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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B95B5 it is the complementary color #A46A4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B95B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B95B5 shade: #6095B0, #71A7C3, #82B9D6, #93CBE9 and #A4DDFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B95B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B95B5 shade: #5B95B5, #4A83A2, #39718F, #285F7C and #174D69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B95B5 shade: #5A94B5, #5A7CB5, #5A63B5, #695AB5 and #815AB5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B95B5 shade: #5A94B5, #5A7CB5, #5A63B5 and #5A5AB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B95B5 shade matches the following richer shades: #5A94B5, #469AC8, #33A0DB and #1FA5EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B95B5 shade: #5A94B5, #6D8FA1, #80898E, #94837B and #A77E67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B95B5 shade: #5AB5A4, #5AADB5, #5A95B5, #5A7DB5 and #5A64B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B95B5 shade: #3A6882, #477F9E, #5A94B5, #76A7C1 and #93B9CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B95B5 shade: #5B95B5, #8C5AB5 and #B5B05A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B95B5 shade: #5B95B5, #B55A95 and #95B55A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B95B5 shade: #5B95B5, #8C5AB5, #B5795A and #83B55A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B95B5 shade: #5B95B5, #A75AB5, #B5795A and #67B55A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 18 / 0 / 29

HEX #5B95B5

RGB 91 149 181

HSL 201.33, 0.38%, 0.53%

LAB 59.03, -10, -22.55

 

Complementary color

CMYK 0 / 35 / 55 / 36

HEX #A46A4A

RGB 164 106 74

HSL 21.33, 0.38%, 0.47%

LAB 50.33, 19.69, 27.42

 

CMYK 45 / 15 / 0 / 31

HEX #6095B0

RGB 96 149 176

HSL 200.25, 0.34%, 0.53%

LAB 59.08, -10.22, -19.61

 

CMYK 42 / 14 / 0 / 24

HEX #71A7C3

RGB 113 167 195

HSL 200.49, 0.41%, 0.6%

LAB 65.82, -10.43, -19.93

 

CMYK 39 / 14 / 0 / 16

HEX #82B9D6

RGB 130 185 214

HSL 200.71, 0.51%, 0.67%

LAB 72.43, -10.59, -20.26

 

CMYK 37 / 13 / 0 / 9

HEX #93CBE9

RGB 147 203 233

HSL 200.93, 0.66%, 0.75%

LAB 78.92, -10.72, -20.59

 

CMYK 35 / 12 / 0 / 1

HEX #A4DDFC

RGB 164 221 252

HSL 201.14, 0.94%, 0.82%

LAB 85.32, -10.83, -20.92

 

CMYK 50 / 18 / 0 / 29

HEX #5B95B5

RGB 91 149 181

HSL 201.33, 0.38%, 0.53%

LAB 59.03, -10, -22.55

 

CMYK 54 / 19 / 0 / 36

HEX #4A83A2

RGB 74 131 162

HSL 201.14, 0.37%, 0.46%

LAB 52.17, -9.6, -22.25

 

CMYK 60 / 21 / 0 / 44

HEX #39718F

RGB 57 113 143

HSL 200.93, 0.43%, 0.39%

LAB 45.17, -9.05, -21.95

 

CMYK 68 / 23 / 0 / 51

HEX #285F7C

RGB 40 95 124

HSL 200.71, 0.51%, 0.32%

LAB 38, -8.26, -21.63

 

CMYK 78 / 27 / 0 / 59

HEX #174D69

RGB 23 77 105

HSL 200.49, 0.64%, 0.25%

LAB 30.66, -7.08, -21.27

 

CMYK 50 / 18 / 0 / 29

HEX #5A94B5

RGB 90 148 181

HSL 201.76, 0.38%, 0.53%

LAB 58.69, -9.68, -23.07

 

CMYK 50 / 31 / 0 / 29

HEX #5A7CB5

RGB 90 124 181

HSL 217.58, 0.38%, 0.53%

LAB 51.75, 4.19, -33.82

 

CMYK 50 / 45 / 0 / 29

HEX #5A63B5

RGB 90 99 181

HSL 234.07, 0.38%, 0.53%

LAB 44.85, 19.54, -44.73

 

CMYK 42 / 50 / 0 / 29

HEX #695AB5

RGB 105 90 181

HSL 249.89, 0.38%, 0.53%

LAB 43.73, 28.73, -46.45

 

CMYK 29 / 50 / 0 / 29

HEX #815AB5

RGB 129 90 181

HSL 265.71, 0.38%, 0.53%

LAB 46.06, 35, -42.59

 

CMYK 50 / 18 / 0 / 29

HEX #5A94B5

RGB 90 148 181

HSL 201.76, 0.38%, 0.53%

LAB 58.69, -9.68, -23.07

 

CMYK 50 / 31 / 0 / 29

HEX #5A7CB5

RGB 90 124 181

HSL 217.58, 0.38%, 0.53%

LAB 51.75, 4.19, -33.82

 

CMYK 50 / 45 / 0 / 29

HEX #5A63B5

RGB 90 99 181

HSL 234.07, 0.38%, 0.53%

LAB 44.85, 19.54, -44.73

 

CMYK 50 / 50 / 0 / 29

HEX #5A5AB5

RGB 90 90 181

HSL 240, 0.38%, 0.53%

LAB 42.49, 25.17, -48.49

 

CMYK 50 / 18 / 0 / 29

HEX #5A94B5

RGB 90 148 181

HSL 201.76, 0.38%, 0.53%

LAB 58.69, -9.68, -23.07

 

CMYK 65 / 23 / 0 / 22

HEX #469AC8

RGB 70 154 200

HSL 201.23, 0.54%, 0.53%

LAB 60.41, -11.12, -31.19

 

CMYK 77 / 27 / 0 / 14

HEX #33A0DB

RGB 51 160 219

HSL 201.07, 0.7%, 0.53%

LAB 62.47, -10.7, -38.61

 

CMYK 87 / 31 / 0 / 6

HEX #1FA5EF

RGB 31 165 239

HSL 201.35, 0.87%, 0.53%

LAB 64.51, -8.11, -46.46

 

CMYK 50 / 18 / 0 / 29

HEX #5A94B5

RGB 90 148 181

HSL 201.76, 0.38%, 0.53%

LAB 58.69, -9.68, -23.07

 

CMYK 32 / 11 / 0 / 37

HEX #6D8FA1

RGB 109 143 161

HSL 200.77, 0.22%, 0.53%

LAB 57.53, -7.35, -13.35

 

CMYK 10 / 4 / 0 / 44

HEX #80898E

RGB 128 137 142

HSL 201.43, 0.06%, 0.53%

LAB 56.52, -2.23, -3.81

 

CMYK 0 / 11 / 17 / 42

HEX #94837B

RGB 148 131 123

HSL 19.2, 0.1%, 0.53%

LAB 56.05, 5.06, 6.67

 

CMYK 0 / 25 / 38 / 35

HEX #A77E67

RGB 167 126 103

HSL 21.56, 0.27%, 0.53%

LAB 56.2, 12.71, 18.68

 

CMYK 50 / 0 / 9 / 29

HEX #5AB5A4

RGB 90 181 164

HSL 168.79, 0.38%, 0.53%

LAB 67.95, -31.38, 0.32

 

CMYK 50 / 4 / 0 / 29

HEX #5AADB5

RGB 90 173 181

HSL 185.27, 0.38%, 0.53%

LAB 66.06, -22.99, -11.89

 

CMYK 50 / 18 / 0 / 29

HEX #5A95B5

RGB 90 149 181

HSL 201.1, 0.38%, 0.53%

LAB 58.98, -10.24, -22.62

 

CMYK 50 / 31 / 0 / 29

HEX #5A7DB5

RGB 90 125 181

HSL 216.92, 0.38%, 0.53%

LAB 52.04, 3.59, -33.37

 

CMYK 50 / 45 / 0 / 29

HEX #5A64B5

RGB 90 100 181

HSL 233.41, 0.38%, 0.53%

LAB 45.12, 18.91, -44.3

 

CMYK 55 / 20 / 0 / 49

HEX #3A6882

RGB 58 104 130

HSL 201.67, 0.38%, 0.37%

LAB 41.86, -7.8, -19.26

 

CMYK 55 / 20 / 0 / 38

HEX #477F9E

RGB 71 127 158

HSL 201.38, 0.38%, 0.45%

LAB 50.67, -9.25, -22.25

 

CMYK 50 / 18 / 0 / 29

HEX #5A94B5

RGB 90 148 181

HSL 201.76, 0.38%, 0.53%

LAB 58.69, -9.68, -23.07

 

CMYK 39 / 13 / 0 / 24

HEX #76A7C1

RGB 118 167 193

HSL 200.8, 0.38%, 0.61%

LAB 66.01, -9.64, -18.5

 

CMYK 29 / 10 / 0 / 19

HEX #93B9CE

RGB 147 185 206

HSL 201.36, 0.38%, 0.69%

LAB 73.13, -7.85, -14.75

 

CMYK 50 / 18 / 0 / 29

HEX #5B95B5

RGB 91 149 181

HSL 201.33, 0.38%, 0.53%

LAB 59.03, -10, -22.55

 

CMYK 23 / 50 / 0 / 29

HEX #8C5AB5

RGB 140 90 181

HSL 272.97, 0.38%, 0.53%

LAB 47.27, 38.02, -40.6

 

CMYK 0 / 3 / 50 / 29

HEX #B5B05A

RGB 181 176 90

HSL 56.7, 0.38%, 0.53%

LAB 70.6, -10.1, 44.25

 

CMYK 50 / 18 / 0 / 29

HEX #5B95B5

RGB 91 149 181

HSL 201.33, 0.38%, 0.53%

LAB 59.03, -10, -22.55

 

CMYK 0 / 50 / 18 / 29

HEX #B55A95

RGB 181 90 149

HSL 321.1, 0.38%, 0.53%

LAB 51.04, 44.25, -15.52

 

CMYK 18 / 0 / 50 / 29

HEX #95B55A

RGB 149 181 90

HSL 81.1, 0.38%, 0.53%

LAB 69.59, -25.64, 42.46

 

CMYK 50 / 18 / 0 / 29

HEX #5B95B5

RGB 91 149 181

HSL 201.33, 0.38%, 0.53%

LAB 59.03, -10, -22.55

 

CMYK 23 / 50 / 0 / 29

HEX #8C5AB5

RGB 140 90 181

HSL 272.97, 0.38%, 0.53%

LAB 47.27, 38.02, -40.6

 

CMYK 0 / 33 / 50 / 29

HEX #B5795A

RGB 181 121 90

HSL 20.44, 0.38%, 0.53%

LAB 56.32, 19.91, 26.5

 

CMYK 28 / 0 / 50 / 29

HEX #83B55A

RGB 131 181 90

HSL 92.97, 0.38%, 0.53%

LAB 68.47, -32.47, 40.84

 

CMYK 50 / 18 / 0 / 29

HEX #5B95B5

RGB 91 149 181

HSL 201.33, 0.38%, 0.53%

LAB 59.03, -10, -22.55

 

CMYK 8 / 50 / 0 / 29

HEX #A75AB5

RGB 167 90 181

HSL 290.77, 0.38%, 0.53%

LAB 50.53, 45.67, -35.24

 

CMYK 0 / 33 / 50 / 29

HEX #B5795A

RGB 181 121 90

HSL 20.44, 0.38%, 0.53%

LAB 56.32, 19.91, 26.5

 

CMYK 43 / 0 / 50 / 29

HEX #67B55A

RGB 103 181 90

HSL 111.43, 0.38%, 0.53%

LAB 67.03, -42.01, 38.75

 

Description

Color code: HEX #5B95B5 | qconv.com Color code: HEX #5B95B5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 149 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 149 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 18 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 18% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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