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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BF866 it is the complementary color #A40799. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BF866. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BF866 shade: #60F861, #71FF74, #82FF87, #93FF9A and #A4FFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BF866. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BF866 shade: #5BF866, #4AE653, #39D440, #28C22D and #17B01A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BF866 shade: #59F864, #78F859, #A3F859, #CEF859 and #F8F759

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BF866 shade: #59F864, #59F88F, #59F8BA, #59F8E5 and #59E0F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BF866 shade matches the following richer shades: #59F864

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BF866 shade: #59F864, #67EA70, #75DC7C, #83CE88 and #91C094

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BF866 shade: #A3F859, #78F859, #59F863, #59F88E and #59F8B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BF866 shade: #0AF41B, #31F63F, #59F864, #80FA89 and #A8FBAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BF866 shade: #5BF866, #59CEF8 and #F8598E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BF866 shade: #5BF866, #6359F8 and #F86359

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BF866 shade: #5BF866, #59CEF8, #F859ED and #F88359

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BF866 shade: #5BF866, #599EF8, #F859ED and #F8B359

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 59 / 3

HEX #5BF866

RGB 91 248 102

HSL 124.2, 0.92%, 0.66%

LAB 87.15, -69.06, 57

 

Complementary color

CMYK 0 / 96 / 7 / 36

HEX #A40799

RGB 164 7 153

HSL 304.2, 0.92%, 0.34%

LAB 38.45, 68.21, -37.71

 

CMYK 61 / 0 / 61 / 3

HEX #60F861

RGB 96 248 97

HSL 120.39, 0.92%, 0.67%

LAB 87.23, -68.57, 59.26

 

CMYK 56 / 0 / 55 / 0

HEX #71FF74

RGB 113 255 116

HSL 121.27, 1%, 0.72%

LAB 89.99, -65.1, 54.31

 

CMYK 49 / 0 / 47 / 0

HEX #82FF87

RGB 130 255 135

HSL 122.4, 1%, 0.75%

LAB 90.79, -58.45, 46.62

 

CMYK 42 / 0 / 40 / 0

HEX #93FF9A

RGB 147 255 154

HSL 123.89, 1%, 0.79%

LAB 91.71, -51.11, 38.75

 

CMYK 36 / 0 / 32 / 0

HEX #A4FFAD

RGB 164 255 173

HSL 125.93, 1%, 0.82%

LAB 92.76, -43.22, 30.84

 

CMYK 63 / 0 / 59 / 3

HEX #5BF866

RGB 91 248 102

HSL 124.2, 0.92%, 0.66%

LAB 87.15, -69.06, 57

 

CMYK 68 / 0 / 64 / 10

HEX #4AE653

RGB 74 230 83

HSL 123.46, 0.76%, 0.6%

LAB 81.11, -68.3, 58.1

 

CMYK 73 / 0 / 70 / 17

HEX #39D440

RGB 57 212 64

HSL 122.71, 0.64%, 0.53%

LAB 75.03, -67.15, 58.98

 

CMYK 79 / 0 / 77 / 24

HEX #28C22D

RGB 40 194 45

HSL 121.95, 0.66%, 0.46%

LAB 68.91, -65.47, 59.39

 

CMYK 87 / 0 / 85 / 31

HEX #17B01A

RGB 23 176 26

HSL 121.18, 0.77%, 0.39%

LAB 62.77, -63.06, 58.97

 

CMYK 64 / 0 / 60 / 3

HEX #59F864

RGB 89 248 100

HSL 124.15, 0.92%, 0.66%

LAB 87.08, -69.67, 57.77

 

CMYK 52 / 0 / 64 / 3

HEX #78F859

RGB 120 248 89

HSL 108.3, 0.92%, 0.66%

LAB 87.9, -63.64, 63.49

 

CMYK 34 / 0 / 64 / 3

HEX #A3F859

RGB 163 248 89

HSL 92.08, 0.92%, 0.66%

LAB 89.69, -50.67, 65.96

 

CMYK 17 / 0 / 64 / 3

HEX #CEF859

RGB 206 248 89

HSL 75.85, 0.92%, 0.66%

LAB 92.12, -35.17, 69.28

 

CMYK 0 / 0 / 64 / 3

HEX #F8F759

RGB 248 247 89

HSL 59.62, 0.92%, 0.66%

LAB 94.82, -18.18, 73.02

 

CMYK 64 / 0 / 60 / 3

HEX #59F864

RGB 89 248 100

HSL 124.15, 0.92%, 0.66%

LAB 87.08, -69.67, 57.77

 

CMYK 64 / 0 / 42 / 3

HEX #59F88F

RGB 89 248 143

HSL 140.38, 0.92%, 0.66%

LAB 87.6, -63.78, 38.45

 

CMYK 64 / 0 / 25 / 3

HEX #59F8BA

RGB 89 248 186

HSL 156.6, 0.92%, 0.66%

LAB 88.35, -55.68, 17.75

 

CMYK 64 / 0 / 8 / 3

HEX #59F8E5

RGB 89 248 229

HSL 172.83, 0.92%, 0.66%

LAB 89.35, -45.62, -3.13

 

CMYK 64 / 10 / 0 / 3

HEX #59E0F8

RGB 89 224 248

HSL 189.06, 0.92%, 0.66%

LAB 83.03, -29.44, -22.56

 

CMYK 64 / 0 / 60 / 3

HEX #59F864

RGB 89 248 100

HSL 124.15, 0.92%, 0.66%

LAB 87.08, -69.67, 57.77

 

CMYK 64 / 0 / 60 / 3

HEX #59F864

RGB 89 248 100

HSL 124.15, 0.92%, 0.66%

LAB 87.08, -69.67, 57.77

 

CMYK 56 / 0 / 52 / 8

HEX #67EA70

RGB 103 234 112

HSL 124.12, 0.76%, 0.66%

LAB 83.39, -60.25, 48.13

 

CMYK 47 / 0 / 44 / 14

HEX #75DC7C

RGB 117 220 124

HSL 124.08, 0.6%, 0.66%

LAB 79.85, -49.51, 38.03

 

CMYK 36 / 0 / 34 / 19

HEX #83CE88

RGB 131 206 136

HSL 124, 0.43%, 0.66%

LAB 76.52, -37.47, 27.68

 

CMYK 24 / 0 / 23 / 25

HEX #91C094

RGB 145 192 148

HSL 123.83, 0.27%, 0.66%

LAB 73.45, -24.24, 17.25

 

CMYK 34 / 0 / 64 / 3

HEX #A3F859

RGB 163 248 89

HSL 92.08, 0.92%, 0.66%

LAB 89.69, -50.67, 65.96

 

CMYK 52 / 0 / 64 / 3

HEX #78F859

RGB 120 248 89

HSL 108.3, 0.92%, 0.66%

LAB 87.9, -63.64, 63.49

 

CMYK 64 / 0 / 60 / 3

HEX #59F863

RGB 89 248 99

HSL 123.77, 0.92%, 0.66%

LAB 87.08, -69.78, 58.19

 

CMYK 64 / 0 / 43 / 3

HEX #59F88E

RGB 89 248 142

HSL 140, 0.92%, 0.66%

LAB 87.59, -63.95, 38.92

 

CMYK 64 / 0 / 26 / 3

HEX #59F8B8

RGB 89 248 184

HSL 155.85, 0.92%, 0.66%

LAB 88.31, -56.1, 18.72

 

CMYK 96 / 0 / 89 / 4

HEX #0AF41B

RGB 10 244 27

HSL 124.36, 0.92%, 0.5%

LAB 84.4, -82.52, 77.67

 

CMYK 80 / 0 / 74 / 4

HEX #31F63F

RGB 49 246 63

HSL 124.26, 0.92%, 0.58%

LAB 85.47, -78.56, 69.91

 

CMYK 64 / 0 / 60 / 3

HEX #59F864

RGB 89 248 100

HSL 124.15, 0.92%, 0.66%

LAB 87.08, -69.67, 57.77

 

CMYK 49 / 0 / 45 / 2

HEX #80FA89

RGB 128 250 137

HSL 124.43, 0.92%, 0.74%

LAB 89.28, -56.74, 43.75

 

CMYK 33 / 0 / 31 / 2

HEX #A8FBAE

RGB 168 251 174

HSL 124.34, 0.91%, 0.82%

LAB 91.85, -40.09, 29.14

 

CMYK 63 / 0 / 59 / 3

HEX #5BF866

RGB 91 248 102

HSL 124.2, 0.92%, 0.66%

LAB 87.15, -69.06, 57

 

CMYK 64 / 17 / 0 / 3

HEX #59CEF8

RGB 89 206 248

HSL 195.85, 0.92%, 0.66%

LAB 77.9, -20.51, -30.39

 

CMYK 0 / 64 / 43 / 3

HEX #F8598E

RGB 248 89 142

HSL 340, 0.92%, 0.66%

LAB 60.83, 64.69, 4.21

 

CMYK 63 / 0 / 59 / 3

HEX #5BF866

RGB 91 248 102

HSL 124.2, 0.92%, 0.66%

LAB 87.15, -69.06, 57

 

CMYK 60 / 64 / 0 / 3

HEX #6359F8

RGB 99 89 248

HSL 243.77, 0.92%, 0.66%

LAB 47.72, 48.51, -78.29

 

CMYK 0 / 60 / 64 / 3

HEX #F86359

RGB 248 99 89

HSL 3.77, 0.92%, 0.66%

LAB 61.31, 56.4, 35.33

 

CMYK 63 / 0 / 59 / 3

HEX #5BF866

RGB 91 248 102

HSL 124.2, 0.92%, 0.66%

LAB 87.15, -69.06, 57

 

CMYK 64 / 17 / 0 / 3

HEX #59CEF8

RGB 89 206 248

HSL 195.85, 0.92%, 0.66%

LAB 77.9, -20.51, -30.39

 

CMYK 0 / 64 / 4 / 3

HEX #F859ED

RGB 248 89 237

HSL 304.15, 0.92%, 0.66%

LAB 64.34, 76.78, -44.55

 

CMYK 0 / 47 / 64 / 3

HEX #F88359

RGB 248 131 89

HSL 15.85, 0.92%, 0.66%

LAB 67.21, 41.25, 42.49

 

CMYK 63 / 0 / 59 / 3

HEX #5BF866

RGB 91 248 102

HSL 124.2, 0.92%, 0.66%

LAB 87.15, -69.06, 57

 

CMYK 64 / 36 / 0 / 3

HEX #599EF8

RGB 89 158 248

HSL 213.96, 0.92%, 0.66%

LAB 64.45, 5.69, -51.39

 

CMYK 0 / 64 / 4 / 3

HEX #F859ED

RGB 248 89 237

HSL 304.15, 0.92%, 0.66%

LAB 64.34, 76.78, -44.55

 

CMYK 0 / 28 / 64 / 3

HEX #F8B359

RGB 248 179 89

HSL 33.96, 0.92%, 0.66%

LAB 77.83, 16.32, 54.75

 

Description

Color code: HEX #5BF866 | qconv.com Color code: HEX #5BF866 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 248 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 248 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 59 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 59% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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