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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B78D13F it is the complementary color #A4872E3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B78D13F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B78D13F shade: #6078CC3F, #718ADF3F, #829CF23F, #93AEFF3F and #A4C0FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B78D13F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B78D13F shade: #5B78D13F, #4A66BE3F, #3954AB3F, #2842983F and #1730853F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B78D13F shade: #5C79D1, #5F5CD1, #7E5CD1, #9E5CD1 and #BD5CD1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B78D13F shade: #5C79D1 and #5C5CD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B78D13F shade matches the following richer shades: #5C79D1, #4B70E2 and #3A67F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B78D13F shade: #5C79D1, #6D81C0, #7E8AAF, #8F929E and #A09B8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B78D13F shade: #5CB8D1, #5C98D1, #5C79D1, #5E5CD1 and #7D5CD1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B78D13F shade: #304EAA, #3C5EC8, #5C79D1, #7C93DA and #9CAEE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B78D13F shade: #5B78D1, #CB5CD1 and #A8D15C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B78D13F shade: #5B78D1, #D15C79 and #79D15C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B78D13F shade: #5B78D1, #CB5CD1, #D1B45C and #62D15C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B78D13F shade: #5B78D1, #D15CB4, #D1B45C and #5CD179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 11 / 0 / 5

HEX #5B78D13F

RGBA 91 120 209 0.25

HSLA 225.25, 0.56%, 0.59%, 0.25

LABA 52.13, 15.82, -49.23, 0.25

 

Complementary color

CMYK 0 / 4 / 18 / 9

HEX #A4872E3F

RGBA 164 135 46 0.25

HSLA 45.25, 0.56%, 0.41%, 0.25

LABA 57.48, 1.34, 49.74, 0.25

 

CMYK 13 / 10 / 0 / 5

HEX #6078CC3F

RGBA 96 120 204 0.25

HSLA 226.67, 0.51%, 0.59%, 0.25

LABA 52.15, 15.27, -46.34, 0.25

 

CMYK 12 / 10 / 0 / 3

HEX #718ADF3F

RGBA 113 138 223 0.25

HSLA 226.36, 0.63%, 0.66%, 0.25

LABA 58.99, 14.22, -46.14, 0.25

 

CMYK 12 / 9 / 0 / 1

HEX #829CF23F

RGBA 130 156 242 0.25

HSLA 226.07, 0.81%, 0.73%, 0.25

LABA 65.7, 13.34, -46, 0.25

 

CMYK 11 / 8 / 0 / 0

HEX #93AEFF3F

RGBA 147 174 255 0.25

HSLA 225, 1%, 0.79%, 0.25

LABA 72.02, 10.91, -43.07, 0.25

 

CMYK 9 / 6 / 0 / 0

HEX #A4C0FF3F

RGBA 164 192 255 0.25

HSLA 221.54, 1%, 0.82%, 0.25

LABA 77.76, 5.33, -34.06, 0.25

 

CMYK 14 / 11 / 0 / 5

HEX #5B78D13F

RGBA 91 120 209 0.25

HSLA 225.25, 0.56%, 0.59%, 0.25

LABA 52.13, 15.82, -49.23, 0.25

 

CMYK 15 / 12 / 0 / 6

HEX #4A66BE3F

RGBA 74 102 190 0.25

HSLA 225.52, 0.47%, 0.52%, 0.25

LABA 45.19, 17.25, -49.48, 0.25

 

CMYK 17 / 13 / 0 / 8

HEX #3954AB3F

RGBA 57 84 171 0.25

HSLA 225.79, 0.5%, 0.45%, 0.25

LABA 38.11, 19.04, -49.76, 0.25

 

CMYK 18 / 14 / 0 / 10

HEX #2842983F

RGBA 40 66 152 0.25

HSLA 226.07, 0.58%, 0.38%, 0.25

LABA 30.91, 21.3, -50.03, 0.25

 

CMYK 21 / 16 / 0 / 12

HEX #1730853F

RGBA 23 48 133 0.25

HSLA 226.36, 0.71%, 0.31%, 0.25

LABA 23.64, 24.22, -50.19, 0.25

 

CMYK 56 / 42 / 0 / 18

HEX #5C79D1

RGB 92 121 209

HSL 225.13, 0.56%, 0.59%

LAB 52.46, 15.41, -48.71

 

CMYK 55 / 56 / 0 / 18

HEX #5F5CD1

RGB 95 92 209

HSL 241.54, 0.56%, 0.59%

LAB 45.21, 33.84, -60.33

 

CMYK 40 / 56 / 0 / 18

HEX #7E5CD1

RGB 126 92 209

HSL 257.44, 0.56%, 0.59%

LAB 47.87, 40.46, -55.9

 

CMYK 24 / 56 / 0 / 18

HEX #9E5CD1

RGB 158 92 209

HSL 273.85, 0.56%, 0.59%

LAB 51.3, 48.21, -50.22

 

CMYK 10 / 56 / 0 / 18

HEX #BD5CD1

RGB 189 92 209

HSL 289.74, 0.56%, 0.59%

LAB 55.15, 56.15, -43.86

 

CMYK 56 / 42 / 0 / 18

HEX #5C79D1

RGB 92 121 209

HSL 225.13, 0.56%, 0.59%

LAB 52.46, 15.41, -48.71

 

CMYK 56 / 56 / 0 / 18

HEX #5C5CD1

RGB 92 92 209

HSL 240, 0.56%, 0.59%

LAB 44.99, 33.27, -60.7

 

CMYK 56 / 42 / 0 / 18

HEX #5C79D1

RGB 92 121 209

HSL 225.13, 0.56%, 0.59%

LAB 52.46, 15.41, -48.71

 

CMYK 67 / 50 / 0 / 11

HEX #4B70E2

RGB 75 112 226

HSL 225.3, 0.72%, 0.59%

LAB 50.19, 23.67, -62.01

 

CMYK 76 / 58 / 0 / 5

HEX #3A67F3

RGB 58 103 243

HSL 225.41, 0.89%, 0.59%

LAB 48.35, 33.18, -74.56

 

CMYK 56 / 42 / 0 / 18

HEX #5C79D1

RGB 92 121 209

HSL 225.13, 0.56%, 0.59%

LAB 52.46, 15.41, -48.71

 

CMYK 43 / 33 / 0 / 25

HEX #6D81C0

RGB 109 129 192

HSL 225.54, 0.4%, 0.59%

LAB 54.82, 9.31, -35.23

 

CMYK 28 / 21 / 0 / 31

HEX #7E8AAF

RGB 126 138 175

HSL 225.31, 0.23%, 0.59%

LAB 57.76, 4.26, -20.89

 

CMYK 9 / 8 / 0 / 38

HEX #8F929E

RGB 143 146 158

HSL 228, 0.07%, 0.59%

LAB 60.66, 1.37, -6.7

 

CMYK 0 / 3 / 12 / 37

HEX #A09B8D

RGB 160 155 141

HSL 44.21, 0.09%, 0.59%

LAB 64.03, -0.69, 7.98

 

CMYK 56 / 12 / 0 / 18

HEX #5CB8D1

RGB 92 184 209

HSL 192.82, 0.56%, 0.59%

LAB 70.29, -20.29, -20.94

 

CMYK 56 / 27 / 0 / 18

HEX #5C98D1

RGB 92 152 209

HSL 209.23, 0.56%, 0.59%

LAB 61.08, -2.93, -35.12

 

CMYK 56 / 42 / 0 / 18

HEX #5C79D1

RGB 92 121 209

HSL 225.13, 0.56%, 0.59%

LAB 52.46, 15.41, -48.71

 

CMYK 55 / 56 / 0 / 18

HEX #5E5CD1

RGB 94 92 209

HSL 241.03, 0.56%, 0.59%

LAB 45.13, 33.65, -60.45

 

CMYK 40 / 56 / 0 / 18

HEX #7D5CD1

RGB 125 92 209

HSL 256.92, 0.56%, 0.59%

LAB 47.77, 40.23, -56.06

 

CMYK 72 / 54 / 0 / 33

HEX #304EAA

RGB 48 78 170

HSL 225.25, 0.56%, 0.43%

LAB 35.94, 21.22, -52.69

 

CMYK 70 / 53 / 0 / 22

HEX #3C5EC8

RGB 60 94 200

HSL 225.43, 0.56%, 0.51%

LAB 42.97, 23.57, -58.88

 

CMYK 56 / 42 / 0 / 18

HEX #5C79D1

RGB 92 121 209

HSL 225.13, 0.56%, 0.59%

LAB 52.46, 15.41, -48.71

 

CMYK 43 / 33 / 0 / 15

HEX #7C93DA

RGB 124 147 218

HSL 225.32, 0.56%, 0.67%

LAB 61.84, 10.14, -38.82

 

CMYK 31 / 23 / 0 / 11

HEX #9CAEE3

RGB 156 174 227

HSL 224.79, 0.56%, 0.75%

LAB 71.48, 5.92, -28.66

 

CMYK 56 / 43 / 0 / 18

HEX #5B78D1

RGB 91 120 209

HSL 225.25, 0.56%, 0.59%

LAB 52.13, 15.82, -49.23

 

CMYK 3 / 56 / 0 / 18

HEX #CB5CD1

RGB 203 92 209

HSL 296.92, 0.56%, 0.59%

LAB 57.03, 59.8, -40.77

 

CMYK 20 / 0 / 56 / 18

HEX #A8D15C

RGB 168 209 92

HSL 81.03, 0.56%, 0.59%

LAB 78.87, -31.49, 52.73

 

CMYK 56 / 43 / 0 / 18

HEX #5B78D1

RGB 91 120 209

HSL 225.25, 0.56%, 0.59%

LAB 52.13, 15.82, -49.23

 

CMYK 0 / 56 / 42 / 18

HEX #D15C79

RGB 209 92 121

HSL 345.13, 0.56%, 0.59%

LAB 54.65, 48.93, 6.84

 

CMYK 42 / 0 / 56 / 18

HEX #79D15C

RGB 121 209 92

HSL 105.13, 0.56%, 0.59%

LAB 76.34, -47.95, 49.15

 

CMYK 56 / 43 / 0 / 18

HEX #5B78D1

RGB 91 120 209

HSL 225.25, 0.56%, 0.59%

LAB 52.13, 15.82, -49.23

 

CMYK 3 / 56 / 0 / 18

HEX #CB5CD1

RGB 203 92 209

HSL 296.92, 0.56%, 0.59%

LAB 57.03, 59.8, -40.77

 

CMYK 0 / 14 / 56 / 18

HEX #D1B45C

RGB 209 180 92

HSL 45.13, 0.56%, 0.59%

LAB 74.17, -0.28, 48.1

 

CMYK 53 / 0 / 56 / 18

HEX #62D15C

RGB 98 209 92

HSL 116.92, 0.56%, 0.59%

LAB 75.43, -54.55, 47.86

 

CMYK 56 / 43 / 0 / 18

HEX #5B78D1

RGB 91 120 209

HSL 225.25, 0.56%, 0.59%

LAB 52.13, 15.82, -49.23

 

CMYK 0 / 56 / 14 / 18

HEX #D15CB4

RGB 209 92 180

HSL 314.87, 0.56%, 0.59%

LAB 56.59, 56.61, -24.79

 

CMYK 0 / 14 / 56 / 18

HEX #D1B45C

RGB 209 180 92

HSL 45.13, 0.56%, 0.59%

LAB 74.17, -0.28, 48.1

 

CMYK 56 / 0 / 42 / 18

HEX #5CD179

RGB 92 209 121

HSL 134.87, 0.56%, 0.59%

LAB 75.61, -51.94, 33.9

 

Description

Color code: HEX #5B78D13F | qconv.com Color code: HEX #5B78D13F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 120 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 120 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 11 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 11% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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