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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B95C0 it is the complementary color #A46A3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B95C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B95C0 shade: #6095BB, #71A7CE, #82B9E1, #93CBF4 and #A4DDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B95C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B95C0 shade: #5B95C0, #4A83AD, #39719A, #285F87 and #174D74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B95C0 shade: #5A94BF, #5A79BF, #5A5DBF, #715ABF and #8D5ABF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B95C0 shade: #5A94BF, #5A79BF, #5A5DBF and #5A5ABF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B95C0 shade matches the following richer shades: #5A94BF, #4797D1, #3599E4 and #229CF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B95C0 shade: #5A94BF, #6C91AC, #7F8E9A, #918B87 and #A48974

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B95C0 shade: #5ABFB3, #5AB0BF, #5A95BF, #5A7ABF and #5A5FBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B95C0 shade: #37698F, #437FAC, #5A94BF, #77A7CA and #95BAD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B95C0 shade: #5B95C0, #985ABF and #BDBF5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B95C0 shade: #5B95C0, #BF5A95 and #95BF5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B95C0 shade: #5B95C0, #985ABF, #BF845A and #80BF5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B95C0 shade: #5B95C0, #B65ABF, #BF845A and #62BF5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 22 / 0 / 25

HEX #5B95C0

RGB 91 149 192

HSL 205.54, 0.44%, 0.55%

LAB 59.46, -6.71, -28.1

 

Complementary color

CMYK 0 / 35 / 62 / 36

HEX #A46A3F

RGB 164 106 63

HSL 25.54, 0.44%, 0.45%

LAB 50.17, 18.79, 33.36

 

CMYK 49 / 20 / 0 / 27

HEX #6095BB

RGB 96 149 187

HSL 205.05, 0.4%, 0.55%

LAB 59.5, -7.04, -25.2

 

CMYK 45 / 19 / 0 / 19

HEX #71A7CE

RGB 113 167 206

HSL 205.16, 0.49%, 0.63%

LAB 66.22, -7.38, -25.42

 

CMYK 42 / 18 / 0 / 12

HEX #82B9E1

RGB 130 185 225

HSL 205.26, 0.61%, 0.7%

LAB 72.81, -7.67, -25.66

 

CMYK 40 / 17 / 0 / 4

HEX #93CBF4

RGB 147 203 244

HSL 205.36, 0.82%, 0.77%

LAB 79.3, -7.9, -25.91

 

CMYK 36 / 13 / 0 / 0

HEX #A4DDFF

RGB 164 221 255

HSL 202.42, 1%, 0.82%

LAB 85.42, -10.09, -22.35

 

CMYK 53 / 22 / 0 / 25

HEX #5B95C0

RGB 91 149 192

HSL 205.54, 0.44%, 0.55%

LAB 59.46, -6.71, -28.1

 

CMYK 57 / 24 / 0 / 32

HEX #4A83AD

RGB 74 131 173

HSL 205.45, 0.4%, 0.48%

LAB 52.63, -6.12, -27.91

 

CMYK 63 / 27 / 0 / 40

HEX #39719A

RGB 57 113 154

HSL 205.36, 0.46%, 0.41%

LAB 45.65, -5.35, -27.72

 

CMYK 70 / 30 / 0 / 47

HEX #285F87

RGB 40 95 135

HSL 205.26, 0.54%, 0.34%

LAB 38.52, -4.28, -27.53

 

CMYK 80 / 34 / 0 / 55

HEX #174D74

RGB 23 77 116

HSL 205.16, 0.67%, 0.27%

LAB 31.23, -2.75, -27.31

 

CMYK 53 / 23 / 0 / 25

HEX #5A94BF

RGB 90 148 191

HSL 205.54, 0.44%, 0.55%

LAB 59.08, -6.67, -28.12

 

CMYK 53 / 37 / 0 / 25

HEX #5A79BF

RGB 90 121 191

HSL 221.58, 0.44%, 0.55%

LAB 51.39, 9.16, -40.13

 

CMYK 53 / 51 / 0 / 25

HEX #5A5DBF

RGB 90 93 191

HSL 238.22, 0.44%, 0.55%

LAB 43.89, 26.48, -52.08

 

CMYK 41 / 53 / 0 / 25

HEX #715ABF

RGB 113 90 191

HSL 253.66, 0.44%, 0.55%

LAB 45.06, 33.56, -50.11

 

CMYK 26 / 53 / 0 / 25

HEX #8D5ABF

RGB 141 90 191

HSL 270.3, 0.44%, 0.55%

LAB 47.93, 40.68, -45.36

 

CMYK 53 / 23 / 0 / 25

HEX #5A94BF

RGB 90 148 191

HSL 205.54, 0.44%, 0.55%

LAB 59.08, -6.67, -28.12

 

CMYK 53 / 37 / 0 / 25

HEX #5A79BF

RGB 90 121 191

HSL 221.58, 0.44%, 0.55%

LAB 51.39, 9.16, -40.13

 

CMYK 53 / 51 / 0 / 25

HEX #5A5DBF

RGB 90 93 191

HSL 238.22, 0.44%, 0.55%

LAB 43.89, 26.48, -52.08

 

CMYK 53 / 53 / 0 / 25

HEX #5A5ABF

RGB 90 90 191

HSL 240, 0.44%, 0.55%

LAB 43.13, 28.34, -53.3

 

CMYK 53 / 23 / 0 / 25

HEX #5A94BF

RGB 90 148 191

HSL 205.54, 0.44%, 0.55%

LAB 59.08, -6.67, -28.12

 

CMYK 66 / 28 / 0 / 18

HEX #4797D1

RGB 71 151 209

HSL 205.22, 0.6%, 0.55%

LAB 59.96, -6.3, -36.93

 

CMYK 77 / 33 / 0 / 11

HEX #3599E4

RGB 53 153 228

HSL 205.71, 0.76%, 0.55%

LAB 60.91, -3.36, -46.06

 

CMYK 86 / 37 / 0 / 4

HEX #229CF6

RGB 34 156 246

HSL 205.47, 0.92%, 0.55%

LAB 62.31, -0.25, -53.77

 

CMYK 53 / 23 / 0 / 25

HEX #5A94BF

RGB 90 148 191

HSL 205.54, 0.44%, 0.55%

LAB 59.08, -6.67, -28.12

 

CMYK 37 / 16 / 0 / 33

HEX #6C91AC

RGB 108 145 172

HSL 205.31, 0.28%, 0.55%

LAB 58.43, -5.87, -18.26

 

CMYK 18 / 8 / 0 / 40

HEX #7F8E9A

RGB 127 142 154

HSL 206.67, 0.12%, 0.55%

LAB 58.22, -2.75, -8.19

 

CMYK 0 / 4 / 7 / 43

HEX #918B87

RGB 145 139 135

HSL 24, 0.04%, 0.55%

LAB 58.26, 1.48, 2.92

 

CMYK 0 / 16 / 29 / 36

HEX #A48974

RGB 164 137 116

HSL 26.25, 0.21%, 0.55%

LAB 59.02, 6.99, 15.09

 

CMYK 53 / 0 / 6 / 25

HEX #5ABFB3

RGB 90 191 179

HSL 172.87, 0.44%, 0.55%

LAB 71.34, -32.37, -2.94

 

CMYK 53 / 8 / 0 / 25

HEX #5AB0BF

RGB 90 176 191

HSL 188.91, 0.44%, 0.55%

LAB 67.27, -21.74, -15.61

 

CMYK 53 / 22 / 0 / 25

HEX #5A95BF

RGB 90 149 191

HSL 204.95, 0.44%, 0.55%

LAB 59.37, -7.24, -27.67

 

CMYK 53 / 36 / 0 / 25

HEX #5A7ABF

RGB 90 122 191

HSL 220.99, 0.44%, 0.55%

LAB 51.67, 8.55, -39.69

 

CMYK 53 / 50 / 0 / 25

HEX #5A5FBF

RGB 90 95 191

HSL 237.03, 0.44%, 0.55%

LAB 44.4, 25.23, -51.26

 

CMYK 62 / 27 / 0 / 44

HEX #37698F

RGB 55 105 143

HSL 205.91, 0.44%, 0.39%

LAB 42.61, -4.72, -25.93

 

CMYK 61 / 26 / 0 / 33

HEX #437FAC

RGB 67 127 172

HSL 205.71, 0.44%, 0.47%

LAB 51.09, -5.57, -29.73

 

CMYK 53 / 23 / 0 / 25

HEX #5A94BF

RGB 90 148 191

HSL 205.54, 0.44%, 0.55%

LAB 59.08, -6.67, -28.12

 

CMYK 41 / 17 / 0 / 21

HEX #77A7CA

RGB 119 167 202

HSL 205.3, 0.44%, 0.63%

LAB 66.38, -6.96, -22.92

 

CMYK 30 / 13 / 0 / 16

HEX #95BAD6

RGB 149 186 214

HSL 205.85, 0.44%, 0.71%

LAB 73.78, -5.87, -18.11

 

CMYK 53 / 22 / 0 / 25

HEX #5B95C0

RGB 91 149 192

HSL 205.54, 0.44%, 0.55%

LAB 59.46, -6.71, -28.1

 

CMYK 20 / 53 / 0 / 25

HEX #985ABF

RGB 152 90 191

HSL 276.83, 0.44%, 0.55%

LAB 49.19, 43.62, -43.27

 

CMYK 1 / 0 / 53 / 25

HEX #BDBF5A

RGB 189 191 90

HSL 61.19, 0.44%, 0.55%

LAB 75.34, -14.49, 49.97

 

CMYK 53 / 22 / 0 / 25

HEX #5B95C0

RGB 91 149 192

HSL 205.54, 0.44%, 0.55%

LAB 59.46, -6.71, -28.1

 

CMYK 0 / 53 / 22 / 25

HEX #BF5A95

RGB 191 90 149

HSL 324.95, 0.44%, 0.55%

LAB 52.46, 47.46, -13.24

 

CMYK 22 / 0 / 53 / 25

HEX #95BF5A

RGB 149 191 90

HSL 84.95, 0.44%, 0.55%

LAB 72.49, -30.45, 45.92

 

CMYK 53 / 22 / 0 / 25

HEX #5B95C0

RGB 91 149 192

HSL 205.54, 0.44%, 0.55%

LAB 59.46, -6.71, -28.1

 

CMYK 20 / 53 / 0 / 25

HEX #985ABF

RGB 152 90 191

HSL 276.83, 0.44%, 0.55%

LAB 49.19, 43.62, -43.27

 

CMYK 0 / 31 / 53 / 25

HEX #BF845A

RGB 191 132 90

HSL 24.95, 0.44%, 0.55%

LAB 60.17, 17.98, 31.67

 

CMYK 33 / 0 / 53 / 25

HEX #80BF5A

RGB 128 191 90

HSL 97.43, 0.44%, 0.55%

LAB 71.28, -38.12, 44.18

 

CMYK 53 / 22 / 0 / 25

HEX #5B95C0

RGB 91 149 192

HSL 205.54, 0.44%, 0.55%

LAB 59.46, -6.71, -28.1

 

CMYK 5 / 53 / 0 / 25

HEX #B65ABF

RGB 182 90 191

HSL 294.65, 0.44%, 0.55%

LAB 52.97, 51.82, -37.06

 

CMYK 0 / 31 / 53 / 25

HEX #BF845A

RGB 191 132 90

HSL 24.95, 0.44%, 0.55%

LAB 60.17, 17.98, 31.67

 

CMYK 49 / 0 / 53 / 25

HEX #62BF5A

RGB 98 191 90

HSL 115.25, 0.44%, 0.55%

LAB 69.89, -47.69, 42.19

 

Description

Color code: HEX #5B95C0 | qconv.com Color code: HEX #5B95C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 149 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 149 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 22 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 22% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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