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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B76B8 it is the complementary color #A48947. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B76B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B76B8 shade: #6076B3, #7188C6, #829AD9, #93ACEC and #A4BEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B76B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B76B8 shade: #5B76B8, #4A64A5, #395292, #28407F and #172E6C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B76B8 shade: #5B76B9, #5B5DB9, #725BB9, #8B5BB9 and #A55BB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B76B8 shade: #5B76B9, #5B5DB9 and #5B5BB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B76B8 shade matches the following richer shades: #5B76B9, #486ECC, #3566DF and #225EF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B76B8 shade: #5B76B9, #6E7EA6, #818693, #948E80 and #A7966D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B76B8 shade: #5BA9B9, #5B90B9, #5B77B9, #5B5EB9 and #715BB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B76B8 shade: #3A5087, #4661A4, #5B76B9, #788EC5 and #95A6D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B76B8 shade: #5B76B8, #AF5BB9 and #9CB95B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B76B8 shade: #5B76B8, #B95B77 and #77B95B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B76B8 shade: #5B76B8, #AF5BB9, #B99C5B and #64B95B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B76B8 shade: #5B76B8, #B95BA6, #B99C5B and #5BB96E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 36 / 0 / 28

HEX #5B76B8

RGB 91 118 184

HSL 222.58, 0.4%, 0.54%

LAB 50.27, 8.99, -37.88

 

Complementary color

CMYK 0 / 16 / 57 / 36

HEX #A48947

RGB 164 137 71

HSL 42.58, 0.4%, 0.46%

LAB 58.26, 1.93, 38.75

 

CMYK 46 / 34 / 0 / 30

HEX #6076B3

RGB 96 118 179

HSL 224.1, 0.35%, 0.54%

LAB 50.33, 8.67, -34.87

 

CMYK 43 / 31 / 0 / 22

HEX #7188C6

RGB 113 136 198

HSL 223.76, 0.43%, 0.61%

LAB 57.27, 7.97, -34.8

 

CMYK 40 / 29 / 0 / 15

HEX #829AD9

RGB 130 154 217

HSL 223.45, 0.53%, 0.68%

LAB 64.05, 7.38, -34.78

 

CMYK 38 / 27 / 0 / 7

HEX #93ACEC

RGB 147 172 236

HSL 223.15, 0.7%, 0.75%

LAB 70.71, 6.87, -34.81

 

CMYK 36 / 25 / 0 / 0

HEX #A4BEFF

RGB 164 190 255

HSL 222.86, 1%, 0.82%

LAB 77.24, 6.43, -34.87

 

CMYK 51 / 36 / 0 / 28

HEX #5B76B8

RGB 91 118 184

HSL 222.58, 0.4%, 0.54%

LAB 50.27, 8.99, -37.88

 

CMYK 55 / 39 / 0 / 35

HEX #4A64A5

RGB 74 100 165

HSL 222.86, 0.38%, 0.47%

LAB 43.19, 10, -38.03

 

CMYK 61 / 44 / 0 / 43

HEX #395292

RGB 57 82 146

HSL 223.15, 0.44%, 0.4%

LAB 35.95, 11.3, -38.23

 

CMYK 69 / 50 / 0 / 50

HEX #28407F

RGB 40 64 127

HSL 223.45, 0.52%, 0.33%

LAB 28.51, 13.02, -38.49

 

CMYK 79 / 57 / 0 / 58

HEX #172E6C

RGB 23 46 108

HSL 223.76, 0.65%, 0.26%

LAB 20.9, 15.4, -38.74

 

CMYK 51 / 36 / 0 / 27

HEX #5B76B9

RGB 91 118 185

HSL 222.77, 0.4%, 0.54%

LAB 50.32, 9.31, -38.38

 

CMYK 51 / 50 / 0 / 27

HEX #5B5DB9

RGB 91 93 185

HSL 238.72, 0.4%, 0.54%

LAB 43.59, 24.79, -49.07

 

CMYK 38 / 51 / 0 / 27

HEX #725BB9

RGB 114 91 185

HSL 254.68, 0.4%, 0.54%

LAB 45.03, 31.52, -46.66

 

CMYK 25 / 51 / 0 / 27

HEX #8B5BB9

RGB 139 91 185

HSL 270.64, 0.4%, 0.54%

LAB 47.59, 38.14, -42.43

 

CMYK 11 / 51 / 0 / 27

HEX #A55BB9

RGB 165 91 185

HSL 287.23, 0.4%, 0.54%

LAB 50.67, 45.39, -37.36

 

CMYK 51 / 36 / 0 / 27

HEX #5B76B9

RGB 91 118 185

HSL 222.77, 0.4%, 0.54%

LAB 50.32, 9.31, -38.38

 

CMYK 51 / 50 / 0 / 27

HEX #5B5DB9

RGB 91 93 185

HSL 238.72, 0.4%, 0.54%

LAB 43.59, 24.79, -49.07

 

CMYK 51 / 51 / 0 / 27

HEX #5B5BB9

RGB 91 91 185

HSL 240, 0.4%, 0.54%

LAB 43.08, 26.03, -49.89

 

CMYK 51 / 36 / 0 / 27

HEX #5B76B9

RGB 91 118 185

HSL 222.77, 0.4%, 0.54%

LAB 50.32, 9.31, -38.38

 

CMYK 65 / 46 / 0 / 20

HEX #486ECC

RGB 72 110 204

HSL 222.73, 0.56%, 0.54%

LAB 48.12, 16.73, -52.85

 

CMYK 76 / 54 / 0 / 13

HEX #3566DF

RGB 53 102 223

HSL 222.71, 0.73%, 0.54%

LAB 46.43, 26, -66.44

 

CMYK 86 / 61 / 0 / 5

HEX #225EF2

RGB 34 94 242

HSL 222.69, 0.89%, 0.54%

LAB 45.3, 36.56, -79.02

 

CMYK 51 / 36 / 0 / 27

HEX #5B76B9

RGB 91 118 185

HSL 222.77, 0.4%, 0.54%

LAB 50.32, 9.31, -38.38

 

CMYK 34 / 24 / 0 / 35

HEX #6E7EA6

RGB 110 126 166

HSL 222.86, 0.24%, 0.54%

LAB 52.94, 4.04, -23.22

 

CMYK 12 / 9 / 0 / 42

HEX #818693

RGB 129 134 147

HSL 223.33, 0.08%, 0.54%

LAB 55.91, 0.91, -7.58

 

CMYK 0 / 4 / 14 / 42

HEX #948E80

RGB 148 142 128

HSL 42, 0.09%, 0.54%

LAB 59.16, -0.3, 8.25

 

CMYK 0 / 10 / 35 / 35

HEX #A7966D

RGB 167 150 109

HSL 42.41, 0.25%, 0.54%

LAB 62.62, 0.05, 23.95

 

CMYK 51 / 9 / 0 / 27

HEX #5BA9B9

RGB 91 169 185

HSL 190.21, 0.4%, 0.54%

LAB 65.04, -19.6, -15.64

 

CMYK 51 / 22 / 0 / 27

HEX #5B90B9

RGB 91 144 185

HSL 206.17, 0.4%, 0.54%

LAB 57.73, -6, -26.82

 

CMYK 51 / 36 / 0 / 27

HEX #5B77B9

RGB 91 119 185

HSL 222.13, 0.4%, 0.54%

LAB 50.59, 8.7, -37.94

 

CMYK 51 / 49 / 0 / 27

HEX #5B5EB9

RGB 91 94 185

HSL 238.09, 0.4%, 0.54%

LAB 43.85, 24.16, -48.66

 

CMYK 39 / 51 / 0 / 27

HEX #715BB9

RGB 113 91 185

HSL 254.04, 0.4%, 0.54%

LAB 44.94, 31.27, -46.81

 

CMYK 57 / 41 / 0 / 47

HEX #3A5087

RGB 58 80 135

HSL 222.86, 0.4%, 0.38%

LAB 34.77, 8.93, -33.38

 

CMYK 57 / 41 / 0 / 36

HEX #4661A4

RGB 70 97 164

HSL 222.77, 0.4%, 0.46%

LAB 42.05, 10.67, -39.27

 

CMYK 51 / 36 / 0 / 27

HEX #5B76B9

RGB 91 118 185

HSL 222.77, 0.4%, 0.54%

LAB 50.32, 9.31, -38.38

 

CMYK 39 / 28 / 0 / 23

HEX #788EC5

RGB 120 142 197

HSL 222.86, 0.4%, 0.62%

LAB 59.32, 6.05, -31.01

 

CMYK 29 / 21 / 0 / 18

HEX #95A6D1

RGB 149 166 209

HSL 223, 0.39%, 0.7%

LAB 68.22, 3.85, -23.83

 

CMYK 51 / 36 / 0 / 28

HEX #5B76B8

RGB 91 118 184

HSL 222.58, 0.4%, 0.54%

LAB 50.27, 8.99, -37.88

 

CMYK 5 / 51 / 0 / 27

HEX #AF5BB9

RGB 175 91 185

HSL 293.62, 0.4%, 0.54%

LAB 51.95, 48.22, -35.26

 

CMYK 16 / 0 / 51 / 27

HEX #9CB95B

RGB 156 185 91

HSL 78.51, 0.4%, 0.54%

LAB 71.23, -24.75, 44.05

 

CMYK 51 / 36 / 0 / 28

HEX #5B76B8

RGB 91 118 184

HSL 222.58, 0.4%, 0.54%

LAB 50.27, 8.99, -37.88

 

CMYK 0 / 51 / 36 / 27

HEX #B95B77

RGB 185 91 119

HSL 342.13, 0.4%, 0.54%

LAB 50.84, 40.91, 2.08

 

CMYK 36 / 0 / 51 / 27

HEX #77B95B

RGB 119 185 91

HSL 102.13, 0.4%, 0.54%

LAB 69.02, -38.42, 40.87

 

CMYK 51 / 36 / 0 / 28

HEX #5B76B8

RGB 91 118 184

HSL 222.58, 0.4%, 0.54%

LAB 50.27, 8.99, -37.88

 

CMYK 5 / 51 / 0 / 27

HEX #AF5BB9

RGB 175 91 185

HSL 293.62, 0.4%, 0.54%

LAB 51.95, 48.22, -35.26

 

CMYK 0 / 16 / 51 / 27

HEX #B99C5B

RGB 185 156 91

HSL 41.49, 0.4%, 0.54%

LAB 65.63, 2.33, 37.81

 

CMYK 46 / 0 / 51 / 27

HEX #64B95B

RGB 100 185 91

HSL 114.26, 0.4%, 0.54%

LAB 68.14, -44.5, 39.59

 

CMYK 51 / 36 / 0 / 28

HEX #5B76B8

RGB 91 118 184

HSL 222.58, 0.4%, 0.54%

LAB 50.27, 8.99, -37.88

 

CMYK 0 / 51 / 10 / 27

HEX #B95BA6

RGB 185 91 166

HSL 312.13, 0.4%, 0.54%

LAB 52.45, 47.75, -23.32

 

CMYK 0 / 16 / 51 / 27

HEX #B99C5B

RGB 185 156 91

HSL 41.49, 0.4%, 0.54%

LAB 65.63, 2.33, 37.81

 

CMYK 51 / 0 / 41 / 27

HEX #5BB96E

RGB 91 185 110

HSL 132.13, 0.4%, 0.54%

LAB 68.06, -44.2, 29.73

 

Description

Color code: HEX #5B76B8 | qconv.com Color code: HEX #5B76B8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 118 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 118 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 36 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 36% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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