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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BE44B it is the complementary color #A41BB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BE44B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BE44B shade: #60E446, #71F659, #82FF6C, #93FF7F and #A4FF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BE44B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BE44B shade: #5BE44B, #4AD238, #39C025, #28AE12 and #179C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BE44B shade: #59E449, #83E449, #ADE449, #D6E449 and #E4C749

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BE44B shade: #59E449, #49E463, #49E48C, #49E4B6 and #49E4E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BE44B shade matches the following richer shades: #59E449 and #4CF538

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BE44B shade: #59E449, #67D35A, #74C26B, #81B17C and #8FA08D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BE44B shade: #AEE449, #84E449, #5BE449, #49E460 and #49E48A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BE44B shade: #2DBE1C, #39DE25, #59E449, #7AE96D and #9BEF91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BE44B shade: #5BE44B, #49D7E4 and #E44999

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BE44B shade: #5BE44B, #495BE4 and #E4495B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BE44B shade: #5BE44B, #49D7E4, #D249E4 and #E45649

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BE44B shade: #5BE44B, #49A9E4, #D249E4 and #E48449

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 67 / 11

HEX #5BE44B

RGB 91 228 75

HSL 113.73, 0.74%, 0.59%

LAB 80.86, -64.92, 61.16

 

Complementary color

CMYK 9 / 85 / 0 / 29

HEX #A41BB4

RGB 164 27 180

HSL 293.73, 0.74%, 0.41%

LAB 41.17, 69.34, -49.55

 

CMYK 58 / 0 / 69 / 11

HEX #60E446

RGB 96 228 70

HSL 110.13, 0.75%, 0.58%

LAB 80.97, -64.18, 63.22

 

CMYK 54 / 0 / 64 / 4

HEX #71F659

RGB 113 246 89

HSL 110.83, 0.9%, 0.66%

LAB 87.07, -64.72, 62.52

 

CMYK 49 / 0 / 58 / 0

HEX #82FF6C

RGB 130 255 108

HSL 111.02, 1%, 0.71%

LAB 90.48, -61.71, 58.56

 

CMYK 42 / 0 / 50 / 0

HEX #93FF7F

RGB 147 255 127

HSL 110.63, 1%, 0.75%

LAB 91.35, -54.77, 51.21

 

CMYK 36 / 0 / 43 / 0

HEX #A4FF92

RGB 164 255 146

HSL 110.09, 1%, 0.79%

LAB 92.35, -47.21, 43.62

 

CMYK 60 / 0 / 67 / 11

HEX #5BE44B

RGB 91 228 75

HSL 113.73, 0.74%, 0.59%

LAB 80.86, -64.92, 61.16

 

CMYK 65 / 0 / 73 / 18

HEX #4AD238

RGB 74 210 56

HSL 112.99, 0.63%, 0.52%

LAB 74.72, -64.05, 61.68

 

CMYK 70 / 0 / 81 / 25

HEX #39C025

RGB 57 192 37

HSL 112.26, 0.68%, 0.45%

LAB 68.54, -62.73, 61.56

 

CMYK 77 / 0 / 90 / 32

HEX #28AE12

RGB 40 174 18

HSL 111.54, 0.81%, 0.38%

LAB 62.31, -60.78, 60.37

 

CMYK 85 / 0 / 100 / 39

HEX #179C00

RGB 23 156 0

HSL 111.15, 1%, 0.31%

LAB 56.05, -58.04, 57.85

 

CMYK 61 / 0 / 68 / 11

HEX #59E449

RGB 89 228 73

HSL 113.81, 0.74%, 0.59%

LAB 80.79, -65.54, 61.84

 

CMYK 43 / 0 / 68 / 11

HEX #83E449

RGB 131 228 73

HSL 97.55, 0.74%, 0.59%

LAB 82.27, -54.24, 63.85

 

CMYK 24 / 0 / 68 / 11

HEX #ADE449

RGB 173 228 73

HSL 81.29, 0.74%, 0.59%

LAB 84.41, -39.72, 66.73

 

CMYK 6 / 0 / 68 / 11

HEX #D6E449

RGB 214 228 73

HSL 65.42, 0.74%, 0.59%

LAB 87.13, -23.66, 70.37

 

CMYK 0 / 13 / 68 / 11

HEX #E4C749

RGB 228 199 73

HSL 48.77, 0.74%, 0.59%

LAB 80.64, -3.41, 64.16

 

CMYK 61 / 0 / 68 / 11

HEX #59E449

RGB 89 228 73

HSL 113.81, 0.74%, 0.59%

LAB 80.79, -65.54, 61.84

 

CMYK 68 / 0 / 57 / 11

HEX #49E463

RGB 73 228 99

HSL 130.06, 0.74%, 0.59%

LAB 80.63, -66, 50.62

 

CMYK 68 / 0 / 39 / 11

HEX #49E48C

RGB 73 228 140

HSL 145.94, 0.74%, 0.59%

LAB 81.18, -59.73, 31.46

 

CMYK 68 / 0 / 20 / 11

HEX #49E4B6

RGB 73 228 182

HSL 162.19, 0.74%, 0.59%

LAB 81.99, -51.04, 10.8

 

CMYK 68 / 0 / 2 / 11

HEX #49E4E0

RGB 73 228 224

HSL 178.45, 0.74%, 0.59%

LAB 83.06, -40.37, -9.84

 

CMYK 61 / 0 / 68 / 11

HEX #59E449

RGB 89 228 73

HSL 113.81, 0.74%, 0.59%

LAB 80.79, -65.54, 61.84

 

CMYK 69 / 0 / 77 / 4

HEX #4CF538

RGB 76 245 56

HSL 113.65, 0.9%, 0.59%

LAB 85.57, -74.87, 72.33

 

CMYK 61 / 0 / 68 / 11

HEX #59E449

RGB 89 228 73

HSL 113.81, 0.74%, 0.59%

LAB 80.79, -65.54, 61.84

 

CMYK 51 / 0 / 57 / 17

HEX #67D35A

RGB 103 211 90

HSL 113.55, 0.58%, 0.59%

LAB 76.2, -54.22, 49.72

 

CMYK 40 / 0 / 45 / 24

HEX #74C26B

RGB 116 194 107

HSL 113.79, 0.42%, 0.59%

LAB 71.8, -41.26, 36.3

 

CMYK 27 / 0 / 30 / 31

HEX #81B17C

RGB 129 177 124

HSL 114.34, 0.25%, 0.59%

LAB 67.7, -26.45, 22.13

 

CMYK 11 / 0 / 12 / 37

HEX #8FA08D

RGB 143 160 141

HSL 113.68, 0.09%, 0.59%

LAB 64.08, -9.72, 7.88

 

CMYK 24 / 0 / 68 / 11

HEX #AEE449

RGB 174 228 73

HSL 80.9, 0.74%, 0.59%

LAB 84.47, -39.34, 66.81

 

CMYK 42 / 0 / 68 / 11

HEX #84E449

RGB 132 228 73

HSL 97.16, 0.74%, 0.59%

LAB 82.31, -53.92, 63.9

 

CMYK 60 / 0 / 68 / 11

HEX #5BE449

RGB 91 228 73

HSL 113.03, 0.74%, 0.59%

LAB 80.85, -65.09, 61.92

 

CMYK 68 / 0 / 58 / 11

HEX #49E460

RGB 73 228 96

HSL 128.9, 0.74%, 0.59%

LAB 80.6, -66.37, 51.93

 

CMYK 68 / 0 / 39 / 11

HEX #49E48A

RGB 73 228 138

HSL 145.16, 0.74%, 0.59%

LAB 81.15, -60.09, 32.43

 

CMYK 76 / 0 / 85 / 25

HEX #2DBE1C

RGB 45 190 28

HSL 113.7, 0.74%, 0.43%

LAB 67.63, -64.53, 62.96

 

CMYK 74 / 0 / 83 / 13

HEX #39DE25

RGB 57 222 37

HSL 113.51, 0.74%, 0.51%

LAB 78.02, -72, 70.26

 

CMYK 61 / 0 / 68 / 11

HEX #59E449

RGB 89 228 73

HSL 113.81, 0.74%, 0.59%

LAB 80.79, -65.54, 61.84

 

CMYK 48 / 0 / 53 / 9

HEX #7AE96D

RGB 122 233 109

HSL 113.71, 0.74%, 0.67%

LAB 83.71, -55.35, 50.07

 

CMYK 35 / 0 / 39 / 6

HEX #9BEF91

RGB 155 239 145

HSL 113.62, 0.75%, 0.75%

LAB 87.36, -43.26, 37.6

 

CMYK 60 / 0 / 67 / 11

HEX #5BE44B

RGB 91 228 75

HSL 113.73, 0.74%, 0.59%

LAB 80.86, -64.92, 61.16

 

CMYK 68 / 6 / 0 / 11

HEX #49D7E4

RGB 73 215 228

HSL 185.03, 0.74%, 0.59%

LAB 79.4, -33.24, -17.46

 

CMYK 0 / 68 / 33 / 11

HEX #E44999

RGB 228 73 153

HSL 329.03, 0.74%, 0.59%

LAB 55.64, 66.28, -10.23

 

CMYK 60 / 0 / 67 / 11

HEX #5BE44B

RGB 91 228 75

HSL 113.73, 0.74%, 0.59%

LAB 80.86, -64.92, 61.16

 

CMYK 68 / 60 / 0 / 11

HEX #495BE4

RGB 73 91 228

HSL 233.03, 0.74%, 0.59%

LAB 44.94, 37.14, -71.65

 

CMYK 0 / 68 / 60 / 11

HEX #E4495B

RGB 228 73 91

HSL 353.03, 0.74%, 0.59%

LAB 54.04, 60.75, 24.25

 

CMYK 60 / 0 / 67 / 11

HEX #5BE44B

RGB 91 228 75

HSL 113.73, 0.74%, 0.59%

LAB 80.86, -64.92, 61.16

 

CMYK 68 / 6 / 0 / 11

HEX #49D7E4

RGB 73 215 228

HSL 185.03, 0.74%, 0.59%

LAB 79.4, -33.24, -17.46

 

CMYK 8 / 68 / 0 / 11

HEX #D249E4

RGB 210 73 228

HSL 293.03, 0.74%, 0.59%

LAB 56.16, 72.71, -52.83

 

CMYK 0 / 62 / 68 / 11

HEX #E45649

RGB 228 86 73

HSL 5.03, 0.74%, 0.59%

LAB 55.72, 54.39, 36.72

 

CMYK 60 / 0 / 67 / 11

HEX #5BE44B

RGB 91 228 75

HSL 113.73, 0.74%, 0.59%

LAB 80.86, -64.92, 61.16

 

CMYK 68 / 26 / 0 / 11

HEX #49A9E4

RGB 73 169 228

HSL 202.84, 0.74%, 0.59%

LAB 66.05, -9.73, -37.94

 

CMYK 8 / 68 / 0 / 11

HEX #D249E4

RGB 210 73 228

HSL 293.03, 0.74%, 0.59%

LAB 56.16, 72.71, -52.83

 

CMYK 0 / 42 / 68 / 11

HEX #E48449

RGB 228 132 73

HSL 22.84, 0.74%, 0.59%

LAB 64.55, 31.98, 46.92

 

Description

Color code: HEX #5BE44B | qconv.com Color code: HEX #5BE44B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 228 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 228 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 67 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 67% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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