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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C0F50 it is the complementary color #A3F0AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C0F50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C0F50 shade: #610F4B, #72215E, #833371, #944584 and #A55797

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C0F50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C0F50 shade: #5C0F50, #4B003D, #3A002A, #290017 and #180004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C0F50 shade: #5C0F50, #5C0F3B, #5C0F27, #5C0F12 and #5C0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C0F50 shade: #5C0F50, #530F5C, #3F0F5C, #2A0F5C and #150F5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C0F50 shade matches the following richer shades: #5C0F50 and #650656

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C0F50 shade: #5C0F50, #53184A, #4B2044, #42293E and #393238

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C0F50 shade: #3F0F5C, #530F5C, #5C0F51, #5C0F3C and #5C0F27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C0F50 shade: #150312, #390931, #5C0F50, #80156F and #A31B8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C0F50 shade: #5C0F50, #5C2A0F and #0F5C49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C0F50 shade: #5C0F50, #515C0F and #0F515C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C0F50 shade: #5C0F50, #5C2A0F, #0F5C1B and #0F415C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C0F50 shade: #5C0F50, #5C410F, #0F5C1B and #0F2A5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 13 / 64

HEX #5C0F50

RGB 92 15 80

HSL 309.35, 0.72%, 0.21%

LAB 20.81, 40.77, -19.91

 

Complementary color

CMYK 32 / 0 / 27 / 6

HEX #A3F0AF

RGB 163 240 175

HSL 129.35, 0.72%, 0.79%

LAB 88.54, -36.5, 24.08

 

CMYK 0 / 85 / 23 / 62

HEX #610F4B

RGB 97 15 75

HSL 316.1, 0.73%, 0.22%

LAB 21.55, 41.27, -15.29

 

CMYK 0 / 71 / 18 / 55

HEX #72215E

RGB 114 33 94

HSL 314.81, 0.55%, 0.29%

LAB 28.04, 42.23, -17.62

 

CMYK 0 / 61 / 14 / 49

HEX #833371

RGB 131 51 113

HSL 313.5, 0.44%, 0.36%

LAB 34.77, 42.19, -19.15

 

CMYK 0 / 53 / 11 / 42

HEX #944584

RGB 148 69 132

HSL 312.15, 0.36%, 0.43%

LAB 41.56, 41.69, -20.23

 

CMYK 0 / 47 / 8 / 35

HEX #A55797

RGB 165 87 151

HSL 310.77, 0.31%, 0.49%

LAB 48.32, 41, -21.06

 

CMYK 0 / 84 / 13 / 64

HEX #5C0F50

RGB 92 15 80

HSL 309.35, 0.72%, 0.21%

LAB 20.81, 40.77, -19.91

 

CMYK 0 / 100 / 19 / 71

HEX #4B003D

RGB 75 0 61

HSL 311.2, 1%, 0.15%

LAB 14.58, 38.3, -16.78

 

CMYK 0 / 100 / 28 / 77

HEX #3A002A

RGB 58 0 42

HSL 316.55, 1%, 0.11%

LAB 9.54, 31.62, -11.12

 

CMYK 0 / 100 / 44 / 84

HEX #290017

RGB 41 0 23

HSL 326.34, 1%, 0.08%

LAB 4.82, 22.3, -3.96

 

CMYK 0 / 100 / 83 / 91

HEX #180004

RGB 24 0 4

HSL 350, 1%, 0.05%

LAB 1.83, 8.43, 1.26

 

CMYK 0 / 84 / 13 / 64

HEX #5C0F50

RGB 92 15 80

HSL 309.35, 0.72%, 0.21%

LAB 20.81, 40.77, -19.91

 

CMYK 0 / 84 / 36 / 64

HEX #5C0F3B

RGB 92 15 59

HSL 325.71, 0.72%, 0.21%

LAB 19.77, 37.71, -7.06

 

CMYK 0 / 84 / 58 / 64

HEX #5C0F27

RGB 92 15 39

HSL 341.3, 0.72%, 0.21%

LAB 19.07, 35.56, 6.06

 

CMYK 0 / 84 / 80 / 64

HEX #5C0F12

RGB 92 15 18

HSL 357.66, 0.72%, 0.21%

LAB 18.63, 34.17, 20.13

 

CMYK 0 / 84 / 84 / 64

HEX #5C0F0F

RGB 92 15 15

HSL 0, 0.72%, 0.21%

LAB 18.59, 34.04, 21.79

 

CMYK 0 / 84 / 13 / 64

HEX #5C0F50

RGB 92 15 80

HSL 309.35, 0.72%, 0.21%

LAB 20.81, 40.77, -19.91

 

CMYK 10 / 84 / 0 / 64

HEX #530F5C

RGB 83 15 92

HSL 292.99, 0.72%, 0.21%

LAB 19.86, 40.81, -29.59

 

CMYK 32 / 84 / 0 / 64

HEX #3F0F5C

RGB 63 15 92

HSL 277.4, 0.72%, 0.21%

LAB 16.36, 36.61, -35.41

 

CMYK 54 / 84 / 0 / 64

HEX #2A0F5C

RGB 42 15 92

HSL 261.04, 0.72%, 0.21%

LAB 13.27, 32.85, -40.59

 

CMYK 77 / 84 / 0 / 64

HEX #150F5C

RGB 21 15 92

HSL 244.68, 0.72%, 0.21%

LAB 11.09, 30.16, -44.25

 

CMYK 0 / 84 / 13 / 64

HEX #5C0F50

RGB 92 15 80

HSL 309.35, 0.72%, 0.21%

LAB 20.81, 40.77, -19.91

 

CMYK 0 / 94 / 15 / 60

HEX #650656

RGB 101 6 86

HSL 309.47, 0.89%, 0.21%

LAB 22.19, 46.07, -21.65

 

CMYK 0 / 84 / 13 / 64

HEX #5C0F50

RGB 92 15 80

HSL 309.35, 0.72%, 0.21%

LAB 20.81, 40.77, -19.91

 

CMYK 0 / 71 / 11 / 67

HEX #53184A

RGB 83 24 74

HSL 309.15, 0.55%, 0.21%

LAB 19.99, 33.82, -17.24

 

CMYK 0 / 57 / 9 / 71

HEX #4B2044

RGB 75 32 68

HSL 309.77, 0.4%, 0.21%

LAB 19.83, 25.94, -13.49

 

CMYK 0 / 38 / 6 / 74

HEX #42293E

RGB 66 41 62

HSL 309.6, 0.23%, 0.21%

LAB 20.41, 15.66, -8.6

 

CMYK 0 / 12 / 2 / 78

HEX #393238

RGB 57 50 56

HSL 308.57, 0.07%, 0.21%

LAB 21.71, 4.45, -2.65

 

CMYK 32 / 84 / 0 / 64

HEX #3F0F5C

RGB 63 15 92

HSL 277.4, 0.72%, 0.21%

LAB 16.36, 36.61, -35.41

 

CMYK 10 / 84 / 0 / 64

HEX #530F5C

RGB 83 15 92

HSL 292.99, 0.72%, 0.21%

LAB 19.86, 40.81, -29.59

 

CMYK 0 / 84 / 12 / 64

HEX #5C0F51

RGB 92 15 81

HSL 308.57, 0.72%, 0.21%

LAB 20.87, 40.93, -20.49

 

CMYK 0 / 84 / 35 / 64

HEX #5C0F3C

RGB 92 15 60

HSL 324.94, 0.72%, 0.21%

LAB 19.81, 37.84, -7.7

 

CMYK 0 / 84 / 58 / 64

HEX #5C0F27

RGB 92 15 39

HSL 341.3, 0.72%, 0.21%

LAB 19.07, 35.56, 6.06

 

CMYK 0 / 86 / 14 / 92

HEX #150312

RGB 21 3 18

HSL 310, 0.75%, 0.05%

LAB 2.42, 8.03, -4.41

 

CMYK 0 / 84 / 14 / 78

HEX #390931

RGB 57 9 49

HSL 310, 0.73%, 0.13%

LAB 11.18, 28.27, -13.74

 

CMYK 0 / 84 / 13 / 64

HEX #5C0F50

RGB 92 15 80

HSL 309.35, 0.72%, 0.21%

LAB 20.81, 40.77, -19.91

 

CMYK 0 / 84 / 13 / 50

HEX #80156F

RGB 128 21 111

HSL 309.53, 0.72%, 0.29%

LAB 30.09, 52.44, -25.22

 

CMYK 0 / 83 / 13 / 36

HEX #A31B8E

RGB 163 27 142

HSL 309.26, 0.72%, 0.37%

LAB 38.77, 63.2, -30.52

 

CMYK 0 / 84 / 13 / 64

HEX #5C0F50

RGB 92 15 80

HSL 309.35, 0.72%, 0.21%

LAB 20.81, 40.77, -19.91

 

CMYK 0 / 54 / 84 / 64

HEX #5C2A0F

RGB 92 42 15

HSL 21.04, 0.72%, 0.21%

LAB 23.56, 20.85, 27.22

 

CMYK 84 / 0 / 21 / 64

HEX #0F5C49

RGB 15 92 73

HSL 165.19, 0.72%, 0.21%

LAB 34.47, -27.41, 4.61

 

CMYK 0 / 84 / 13 / 64

HEX #5C0F50

RGB 92 15 80

HSL 309.35, 0.72%, 0.21%

LAB 20.81, 40.77, -19.91

 

CMYK 12 / 0 / 84 / 64

HEX #515C0F

RGB 81 92 15

HSL 68.57, 0.72%, 0.21%

LAB 36.81, -15.05, 39.29

 

CMYK 84 / 12 / 0 / 64

HEX #0F515C

RGB 15 81 92

HSL 188.57, 0.72%, 0.21%

LAB 31.25, -15.44, -12.14

 

CMYK 0 / 84 / 13 / 64

HEX #5C0F50

RGB 92 15 80

HSL 309.35, 0.72%, 0.21%

LAB 20.81, 40.77, -19.91

 

CMYK 0 / 54 / 84 / 64

HEX #5C2A0F

RGB 92 42 15

HSL 21.04, 0.72%, 0.21%

LAB 23.56, 20.85, 27.22

 

CMYK 84 / 0 / 71 / 64

HEX #0F5C1B

RGB 15 92 27

HSL 129.35, 0.72%, 0.21%

LAB 33.64, -36.87, 30.08

 

CMYK 84 / 29 / 0 / 64

HEX #0F415C

RGB 15 65 92

HSL 201.04, 0.72%, 0.21%

LAB 25.73, -5.67, -20.67

 

CMYK 0 / 84 / 13 / 64

HEX #5C0F50

RGB 92 15 80

HSL 309.35, 0.72%, 0.21%

LAB 20.81, 40.77, -19.91

 

CMYK 0 / 29 / 84 / 64

HEX #5C410F

RGB 92 65 15

HSL 38.96, 0.72%, 0.21%

LAB 29.64, 6.59, 33.09

 

CMYK 84 / 0 / 71 / 64

HEX #0F5C1B

RGB 15 92 27

HSL 129.35, 0.72%, 0.21%

LAB 33.64, -36.87, 30.08

 

CMYK 84 / 54 / 0 / 64

HEX #0F2A5C

RGB 15 42 92

HSL 218.96, 0.72%, 0.21%

LAB 18.05, 10.46, -32.88

 

Description

Color code: HEX #5C0F50 | qconv.com Color code: HEX #5C0F50 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 15 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 15 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 13 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 13% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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