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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BCDA3 it is the complementary color #A4325C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BCDA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BCDA3 shade: #60CD9E, #71DFB1, #82F1C4, #93FFD7 and #A4FFEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BCDA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BCDA3 shade: #5BCDA3, #4ABB90, #39A97D, #28976A and #178557

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BCDA3 shade: #5BCDA3, #5BCD84, #5BCD66, #6FCD5B and #8ECD5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BCDA3 shade: #5BCDA3, #5BCDC1, #5BB9CD, #5B9BCD and #5B7CCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BCDA3 shade matches the following richer shades: #5BCDA3, #4ADEA7 and #38EFAC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BCDA3 shade: #5BCDA3, #6CBB9E, #7EAA9A, #8F9995 and #A08791

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BCDA3 shade: #5BCD65, #5BCD83, #5BCDA1, #5BCDBF and #5BBCCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BCDA3 shade: #32A37A, #3CC391, #5BCDA3, #7BD6B5 and #9AE0C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BCDA3 shade: #5BCDA3, #5B70CD and #CD745B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BCDA3 shade: #5BCDA3, #A15BCD and #CDA15B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BCDA3 shade: #5BCDA3, #5B70CD, #CD5B87 and #CDB85B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BCDA3 shade: #5BCDA3, #685BCD, #CD5B87 and #BFCD5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 20 / 20

HEX #5BCDA3

RGB 91 205 163

HSL 157.89, 0.53%, 0.58%

LAB 75.16, -42.37, 11.25

 

Complementary color

CMYK 0 / 70 / 44 / 36

HEX #A4325C

RGB 164 50 92

HSL 337.89, 0.53%, 0.42%

LAB 39.49, 49.97, 1.77

 

CMYK 53 / 0 / 23 / 20

HEX #60CD9E

RGB 96 205 158

HSL 154.13, 0.52%, 0.59%

LAB 75.21, -42.35, 14.02

 

CMYK 49 / 0 / 21 / 13

HEX #71DFB1

RGB 113 223 177

HSL 154.91, 0.63%, 0.66%

LAB 81.54, -42.25, 12.95

 

CMYK 46 / 0 / 19 / 5

HEX #82F1C4

RGB 130 241 196

HSL 155.68, 0.8%, 0.73%

LAB 87.8, -42.09, 11.96

 

CMYK 42 / 0 / 16 / 0

HEX #93FFD7

RGB 147 255 215

HSL 157.78, 1%, 0.79%

LAB 92.85, -40.13, 9.43

 

CMYK 36 / 0 / 8 / 0

HEX #A4FFEA

RGB 164 255 234

HSL 166.15, 1%, 0.82%

LAB 94.04, -31.7, 1.43

 

CMYK 56 / 0 / 20 / 20

HEX #5BCDA3

RGB 91 205 163

HSL 157.89, 0.53%, 0.58%

LAB 75.16, -42.37, 11.25

 

CMYK 60 / 0 / 23 / 27

HEX #4ABB90

RGB 74 187 144

HSL 157.17, 0.45%, 0.51%

LAB 68.76, -42.32, 12.39

 

CMYK 66 / 0 / 26 / 34

HEX #39A97D

RGB 57 169 125

HSL 156.43, 0.5%, 0.44%

LAB 62.28, -42.11, 13.64

 

CMYK 74 / 0 / 30 / 41

HEX #28976A

RGB 40 151 106

HSL 155.68, 0.58%, 0.37%

LAB 55.71, -41.67, 15.05

 

CMYK 83 / 0 / 35 / 48

HEX #178557

RGB 23 133 87

HSL 154.91, 0.71%, 0.31%

LAB 49.06, -40.83, 16.63

 

CMYK 56 / 0 / 20 / 20

HEX #5BCDA3

RGB 91 205 163

HSL 157.89, 0.53%, 0.58%

LAB 75.16, -42.37, 11.25

 

CMYK 56 / 0 / 36 / 20

HEX #5BCD84

RGB 91 205 132

HSL 141.58, 0.53%, 0.58%

LAB 74.54, -48.66, 26.82

 

CMYK 56 / 0 / 50 / 20

HEX #5BCD66

RGB 91 205 102

HSL 125.79, 0.53%, 0.58%

LAB 74.09, -53.49, 41.44

 

CMYK 46 / 0 / 56 / 20

HEX #6FCD5B

RGB 111 205 91

HSL 109.47, 0.53%, 0.58%

LAB 74.7, -49.47, 47.58

 

CMYK 31 / 0 / 56 / 20

HEX #8ECD5B

RGB 142 205 91

HSL 93.16, 0.53%, 0.58%

LAB 76.17, -39.34, 49.68

 

CMYK 56 / 0 / 20 / 20

HEX #5BCDA3

RGB 91 205 163

HSL 157.89, 0.53%, 0.58%

LAB 75.16, -42.37, 11.25

 

CMYK 56 / 0 / 6 / 20

HEX #5BCDC1

RGB 91 205 193

HSL 173.68, 0.53%, 0.58%

LAB 75.91, -35.16, -3.82

 

CMYK 56 / 10 / 0 / 20

HEX #5BB9CD

RGB 91 185 205

HSL 190.53, 0.53%, 0.58%

LAB 70.41, -22.15, -18.57

 

CMYK 56 / 24 / 0 / 20

HEX #5B9BCD

RGB 91 155 205

HSL 206.32, 0.53%, 0.58%

LAB 61.72, -6.09, -31.89

 

CMYK 56 / 40 / 0 / 20

HEX #5B7CCD

RGB 91 124 205

HSL 222.63, 0.53%, 0.58%

LAB 53, 12.07, -45.57

 

CMYK 56 / 0 / 20 / 20

HEX #5BCDA3

RGB 91 205 163

HSL 157.89, 0.53%, 0.58%

LAB 75.16, -42.37, 11.25

 

CMYK 67 / 0 / 25 / 13

HEX #4ADEA7

RGB 74 222 167

HSL 157.7, 0.69%, 0.58%

LAB 79.89, -51.83, 15.73

 

CMYK 77 / 0 / 28 / 6

HEX #38EFAC

RGB 56 239 172

HSL 158.03, 0.85%, 0.58%

LAB 84.77, -59.82, 19.87

 

CMYK 56 / 0 / 20 / 20

HEX #5BCDA3

RGB 91 205 163

HSL 157.89, 0.53%, 0.58%

LAB 75.16, -42.37, 11.25

 

CMYK 42 / 0 / 16 / 27

HEX #6CBB9E

RGB 108 187 158

HSL 157.97, 0.37%, 0.58%

LAB 70.31, -31.13, 7.13

 

CMYK 26 / 0 / 9 / 33

HEX #7EAA9A

RGB 126 170 154

HSL 158.18, 0.21%, 0.58%

LAB 66.15, -18.22, 3.46

 

CMYK 7 / 0 / 3 / 40

HEX #8F9995

RGB 143 153 149

HSL 156, 0.05%, 0.58%

LAB 62.33, -4.38, 0.86

 

CMYK 0 / 16 / 9 / 37

HEX #A08791

RGB 160 135 145

HSL 336, 0.12%, 0.58%

LAB 58.83, 11.22, -1.81

 

CMYK 56 / 0 / 51 / 20

HEX #5BCD65

RGB 91 205 101

HSL 125.26, 0.53%, 0.58%

LAB 74.08, -53.63, 41.91

 

CMYK 56 / 0 / 36 / 20

HEX #5BCD83

RGB 91 205 131

HSL 141.05, 0.53%, 0.58%

LAB 74.52, -48.85, 27.32

 

CMYK 56 / 0 / 21 / 20

HEX #5BCDA1

RGB 91 205 161

HSL 156.84, 0.53%, 0.58%

LAB 75.11, -42.81, 12.25

 

CMYK 56 / 0 / 7 / 20

HEX #5BCDBF

RGB 91 205 191

HSL 172.63, 0.53%, 0.58%

LAB 75.85, -35.67, -2.82

 

CMYK 56 / 8 / 0 / 20

HEX #5BBCCD

RGB 91 188 205

HSL 188.95, 0.53%, 0.58%

LAB 71.28, -23.67, -17.24

 

CMYK 69 / 0 / 25 / 36

HEX #32A37A

RGB 50 163 122

HSL 158.23, 0.53%, 0.42%

LAB 60.14, -41.45, 12.29

 

CMYK 69 / 0 / 26 / 24

HEX #3CC391

RGB 60 195 145

HSL 157.78, 0.53%, 0.5%

LAB 70.9, -47.95, 14.79

 

CMYK 56 / 0 / 20 / 20

HEX #5BCDA3

RGB 91 205 163

HSL 157.89, 0.53%, 0.58%

LAB 75.16, -42.37, 11.25

 

CMYK 43 / 0 / 15 / 16

HEX #7BD6B5

RGB 123 214 181

HSL 158.24, 0.53%, 0.66%

LAB 79.41, -34.82, 7.85

 

CMYK 31 / 0 / 12 / 12

HEX #9AE0C6

RGB 154 224 198

HSL 157.71, 0.53%, 0.74%

LAB 84.1, -27.37, 5.77

 

CMYK 56 / 0 / 20 / 20

HEX #5BCDA3

RGB 91 205 163

HSL 157.89, 0.53%, 0.58%

LAB 75.16, -42.37, 11.25

 

CMYK 56 / 45 / 0 / 20

HEX #5B70CD

RGB 91 112 205

HSL 228.95, 0.53%, 0.58%

LAB 49.76, 19.43, -50.73

 

CMYK 0 / 43 / 56 / 20

HEX #CD745B

RGB 205 116 91

HSL 13.16, 0.53%, 0.58%

LAB 58.25, 32.48, 29.02

 

CMYK 56 / 0 / 20 / 20

HEX #5BCDA3

RGB 91 205 163

HSL 157.89, 0.53%, 0.58%

LAB 75.16, -42.37, 11.25

 

CMYK 21 / 56 / 0 / 20

HEX #A15BCD

RGB 161 91 205

HSL 276.84, 0.53%, 0.58%

LAB 51.23, 48.59, -48.02

 

CMYK 0 / 21 / 56 / 20

HEX #CDA15B

RGB 205 161 91

HSL 36.84, 0.53%, 0.58%

LAB 68.91, 8.09, 42.27

 

CMYK 56 / 0 / 20 / 20

HEX #5BCDA3

RGB 91 205 163

HSL 157.89, 0.53%, 0.58%

LAB 75.16, -42.37, 11.25

 

CMYK 56 / 45 / 0 / 20

HEX #5B70CD

RGB 91 112 205

HSL 228.95, 0.53%, 0.58%

LAB 49.76, 19.43, -50.73

 

CMYK 0 / 56 / 34 / 20

HEX #CD5B87

RGB 205 91 135

HSL 336.84, 0.53%, 0.58%

LAB 54.25, 49.65, -2.09

 

CMYK 0 / 10 / 56 / 20

HEX #CDB85B

RGB 205 184 91

HSL 48.95, 0.53%, 0.58%

LAB 74.83, -4.14, 49.27

 

CMYK 56 / 0 / 20 / 20

HEX #5BCDA3

RGB 91 205 163

HSL 157.89, 0.53%, 0.58%

LAB 75.16, -42.37, 11.25

 

CMYK 49 / 56 / 0 / 20

HEX #685BCD

RGB 104 91 205

HSL 246.84, 0.53%, 0.58%

LAB 45.4, 35.03, -57.68

 

CMYK 0 / 56 / 34 / 20

HEX #CD5B87

RGB 205 91 135

HSL 336.84, 0.53%, 0.58%

LAB 54.25, 49.65, -2.09

 

CMYK 7 / 0 / 56 / 20

HEX #BFCD5B

RGB 191 205 91

HSL 67.37, 0.53%, 0.58%

LAB 79.33, -20.59, 54.13

 

Description

Color code: HEX #5BCDA3 | qconv.com Color code: HEX #5BCDA3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 205 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 205 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 20 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 20% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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