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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BDD25 it is the complementary color #A422DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BDD25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BDD25 shade: #60DD20, #71EF33, #82FF46, #93FF59 and #A4FF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BDD25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BDD25 shade: #5BDD25, #4ACB12, #39B900, #28A700 and #179500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BDD25 shade: #5CDD27, #8EDD27, #BFDD27, #DDCB27 and #DD9927

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BDD25 shade: #5CDD27, #2BDD27, #27DD54, #27DD85 and #27DDB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BDD25 shade matches the following richer shades: #5CDD27 and #54F113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BDD25 shade: #5CDD27, #65C93B, #6DB54F, #75A163 and #7E8C78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BDD25 shade: #BFDD27, #8EDD27, #5EDD27, #2DDD27 and #27DD51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BDD25 shade: #3E9A18, #4CBD1E, #5CDD27, #77E34B and #92E86E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BDD25 shade: #5BDD25, #27DDCB and #DD27A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BDD25 shade: #5BDD25, #275EDD and #DD275E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BDD25 shade: #5BDD25, #27DDCB, #A727DD and #DD2739

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BDD25 shade: #5BDD25, #27B9DD, #A727DD and #DD4B27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 83 / 13

HEX #5BDD25

RGB 91 221 37

HSL 102.39, 0.73%, 0.51%

LAB 78.5, -65.01, 70.99

 

Complementary color

CMYK 25 / 84 / 0 / 15

HEX #A422DA

RGB 164 34 218

HSL 282.39, 0.73%, 0.49%

LAB 44.37, 74.57, -66.48

 

CMYK 57 / 0 / 86 / 13

HEX #60DD20

RGB 96 221 32

HSL 99.68, 0.75%, 0.5%

LAB 78.64, -63.97, 72.29

 

CMYK 53 / 0 / 79 / 6

HEX #71EF33

RGB 113 239 51

HSL 100.21, 0.85%, 0.57%

LAB 84.73, -64.96, 73.32

 

CMYK 49 / 0 / 73 / 0

HEX #82FF46

RGB 130 255 70

HSL 100.54, 1%, 0.64%

LAB 90.19, -64.94, 72.97

 

CMYK 42 / 0 / 65 / 0

HEX #93FF59

RGB 147 255 89

HSL 99.04, 1%, 0.67%

LAB 90.98, -58.59, 67.13

 

CMYK 36 / 0 / 58 / 0

HEX #A4FF6C

RGB 164 255 108

HSL 97.14, 1%, 0.71%

LAB 91.91, -51.57, 60.57

 

CMYK 59 / 0 / 83 / 13

HEX #5BDD25

RGB 91 221 37

HSL 102.39, 0.73%, 0.51%

LAB 78.5, -65.01, 70.99

 

CMYK 64 / 0 / 91 / 20

HEX #4ACB12

RGB 74 203 18

HSL 101.84, 0.84%, 0.43%

LAB 72.37, -63.61, 69.21

 

CMYK 69 / 0 / 100 / 27

HEX #39B900

RGB 57 185 0

HSL 101.51, 1%, 0.36%

LAB 66.19, -61.72, 66.18

 

CMYK 76 / 0 / 100 / 35

HEX #28A700

RGB 40 167 0

HSL 105.63, 1%, 0.33%

LAB 59.97, -59.1, 61.09

 

CMYK 85 / 0 / 100 / 42

HEX #179500

RGB 23 149 0

HSL 110.74, 1%, 0.29%

LAB 53.68, -55.95, 55.96

 

CMYK 58 / 0 / 82 / 13

HEX #5CDD27

RGB 92 221 39

HSL 102.53, 0.73%, 0.51%

LAB 78.54, -64.68, 70.55

 

CMYK 36 / 0 / 82 / 13

HEX #8EDD27

RGB 142 221 39

HSL 86.04, 0.73%, 0.51%

LAB 80.52, -49.72, 73.07

 

CMYK 14 / 0 / 82 / 13

HEX #BFDD27

RGB 191 221 39

HSL 69.89, 0.73%, 0.51%

LAB 83.41, -31.12, 76.71

 

CMYK 0 / 8 / 82 / 13

HEX #DDCB27

RGB 221 203 39

HSL 54.07, 0.73%, 0.51%

LAB 80.87, -9.8, 75.46

 

CMYK 0 / 31 / 82 / 13

HEX #DD9927

RGB 221 153 39

HSL 37.58, 0.73%, 0.51%

LAB 68.24, 16.44, 64.67

 

CMYK 58 / 0 / 82 / 13

HEX #5CDD27

RGB 92 221 39

HSL 102.53, 0.73%, 0.51%

LAB 78.54, -64.68, 70.55

 

CMYK 81 / 0 / 82 / 13

HEX #2BDD27

RGB 43 221 39

HSL 118.68, 0.73%, 0.51%

LAB 77.5, -73.46, 69.23

 

CMYK 82 / 0 / 62 / 13

HEX #27DD54

RGB 39 221 84

HSL 134.84, 0.73%, 0.51%

LAB 77.75, -70.23, 53.76

 

CMYK 82 / 0 / 40 / 13

HEX #27DD85

RGB 39 221 133

HSL 150.99, 0.73%, 0.51%

LAB 78.37, -62.85, 31.2

 

CMYK 82 / 0 / 18 / 13

HEX #27DDB6

RGB 39 221 182

HSL 167.14, 0.73%, 0.51%

LAB 79.34, -52.1, 6.93

 

CMYK 58 / 0 / 82 / 13

HEX #5CDD27

RGB 92 221 39

HSL 102.53, 0.73%, 0.51%

LAB 78.54, -64.68, 70.55

 

CMYK 65 / 0 / 92 / 5

HEX #54F113

RGB 84 241 19

HSL 102.43, 0.89%, 0.51%

LAB 84.4, -73.61, 79.19

 

CMYK 58 / 0 / 82 / 13

HEX #5CDD27

RGB 92 221 39

HSL 102.53, 0.73%, 0.51%

LAB 78.54, -64.68, 70.55

 

CMYK 50 / 0 / 71 / 21

HEX #65C93B

RGB 101 201 59

HSL 102.25, 0.57%, 0.51%

LAB 72.8, -53.89, 58.92

 

CMYK 40 / 0 / 56 / 29

HEX #6DB54F

RGB 109 181 79

HSL 102.35, 0.41%, 0.51%

LAB 67.17, -41.42, 44.33

 

CMYK 27 / 0 / 39 / 37

HEX #75A163

RGB 117 161 99

HSL 102.58, 0.25%, 0.51%

LAB 61.8, -26.82, 27.62

 

CMYK 10 / 0 / 14 / 45

HEX #7E8C78

RGB 126 140 120

HSL 102, 0.08%, 0.51%

LAB 56.63, -9.02, 8.98

 

CMYK 14 / 0 / 82 / 13

HEX #BFDD27

RGB 191 221 39

HSL 69.89, 0.73%, 0.51%

LAB 83.41, -31.12, 76.71

 

CMYK 36 / 0 / 82 / 13

HEX #8EDD27

RGB 142 221 39

HSL 86.04, 0.73%, 0.51%

LAB 80.52, -49.72, 73.07

 

CMYK 57 / 0 / 82 / 13

HEX #5EDD27

RGB 94 221 39

HSL 101.87, 0.73%, 0.51%

LAB 78.6, -64.19, 70.63

 

CMYK 80 / 0 / 82 / 13

HEX #2DDD27

RGB 45 221 39

HSL 118.02, 0.73%, 0.51%

LAB 77.53, -73.23, 69.26

 

CMYK 82 / 0 / 63 / 13

HEX #27DD51

RGB 39 221 81

HSL 133.85, 0.73%, 0.51%

LAB 77.72, -70.57, 55

 

CMYK 60 / 0 / 84 / 40

HEX #3E9A18

RGB 62 154 24

HSL 102.46, 0.73%, 0.35%

LAB 56.29, -49.39, 53.92

 

CMYK 60 / 0 / 84 / 26

HEX #4CBD1E

RGB 76 189 30

HSL 102.64, 0.73%, 0.43%

LAB 68.04, -58, 63.13

 

CMYK 58 / 0 / 82 / 13

HEX #5CDD27

RGB 92 221 39

HSL 102.53, 0.73%, 0.51%

LAB 78.54, -64.68, 70.55

 

CMYK 48 / 0 / 67 / 11

HEX #77E34B

RGB 119 227 75

HSL 102.63, 0.73%, 0.59%

LAB 81.49, -57.31, 62.11

 

CMYK 37 / 0 / 53 / 9

HEX #92E86E

RGB 146 232 110

HSL 102.3, 0.73%, 0.67%

LAB 84.46, -47.62, 50.74

 

CMYK 59 / 0 / 83 / 13

HEX #5BDD25

RGB 91 221 37

HSL 102.39, 0.73%, 0.51%

LAB 78.5, -65.01, 70.99

 

CMYK 82 / 0 / 8 / 13

HEX #27DDCB

RGB 39 221 203

HSL 174.07, 0.73%, 0.51%

LAB 79.87, -46.61, -3.47

 

CMYK 0 / 82 / 24 / 13

HEX #DD27A7

RGB 221 39 167

HSL 317.8, 0.73%, 0.51%

LAB 51.4, 76.28, -25.06

 

CMYK 59 / 0 / 83 / 13

HEX #5BDD25

RGB 91 221 37

HSL 102.39, 0.73%, 0.51%

LAB 78.5, -65.01, 70.99

 

CMYK 82 / 57 / 0 / 13

HEX #275EDD

RGB 39 94 221

HSL 221.87, 0.73%, 0.51%

LAB 43.74, 29.06, -69.7

 

CMYK 0 / 82 / 57 / 13

HEX #DD275E

RGB 221 39 94

HSL 341.87, 0.73%, 0.51%

LAB 49.05, 69.5, 15.53

 

CMYK 59 / 0 / 83 / 13

HEX #5BDD25

RGB 91 221 37

HSL 102.39, 0.73%, 0.51%

LAB 78.5, -65.01, 70.99

 

CMYK 82 / 0 / 8 / 13

HEX #27DDCB

RGB 39 221 203

HSL 174.07, 0.73%, 0.51%

LAB 79.87, -46.61, -3.47

 

CMYK 24 / 82 / 0 / 13

HEX #A727DD

RGB 167 39 221

HSL 282.2, 0.73%, 0.51%

LAB 45.48, 74.35, -66.38

 

CMYK 0 / 82 / 74 / 13

HEX #DD2739

RGB 221 39 57

HSL 354.07, 0.73%, 0.51%

LAB 48.41, 67.59, 37

 

CMYK 59 / 0 / 83 / 13

HEX #5BDD25

RGB 91 221 37

HSL 102.39, 0.73%, 0.51%

LAB 78.5, -65.01, 70.99

 

CMYK 82 / 16 / 0 / 13

HEX #27B9DD

RGB 39 185 221

HSL 191.87, 0.73%, 0.51%

LAB 69.72, -24.43, -28.49

 

CMYK 24 / 82 / 0 / 13

HEX #A727DD

RGB 167 39 221

HSL 282.2, 0.73%, 0.51%

LAB 45.48, 74.35, -66.38

 

CMYK 0 / 66 / 82 / 13

HEX #DD4B27

RGB 221 75 39

HSL 11.87, 0.73%, 0.51%

LAB 52.45, 55.3, 50.65

 

Description

Color code: HEX #5BDD25 | qconv.com Color code: HEX #5BDD25 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 221 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 221 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 83 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 83% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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