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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BCB81 it is the complementary color #A4347E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BCB81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BCB81 shade: #60CB7C, #71DD8F, #82EFA2, #93FFB5 and #A4FFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BCB81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BCB81 shade: #5BCB81, #4AB96E, #39A75B, #289548 and #178335

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BCB81 shade: #5CCC82, #5CCC64, #72CC5C, #91CC5C and #AFCC5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BCB81 shade: #5CCC82, #5CCCA0, #5CCCBE, #5CBBCC and #5C9DCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BCB81 shade matches the following richer shades: #5CCC82, #4BDD7C and #3AEE77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BCB81 shade: #5CCC82, #6EBA88, #7FA98D, #909893 and #A28698

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BCB81 shade: #72CC5C, #5CCC64, #5CCC81, #5CCC9F and #5CCCBD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BCB81 shade: #33A259, #3DC16A, #5CCC82, #7CD59A and #9BDFB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BCB81 shade: #5BCB81, #5C90CC and #CC5C64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BCB81 shade: #5BCB81, #815CCC and #CC815C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BCB81 shade: #5BCB81, #5C90CC, #CC5CA6 and #CC985C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BCB81 shade: #5BCB81, #5C6FCC, #CC5CA6 and #CCB95C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 36 / 20

HEX #5BCB81

RGB 91 203 129

HSL 140.36, 0.52%, 0.58%

LAB 73.88, -48.39, 27.5

 

Complementary color

CMYK 0 / 68 / 23 / 36

HEX #A4347E

RGB 164 52 126

HSL 320.36, 0.52%, 0.42%

LAB 40.98, 53.27, -17.22

 

CMYK 53 / 0 / 39 / 20

HEX #60CB7C

RGB 96 203 124

HSL 135.7, 0.51%, 0.59%

LAB 73.97, -48.05, 30.24

 

CMYK 49 / 0 / 35 / 13

HEX #71DD8F

RGB 113 221 143

HSL 136.67, 0.61%, 0.65%

LAB 80.3, -47.94, 28.96

 

CMYK 46 / 0 / 32 / 6

HEX #82EFA2

RGB 130 239 162

HSL 137.61, 0.77%, 0.72%

LAB 86.55, -47.77, 27.76

 

CMYK 42 / 0 / 29 / 0

HEX #93FFB5

RGB 147 255 181

HSL 138.89, 1%, 0.79%

LAB 92.16, -46.7, 25.85

 

CMYK 36 / 0 / 22 / 0

HEX #A4FFC8

RGB 164 255 200

HSL 143.74, 1%, 0.82%

LAB 93.27, -38.54, 17.83

 

CMYK 55 / 0 / 36 / 20

HEX #5BCB81

RGB 91 203 129

HSL 140.36, 0.52%, 0.58%

LAB 73.88, -48.39, 27.5

 

CMYK 60 / 0 / 41 / 27

HEX #4AB96E

RGB 74 185 110

HSL 139.46, 0.44%, 0.51%

LAB 67.49, -48.33, 28.87

 

CMYK 66 / 0 / 46 / 35

HEX #39A75B

RGB 57 167 91

HSL 138.55, 0.49%, 0.44%

LAB 61.01, -48.08, 30.35

 

CMYK 73 / 0 / 52 / 42

HEX #289548

RGB 40 149 72

HSL 137.61, 0.58%, 0.37%

LAB 54.46, -47.49, 31.91

 

CMYK 82 / 0 / 60 / 49

HEX #178335

RGB 23 131 53

HSL 136.67, 0.7%, 0.3%

LAB 47.84, -46.35, 33.52

 

CMYK 55 / 0 / 36 / 20

HEX #5CCC82

RGB 92 204 130

HSL 140.36, 0.52%, 0.58%

LAB 74.24, -48.38, 27.46

 

CMYK 55 / 0 / 51 / 20

HEX #5CCC64

RGB 92 204 100

HSL 124.29, 0.52%, 0.58%

LAB 73.79, -53.13, 42.05

 

CMYK 44 / 0 / 55 / 20

HEX #72CC5C

RGB 114 204 92

HSL 108.21, 0.52%, 0.58%

LAB 74.53, -48.04, 46.95

 

CMYK 29 / 0 / 55 / 20

HEX #91CC5C

RGB 145 204 92

HSL 91.61, 0.52%, 0.58%

LAB 76.06, -37.72, 49.12

 

CMYK 14 / 0 / 55 / 20

HEX #AFCC5C

RGB 175 204 92

HSL 75.54, 0.52%, 0.58%

LAB 77.92, -26.4, 51.76

 

CMYK 55 / 0 / 36 / 20

HEX #5CCC82

RGB 92 204 130

HSL 140.36, 0.52%, 0.58%

LAB 74.24, -48.38, 27.46

 

CMYK 55 / 0 / 22 / 20

HEX #5CCCA0

RGB 92 204 160

HSL 156.43, 0.52%, 0.58%

LAB 74.82, -42.38, 12.38

 

CMYK 55 / 0 / 7 / 20

HEX #5CCCBE

RGB 92 204 190

HSL 172.5, 0.52%, 0.58%

LAB 75.56, -35.26, -2.7

 

CMYK 55 / 8 / 0 / 20

HEX #5CBBCC

RGB 92 187 204

HSL 189.11, 0.52%, 0.58%

LAB 70.99, -23.25, -17.13

 

CMYK 55 / 23 / 0 / 20

HEX #5C9DCC

RGB 92 157 204

HSL 205.18, 0.52%, 0.58%

LAB 62.3, -7.3, -30.44

 

CMYK 55 / 0 / 36 / 20

HEX #5CCC82

RGB 92 204 130

HSL 140.36, 0.52%, 0.58%

LAB 74.24, -48.38, 27.46

 

CMYK 66 / 0 / 44 / 13

HEX #4BDD7C

RGB 75 221 124

HSL 140.14, 0.68%, 0.58%

LAB 78.85, -59.56, 36.48

 

CMYK 76 / 0 / 50 / 7

HEX #3AEE77

RGB 58 238 119

HSL 140.33, 0.84%, 0.58%

LAB 83.64, -68.91, 44.91

 

CMYK 55 / 0 / 36 / 20

HEX #5CCC82

RGB 92 204 130

HSL 140.36, 0.52%, 0.58%

LAB 74.24, -48.38, 27.46

 

CMYK 41 / 0 / 27 / 27

HEX #6EBA88

RGB 110 186 136

HSL 140.53, 0.36%, 0.58%

LAB 69.62, -34.65, 18.12

 

CMYK 25 / 0 / 17 / 34

HEX #7FA98D

RGB 127 169 141

HSL 140, 0.2%, 0.58%

LAB 65.6, -20.04, 9.89

 

CMYK 5 / 0 / 3 / 40

HEX #909893

RGB 144 152 147

HSL 142.5, 0.04%, 0.58%

LAB 62.08, -3.86, 1.62

 

CMYK 0 / 17 / 6 / 36

HEX #A28698

RGB 162 134 152

HSL 321.43, 0.13%, 0.58%

LAB 58.97, 13.81, -5.6

 

CMYK 44 / 0 / 55 / 20

HEX #72CC5C

RGB 114 204 92

HSL 108.21, 0.52%, 0.58%

LAB 74.53, -48.04, 46.95

 

CMYK 55 / 0 / 51 / 20

HEX #5CCC64

RGB 92 204 100

HSL 124.29, 0.52%, 0.58%

LAB 73.79, -53.13, 42.05

 

CMYK 55 / 0 / 37 / 20

HEX #5CCC81

RGB 92 204 129

HSL 139.82, 0.52%, 0.58%

LAB 74.22, -48.56, 27.96

 

CMYK 55 / 0 / 22 / 20

HEX #5CCC9F

RGB 92 204 159

HSL 155.89, 0.52%, 0.58%

LAB 74.8, -42.6, 12.89

 

CMYK 55 / 0 / 7 / 20

HEX #5CCCBD

RGB 92 204 189

HSL 171.96, 0.52%, 0.58%

LAB 75.54, -35.51, -2.2

 

CMYK 69 / 0 / 45 / 36

HEX #33A259

RGB 51 162 89

HSL 140.54, 0.52%, 0.42%

LAB 59.22, -47.64, 29.07

 

CMYK 68 / 0 / 45 / 24

HEX #3DC16A

RGB 61 193 106

HSL 140.45, 0.52%, 0.5%

LAB 69.59, -54.69, 33.61

 

CMYK 55 / 0 / 36 / 20

HEX #5CCC82

RGB 92 204 130

HSL 140.36, 0.52%, 0.58%

LAB 74.24, -48.38, 27.46

 

CMYK 42 / 0 / 28 / 16

HEX #7CD59A

RGB 124 213 154

HSL 140.22, 0.51%, 0.66%

LAB 78.58, -39.54, 20.99

 

CMYK 30 / 0 / 20 / 13

HEX #9BDFB2

RGB 155 223 178

HSL 140.29, 0.52%, 0.74%

LAB 83.42, -30.53, 15.34

 

CMYK 55 / 0 / 36 / 20

HEX #5BCB81

RGB 91 203 129

HSL 140.36, 0.52%, 0.58%

LAB 73.88, -48.39, 27.5

 

CMYK 55 / 29 / 0 / 20

HEX #5C90CC

RGB 92 144 204

HSL 212.14, 0.52%, 0.58%

LAB 58.58, 0.09, -36.21

 

CMYK 0 / 55 / 51 / 20

HEX #CC5C64

RGB 204 92 100

HSL 355.71, 0.52%, 0.58%

LAB 53.4, 45.16, 17.39

 

CMYK 55 / 0 / 36 / 20

HEX #5BCB81

RGB 91 203 129

HSL 140.36, 0.52%, 0.58%

LAB 73.88, -48.39, 27.5

 

CMYK 37 / 55 / 0 / 20

HEX #815CCC

RGB 129 92 204

HSL 259.82, 0.52%, 0.58%

LAB 47.86, 39.82, -53.04

 

CMYK 0 / 37 / 55 / 20

HEX #CC815C

RGB 204 129 92

HSL 19.82, 0.52%, 0.58%

LAB 61.05, 25.17, 32.02

 

CMYK 55 / 0 / 36 / 20

HEX #5BCB81

RGB 91 203 129

HSL 140.36, 0.52%, 0.58%

LAB 73.88, -48.39, 27.5

 

CMYK 55 / 29 / 0 / 20

HEX #5C90CC

RGB 92 144 204

HSL 212.14, 0.52%, 0.58%

LAB 58.58, 0.09, -36.21

 

CMYK 0 / 55 / 19 / 20

HEX #CC5CA6

RGB 204 92 166

HSL 320.36, 0.52%, 0.58%

LAB 55.32, 53.03, -18.68

 

CMYK 0 / 25 / 55 / 20

HEX #CC985C

RGB 204 152 92

HSL 32.14, 0.52%, 0.58%

LAB 66.57, 12.63, 38.88

 

CMYK 55 / 0 / 36 / 20

HEX #5BCB81

RGB 91 203 129

HSL 140.36, 0.52%, 0.58%

LAB 73.88, -48.39, 27.5

 

CMYK 55 / 46 / 0 / 20

HEX #5C6FCC

RGB 92 111 204

HSL 229.82, 0.52%, 0.58%

LAB 49.5, 19.93, -50.57

 

CMYK 0 / 55 / 19 / 20

HEX #CC5CA6

RGB 204 92 166

HSL 320.36, 0.52%, 0.58%

LAB 55.32, 53.03, -18.68

 

CMYK 0 / 9 / 55 / 20

HEX #CCB95C

RGB 204 185 92

HSL 49.82, 0.52%, 0.58%

LAB 75.02, -5, 48.98

 

Description

Color code: HEX #5BCB81 | qconv.com Color code: HEX #5BCB81 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 203 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 203 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 36 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 36% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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