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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BE549 it is the complementary color #A41AB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BE549. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BE549 shade: #60E544, #71F757, #82FF6A, #93FF7D and #A4FF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BE549. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BE549 shade: #5BE549, #4AD336, #39C123, #28AF10 and #179D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BE549 shade: #5AE548, #84E548, #AFE548, #D9E548 and #E5C648

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BE549 shade: #5AE548, #48E560, #48E58B, #48E5B5 and #48E5DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BE549 shade matches the following richer shades: #5AE548 and #4DF637

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BE549 shade: #5AE548, #67D459, #74C36A, #81B27B and #8EA18C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BE549 shade: #AEE548, #84E548, #5AE548, #48E560 and #48E589

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BE549 shade: #2EBF1B, #3AE024, #5AE548, #7BEA6C and #9BEF90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BE549 shade: #5BE549, #48D8E5 and #E54899

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BE549 shade: #5BE549, #485AE5 and #E5485A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BE549 shade: #5BE549, #48D8E5, #D348E5 and #E55548

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BE549 shade: #5BE549, #48A9E5, #D348E5 and #E58448

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 68 / 10

HEX #5BE549

RGB 91 229 73

HSL 113.08, 0.75%, 0.59%

LAB 81.15, -65.44, 62.24

 

Complementary color

CMYK 10 / 86 / 0 / 29

HEX #A41AB6

RGB 164 26 182

HSL 293.08, 0.75%, 0.41%

LAB 41.23, 69.89, -50.64

 

CMYK 58 / 0 / 70 / 10

HEX #60E544

RGB 96 229 68

HSL 109.57, 0.76%, 0.58%

LAB 81.26, -64.68, 64.26

 

CMYK 54 / 0 / 65 / 3

HEX #71F757

RGB 113 247 87

HSL 110.25, 0.91%, 0.65%

LAB 87.35, -65.26, 63.62

 

CMYK 49 / 0 / 58 / 0

HEX #82FF6A

RGB 130 255 106

HSL 110.34, 1%, 0.71%

LAB 90.46, -61.92, 59.4

 

CMYK 42 / 0 / 51 / 0

HEX #93FF7D

RGB 147 255 125

HSL 109.85, 1%, 0.75%

LAB 91.33, -55, 52.11

 

CMYK 36 / 0 / 44 / 0

HEX #A4FF90

RGB 164 255 144

HSL 109.19, 1%, 0.78%

LAB 92.32, -47.48, 44.55

 

CMYK 60 / 0 / 68 / 10

HEX #5BE549

RGB 91 229 73

HSL 113.08, 0.75%, 0.59%

LAB 81.15, -65.44, 62.24

 

CMYK 65 / 0 / 74 / 17

HEX #4AD336

RGB 74 211 54

HSL 112.36, 0.64%, 0.52%

LAB 75.02, -64.52, 62.66

 

CMYK 70 / 0 / 82 / 24

HEX #39C123

RGB 57 193 35

HSL 111.65, 0.69%, 0.45%

LAB 68.85, -63.15, 62.4

 

CMYK 77 / 0 / 91 / 31

HEX #28AF10

RGB 40 175 16

HSL 110.94, 0.83%, 0.37%

LAB 62.63, -61.15, 61

 

CMYK 85 / 0 / 100 / 38

HEX #179D00

RGB 23 157 0

HSL 111.21, 1%, 0.31%

LAB 56.38, -58.34, 58.12

 

CMYK 61 / 0 / 69 / 10

HEX #5AE548

RGB 90 229 72

HSL 113.12, 0.75%, 0.59%

LAB 81.12, -65.75, 62.57

 

CMYK 42 / 0 / 69 / 10

HEX #84E548

RGB 132 229 72

HSL 97.07, 0.75%, 0.59%

LAB 82.6, -54.39, 64.58

 

CMYK 24 / 0 / 69 / 10

HEX #AFE548

RGB 175 229 72

HSL 80.64, 0.75%, 0.59%

LAB 84.8, -39.48, 67.54

 

CMYK 5 / 0 / 69 / 10

HEX #D9E548

RGB 217 229 72

HSL 64.59, 0.75%, 0.59%

LAB 87.61, -22.98, 71.29

 

CMYK 0 / 14 / 69 / 10

HEX #E5C648

RGB 229 198 72

HSL 48.15, 0.75%, 0.59%

LAB 80.47, -2.52, 64.42

 

CMYK 61 / 0 / 69 / 10

HEX #5AE548

RGB 90 229 72

HSL 113.12, 0.75%, 0.59%

LAB 81.12, -65.75, 62.57

 

CMYK 69 / 0 / 58 / 10

HEX #48E560

RGB 72 229 96

HSL 129.17, 0.75%, 0.59%

LAB 80.88, -66.88, 52.26

 

CMYK 69 / 0 / 39 / 10

HEX #48E58B

RGB 72 229 139

HSL 145.61, 0.75%, 0.59%

LAB 81.45, -60.44, 32.32

 

CMYK 69 / 0 / 21 / 10

HEX #48E5B5

RGB 72 229 181

HSL 161.66, 0.75%, 0.59%

LAB 82.25, -51.82, 11.68

 

CMYK 69 / 0 / 3 / 10

HEX #48E5DF

RGB 72 229 223

HSL 177.71, 0.75%, 0.59%

LAB 83.31, -41.23, -8.95

 

CMYK 61 / 0 / 69 / 10

HEX #5AE548

RGB 90 229 72

HSL 113.12, 0.75%, 0.59%

LAB 81.12, -65.75, 62.57

 

CMYK 69 / 0 / 78 / 4

HEX #4DF637

RGB 77 246 55

HSL 113.09, 0.91%, 0.59%

LAB 85.89, -75.06, 72.93

 

CMYK 61 / 0 / 69 / 10

HEX #5AE548

RGB 90 229 72

HSL 113.12, 0.75%, 0.59%

LAB 81.12, -65.75, 62.57

 

CMYK 51 / 0 / 58 / 17

HEX #67D459

RGB 103 212 89

HSL 113.17, 0.59%, 0.59%

LAB 76.49, -54.72, 50.51

 

CMYK 41 / 0 / 46 / 24

HEX #74C36A

RGB 116 195 106

HSL 113.26, 0.43%, 0.59%

LAB 72.08, -41.83, 37.16

 

CMYK 28 / 0 / 31 / 30

HEX #81B27B

RGB 129 178 123

HSL 113.45, 0.26%, 0.59%

LAB 67.97, -27.11, 23.04

 

CMYK 12 / 0 / 13 / 37

HEX #8EA18C

RGB 142 161 140

HSL 114.29, 0.1%, 0.59%

LAB 64.27, -10.8, 8.69

 

CMYK 24 / 0 / 69 / 10

HEX #AEE548

RGB 174 229 72

HSL 81.02, 0.75%, 0.59%

LAB 84.74, -39.85, 67.46

 

CMYK 42 / 0 / 69 / 10

HEX #84E548

RGB 132 229 72

HSL 97.07, 0.75%, 0.59%

LAB 82.6, -54.39, 64.58

 

CMYK 61 / 0 / 69 / 10

HEX #5AE548

RGB 90 229 72

HSL 113.12, 0.75%, 0.59%

LAB 81.12, -65.75, 62.57

 

CMYK 69 / 0 / 58 / 10

HEX #48E560

RGB 72 229 96

HSL 129.17, 0.75%, 0.59%

LAB 80.88, -66.88, 52.26

 

CMYK 69 / 0 / 40 / 10

HEX #48E589

RGB 72 229 137

HSL 144.84, 0.75%, 0.59%

LAB 81.41, -60.8, 33.28

 

CMYK 76 / 0 / 86 / 25

HEX #2EBF1B

RGB 46 191 27

HSL 113.05, 0.75%, 0.43%

LAB 67.96, -64.73, 63.5

 

CMYK 74 / 0 / 84 / 12

HEX #3AE024

RGB 58 224 36

HSL 112.98, 0.75%, 0.51%

LAB 78.66, -72.49, 71.07

 

CMYK 61 / 0 / 69 / 10

HEX #5AE548

RGB 90 229 72

HSL 113.12, 0.75%, 0.59%

LAB 81.12, -65.75, 62.57

 

CMYK 47 / 0 / 54 / 8

HEX #7BEA6C

RGB 123 234 108

HSL 112.86, 0.75%, 0.67%

LAB 84.04, -55.58, 50.93

 

CMYK 35 / 0 / 40 / 6

HEX #9BEF90

RGB 155 239 144

HSL 113.05, 0.75%, 0.75%

LAB 87.35, -43.4, 38.08

 

CMYK 60 / 0 / 68 / 10

HEX #5BE549

RGB 91 229 73

HSL 113.08, 0.75%, 0.59%

LAB 81.15, -65.44, 62.24

 

CMYK 69 / 6 / 0 / 10

HEX #48D8E5

RGB 72 216 229

HSL 184.97, 0.75%, 0.59%

LAB 79.7, -33.56, -17.55

 

CMYK 0 / 69 / 33 / 10

HEX #E54899

RGB 229 72 153

HSL 329.04, 0.75%, 0.59%

LAB 55.68, 66.92, -10.16

 

CMYK 60 / 0 / 68 / 10

HEX #5BE549

RGB 91 229 73

HSL 113.08, 0.75%, 0.59%

LAB 81.15, -65.44, 62.24

 

CMYK 69 / 61 / 0 / 10

HEX #485AE5

RGB 72 90 229

HSL 233.12, 0.75%, 0.59%

LAB 44.73, 37.96, -72.57

 

CMYK 0 / 69 / 61 / 10

HEX #E5485A

RGB 229 72 90

HSL 353.12, 0.75%, 0.59%

LAB 54.06, 61.37, 24.9

 

CMYK 60 / 0 / 68 / 10

HEX #5BE549

RGB 91 229 73

HSL 113.08, 0.75%, 0.59%

LAB 81.15, -65.44, 62.24

 

CMYK 69 / 6 / 0 / 10

HEX #48D8E5

RGB 72 216 229

HSL 184.97, 0.75%, 0.59%

LAB 79.7, -33.56, -17.55

 

CMYK 8 / 69 / 0 / 10

HEX #D348E5

RGB 211 72 229

HSL 293.12, 0.75%, 0.59%

LAB 56.23, 73.47, -53.27

 

CMYK 0 / 63 / 69 / 10

HEX #E55548

RGB 229 85 72

HSL 4.97, 0.75%, 0.59%

LAB 55.71, 55.11, 37.31

 

CMYK 60 / 0 / 68 / 10

HEX #5BE549

RGB 91 229 73

HSL 113.08, 0.75%, 0.59%

LAB 81.15, -65.44, 62.24

 

CMYK 69 / 26 / 0 / 10

HEX #48A9E5

RGB 72 169 229

HSL 202.93, 0.75%, 0.59%

LAB 66.07, -9.55, -38.47

 

CMYK 8 / 69 / 0 / 10

HEX #D348E5

RGB 211 72 229

HSL 293.12, 0.75%, 0.59%

LAB 56.23, 73.47, -53.27

 

CMYK 0 / 42 / 69 / 10

HEX #E58448

RGB 229 132 72

HSL 22.93, 0.75%, 0.59%

LAB 64.67, 32.33, 47.59

 

Description

Color code: HEX #5BE549 | qconv.com Color code: HEX #5BE549 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 229 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 229 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 68 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 68% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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