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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BECDF it is the complementary color #A41320. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BECDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BECDF shade: #60ECDA, #71FEED, #82FFFF, #93FFFF and #A4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BECDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BECDF shade: #5BECDF, #4ADACC, #39C8B9, #28B6A6 and #17A493

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BECDF shade: #5BECDF, #5BECB8, #5BEC90, #5BEC69 and #73EC5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BECDF shade: #5BECDF, #5BD2EC, #5BABEC, #5B83EC and #5B5CEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BECDF shade matches the following richer shades: #5BECDF and #4CFBEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BECDF shade: #5BECDF, #6ADDD3, #78CEC6, #87BFBA and #96B0AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BECDF shade: #5BEC90, #5BECB7, #5BECDD, #5BD4EC and #5BADEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BECDF shade: #1ADAC9, #36E7D7, #5BECDF, #80F0E6 and #A5F4ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BECDF shade: #5BECDF, #695BEC and #ECA35B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BECDF shade: #5BECDF, #DD5BEC and #ECDD5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BECDF shade: #5BECDF, #695BEC, #EC5B69 and #DDEC5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BECDF shade: #5BECDF, #955BEC, #EC5B69 and #B2EC5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 6 / 7

HEX #5BECDF

RGB 91 236 223

HSL 174.62, 0.79%, 0.64%

LAB 85.78, -41.55, -5.25

 

Complementary color

CMYK 0 / 88 / 80 / 36

HEX #A41320

RGB 164 19 32

HSL 354.62, 0.79%, 0.36%

LAB 34.93, 55.42, 33.61

 

CMYK 59 / 0 / 8 / 7

HEX #60ECDA

RGB 96 236 218

HSL 172.29, 0.79%, 0.65%

LAB 85.78, -41.98, -2.61

 

CMYK 56 / 0 / 7 / 0

HEX #71FEED

RGB 113 254 237

HSL 172.77, 0.99%, 0.72%

LAB 91.91, -42.17, -3.45

 

CMYK 49 / 0 / 0 / 0

HEX #82FFFF

RGB 130 255 255

HSL 180, 1%, 0.75%

LAB 93.23, -34.82, -10.77

 

CMYK 42 / 0 / 0 / 0

HEX #93FFFF

RGB 147 255 255

HSL 180, 1%, 0.79%

LAB 93.86, -31.12, -9.76

 

CMYK 36 / 0 / 0 / 0

HEX #A4FFFF

RGB 164 255 255

HSL 180, 1%, 0.82%

LAB 94.58, -27.01, -8.61

 

CMYK 61 / 0 / 6 / 7

HEX #5BECDF

RGB 91 236 223

HSL 174.62, 0.79%, 0.64%

LAB 85.78, -41.55, -5.25

 

CMYK 66 / 0 / 6 / 15

HEX #4ADACC

RGB 74 218 204

HSL 174.17, 0.66%, 0.57%

LAB 79.59, -41.13, -4.35

 

CMYK 72 / 0 / 8 / 22

HEX #39C8B9

RGB 57 200 185

HSL 173.71, 0.57%, 0.5%

LAB 73.34, -40.54, -3.37

 

CMYK 78 / 0 / 9 / 29

HEX #28B6A6

RGB 40 182 166

HSL 173.24, 0.64%, 0.44%

LAB 67.02, -39.7, -2.29

 

CMYK 86 / 0 / 10 / 36

HEX #17A493

RGB 23 164 147

HSL 172.77, 0.75%, 0.37%

LAB 60.64, -38.53, -1.08

 

CMYK 61 / 0 / 6 / 7

HEX #5BECDF

RGB 91 236 223

HSL 174.62, 0.79%, 0.64%

LAB 85.78, -41.55, -5.25

 

CMYK 61 / 0 / 22 / 7

HEX #5BECB8

RGB 91 236 184

HSL 158.48, 0.79%, 0.64%

LAB 84.83, -50.89, 13.83

 

CMYK 61 / 0 / 39 / 7

HEX #5BEC90

RGB 91 236 144

HSL 141.93, 0.79%, 0.64%

LAB 84.08, -58.77, 33.36

 

CMYK 61 / 0 / 56 / 7

HEX #5BEC69

RGB 91 236 105

HSL 125.79, 0.79%, 0.64%

LAB 83.57, -64.54, 51.48

 

CMYK 51 / 0 / 61 / 7

HEX #73EC5B

RGB 115 236 91

HSL 110.07, 0.79%, 0.64%

LAB 84.17, -60.36, 58.5

 

CMYK 61 / 0 / 6 / 7

HEX #5BECDF

RGB 91 236 223

HSL 174.62, 0.79%, 0.64%

LAB 85.78, -41.55, -5.25

 

CMYK 61 / 11 / 0 / 7

HEX #5BD2EC

RGB 91 210 236

HSL 190.76, 0.79%, 0.64%

LAB 78.68, -25.75, -22.78

 

CMYK 61 / 28 / 0 / 7

HEX #5BABEC

RGB 91 171 236

HSL 206.9, 0.79%, 0.64%

LAB 67.58, -5.26, -39.89

 

CMYK 61 / 44 / 0 / 7

HEX #5B83EC

RGB 91 131 236

HSL 223.45, 0.79%, 0.64%

LAB 56.6, 18.06, -57.26

 

CMYK 61 / 61 / 0 / 7

HEX #5B5CEC

RGB 91 92 236

HSL 239.59, 0.79%, 0.64%

LAB 46.89, 41.77, -72.94

 

CMYK 61 / 0 / 6 / 7

HEX #5BECDF

RGB 91 236 223

HSL 174.62, 0.79%, 0.64%

LAB 85.78, -41.55, -5.25

 

CMYK 70 / 0 / 6 / 2

HEX #4CFBEB

RGB 76 251 235

HSL 174.51, 0.96%, 0.64%

LAB 90.1, -47.17, -5.18

 

CMYK 61 / 0 / 6 / 7

HEX #5BECDF

RGB 91 236 223

HSL 174.62, 0.79%, 0.64%

LAB 85.78, -41.55, -5.25

 

CMYK 52 / 0 / 5 / 13

HEX #6ADDD3

RGB 106 221 211

HSL 174.78, 0.63%, 0.64%

LAB 81.55, -35, -5.08

 

CMYK 42 / 0 / 4 / 19

HEX #78CEC6

RGB 120 206 198

HSL 174.42, 0.47%, 0.64%

LAB 77.41, -27.89, -4.18

 

CMYK 29 / 0 / 3 / 25

HEX #87BFBA

RGB 135 191 186

HSL 174.64, 0.3%, 0.64%

LAB 73.52, -19.18, -3.33

 

CMYK 15 / 0 / 1 / 31

HEX #96B0AE

RGB 150 176 174

HSL 175.38, 0.14%, 0.64%

LAB 69.89, -9.31, -1.98

 

CMYK 61 / 0 / 39 / 7

HEX #5BEC90

RGB 91 236 144

HSL 141.93, 0.79%, 0.64%

LAB 84.08, -58.77, 33.36

 

CMYK 61 / 0 / 22 / 7

HEX #5BECB7

RGB 91 236 183

HSL 158.07, 0.79%, 0.64%

LAB 84.81, -51.11, 14.33

 

CMYK 61 / 0 / 6 / 7

HEX #5BECDD

RGB 91 236 221

HSL 173.79, 0.79%, 0.64%

LAB 85.72, -42.07, -4.27

 

CMYK 61 / 10 / 0 / 7

HEX #5BD4EC

RGB 91 212 236

HSL 189.93, 0.79%, 0.64%

LAB 79.25, -26.74, -21.91

 

CMYK 61 / 27 / 0 / 7

HEX #5BADEC

RGB 91 173 236

HSL 206.07, 0.79%, 0.64%

LAB 68.14, -6.37, -39.01

 

CMYK 88 / 0 / 8 / 15

HEX #1ADAC9

RGB 26 218 201

HSL 174.69, 0.79%, 0.48%

LAB 78.8, -46.72, -4

 

CMYK 77 / 0 / 7 / 9

HEX #36E7D7

RGB 54 231 215

HSL 174.58, 0.79%, 0.56%

LAB 83.36, -46.34, -4.68

 

CMYK 61 / 0 / 6 / 7

HEX #5BECDF

RGB 91 236 223

HSL 174.62, 0.79%, 0.64%

LAB 85.78, -41.55, -5.25

 

CMYK 47 / 0 / 4 / 6

HEX #80F0E6

RGB 128 240 230

HSL 174.64, 0.79%, 0.72%

LAB 88.27, -34.43, -5.11

 

CMYK 32 / 0 / 3 / 4

HEX #A5F4ED

RGB 165 244 237

HSL 174.68, 0.78%, 0.8%

LAB 91.15, -25.55, -4.34

 

CMYK 61 / 0 / 6 / 7

HEX #5BECDF

RGB 91 236 223

HSL 174.62, 0.79%, 0.64%

LAB 85.78, -41.55, -5.25

 

CMYK 56 / 61 / 0 / 7

HEX #695BEC

RGB 105 91 236

HSL 245.79, 0.79%, 0.64%

LAB 47.68, 44.63, -71.62

 

CMYK 0 / 31 / 61 / 7

HEX #ECA35B

RGB 236 163 91

HSL 29.79, 0.79%, 0.64%

LAB 72.75, 19.95, 47.63

 

CMYK 61 / 0 / 6 / 7

HEX #5BECDF

RGB 91 236 223

HSL 174.62, 0.79%, 0.64%

LAB 85.78, -41.55, -5.25

 

CMYK 6 / 61 / 0 / 7

HEX #DD5BEC

RGB 221 91 236

HSL 293.79, 0.79%, 0.64%

LAB 60.7, 69.48, -49.99

 

CMYK 0 / 6 / 61 / 7

HEX #ECDD5B

RGB 236 221 91

HSL 53.79, 0.79%, 0.64%

LAB 87.14, -10.17, 63.8

 

CMYK 61 / 0 / 6 / 7

HEX #5BECDF

RGB 91 236 223

HSL 174.62, 0.79%, 0.64%

LAB 85.78, -41.55, -5.25

 

CMYK 56 / 61 / 0 / 7

HEX #695BEC

RGB 105 91 236

HSL 245.79, 0.79%, 0.64%

LAB 47.68, 44.63, -71.62

 

CMYK 0 / 61 / 56 / 7

HEX #EC5B69

RGB 236 91 105

HSL 354.21, 0.79%, 0.64%

LAB 58.35, 56.94, 22.02

 

CMYK 6 / 0 / 61 / 7

HEX #DDEC5B

RGB 221 236 91

HSL 66.21, 0.79%, 0.64%

LAB 89.91, -23.59, 66.44

 

CMYK 61 / 0 / 6 / 7

HEX #5BECDF

RGB 91 236 223

HSL 174.62, 0.79%, 0.64%

LAB 85.78, -41.55, -5.25

 

CMYK 37 / 61 / 0 / 7

HEX #955BEC

RGB 149 91 236

HSL 264, 0.79%, 0.64%

LAB 51.76, 53.14, -64.81

 

CMYK 0 / 61 / 56 / 7

HEX #EC5B69

RGB 236 91 105

HSL 354.21, 0.79%, 0.64%

LAB 58.35, 56.94, 22.02

 

CMYK 25 / 0 / 61 / 7

HEX #B2EC5B

RGB 178 236 91

HSL 84, 0.79%, 0.64%

LAB 87.1, -40.12, 62.57

 

Description

Color code: HEX #5BECDF | qconv.com Color code: HEX #5BECDF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 236 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 236 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 6 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 6% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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