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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BAAED it is the complementary color #A45512. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BAAED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BAAED shade: #60AAE8, #71BCFB, #82CEFF, #93E0FF and #A4F2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BAAED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BAAED shade: #5BAAED, #4A98DA, #3986C7, #2874B4 and #1762A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BAAED shade: #5AA9ED, #5A82ED, #5A5AED, #815AED and #A95AED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BAAED shade: #5AA9ED, #5A82ED and #5A5AED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BAAED shade matches the following richer shades: #5AA9ED and #4BAAFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BAAED shade: #5AA9ED, #69A8DE, #77A7CF, #86A6C0 and #95A4B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BAAED shade: #5AEDE0, #5AD2ED, #5AABED, #5A83ED and #5A5CED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BAAED shade: #1882DB, #3596E9, #5AA9ED, #7FBDF1 and #A4D0F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BAAED shade: #5BAAED, #B95AED and #E5ED5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BAAED shade: #5BAAED, #ED5AAB and #ABED5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BAAED shade: #5BAAED, #B95AED, #ED9C5A and #8DED5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BAAED shade: #5BAAED, #E55AED, #ED9C5A and #61ED5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 28 / 0 / 7

HEX #5BAAED

RGB 91 170 237

HSL 207.53, 0.8%, 0.64%

LAB 67.34, -4.39, -40.81

 

Complementary color

CMYK 0 / 48 / 89 / 36

HEX #A45512

RGB 164 85 18

HSL 27.53, 0.8%, 0.36%

LAB 44.85, 28.36, 49.03

 

CMYK 59 / 27 / 0 / 9

HEX #60AAE8

RGB 96 170 232

HSL 207.35, 0.75%, 0.64%

LAB 67.32, -5.04, -38.09

 

CMYK 55 / 25 / 0 / 2

HEX #71BCFB

RGB 113 188 251

HSL 207.39, 0.95%, 0.71%

LAB 73.83, -5.75, -38.22

 

CMYK 49 / 19 / 0 / 0

HEX #82CEFF

RGB 130 206 255

HSL 203.52, 1%, 0.75%

LAB 79.68, -10.59, -31.27

 

CMYK 42 / 12 / 0 / 0

HEX #93E0FF

RGB 147 224 255

HSL 197.22, 1%, 0.79%

LAB 85.37, -15.94, -22.5

 

CMYK 36 / 5 / 0 / 0

HEX #A4F2FF

RGB 164 242 255

HSL 188.57, 1%, 0.82%

LAB 91.06, -20.7, -13.85

 

CMYK 62 / 28 / 0 / 7

HEX #5BAAED

RGB 91 170 237

HSL 207.53, 0.8%, 0.64%

LAB 67.34, -4.39, -40.81

 

CMYK 66 / 30 / 0 / 15

HEX #4A98DA

RGB 74 152 218

HSL 207.5, 0.66%, 0.57%

LAB 60.76, -3.37, -40.69

 

CMYK 71 / 33 / 0 / 22

HEX #3986C7

RGB 57 134 199

HSL 207.46, 0.56%, 0.5%

LAB 54.07, -2.08, -40.57

 

CMYK 78 / 36 / 0 / 29

HEX #2874B4

RGB 40 116 180

HSL 207.43, 0.64%, 0.43%

LAB 47.28, -0.44, -40.42

 

CMYK 86 / 39 / 0 / 37

HEX #1762A1

RGB 23 98 161

HSL 207.39, 0.75%, 0.36%

LAB 40.39, 1.71, -40.22

 

CMYK 62 / 29 / 0 / 7

HEX #5AA9ED

RGB 90 169 237

HSL 207.76, 0.8%, 0.64%

LAB 67.02, -4.01, -41.31

 

CMYK 62 / 45 / 0 / 7

HEX #5A82ED

RGB 90 130 237

HSL 223.67, 0.8%, 0.64%

LAB 56.34, 18.83, -58.23

 

CMYK 62 / 62 / 0 / 7

HEX #5A5AED

RGB 90 90 237

HSL 240, 0.8%, 0.64%

LAB 46.45, 43.13, -74.23

 

CMYK 46 / 62 / 0 / 7

HEX #815AED

RGB 129 90 237

HSL 255.92, 0.8%, 0.64%

LAB 49.61, 49.87, -68.94

 

CMYK 29 / 62 / 0 / 7

HEX #A95AED

RGB 169 90 237

HSL 272.24, 0.8%, 0.64%

LAB 53.88, 58.21, -61.83

 

CMYK 62 / 29 / 0 / 7

HEX #5AA9ED

RGB 90 169 237

HSL 207.76, 0.8%, 0.64%

LAB 67.02, -4.01, -41.31

 

CMYK 62 / 45 / 0 / 7

HEX #5A82ED

RGB 90 130 237

HSL 223.67, 0.8%, 0.64%

LAB 56.34, 18.83, -58.23

 

CMYK 62 / 62 / 0 / 7

HEX #5A5AED

RGB 90 90 237

HSL 240, 0.8%, 0.64%

LAB 46.45, 43.13, -74.23

 

CMYK 62 / 29 / 0 / 7

HEX #5AA9ED

RGB 90 169 237

HSL 207.76, 0.8%, 0.64%

LAB 67.02, -4.01, -41.31

 

CMYK 70 / 32 / 0 / 2

HEX #4BAAFB

RGB 75 170 251

HSL 207.61, 0.96%, 0.64%

LAB 67.43, -2.31, -48.34

 

CMYK 62 / 29 / 0 / 7

HEX #5AA9ED

RGB 90 169 237

HSL 207.76, 0.8%, 0.64%

LAB 67.02, -4.01, -41.31

 

CMYK 53 / 24 / 0 / 13

HEX #69A8DE

RGB 105 168 222

HSL 207.69, 0.64%, 0.64%

LAB 66.74, -5.15, -33.49

 

CMYK 43 / 19 / 0 / 19

HEX #77A7CF

RGB 119 167 207

HSL 207.27, 0.48%, 0.64%

LAB 66.57, -5.59, -25.41

 

CMYK 30 / 14 / 0 / 25

HEX #86A6C0

RGB 134 166 192

HSL 206.9, 0.32%, 0.64%

LAB 66.63, -4.81, -16.92

 

CMYK 16 / 7 / 0 / 31

HEX #95A4B1

RGB 149 164 177

HSL 207.86, 0.15%, 0.64%

LAB 66.61, -2.51, -8.5

 

CMYK 62 / 0 / 5 / 7

HEX #5AEDE0

RGB 90 237 224

HSL 174.69, 0.8%, 0.64%

LAB 86.07, -41.9, -5.35

 

CMYK 62 / 11 / 0 / 7

HEX #5AD2ED

RGB 90 210 237

HSL 191.02, 0.8%, 0.64%

LAB 78.68, -25.63, -23.31

 

CMYK 62 / 28 / 0 / 7

HEX #5AABED

RGB 90 171 237

HSL 206.94, 0.8%, 0.64%

LAB 67.59, -5.12, -40.43

 

CMYK 62 / 45 / 0 / 7

HEX #5A83ED

RGB 90 131 237

HSL 223.27, 0.8%, 0.64%

LAB 56.61, 18.22, -57.81

 

CMYK 62 / 61 / 0 / 7

HEX #5A5CED

RGB 90 92 237

HSL 239.18, 0.8%, 0.64%

LAB 46.9, 41.94, -73.49

 

CMYK 89 / 41 / 0 / 14

HEX #1882DB

RGB 24 130 219

HSL 207.38, 0.8%, 0.48%

LAB 53.25, 4.49, -53.23

 

CMYK 77 / 36 / 0 / 9

HEX #3596E9

RGB 53 150 233

HSL 207.67, 0.8%, 0.56%

LAB 60.3, 0.16, -49.79

 

CMYK 62 / 29 / 0 / 7

HEX #5AA9ED

RGB 90 169 237

HSL 207.76, 0.8%, 0.64%

LAB 67.02, -4.01, -41.31

 

CMYK 47 / 22 / 0 / 5

HEX #7FBDF1

RGB 127 189 241

HSL 207.37, 0.8%, 0.72%

LAB 74.35, -6.14, -31.97

 

CMYK 33 / 15 / 0 / 4

HEX #A4D0F5

RGB 164 208 245

HSL 207.41, 0.8%, 0.8%

LAB 81.62, -5.77, -22.82

 

CMYK 62 / 28 / 0 / 7

HEX #5BAAED

RGB 91 170 237

HSL 207.53, 0.8%, 0.64%

LAB 67.34, -4.39, -40.81

 

CMYK 22 / 62 / 0 / 7

HEX #B95AED

RGB 185 90 237

HSL 278.78, 0.8%, 0.64%

LAB 55.83, 61.78, -58.6

 

CMYK 3 / 0 / 62 / 7

HEX #E5ED5A

RGB 229 237 90

HSL 63.27, 0.8%, 0.64%

LAB 90.76, -20.94, 67.93

 

CMYK 62 / 28 / 0 / 7

HEX #5BAAED

RGB 91 170 237

HSL 207.53, 0.8%, 0.64%

LAB 67.34, -4.39, -40.81

 

CMYK 0 / 62 / 28 / 7

HEX #ED5AAB

RGB 237 90 171

HSL 326.94, 0.8%, 0.64%

LAB 60.12, 64.26, -13.84

 

CMYK 28 / 0 / 62 / 7

HEX #ABED5A

RGB 171 237 90

HSL 86.94, 0.8%, 0.64%

LAB 86.98, -43.17, 62.74

 

CMYK 62 / 28 / 0 / 7

HEX #5BAAED

RGB 91 170 237

HSL 207.53, 0.8%, 0.64%

LAB 67.34, -4.39, -40.81

 

CMYK 22 / 62 / 0 / 7

HEX #B95AED

RGB 185 90 237

HSL 278.78, 0.8%, 0.64%

LAB 55.83, 61.78, -58.6

 

CMYK 0 / 34 / 62 / 7

HEX #ED9C5A

RGB 237 156 90

HSL 26.94, 0.8%, 0.64%

LAB 71.23, 24, 46.38

 

CMYK 41 / 0 / 62 / 7

HEX #8DED5A

RGB 141 237 90

HSL 99.18, 0.8%, 0.64%

LAB 85.49, -53.27, 60.67

 

CMYK 62 / 28 / 0 / 7

HEX #5BAAED

RGB 91 170 237

HSL 207.53, 0.8%, 0.64%

LAB 67.34, -4.39, -40.81

 

CMYK 3 / 62 / 0 / 7

HEX #E55AED

RGB 229 90 237

HSL 296.73, 0.8%, 0.64%

LAB 61.73, 71.95, -48.85

 

CMYK 0 / 34 / 62 / 7

HEX #ED9C5A

RGB 237 156 90

HSL 26.94, 0.8%, 0.64%

LAB 71.23, 24, 46.38

 

CMYK 59 / 0 / 62 / 7

HEX #61ED5A

RGB 97 237 90

HSL 117.14, 0.8%, 0.64%

LAB 83.89, -65.27, 58.45

 

Description

Color code: HEX #5BAAED | qconv.com Color code: HEX #5BAAED | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 170 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 170 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 28 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 28% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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