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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BA11E it is the complementary color #A45EE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BA11E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BA11E shade: #60A119, #71B32C, #82C53F, #93D752 and #A4E965

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BA11E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BA11E shade: #5BA11E, #4A8F0B, #397D00, #286B00 and #175900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BA11E shade: #5A9F1D, #7D9F1D, #9F9F1D, #9F7C1D and #9F591D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BA11E shade: #5A9F1D, #379F1D, #1D9F27, #1D9F4A and #1D9F6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BA11E shade matches the following richer shades: #5A9F1D and #59AF0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BA11E shade: #5A9F1D, #5B902D, #5C813C, #5D724B and #5E625A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BA11E shade: #9F9F1D, #7D9F1D, #5A9F1D, #379F1D and #1D9F26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BA11E shade: #335A10, #467D17, #5A9F1D, #6EC224 and #82DA35

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BA11E shade: #5BA11E, #1D9F7D and #9F1D8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BA11E shade: #5BA11E, #1D5A9F and #9F1D5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BA11E shade: #5BA11E, #1D9F7D, #631D9F and #9F1D40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BA11E shade: #5BA11E, #1D9B9F, #631D9F and #9F221D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 81 / 37

HEX #5BA11E

RGB 91 161 30

HSL 92.06, 0.69%, 0.37%

LAB 59.71, -43.03, 55.79

 

Complementary color

CMYK 27 / 58 / 0 / 12

HEX #A45EE1

RGB 164 94 225

HSL 272.06, 0.69%, 0.63%

LAB 53.31, 52.31, -56.03

 

CMYK 40 / 0 / 84 / 37

HEX #60A119

RGB 96 161 25

HSL 88.68, 0.73%, 0.36%

LAB 59.93, -41.52, 57.44

 

CMYK 37 / 0 / 75 / 30

HEX #71B32C

RGB 113 179 44

HSL 89.33, 0.61%, 0.44%

LAB 66.47, -42.16, 58.12

 

CMYK 34 / 0 / 68 / 23

HEX #82C53F

RGB 130 197 63

HSL 90, 0.54%, 0.51%

LAB 72.92, -42.57, 57.92

 

CMYK 32 / 0 / 62 / 16

HEX #93D752

RGB 147 215 82

HSL 90.68, 0.62%, 0.58%

LAB 79.28, -42.81, 57.25

 

CMYK 30 / 0 / 57 / 9

HEX #A4E965

RGB 164 233 101

HSL 91.36, 0.75%, 0.65%

LAB 85.56, -42.94, 56.34

 

CMYK 43 / 0 / 81 / 37

HEX #5BA11E

RGB 91 161 30

HSL 92.06, 0.69%, 0.37%

LAB 59.71, -43.03, 55.79

 

CMYK 48 / 0 / 92 / 44

HEX #4A8F0B

RGB 74 143 11

HSL 91.36, 0.86%, 0.3%

LAB 53.09, -42.12, 54.19

 

CMYK 54 / 0 / 100 / 51

HEX #397D00

RGB 57 125 0

HSL 92.64, 1%, 0.25%

LAB 46.36, -40.72, 50.5

 

CMYK 63 / 0 / 100 / 58

HEX #286B00

RGB 40 107 0

HSL 97.57, 1%, 0.21%

LAB 39.52, -38.78, 44.84

 

CMYK 74 / 0 / 100 / 65

HEX #175900

RGB 23 89 0

HSL 104.49, 1%, 0.17%

LAB 32.54, -36.39, 39.09

 

CMYK 43 / 0 / 82 / 38

HEX #5A9F1D

RGB 90 159 29

HSL 91.85, 0.69%, 0.37%

LAB 59.03, -42.59, 55.44

 

CMYK 21 / 0 / 82 / 38

HEX #7D9F1D

RGB 125 159 29

HSL 75.69, 0.69%, 0.37%

LAB 61, -29.24, 57.95

 

CMYK 0 / 0 / 82 / 38

HEX #9F9F1D

RGB 159 159 29

HSL 60, 0.69%, 0.37%

LAB 63.55, -14.55, 61.18

 

CMYK 0 / 22 / 82 / 38

HEX #9F7C1D

RGB 159 124 29

HSL 43.85, 0.69%, 0.37%

LAB 53.89, 4.45, 52.72

 

CMYK 0 / 44 / 82 / 38

HEX #9F591D

RGB 159 89 29

HSL 27.69, 0.69%, 0.37%

LAB 45.09, 24.31, 44.73

 

CMYK 43 / 0 / 82 / 38

HEX #5A9F1D

RGB 90 159 29

HSL 91.85, 0.69%, 0.37%

LAB 59.03, -42.59, 55.44

 

CMYK 65 / 0 / 82 / 38

HEX #379F1D

RGB 55 159 29

HSL 108, 0.69%, 0.37%

LAB 57.75, -52.6, 53.79

 

CMYK 82 / 0 / 75 / 38

HEX #1D9F27

RGB 29 159 39

HSL 124.62, 0.69%, 0.37%

LAB 57.27, -56.44, 49.87

 

CMYK 82 / 0 / 53 / 38

HEX #1D9F4A

RGB 29 159 74

HSL 140.77, 0.69%, 0.37%

LAB 57.61, -52.34, 34.72

 

CMYK 82 / 0 / 31 / 38

HEX #1D9F6D

RGB 29 159 109

HSL 156.92, 0.69%, 0.37%

LAB 58.19, -45.65, 16.76

 

CMYK 43 / 0 / 82 / 38

HEX #5A9F1D

RGB 90 159 29

HSL 91.85, 0.69%, 0.37%

LAB 59.03, -42.59, 55.44

 

CMYK 49 / 0 / 92 / 31

HEX #59AF0E

RGB 89 175 14

HSL 92.05, 0.85%, 0.37%

LAB 64.01, -49.83, 63.04

 

CMYK 43 / 0 / 82 / 38

HEX #5A9F1D

RGB 90 159 29

HSL 91.85, 0.69%, 0.37%

LAB 59.03, -42.59, 55.44

 

CMYK 37 / 0 / 69 / 44

HEX #5B902D

RGB 91 144 45

HSL 92.12, 0.52%, 0.37%

LAB 54.41, -34.72, 45.2

 

CMYK 29 / 0 / 53 / 49

HEX #5C813C

RGB 92 129 60

HSL 92.17, 0.37%, 0.37%

LAB 49.86, -25.74, 32.98

 

CMYK 18 / 0 / 34 / 55

HEX #5D724B

RGB 93 114 75

HSL 92.31, 0.21%, 0.37%

LAB 45.46, -15.45, 19.14

 

CMYK 4 / 0 / 8 / 62

HEX #5E625A

RGB 94 98 90

HSL 90, 0.04%, 0.37%

LAB 40.98, -3.22, 4.01

 

CMYK 0 / 0 / 82 / 38

HEX #9F9F1D

RGB 159 159 29

HSL 60, 0.69%, 0.37%

LAB 63.55, -14.55, 61.18

 

CMYK 21 / 0 / 82 / 38

HEX #7D9F1D

RGB 125 159 29

HSL 75.69, 0.69%, 0.37%

LAB 61, -29.24, 57.95

 

CMYK 43 / 0 / 82 / 38

HEX #5A9F1D

RGB 90 159 29

HSL 91.85, 0.69%, 0.37%

LAB 59.03, -42.59, 55.44

 

CMYK 65 / 0 / 82 / 38

HEX #379F1D

RGB 55 159 29

HSL 108, 0.69%, 0.37%

LAB 57.75, -52.6, 53.79

 

CMYK 82 / 0 / 76 / 38

HEX #1D9F26

RGB 29 159 38

HSL 124.15, 0.69%, 0.37%

LAB 57.27, -56.52, 50.22

 

CMYK 43 / 0 / 82 / 65

HEX #335A10

RGB 51 90 16

HSL 91.62, 0.7%, 0.21%

LAB 34.09, -27.15, 35.66

 

CMYK 44 / 0 / 82 / 51

HEX #467D17

RGB 70 125 23

HSL 92.35, 0.69%, 0.29%

LAB 47.02, -35.46, 45.81

 

CMYK 43 / 0 / 82 / 38

HEX #5A9F1D

RGB 90 159 29

HSL 91.85, 0.69%, 0.37%

LAB 59.03, -42.59, 55.44

 

CMYK 43 / 0 / 81 / 24

HEX #6EC224

RGB 110 194 36

HSL 91.9, 0.69%, 0.45%

LAB 70.89, -49.78, 64.64

 

CMYK 40 / 0 / 76 / 15

HEX #82DA35

RGB 130 218 53

HSL 92, 0.69%, 0.53%

LAB 79.13, -51.91, 67.66

 

CMYK 43 / 0 / 81 / 37

HEX #5BA11E

RGB 91 161 30

HSL 92.06, 0.69%, 0.37%

LAB 59.71, -43.03, 55.79

 

CMYK 82 / 0 / 21 / 38

HEX #1D9F7D

RGB 29 159 125

HSL 164.31, 0.69%, 0.37%

LAB 58.54, -41.79, 8.3

 

CMYK 0 / 82 / 11 / 38

HEX #9F1D8E

RGB 159 29 142

HSL 307.85, 0.69%, 0.37%

LAB 38.2, 61.86, -31.46

 

CMYK 43 / 0 / 81 / 37

HEX #5BA11E

RGB 91 161 30

HSL 92.06, 0.69%, 0.37%

LAB 59.71, -43.03, 55.79

 

CMYK 82 / 43 / 0 / 38

HEX #1D5A9F

RGB 29 90 159

HSL 211.85, 0.69%, 0.37%

LAB 37.98, 6.64, -42.88

 

CMYK 0 / 82 / 43 / 38

HEX #9F1D5A

RGB 159 29 90

HSL 331.85, 0.69%, 0.37%

LAB 35.96, 55.42, -2.23

 

CMYK 43 / 0 / 81 / 37

HEX #5BA11E

RGB 91 161 30

HSL 92.06, 0.69%, 0.37%

LAB 59.71, -43.03, 55.79

 

CMYK 82 / 0 / 21 / 38

HEX #1D9F7D

RGB 29 159 125

HSL 164.31, 0.69%, 0.37%

LAB 58.54, -41.79, 8.3

 

CMYK 38 / 82 / 0 / 38

HEX #631D9F

RGB 99 29 159

HSL 272.31, 0.69%, 0.37%

LAB 29.5, 53.62, -56.36

 

CMYK 0 / 82 / 60 / 38

HEX #9F1D40

RGB 159 29 64

HSL 343.85, 0.69%, 0.37%

LAB 35.24, 53.25, 13.58

 

CMYK 43 / 0 / 81 / 37

HEX #5BA11E

RGB 91 161 30

HSL 92.06, 0.69%, 0.37%

LAB 59.71, -43.03, 55.79

 

CMYK 82 / 3 / 0 / 38

HEX #1D9B9F

RGB 29 155 159

HSL 181.85, 0.69%, 0.37%

LAB 58.23, -30.28, -11.43

 

CMYK 38 / 82 / 0 / 38

HEX #631D9F

RGB 99 29 159

HSL 272.31, 0.69%, 0.37%

LAB 29.5, 53.62, -56.36

 

CMYK 0 / 79 / 82 / 38

HEX #9F221D

RGB 159 34 29

HSL 2.31, 0.69%, 0.37%

LAB 35.21, 50.02, 35.28

 

Description

Color code: HEX #5BA11E | qconv.com Color code: HEX #5BA11E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 161 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 161 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 81 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 81% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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