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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BDD5C it is the complementary color #A422A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BDD5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BDD5C shade: #60DD57, #71EF6A, #82FF7D, #93FF90 and #A4FFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BDD5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BDD5C shade: #5BDD5C, #4ACB49, #39B936, #28A723 and #179510

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BDD5C shade: #5ADD5B, #7CDD5A, #A0DD5A, #C3DD5A and #DDD45A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BDD5C shade: #5ADD5B, #5ADD7E, #5ADDA2, #5ADDC5 and #5AD2DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BDD5C shade matches the following richer shades: #5ADD5B, #4AED4B and #3AFD3B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BDD5C shade: #5ADD5B, #6ACD6B, #7ABD7B, #8AAD8A and #9A9D9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BDD5C shade: #A0DD5A, #7DDD5A, #5ADD5A, #5ADD7D and #5ADDA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BDD5C shade: #27BE28, #38D639, #5ADD5B, #7CE47D and #9EEB9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BDD5C shade: #5BDD5C, #5AC3DD and #DD5A8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BDD5C shade: #5BDD5C, #5A5ADD and #DD5A5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BDD5C shade: #5BDD5C, #5AC3DD, #DD5ADD and #DD745A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BDD5C shade: #5BDD5C, #5A9CDD, #DD5ADD and #DD9C5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 58 / 13

HEX #5BDD5C

RGB 91 221 92

HSL 120.46, 0.66%, 0.61%

LAB 78.87, -60.73, 51.83

 

Complementary color

CMYK 0 / 79 / 1 / 36

HEX #A422A3

RGB 164 34 163

HSL 300.46, 0.66%, 0.39%

LAB 40.7, 64.85, -40.17

 

CMYK 57 / 0 / 61 / 13

HEX #60DD57

RGB 96 221 87

HSL 115.97, 0.66%, 0.6%

LAB 78.98, -60.1, 54.18

 

CMYK 53 / 0 / 56 / 6

HEX #71EF6A

RGB 113 239 106

HSL 116.84, 0.81%, 0.68%

LAB 85.14, -60.39, 53.06

 

CMYK 49 / 0 / 51 / 0

HEX #82FF7D

RGB 130 255 125

HSL 117.69, 1%, 0.75%

LAB 90.66, -59.75, 51.15

 

CMYK 42 / 0 / 44 / 0

HEX #93FF90

RGB 147 255 144

HSL 118.38, 1%, 0.78%

LAB 91.57, -52.55, 43.43

 

CMYK 36 / 0 / 36 / 0

HEX #A4FFA3

RGB 164 255 163

HSL 119.35, 1%, 0.82%

LAB 92.6, -44.78, 35.61

 

CMYK 59 / 0 / 58 / 13

HEX #5BDD5C

RGB 91 221 92

HSL 120.46, 0.66%, 0.61%

LAB 78.87, -60.73, 51.83

 

CMYK 64 / 0 / 64 / 20

HEX #4ACB49

RGB 74 203 73

HSL 119.54, 0.56%, 0.54%

LAB 72.66, -60.17, 52.93

 

CMYK 69 / 0 / 71 / 27

HEX #39B936

RGB 57 185 54

HSL 118.63, 0.55%, 0.47%

LAB 66.39, -59.23, 53.76

 

CMYK 76 / 0 / 79 / 35

HEX #28A723

RGB 40 167 35

HSL 117.73, 0.65%, 0.4%

LAB 60.08, -57.74, 54.04

 

CMYK 85 / 0 / 89 / 42

HEX #179510

RGB 23 149 16

HSL 116.84, 0.81%, 0.32%

LAB 53.72, -55.44, 53.22

 

CMYK 59 / 0 / 59 / 13

HEX #5ADD5B

RGB 90 221 91

HSL 120.46, 0.66%, 0.61%

LAB 78.83, -61.07, 52.22

 

CMYK 44 / 0 / 59 / 13

HEX #7CDD5A

RGB 124 221 90

HSL 104.43, 0.66%, 0.61%

LAB 80.03, -52.12, 54.35

 

CMYK 28 / 0 / 59 / 13

HEX #A0DD5A

RGB 160 221 90

HSL 87.94, 0.66%, 0.61%

LAB 81.8, -40.1, 56.82

 

CMYK 12 / 0 / 59 / 13

HEX #C3DD5A

RGB 195 221 90

HSL 71.91, 0.66%, 0.61%

LAB 83.99, -26.82, 59.88

 

CMYK 0 / 4 / 59 / 13

HEX #DDD45A

RGB 221 212 90

HSL 55.88, 0.66%, 0.61%

LAB 83.55, -11.9, 59.94

 

CMYK 59 / 0 / 59 / 13

HEX #5ADD5B

RGB 90 221 91

HSL 120.46, 0.66%, 0.61%

LAB 78.83, -61.07, 52.22

 

CMYK 59 / 0 / 43 / 13

HEX #5ADD7E

RGB 90 221 126

HSL 136.49, 0.66%, 0.61%

LAB 79.27, -56.26, 36.1

 

CMYK 59 / 0 / 27 / 13

HEX #5ADDA2

RGB 90 221 162

HSL 152.98, 0.66%, 0.61%

LAB 79.89, -49.6, 18.42

 

CMYK 59 / 0 / 11 / 13

HEX #5ADDC5

RGB 90 221 197

HSL 169.01, 0.66%, 0.61%

LAB 80.69, -41.62, 1.04

 

CMYK 59 / 5 / 0 / 13

HEX #5AD2DD

RGB 90 210 221

HSL 185.04, 0.66%, 0.61%

LAB 78.16, -30.2, -15.53

 

CMYK 59 / 0 / 59 / 13

HEX #5ADD5B

RGB 90 221 91

HSL 120.46, 0.66%, 0.61%

LAB 78.83, -61.07, 52.22

 

CMYK 69 / 0 / 68 / 7

HEX #4AED4B

RGB 74 237 75

HSL 120.37, 0.82%, 0.61%

LAB 83.2, -71.32, 63.51

 

CMYK 77 / 0 / 77 / 1

HEX #3AFD3B

RGB 58 253 59

HSL 120.31, 0.98%, 0.61%

LAB 87.71, -79.79, 73.39

 

CMYK 59 / 0 / 59 / 13

HEX #5ADD5B

RGB 90 221 91

HSL 120.46, 0.66%, 0.61%

LAB 78.83, -61.07, 52.22

 

CMYK 48 / 0 / 48 / 20

HEX #6ACD6B

RGB 106 205 107

HSL 120.61, 0.5%, 0.61%

LAB 74.69, -48.86, 39.85

 

CMYK 35 / 0 / 35 / 26

HEX #7ABD7B

RGB 122 189 123

HSL 120.9, 0.34%, 0.61%

LAB 70.85, -34.66, 26.83

 

CMYK 20 / 0 / 20 / 32

HEX #8AAD8A

RGB 138 173 138

HSL 120, 0.18%, 0.61%

LAB 67.37, -18.88, 14.14

 

CMYK 2 / 0 / 2 / 38

HEX #9A9D9A

RGB 154 157 154

HSL 120, 0.02%, 0.61%

LAB 64.42, -1.65, 1.18

 

CMYK 28 / 0 / 59 / 13

HEX #A0DD5A

RGB 160 221 90

HSL 87.94, 0.66%, 0.61%

LAB 81.8, -40.1, 56.82

 

CMYK 43 / 0 / 59 / 13

HEX #7DDD5A

RGB 125 221 90

HSL 103.97, 0.66%, 0.61%

LAB 80.07, -51.81, 54.41

 

CMYK 59 / 0 / 59 / 13

HEX #5ADD5A

RGB 90 221 90

HSL 120, 0.66%, 0.61%

LAB 78.82, -61.19, 52.65

 

CMYK 59 / 0 / 43 / 13

HEX #5ADD7D

RGB 90 221 125

HSL 136.03, 0.66%, 0.61%

LAB 79.25, -56.42, 36.58

 

CMYK 59 / 0 / 28 / 13

HEX #5ADDA0

RGB 90 221 160

HSL 152.06, 0.66%, 0.61%

LAB 79.85, -50.01, 19.41

 

CMYK 79 / 0 / 79 / 25

HEX #27BE28

RGB 39 190 40

HSL 120.4, 0.66%, 0.45%

LAB 67.58, -64.71, 59.67

 

CMYK 74 / 0 / 73 / 16

HEX #38D639

RGB 56 214 57

HSL 120.38, 0.66%, 0.53%

LAB 75.59, -68.5, 62.08

 

CMYK 59 / 0 / 59 / 13

HEX #5ADD5B

RGB 90 221 91

HSL 120.46, 0.66%, 0.61%

LAB 78.83, -61.07, 52.22

 

CMYK 46 / 0 / 45 / 11

HEX #7CE47D

RGB 124 228 125

HSL 120.58, 0.66%, 0.69%

LAB 82.51, -50.7, 40.98

 

CMYK 33 / 0 / 32 / 8

HEX #9EEB9F

RGB 158 235 159

HSL 120.78, 0.66%, 0.77%

LAB 86.6, -38.42, 29.57

 

CMYK 59 / 0 / 58 / 13

HEX #5BDD5C

RGB 91 221 92

HSL 120.46, 0.66%, 0.61%

LAB 78.87, -60.73, 51.83

 

CMYK 59 / 12 / 0 / 13

HEX #5AC3DD

RGB 90 195 221

HSL 191.91, 0.66%, 0.61%

LAB 73.82, -22.79, -22.1

 

CMYK 0 / 59 / 36 / 13

HEX #DD5A8E

RGB 221 90 142

HSL 336.18, 0.66%, 0.61%

LAB 56.72, 56.04, -2.29

 

CMYK 59 / 0 / 58 / 13

HEX #5BDD5C

RGB 91 221 92

HSL 120.46, 0.66%, 0.61%

LAB 78.87, -60.73, 51.83

 

CMYK 59 / 59 / 0 / 13

HEX #5A5ADD

RGB 90 90 221

HSL 240, 0.66%, 0.61%

LAB 45.23, 37.98, -67.16

 

CMYK 0 / 59 / 59 / 13

HEX #DD5A5A

RGB 221 90 90

HSL 0, 0.66%, 0.61%

LAB 55.51, 51.26, 26.52

 

CMYK 59 / 0 / 58 / 13

HEX #5BDD5C

RGB 91 221 92

HSL 120.46, 0.66%, 0.61%

LAB 78.87, -60.73, 51.83

 

CMYK 59 / 12 / 0 / 13

HEX #5AC3DD

RGB 90 195 221

HSL 191.91, 0.66%, 0.61%

LAB 73.82, -22.79, -22.1

 

CMYK 0 / 59 / 0 / 13

HEX #DD5ADD

RGB 221 90 221

HSL 300, 0.66%, 0.61%

LAB 59.8, 67.32, -43.01

 

CMYK 0 / 48 / 59 / 13

HEX #DD745A

RGB 221 116 90

HSL 11.91, 0.66%, 0.61%

LAB 60.43, 38.62, 32.8

 

CMYK 59 / 0 / 58 / 13

HEX #5BDD5C

RGB 91 221 92

HSL 120.46, 0.66%, 0.61%

LAB 78.87, -60.73, 51.83

 

CMYK 59 / 29 / 0 / 13

HEX #5A9CDD

RGB 90 156 221

HSL 209.77, 0.66%, 0.61%

LAB 62.65, -1.81, -39.35

 

CMYK 0 / 59 / 0 / 13

HEX #DD5ADD

RGB 221 90 221

HSL 300, 0.66%, 0.61%

LAB 59.8, 67.32, -43.01

 

CMYK 0 / 29 / 59 / 13

HEX #DD9C5A

RGB 221 156 90

HSL 30.23, 0.66%, 0.61%

LAB 69.39, 17.42, 43.75

 

Description

Color code: HEX #5BDD5C | qconv.com Color code: HEX #5BDD5C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 221 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 221 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 58 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 58% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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