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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C0C63 it is the complementary color #A3F39C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C0C63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C0C63 shade: #610C5E, #721E71, #833084, #944297 and #A554AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C0C63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C0C63 shade: #5C0C63, #4B0050, #3A003D, #29002A and #180017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C0C63 shade: #5D0C64, #640C53, #640C3C, #640C24 and #640C0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C0C63 shade: #5D0C64, #450C64, #2E0C64, #160C64 and #0C0C64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C0C63 shade matches the following richer shades: #5D0C64 and #64036D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C0C63 shade: #5D0C64, #55155B, #4E1E52, #462849 and #3E3140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C0C63 shade: #2E0C64, #450C64, #5D0C64, #640C54 and #640C3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C0C63 shade: #19031A, #3B083F, #5D0C64, #7F1189 and #A115AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C0C63 shade: #5C0C63, #64170C and #0C643A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C0C63 shade: #5C0C63, #645D0C and #0C645D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C0C63 shade: #5C0C63, #64170C, #14640C and #0C5A64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C0C63 shade: #5C0C63, #64310C, #14640C and #0C3F64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 88 / 0 / 61

HEX #5C0C63

RGB 92 12 99

HSL 295.17, 0.78%, 0.22%

LAB 21.72, 44.94, -31.14

 

Complementary color

CMYK 33 / 0 / 36 / 5

HEX #A3F39C

RGB 163 243 156

HSL 115.17, 0.78%, 0.78%

LAB 89.06, -40.89, 34.41

 

CMYK 0 / 88 / 3 / 62

HEX #610C5E

RGB 97 12 94

HSL 302.12, 0.78%, 0.21%

LAB 22.35, 45.11, -26.79

 

CMYK 0 / 74 / 1 / 55

HEX #721E71

RGB 114 30 113

HSL 300.71, 0.58%, 0.28%

LAB 28.64, 46.62, -28.96

 

CMYK 1 / 64 / 0 / 48

HEX #833084

RGB 131 48 132

HSL 299.29, 0.47%, 0.35%

LAB 35.21, 46.92, -30.33

 

CMYK 2 / 56 / 0 / 41

HEX #944297

RGB 148 66 151

HSL 297.88, 0.39%, 0.43%

LAB 41.89, 46.62, -31.25

 

CMYK 3 / 51 / 0 / 33

HEX #A554AA

RGB 165 84 170

HSL 296.51, 0.34%, 0.5%

LAB 48.56, 46.05, -31.91

 

CMYK 7 / 88 / 0 / 61

HEX #5C0C63

RGB 92 12 99

HSL 295.17, 0.78%, 0.22%

LAB 21.72, 44.94, -31.14

 

CMYK 6 / 100 / 0 / 69

HEX #4B0050

RGB 75 0 80

HSL 296.25, 1%, 0.16%

LAB 15.88, 41.45, -27.96

 

CMYK 5 / 100 / 0 / 76

HEX #3A003D

RGB 58 0 61

HSL 297.05, 1%, 0.12%

LAB 10.82, 34.79, -22.99

 

CMYK 2 / 100 / 0 / 84

HEX #29002A

RGB 41 0 42

HSL 298.57, 1%, 0.08%

LAB 5.77, 26.73, -17.3

 

CMYK 0 / 100 / 4 / 91

HEX #180017

RGB 24 0 23

HSL 302.5, 1%, 0.05%

LAB 2.31, 11.8, -7.91

 

CMYK 7 / 88 / 0 / 61

HEX #5D0C64

RGB 93 12 100

HSL 295.23, 0.79%, 0.22%

LAB 21.98, 45.33, -31.37

 

CMYK 0 / 88 / 17 / 61

HEX #640C53

RGB 100 12 83

HSL 311.59, 0.79%, 0.22%

LAB 22.29, 44.02, -19.5

 

CMYK 0 / 88 / 40 / 61

HEX #640C3C

RGB 100 12 60

HSL 327.27, 0.79%, 0.22%

LAB 21.2, 40.95, -5.44

 

CMYK 0 / 88 / 64 / 61

HEX #640C24

RGB 100 12 36

HSL 343.64, 0.79%, 0.22%

LAB 20.44, 38.71, 10.35

 

CMYK 0 / 88 / 87 / 61

HEX #640C0D

RGB 100 12 13

HSL 359.32, 0.79%, 0.22%

LAB 20.05, 37.54, 24.95

 

CMYK 7 / 88 / 0 / 61

HEX #5D0C64

RGB 93 12 100

HSL 295.23, 0.79%, 0.22%

LAB 21.98, 45.33, -31.37

 

CMYK 31 / 88 / 0 / 61

HEX #450C64

RGB 69 12 100

HSL 278.86, 0.79%, 0.22%

LAB 17.68, 40.73, -38.53

 

CMYK 54 / 88 / 0 / 61

HEX #2E0C64

RGB 46 12 100

HSL 263.18, 0.79%, 0.22%

LAB 14.2, 37.11, -44.38

 

CMYK 78 / 88 / 0 / 61

HEX #160C64

RGB 22 12 100

HSL 246.82, 0.79%, 0.22%

LAB 11.65, 34.57, -48.68

 

CMYK 88 / 88 / 0 / 61

HEX #0C0C64

RGB 12 12 100

HSL 240, 0.79%, 0.22%

LAB 11, 33.95, -49.77

 

CMYK 7 / 88 / 0 / 61

HEX #5D0C64

RGB 93 12 100

HSL 295.23, 0.79%, 0.22%

LAB 21.98, 45.33, -31.37

 

CMYK 8 / 97 / 0 / 57

HEX #64036D

RGB 100 3 109

HSL 294.91, 0.95%, 0.22%

LAB 23.27, 50.31, -35.12

 

CMYK 7 / 88 / 0 / 61

HEX #5D0C64

RGB 93 12 100

HSL 295.23, 0.79%, 0.22%

LAB 21.98, 45.33, -31.37

 

CMYK 7 / 77 / 0 / 64

HEX #55155B

RGB 85 21 91

HSL 294.86, 0.63%, 0.22%

LAB 20.92, 38.89, -27.21

 

CMYK 5 / 63 / 0 / 68

HEX #4E1E52

RGB 78 30 82

HSL 295.38, 0.46%, 0.22%

LAB 20.66, 30.91, -21.66

 

CMYK 4 / 45 / 0 / 71

HEX #462849

RGB 70 40 73

HSL 294.55, 0.29%, 0.22%

LAB 21.21, 20.32, -14.82

 

CMYK 3 / 23 / 0 / 75

HEX #3E3140

RGB 62 49 64

HSL 292, 0.13%, 0.22%

LAB 22.27, 9.11, -7.19

 

CMYK 54 / 88 / 0 / 61

HEX #2E0C64

RGB 46 12 100

HSL 263.18, 0.79%, 0.22%

LAB 14.2, 37.11, -44.38

 

CMYK 31 / 88 / 0 / 61

HEX #450C64

RGB 69 12 100

HSL 278.86, 0.79%, 0.22%

LAB 17.68, 40.73, -38.53

 

CMYK 7 / 88 / 0 / 61

HEX #5D0C64

RGB 93 12 100

HSL 295.23, 0.79%, 0.22%

LAB 21.98, 45.33, -31.37

 

CMYK 0 / 88 / 16 / 61

HEX #640C54

RGB 100 12 84

HSL 310.91, 0.79%, 0.22%

LAB 22.35, 44.17, -20.08

 

CMYK 0 / 88 / 40 / 61

HEX #640C3C

RGB 100 12 60

HSL 327.27, 0.79%, 0.22%

LAB 21.2, 40.95, -5.44

 

CMYK 4 / 88 / 0 / 90

HEX #19031A

RGB 25 3 26

HSL 297.39, 0.79%, 0.06%

LAB 3.13, 11.91, -9.06

 

CMYK 6 / 87 / 0 / 75

HEX #3B083F

RGB 59 8 63

HSL 295.64, 0.77%, 0.14%

LAB 12.37, 31.92, -21.93

 

CMYK 7 / 88 / 0 / 61

HEX #5D0C64

RGB 93 12 100

HSL 295.23, 0.79%, 0.22%

LAB 21.98, 45.33, -31.37

 

CMYK 7 / 88 / 0 / 46

HEX #7F1189

RGB 127 17 137

HSL 295, 0.78%, 0.3%

LAB 31.16, 57.4, -39.93

 

CMYK 7 / 88 / 0 / 32

HEX #A115AD

RGB 161 21 173

HSL 295.26, 0.78%, 0.38%

LAB 39.8, 68.83, -47.62

 

CMYK 7 / 88 / 0 / 61

HEX #5C0C63

RGB 92 12 99

HSL 295.17, 0.78%, 0.22%

LAB 21.72, 44.94, -31.14

 

CMYK 0 / 77 / 88 / 61

HEX #64170C

RGB 100 23 12

HSL 7.5, 0.79%, 0.22%

LAB 21.39, 33.73, 26.9

 

CMYK 88 / 0 / 42 / 61

HEX #0C643A

RGB 12 100 58

HSL 151.36, 0.79%, 0.22%

LAB 36.93, -35.06, 17.11

 

CMYK 7 / 88 / 0 / 61

HEX #5C0C63

RGB 92 12 99

HSL 295.17, 0.78%, 0.22%

LAB 21.72, 44.94, -31.14

 

CMYK 0 / 7 / 88 / 61

HEX #645D0C

RGB 100 93 12

HSL 55.23, 0.79%, 0.22%

LAB 38.84, -6.49, 42.67

 

CMYK 88 / 0 / 7 / 61

HEX #0C645D

RGB 12 100 93

HSL 175.23, 0.79%, 0.22%

LAB 37.81, -25.56, -2.93

 

CMYK 7 / 88 / 0 / 61

HEX #5C0C63

RGB 92 12 99

HSL 295.17, 0.78%, 0.22%

LAB 21.72, 44.94, -31.14

 

CMYK 0 / 77 / 88 / 61

HEX #64170C

RGB 100 23 12

HSL 7.5, 0.79%, 0.22%

LAB 21.39, 33.73, 26.9

 

CMYK 80 / 0 / 88 / 61

HEX #14640C

RGB 20 100 12

HSL 114.55, 0.79%, 0.22%

LAB 36.54, -40.21, 38.87

 

CMYK 88 / 10 / 0 / 61

HEX #0C5A64

RGB 12 90 100

HSL 186.82, 0.79%, 0.22%

LAB 34.62, -17.92, -12.05

 

CMYK 7 / 88 / 0 / 61

HEX #5C0C63

RGB 92 12 99

HSL 295.17, 0.78%, 0.22%

LAB 21.72, 44.94, -31.14

 

CMYK 0 / 51 / 88 / 61

HEX #64310C

RGB 100 49 12

HSL 25.23, 0.79%, 0.22%

LAB 26.54, 20.26, 32.01

 

CMYK 80 / 0 / 88 / 61

HEX #14640C

RGB 20 100 12

HSL 114.55, 0.79%, 0.22%

LAB 36.54, -40.21, 38.87

 

CMYK 88 / 37 / 0 / 61

HEX #0C3F64

RGB 12 63 100

HSL 205.23, 0.79%, 0.22%

LAB 25.42, -1.36, -26.33

 

Description

Color code: HEX #5C0C63 | qconv.com Color code: HEX #5C0C63 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 12 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 12 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 88 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 88% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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