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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BC8AC it is the complementary color #A43753. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BC8AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #5BC8AC: #60C8A7, #71DABA, #82ECCD, #93FEE0 and #A4FFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BC8AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #5BC8AC: #5BC8AC, #4AB699, #39A486, #289273 and #178060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 14 / 22

HEX #5BC8AC

RGB 91 200 172

HSL 164.59, 0.5%, 0.57%

LAB 73.88, -38.06, 4.56

 

Complementary color

CMYK 0 / 66 / 49 / 36

HEX #A43753

RGB 164 55 83

HSL 344.59, 0.5%, 0.43%

LAB 40, 47.02, 8.17

 

CMYK 52 / 0 / 17 / 22

HEX #60C8A7

RGB 96 200 167

HSL 160.96, 0.49%, 0.58%

LAB 73.92, -38.13, 7.36

 

CMYK 48 / 0 / 15 / 15

HEX #71DABA

RGB 113 218 186

HSL 161.71, 0.59%, 0.65%

LAB 80.29, -38.04, 6.4

 

CMYK 45 / 0 / 13 / 7

HEX #82ECCD

RGB 130 236 205

HSL 162.45, 0.74%, 0.72%

LAB 86.58, -37.92, 5.52

 

CMYK 42 / 0 / 12 / 0

HEX #93FEE0

RGB 147 254 224

HSL 163.18, 0.98%, 0.79%

LAB 92.78, -37.76, 4.69

 

CMYK 36 / 0 / 5 / 0

HEX #A4FFF3

RGB 164 255 243

HSL 172.09, 1%, 0.82%

LAB 94.26, -29.73, -2.88

 

CMYK 55 / 0 / 14 / 22

HEX #5BC8AC

RGB 91 200 172

HSL 164.59, 0.5%, 0.57%

LAB 73.88, -38.06, 4.56

 

CMYK 59 / 0 / 16 / 29

HEX #4AB699

RGB 74 182 153

HSL 163.89, 0.43%, 0.5%

LAB 67.44, -37.99, 5.58

 

CMYK 65 / 0 / 18 / 36

HEX #39A486

RGB 57 164 134

HSL 163.18, 0.48%, 0.43%

LAB 60.91, -37.78, 6.69

 

CMYK 73 / 0 / 21 / 43

HEX #289273

RGB 40 146 115

HSL 162.45, 0.57%, 0.36%

LAB 54.29, -37.35, 7.95

 

CMYK 82 / 0 / 25 / 50

HEX #178060

RGB 23 128 96

HSL 161.71, 0.7%, 0.3%

LAB 47.58, -36.57, 9.38

 

CMYK 55 / 0 / 14 / 22

HEX #5BC8AC

RGB 91 200 172

HSL 164.59, 0.5%, 0.57%

LAB 73.88, -38.06, 4.56

 

CMYK 55 / 0 / 5 / 22

HEX #5AC8BD

RGB 90 200 189

HSL 174, 0.5%, 0.57%

LAB 74.29, -34.05, -4.04

 

CMYK 55 / 4 / 0 / 22

HEX #5AC0C8

RGB 90 192 200

HSL 184.36, 0.5%, 0.57%

LAB 72.26, -27.26, -13.05

 

CMYK 55 / 13 / 0 / 22

HEX #5AAEC8

RGB 90 174 200

HSL 194.18, 0.5%, 0.57%

LAB 66.99, -18.12, -21.01

 

CMYK 55 / 22 / 0 / 22

HEX #5A9CC8

RGB 90 156 200

HSL 204, 0.5%, 0.57%

LAB 61.76, -8.4, -29.04

 

CMYK 55 / 0 / 14 / 22

HEX #5BC8AC

RGB 91 200 172

HSL 164.59, 0.5%, 0.57%

LAB 73.88, -38.06, 4.56

 

CMYK 55 / 0 / 14 / 2

HEX #72FBD8

RGB 114 251 216

HSL 164.67, 0.94%, 0.72%

LAB 90.56, -45.65, 5.47

 

CMYK 55 / 0 / 15 / 82

HEX #152F28

RGB 21 47 40

HSL 163.85, 0.38%, 0.13%

LAB 17.21, -12.14, 1.41

 

CMYK 54 / 0 / 14 / 62

HEX #2D6254

RGB 45 98 84

HSL 164.15, 0.37%, 0.28%

LAB 37.72, -21.48, 2.59

 

CMYK 54 / 0 / 14 / 42

HEX #449580

RGB 68 149 128

HSL 164.44, 0.37%, 0.43%

LAB 56.37, -30.07, 3.61

 

CMYK 55 / 0 / 14 / 22

HEX #5BC8AC

RGB 91 200 172

HSL 164.59, 0.5%, 0.57%

LAB 73.88, -38.06, 4.56

 

CMYK 55 / 52 / 0 / 22

HEX #5A61C8

RGB 90 97 200

HSL 236.18, 0.5%, 0.57%

LAB 45.49, 26.89, -54.72

 

CMYK 0 / 37 / 55 / 22

HEX #C87F5A

RGB 200 127 90

HSL 20.18, 0.5%, 0.57%

LAB 60.07, 24.45, 31.76

 

CMYK 55 / 0 / 14 / 22

HEX #5BC8AC

RGB 91 200 172

HSL 164.59, 0.5%, 0.57%

LAB 73.88, -38.06, 4.56

 

CMYK 15 / 55 / 0 / 22

HEX #AA5AC8

RGB 170 90 200

HSL 283.64, 0.5%, 0.57%

LAB 51.87, 50.37, -44.07

 

CMYK 0 / 15 / 55 / 22

HEX #C8AA5A

RGB 200 170 90

HSL 43.64, 0.5%, 0.57%

LAB 70.71, 1.07, 44.79

 

CMYK 55 / 0 / 14 / 22

HEX #5BC8AC

RGB 91 200 172

HSL 164.59, 0.5%, 0.57%

LAB 73.88, -38.06, 4.56

 

CMYK 55 / 52 / 0 / 22

HEX #5A61C8

RGB 90 97 200

HSL 236.18, 0.5%, 0.57%

LAB 45.49, 26.89, -54.72

 

CMYK 0 / 55 / 41 / 22

HEX #C85A77

RGB 200 90 119

HSL 344.18, 0.5%, 0.57%

LAB 52.87, 46.62, 5.3

 

CMYK 0 / 4 / 55 / 22

HEX #C8C05A

RGB 200 192 90

HSL 55.64, 0.5%, 0.57%

LAB 76.51, -10.45, 51.56

 

CMYK 55 / 0 / 14 / 22

HEX #5BC8AC

RGB 91 200 172

HSL 164.59, 0.5%, 0.57%

LAB 73.88, -38.06, 4.56

 

CMYK 42 / 55 / 0 / 22

HEX #745AC8

RGB 116 90 200

HSL 254.18, 0.5%, 0.57%

LAB 45.9, 36.81, -53.95

 

CMYK 0 / 55 / 41 / 22

HEX #C85A77

RGB 200 90 119

HSL 344.18, 0.5%, 0.57%

LAB 52.87, 46.62, 5.3

 

CMYK 13 / 0 / 55 / 22

HEX #AEC85A

RGB 174 200 90

HSL 74.18, 0.5%, 0.57%

LAB 76.71, -25.04, 51.27

 

Description

Color code: HEX #5BC8AC | qconv.com Color code: HEX #5BC8AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 200 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 200 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 14 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 14% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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