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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BE46D it is the complementary color #A41B92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BE46D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BE46D shade: #60E468, #71F67B, #82FF8E, #93FFA1 and #A4FFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BE46D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BE46D shade: #5BE46D, #4AD25A, #39C047, #28AE34 and #179C21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BE46D shade: #5DE56F, #70E55D, #94E55D, #B9E55D and #DDE55D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BE46D shade: #5DE56F, #5DE593, #5DE5B8, #5DE5DC and #5DC8E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BE46D shade matches the following richer shades: #5DE56F and #4DF463

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BE46D shade: #5DE56F, #6CD57A, #7BC685, #8BB790 and #9AA89C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BE46D shade: #95E55D, #71E55D, #5DE56D, #5DE591 and #5DE5B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BE46D shade: #21CD38, #39DF4F, #5DE56F, #80EA8E and #A4F0AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BE46D shade: #5BE46D, #5DBAE5 and #E55D83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BE46D shade: #5BE46D, #6D5DE5 and #E56D5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BE46D shade: #5BE46D, #5DBAE5, #E55DD5 and #E5885D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BE46D shade: #5BE46D, #5D91E5, #E55DD5 and #E5B15D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 52 / 11

HEX #5BE46D

RGB 91 228 109

HSL 127.88, 0.72%, 0.63%

LAB 81.19, -61.16, 46.78

 

Complementary color

CMYK 0 / 84 / 11 / 36

HEX #A41B92

RGB 164 27 146

HSL 307.88, 0.72%, 0.37%

LAB 39.16, 63.99, -32.34

 

CMYK 58 / 0 / 54 / 11

HEX #60E468

RGB 96 228 104

HSL 123.64, 0.71%, 0.64%

LAB 81.28, -60.69, 49.25

 

CMYK 54 / 0 / 50 / 4

HEX #71F67B

RGB 113 246 123

HSL 124.51, 0.88%, 0.7%

LAB 87.41, -60.9, 47.97

 

CMYK 49 / 0 / 44 / 0

HEX #82FF8E

RGB 130 255 142

HSL 125.76, 1%, 0.75%

LAB 90.88, -57.47, 43.39

 

CMYK 42 / 0 / 37 / 0

HEX #93FFA1

RGB 147 255 161

HSL 127.78, 1%, 0.79%

LAB 91.82, -50.04, 35.43

 

CMYK 36 / 0 / 29 / 0

HEX #A4FFB4

RGB 164 255 180

HSL 130.55, 1%, 0.82%

LAB 92.89, -42.07, 27.48

 

CMYK 60 / 0 / 52 / 11

HEX #5BE46D

RGB 91 228 109

HSL 127.88, 0.72%, 0.63%

LAB 81.19, -61.16, 46.78

 

CMYK 65 / 0 / 57 / 18

HEX #4AD25A

RGB 74 210 90

HSL 127.06, 0.6%, 0.56%

LAB 75.01, -60.7, 48.1

 

CMYK 70 / 0 / 63 / 25

HEX #39C047

RGB 57 192 71

HSL 126.22, 0.54%, 0.49%

LAB 68.77, -59.91, 49.34

 

CMYK 77 / 0 / 70 / 32

HEX #28AE34

RGB 40 174 52

HSL 125.37, 0.63%, 0.42%

LAB 62.48, -58.63, 50.34

 

CMYK 85 / 0 / 79 / 39

HEX #179C21

RGB 23 156 33

HSL 124.51, 0.74%, 0.35%

LAB 56.16, -56.64, 50.81

 

CMYK 59 / 0 / 52 / 10

HEX #5DE56F

RGB 93 229 111

HSL 127.94, 0.72%, 0.63%

LAB 81.57, -60.82, 46.32

 

CMYK 51 / 0 / 59 / 10

HEX #70E55D

RGB 112 229 93

HSL 111.62, 0.72%, 0.63%

LAB 81.99, -58.34, 55.15

 

CMYK 35 / 0 / 59 / 10

HEX #94E55D

RGB 148 229 93

HSL 95.74, 0.72%, 0.63%

LAB 83.51, -47.45, 57.28

 

CMYK 19 / 0 / 59 / 10

HEX #B9E55D

RGB 185 229 93

HSL 79.41, 0.72%, 0.63%

LAB 85.58, -34.19, 60.17

 

CMYK 3 / 0 / 59 / 10

HEX #DDE55D

RGB 221 229 93

HSL 63.53, 0.72%, 0.63%

LAB 88.07, -20.08, 63.61

 

CMYK 59 / 0 / 52 / 10

HEX #5DE56F

RGB 93 229 111

HSL 127.94, 0.72%, 0.63%

LAB 81.57, -60.82, 46.32

 

CMYK 59 / 0 / 36 / 10

HEX #5DE593

RGB 93 229 147

HSL 143.82, 0.72%, 0.63%

LAB 82.09, -55.13, 29.21

 

CMYK 59 / 0 / 20 / 10

HEX #5DE5B8

RGB 93 229 184

HSL 160.15, 0.72%, 0.63%

LAB 82.82, -47.59, 10.99

 

CMYK 59 / 0 / 4 / 10

HEX #5DE5DC

RGB 93 229 220

HSL 176.03, 0.72%, 0.63%

LAB 83.72, -38.84, -6.7

 

CMYK 59 / 13 / 0 / 10

HEX #5DC8E5

RGB 93 200 229

HSL 192.79, 0.72%, 0.63%

LAB 75.63, -22.44, -23.66

 

CMYK 59 / 0 / 52 / 10

HEX #5DE56F

RGB 93 229 111

HSL 127.94, 0.72%, 0.63%

LAB 81.57, -60.82, 46.32

 

CMYK 68 / 0 / 59 / 4

HEX #4DF463

RGB 77 244 99

HSL 127.9, 0.88%, 0.63%

LAB 85.59, -70.66, 56.42

 

CMYK 59 / 0 / 52 / 10

HEX #5DE56F

RGB 93 229 111

HSL 127.94, 0.72%, 0.63%

LAB 81.57, -60.82, 46.32

 

CMYK 49 / 0 / 43 / 16

HEX #6CD57A

RGB 108 213 122

HSL 128, 0.56%, 0.63%

LAB 77.39, -49.38, 35.8

 

CMYK 38 / 0 / 33 / 22

HEX #7BC685

RGB 123 198 133

HSL 128, 0.4%, 0.63%

LAB 73.73, -36.81, 25.44

 

CMYK 24 / 0 / 21 / 28

HEX #8BB790

RGB 139 183 144

HSL 126.82, 0.23%, 0.63%

LAB 70.43, -22.51, 15.16

 

CMYK 8 / 0 / 7 / 34

HEX #9AA89C

RGB 154 168 156

HSL 128.57, 0.07%, 0.63%

LAB 67.48, -7.25, 4.51

 

CMYK 35 / 0 / 59 / 10

HEX #95E55D

RGB 149 229 93

HSL 95.29, 0.72%, 0.63%

LAB 83.56, -47.11, 57.35

 

CMYK 51 / 0 / 59 / 10

HEX #71E55D

RGB 113 229 93

HSL 111.18, 0.72%, 0.63%

LAB 82.02, -58.07, 55.2

 

CMYK 59 / 0 / 52 / 10

HEX #5DE56D

RGB 93 229 109

HSL 127.06, 0.72%, 0.63%

LAB 81.55, -61.09, 47.23

 

CMYK 59 / 0 / 37 / 10

HEX #5DE591

RGB 93 229 145

HSL 142.94, 0.72%, 0.63%

LAB 82.06, -55.49, 30.18

 

CMYK 59 / 0 / 21 / 10

HEX #5DE5B5

RGB 93 229 181

HSL 158.82, 0.72%, 0.63%

LAB 82.75, -48.26, 12.48

 

CMYK 84 / 0 / 73 / 20

HEX #21CD38

RGB 33 205 56

HSL 128.02, 0.72%, 0.47%

LAB 72.41, -68.72, 59.1

 

CMYK 74 / 0 / 65 / 13

HEX #39DF4F

RGB 57 223 79

HSL 127.95, 0.72%, 0.55%

LAB 78.58, -69.21, 56.87

 

CMYK 59 / 0 / 52 / 10

HEX #5DE56F

RGB 93 229 111

HSL 127.94, 0.72%, 0.63%

LAB 81.57, -60.82, 46.32

 

CMYK 45 / 0 / 39 / 8

HEX #80EA8E

RGB 128 234 142

HSL 127.92, 0.72%, 0.71%

LAB 84.68, -49.53, 35.38

 

CMYK 32 / 0 / 28 / 6

HEX #A4F0AE

RGB 164 240 174

HSL 127.89, 0.72%, 0.79%

LAB 88.58, -36.36, 24.64

 

CMYK 60 / 0 / 52 / 11

HEX #5BE46D

RGB 91 228 109

HSL 127.88, 0.72%, 0.63%

LAB 81.19, -61.16, 46.78

 

CMYK 59 / 19 / 0 / 10

HEX #5DBAE5

RGB 93 186 229

HSL 198.97, 0.72%, 0.63%

LAB 71.62, -15.21, -29.8

 

CMYK 0 / 59 / 43 / 10

HEX #E55D83

RGB 229 93 131

HSL 343.24, 0.72%, 0.63%

LAB 58.16, 56.07, 6.39

 

CMYK 60 / 0 / 52 / 11

HEX #5BE46D

RGB 91 228 109

HSL 127.88, 0.72%, 0.63%

LAB 81.19, -61.16, 46.78

 

CMYK 52 / 59 / 0 / 10

HEX #6D5DE5

RGB 109 93 229

HSL 247.06, 0.72%, 0.63%

LAB 47.93, 42.07, -67.25

 

CMYK 0 / 52 / 59 / 10

HEX #E56D5D

RGB 229 109 93

HSL 7.06, 0.72%, 0.63%

LAB 60.24, 45.33, 31.13

 

CMYK 60 / 0 / 52 / 11

HEX #5BE46D

RGB 91 228 109

HSL 127.88, 0.72%, 0.63%

LAB 81.19, -61.16, 46.78

 

CMYK 59 / 19 / 0 / 10

HEX #5DBAE5

RGB 93 186 229

HSL 198.97, 0.72%, 0.63%

LAB 71.62, -15.21, -29.8

 

CMYK 0 / 59 / 7 / 10

HEX #E55DD5

RGB 229 93 213

HSL 307.06, 0.72%, 0.63%

LAB 61.04, 66.77, -36.49

 

CMYK 0 / 41 / 59 / 10

HEX #E5885D

RGB 229 136 93

HSL 18.97, 0.72%, 0.63%

LAB 65.79, 31.56, 38.07

 

CMYK 60 / 0 / 52 / 11

HEX #5BE46D

RGB 91 228 109

HSL 127.88, 0.72%, 0.63%

LAB 81.19, -61.16, 46.78

 

CMYK 59 / 37 / 0 / 10

HEX #5D91E5

RGB 93 145 229

HSL 217.06, 0.72%, 0.63%

LAB 60.1, 7.74, -47.79

 

CMYK 0 / 59 / 7 / 10

HEX #E55DD5

RGB 229 93 213

HSL 307.06, 0.72%, 0.63%

LAB 61.04, 66.77, -36.49

 

CMYK 0 / 23 / 59 / 10

HEX #E5B15D

RGB 229 177 93

HSL 37.06, 0.72%, 0.63%

LAB 75.38, 9.76, 49.53

 

Description

Color code: HEX #5BE46D | qconv.com Color code: HEX #5BE46D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 228 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 228 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 52 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 52% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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