RGB 24 5 23

HSL 303.16, 0.66%, 0.06%

LAB 3.29, 9.79, -6.48

 

CMYK 0 / 78 / 5 / 77

HEX #3A0D37

RGB 58 13 55

HSL 304, 0.63%, 0.14%

LAB 12.37, 27.94, -16.22

 

CMYK 0 / 77 / 4 / 64

HEX #5B1557

RGB 91 21 87

HSL 303.43, 0.63%, 0.22%

LAB 21.76, 39.63, -23.14

 

CMYK 0 / 78 / 4 / 51

HEX #7D1C78

RGB 125 28 120

HSL 303.09, 0.63%, 0.3%

LAB 30.75, 51.14, -29.94

 

CMYK 0 / 77 / 4 / 38

HEX #9F2498

RGB 159 36 152

HSL 303.41, 0.63%, 0.38%

LAB 39.41, 61.48, -35.64

 

CMYK 0 / 77 / 4 / 64

HEX #5C1558

RGB 92 21 88

HSL 303.38, 0.63%, 0.22%

LAB 22, 40.07, -23.41

 

CMYK 0 / 58 / 77 / 64

HEX #5B2615

RGB 91 38 21

HSL 14.57, 0.63%, 0.22%

LAB 22.53, 23.04, 22.6

 

CMYK 77 / 0 / 26 / 64

HEX #155B43

RGB 21 91 67

HSL 159.43, 0.63%, 0.22%

LAB 34.08, -27.73, 7.79

 

CMYK 0 / 77 / 4 / 64

HEX #5C1558

RGB 92 21 88

HSL 303.38, 0.63%, 0.22%

LAB 22, 40.07, -23.41

 

CMYK 3 / 0 / 77 / 64

HEX #585B15

RGB 88 91 21

HSL 62.57, 0.63%, 0.22%

LAB 37.14, -10.82, 37.57

 

CMYK 77 / 3 / 0 / 64

HEX #15585B

RGB 21 88 91

HSL 182.57, 0.63%, 0.22%

LAB 33.76, -18.92, -7.69

 

CMYK 0 / 77 / 4 / 64

HEX #5C1558

RGB 92 21 88

HSL 303.38, 0.63%, 0.22%

LAB 22, 40.07, -23.41

 

CMYK 0 / 58 / 77 / 64

HEX #5B2615

RGB 91 38 21

HSL 14.57, 0.63%, 0.22%

LAB 22.53, 23.04, 22.6

 

CMYK 77 / 0 / 74 / 64

HEX #155B18

RGB 21 91 24

HSL 122.57, 0.63%, 0.22%

LAB 33.37, -35.8, 31.23

 

CMYK 77 / 19 / 0 / 64

HEX #154A5B

RGB 21 74 91

HSL 194.57, 0.63%, 0.22%

LAB 28.93, -10.86, -15.04

 

CMYK 0 / 77 / 4 / 64

HEX #5C1558

RGB 92 21 88

HSL 303.38, 0.63%, 0.22%

LAB 22, 40.07, -23.41

 

CMYK 0 / 34 / 77 / 64

HEX #5B3C15

RGB 91 60 21

HSL 33.43, 0.63%, 0.22%

LAB 28.14, 9.55, 28.66

 

CMYK 77 / 0 / 74 / 64

HEX #155B18

RGB 21 91 24

HSL 122.57, 0.63%, 0.22%

LAB 33.37, -35.8, 31.23

 

CMYK 77 / 42 / 0 / 64

HEX #15355B

RGB 21 53 91

HSL 212.57, 0.63%, 0.22%

LAB 21.8, 2.94, -26.19

 

Description

Color code: HEX #5C1558 | qconv.com Color code: HEX #5C1558 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 21 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 21 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 4 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 4% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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