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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BDA97 it is the complementary color #A42568. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BDA97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BDA97 shade: #60DA92, #71ECA5, #82FEB8, #93FFCB and #A4FFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BDA97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BDA97 shade: #5BDA97, #4AC884, #39B671, #28A45E and #17924B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BDA97 shade: #5DDA98, #5DDA76, #65DA5D, #87DA5D and #A9DA5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BDA97 shade: #5DDA98, #5DDABA, #5DD9DA, #5DB7DA and #5D95DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BDA97 shade matches the following richer shades: #5DDA98, #4DEA97 and #3DFA96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BDA97 shade: #5DDA98, #6DCA99, #7DBA9A, #8DAA9B and #9D9A9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BDA97 shade: #65DA5D, #5DDA76, #5DDA97, #5DDAB9 and #5DDADA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BDA97 shade: #2ABA6E, #3BD383, #5DDA98, #7FE2AD and #A0E9C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BDA97 shade: #5BDA97, #5D87DA and #DA655D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BDA97 shade: #5BDA97, #975DDA and #DA975D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BDA97 shade: #5BDA97, #5D87DA, #DA5DA0 and #DAB05D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BDA97 shade: #5BDA97, #5D61DA, #DA5DA0 and #DAD65D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 31 / 15

HEX #5BDA97

RGB 91 218 151

HSL 148.35, 0.63%, 0.61%

LAB 78.81, -50.38, 22.69

 

Complementary color

CMYK 0 / 77 / 37 / 36

HEX #A42568

RGB 164 37 104

HSL 328.35, 0.63%, 0.39%

LAB 38.23, 55.88, -7.68

 

CMYK 56 / 0 / 33 / 15

HEX #60DA92

RGB 96 218 146

HSL 144.59, 0.62%, 0.62%

LAB 78.87, -50.26, 25.4

 

CMYK 52 / 0 / 30 / 7

HEX #71ECA5

RGB 113 236 165

HSL 145.37, 0.76%, 0.68%

LAB 85.11, -50.2, 24.16

 

CMYK 49 / 0 / 28 / 0

HEX #82FEB8

RGB 130 254 184

HSL 146.13, 0.98%, 0.75%

LAB 91.28, -50.08, 23.01

 

CMYK 42 / 0 / 20 / 0

HEX #93FFCB

RGB 147 255 203

HSL 151.11, 1%, 0.79%

LAB 92.59, -42.57, 15.23

 

CMYK 36 / 0 / 13 / 0

HEX #A4FFDE

RGB 164 255 222

HSL 158.24, 1%, 0.82%

LAB 93.75, -34.23, 7.21

 

CMYK 58 / 0 / 31 / 15

HEX #5BDA97

RGB 91 218 151

HSL 148.35, 0.63%, 0.61%

LAB 78.81, -50.38, 22.69

 

CMYK 63 / 0 / 34 / 22

HEX #4AC884

RGB 74 200 132

HSL 147.62, 0.53%, 0.54%

LAB 72.52, -50.26, 24.01

 

CMYK 69 / 0 / 38 / 29

HEX #39B671

RGB 57 182 113

HSL 146.88, 0.52%, 0.47%

LAB 66.15, -49.94, 25.44

 

CMYK 76 / 0 / 43 / 36

HEX #28A45E

RGB 40 164 94

HSL 146.13, 0.61%, 0.4%

LAB 59.72, -49.31, 27.01

 

CMYK 84 / 0 / 49 / 43

HEX #17924B

RGB 23 146 75

HSL 145.37, 0.73%, 0.33%

LAB 53.22, -48.21, 28.72

 

CMYK 57 / 0 / 30 / 15

HEX #5DDA98

RGB 93 218 152

HSL 148.32, 0.63%, 0.61%

LAB 78.89, -49.76, 22.28

 

CMYK 57 / 0 / 46 / 15

HEX #5DDA76

RGB 93 218 118

HSL 132, 0.63%, 0.61%

LAB 78.33, -55.7, 38.9

 

CMYK 54 / 0 / 57 / 15

HEX #65DA5D

RGB 101 218 93

HSL 116.16, 0.63%, 0.61%

LAB 78.29, -57.08, 50.78

 

CMYK 38 / 0 / 57 / 15

HEX #87DA5D

RGB 135 218 93

HSL 99.84, 0.63%, 0.61%

LAB 79.66, -47.12, 52.72

 

CMYK 22 / 0 / 57 / 15

HEX #A9DA5D

RGB 169 218 93

HSL 83.52, 0.63%, 0.61%

LAB 81.49, -35.18, 55.31

 

CMYK 57 / 0 / 30 / 15

HEX #5DDA98

RGB 93 218 152

HSL 148.32, 0.63%, 0.61%

LAB 78.89, -49.76, 22.28

 

CMYK 57 / 0 / 15 / 15

HEX #5DDABA

RGB 93 218 186

HSL 164.64, 0.63%, 0.61%

LAB 79.62, -42.38, 5.35

 

CMYK 57 / 0 / 0 / 15

HEX #5DD9DA

RGB 93 217 218

HSL 180.48, 0.63%, 0.61%

LAB 80.19, -33.82, -10.88

 

CMYK 57 / 16 / 0 / 15

HEX #5DB7DA

RGB 93 183 218

HSL 196.8, 0.63%, 0.61%

LAB 70.35, -16.93, -25.75

 

CMYK 57 / 32 / 0 / 15

HEX #5D95DA

RGB 93 149 218

HSL 213.12, 0.63%, 0.61%

LAB 60.68, 1.85, -40.76

 

CMYK 57 / 0 / 30 / 15

HEX #5DDA98

RGB 93 218 152

HSL 148.32, 0.63%, 0.61%

LAB 78.89, -49.76, 22.28

 

CMYK 67 / 0 / 35 / 8

HEX #4DEA97

RGB 77 234 151

HSL 148.28, 0.79%, 0.61%

LAB 83.26, -59.29, 28.66

 

CMYK 76 / 0 / 40 / 2

HEX #3DFA96

RGB 61 250 150

HSL 148.25, 0.95%, 0.61%

LAB 87.76, -67.57, 35.09

 

CMYK 57 / 0 / 30 / 15

HEX #5DDA98

RGB 93 218 152

HSL 148.32, 0.63%, 0.61%

LAB 78.89, -49.76, 22.28

 

CMYK 46 / 0 / 24 / 21

HEX #6DCA99

RGB 109 202 153

HSL 148.39, 0.47%, 0.61%

LAB 74.69, -38.87, 16.04

 

CMYK 33 / 0 / 17 / 27

HEX #7DBA9A

RGB 125 186 154

HSL 148.52, 0.31%, 0.61%

LAB 70.74, -26.59, 10.03

 

CMYK 17 / 0 / 9 / 33

HEX #8DAA9B

RGB 141 170 155

HSL 148.97, 0.15%, 0.61%

LAB 67.11, -13.04, 4.41

 

CMYK 0 / 2 / 1 / 38

HEX #9D9A9C

RGB 157 154 156

HSL 320, 0.02%, 0.61%

LAB 63.9, 1.47, -0.67

 

CMYK 54 / 0 / 57 / 15

HEX #65DA5D

RGB 101 218 93

HSL 116.16, 0.63%, 0.61%

LAB 78.29, -57.08, 50.78

 

CMYK 57 / 0 / 46 / 15

HEX #5DDA76

RGB 93 218 118

HSL 132, 0.63%, 0.61%

LAB 78.33, -55.7, 38.9

 

CMYK 57 / 0 / 31 / 15

HEX #5DDA97

RGB 93 218 151

HSL 147.84, 0.63%, 0.61%

LAB 78.87, -49.96, 22.78

 

CMYK 57 / 0 / 15 / 15

HEX #5DDAB9

RGB 93 218 185

HSL 164.16, 0.63%, 0.61%

LAB 79.6, -42.62, 5.85

 

CMYK 57 / 0 / 0 / 15

HEX #5DDADA

RGB 93 218 218

HSL 180, 0.63%, 0.61%

LAB 80.48, -34.29, -10.45

 

CMYK 77 / 0 / 41 / 27

HEX #2ABA6E

RGB 42 186 110

HSL 148.33, 0.63%, 0.45%

LAB 67.08, -54.26, 28.2

 

CMYK 72 / 0 / 38 / 17

HEX #3BD383

RGB 59 211 131

HSL 148.42, 0.63%, 0.53%

LAB 75.55, -57.25, 28.54

 

CMYK 57 / 0 / 30 / 15

HEX #5DDA98

RGB 93 218 152

HSL 148.32, 0.63%, 0.61%

LAB 78.89, -49.76, 22.28

 

CMYK 44 / 0 / 23 / 11

HEX #7FE2AD

RGB 127 226 173

HSL 147.88, 0.63%, 0.69%

LAB 82.87, -40.88, 17

 

CMYK 31 / 0 / 16 / 9

HEX #A0E9C3

RGB 160 233 195

HSL 148.77, 0.62%, 0.77%

LAB 86.85, -30.5, 11.32

 

CMYK 58 / 0 / 31 / 15

HEX #5BDA97

RGB 91 218 151

HSL 148.35, 0.63%, 0.61%

LAB 78.81, -50.38, 22.69

 

CMYK 57 / 38 / 0 / 15

HEX #5D87DA

RGB 93 135 218

HSL 219.84, 0.63%, 0.61%

LAB 56.8, 10.09, -46.88

 

CMYK 0 / 54 / 57 / 15

HEX #DA655D

RGB 218 101 93

HSL 3.84, 0.63%, 0.61%

LAB 57.08, 45.23, 26.74

 

CMYK 58 / 0 / 31 / 15

HEX #5BDA97

RGB 91 218 151

HSL 148.35, 0.63%, 0.61%

LAB 78.81, -50.38, 22.69

 

CMYK 31 / 57 / 0 / 15

HEX #975DDA

RGB 151 93 218

HSL 267.84, 0.63%, 0.61%

LAB 51.23, 48.09, -55.49

 

CMYK 0 / 31 / 57 / 15

HEX #DA975D

RGB 218 151 93

HSL 27.84, 0.63%, 0.61%

LAB 67.89, 19.09, 40.34

 

CMYK 58 / 0 / 31 / 15

HEX #5BDA97

RGB 91 218 151

HSL 148.35, 0.63%, 0.61%

LAB 78.81, -50.38, 22.69

 

CMYK 57 / 38 / 0 / 15

HEX #5D87DA

RGB 93 135 218

HSL 219.84, 0.63%, 0.61%

LAB 56.8, 10.09, -46.88

 

CMYK 0 / 57 / 27 / 15

HEX #DA5DA0

RGB 218 93 160

HSL 327.84, 0.63%, 0.61%

LAB 57.34, 55.97, -11.94

 

CMYK 0 / 19 / 57 / 15

HEX #DAB05D

RGB 218 176 93

HSL 39.84, 0.63%, 0.61%

LAB 74.03, 5.69, 47.67

 

CMYK 58 / 0 / 31 / 15

HEX #5BDA97

RGB 91 218 151

HSL 148.35, 0.63%, 0.61%

LAB 78.81, -50.38, 22.69

 

CMYK 57 / 56 / 0 / 15

HEX #5D61DA

RGB 93 97 218

HSL 238.08, 0.63%, 0.61%

LAB 46.89, 33.29, -62.75

 

CMYK 0 / 57 / 27 / 15

HEX #DA5DA0

RGB 218 93 160

HSL 327.84, 0.63%, 0.61%

LAB 57.34, 55.97, -11.94

 

CMYK 0 / 2 / 57 / 15

HEX #DAD65D

RGB 218 214 93

HSL 58.08, 0.63%, 0.61%

LAB 83.86, -13.92, 58.91

 

Description

Color code: HEX #5BDA97 | qconv.com Color code: HEX #5BDA97 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 218 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 218 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 31 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 31% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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