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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B7623 it is the complementary color #A489DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B7623. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B7623 shade: #60761E, #718831, #829A44, #93AC57 and #A4BE6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B7623. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B7623 shade: #5B7623, #4A6410, #395200, #284000 and #172E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B7623 shade: #5B7623, #717623, #766423, #764E23 and #763823

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B7623 shade: #5B7623, #457623, #2E7623, #23762E and #237645

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B7623 shade matches the following richer shades: #5B7623, #5F8217 and #648F0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B7623 shade: #5B7623, #576930, #525D3C, #4E5148 and #4A4455

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B7623 shade: #766423, #727623, #5C7623, #467623 and #307623

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B7623 shade: #2A3610, #42561A, #5B7623, #73962D and #8CB536

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B7623 shade: #5B7623, #23764E and #6F2376

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B7623 shade: #5B7623, #235C76 and #76235C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B7623 shade: #5B7623, #23764E, #3D2376 and #76234B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B7623 shade: #5B7623, #237667, #3D2376 and #762332

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 70 / 54

HEX #5B7623

RGB 91 118 35

HSL 79.52, 0.54%, 0.3%

LAB 46.05, -23.07, 40.72

 

Complementary color

CMYK 25 / 38 / 0 / 14

HEX #A489DC

RGB 164 137 220

HSL 259.52, 0.54%, 0.7%

LAB 62.47, 27.44, -38.73

 

CMYK 19 / 0 / 75 / 54

HEX #60761E

RGB 96 118 30

HSL 75, 0.59%, 0.29%

LAB 46.36, -21.24, 43.21

 

CMYK 17 / 0 / 64 / 47

HEX #718831

RGB 113 136 49

HSL 75.86, 0.47%, 0.36%

LAB 53.32, -21.75, 42.69

 

CMYK 16 / 0 / 56 / 40

HEX #829A44

RGB 130 154 68

HSL 76.74, 0.39%, 0.44%

LAB 60.14, -22.09, 41.71

 

CMYK 15 / 0 / 49 / 33

HEX #93AC57

RGB 147 172 87

HSL 77.65, 0.34%, 0.51%

LAB 66.82, -22.31, 40.57

 

CMYK 14 / 0 / 44 / 25

HEX #A4BE6A

RGB 164 190 106

HSL 78.57, 0.39%, 0.58%

LAB 73.39, -22.45, 39.39

 

CMYK 23 / 0 / 70 / 54

HEX #5B7623

RGB 91 118 35

HSL 79.52, 0.54%, 0.3%

LAB 46.05, -23.07, 40.72

 

CMYK 26 / 0 / 84 / 61

HEX #4A6410

RGB 74 100 16

HSL 78.57, 0.72%, 0.23%

LAB 38.91, -22.47, 40.67

 

CMYK 30 / 0 / 100 / 68

HEX #395200

RGB 57 82 0

HSL 78.29, 1%, 0.16%

LAB 31.59, -21.54, 39.01

 

CMYK 38 / 0 / 100 / 75

HEX #284000

RGB 40 64 0

HSL 82.5, 1%, 0.13%

LAB 24.06, -19.94, 32.15

 

CMYK 50 / 0 / 100 / 82

HEX #172E00

RGB 23 46 0

HSL 90, 1%, 0.09%

LAB 16.19, -18.24, 23.01

 

CMYK 23 / 0 / 70 / 54

HEX #5B7623

RGB 91 118 35

HSL 79.52, 0.54%, 0.3%

LAB 46.05, -23.07, 40.72

 

CMYK 4 / 0 / 70 / 54

HEX #717623

RGB 113 118 35

HSL 63.61, 0.54%, 0.3%

LAB 47.74, -13.27, 42.99

 

CMYK 0 / 15 / 70 / 54

HEX #766423

RGB 118 100 35

HSL 46.99, 0.54%, 0.3%

LAB 42.89, -0.73, 38.16

 

CMYK 0 / 34 / 70 / 54

HEX #764E23

RGB 118 78 35

HSL 31.08, 0.54%, 0.3%

LAB 36.78, 12.39, 31.59

 

CMYK 0 / 53 / 70 / 54

HEX #763823

RGB 118 56 35

HSL 15.18, 0.54%, 0.3%

LAB 31.35, 25.38, 25.42

 

CMYK 23 / 0 / 70 / 54

HEX #5B7623

RGB 91 118 35

HSL 79.52, 0.54%, 0.3%

LAB 46.05, -23.07, 40.72

 

CMYK 42 / 0 / 70 / 54

HEX #457623

RGB 69 118 35

HSL 95.42, 0.54%, 0.3%

LAB 44.72, -31.86, 38.92

 

CMYK 61 / 0 / 70 / 54

HEX #2E7623

RGB 46 118 35

HSL 112.05, 0.54%, 0.3%

LAB 43.74, -39.22, 37.59

 

CMYK 70 / 0 / 61 / 54

HEX #23762E

RGB 35 118 46

HSL 127.95, 0.54%, 0.3%

LAB 43.52, -40.55, 32.03

 

CMYK 70 / 0 / 42 / 54

HEX #237645

RGB 35 118 69

HSL 144.58, 0.54%, 0.3%

LAB 43.86, -36.69, 19.98

 

CMYK 23 / 0 / 70 / 54

HEX #5B7623

RGB 91 118 35

HSL 79.52, 0.54%, 0.3%

LAB 46.05, -23.07, 40.72

 

CMYK 27 / 0 / 82 / 49

HEX #5F8217

RGB 95 130 23

HSL 79.63, 0.7%, 0.3%

LAB 50.05, -28.03, 49.12

 

CMYK 30 / 0 / 93 / 44

HEX #648F0A

RGB 100 143 10

HSL 79.4, 0.87%, 0.3%

LAB 54.42, -32.55, 56.01

 

CMYK 23 / 0 / 70 / 54

HEX #5B7623

RGB 91 118 35

HSL 79.52, 0.54%, 0.3%

LAB 46.05, -23.07, 40.72

 

CMYK 17 / 0 / 54 / 59

HEX #576930

RGB 87 105 48

HSL 78.95, 0.37%, 0.3%

LAB 41.76, -16.78, 29.53

 

CMYK 12 / 0 / 35 / 64

HEX #525D3C

RGB 82 93 60

HSL 80, 0.22%, 0.3%

LAB 37.75, -10.66, 17.58

 

CMYK 4 / 0 / 11 / 68

HEX #4E5148

RGB 78 81 72

HSL 80, 0.06%, 0.3%

LAB 33.93, -3.11, 4.88

 

CMYK 13 / 20 / 0 / 67

HEX #4A4455

RGB 74 68 85

HSL 261.18, 0.11%, 0.3%

LAB 30.02, 6.41, -9.21

 

CMYK 0 / 15 / 70 / 54

HEX #766423

RGB 118 100 35

HSL 46.99, 0.54%, 0.3%

LAB 42.89, -0.73, 38.16

 

CMYK 3 / 0 / 70 / 54

HEX #727623

RGB 114 118 35

HSL 62.89, 0.54%, 0.3%

LAB 47.82, -12.81, 43.1

 

CMYK 22 / 0 / 70 / 54

HEX #5C7623

RGB 92 118 35

HSL 78.8, 0.54%, 0.3%

LAB 46.11, -22.64, 40.81

 

CMYK 41 / 0 / 70 / 54

HEX #467623

RGB 70 118 35

HSL 94.7, 0.54%, 0.3%

LAB 44.77, -31.49, 38.99

 

CMYK 59 / 0 / 70 / 54

HEX #307623

RGB 48 118 35

HSL 110.6, 0.54%, 0.3%

LAB 43.81, -38.67, 37.68

 

CMYK 22 / 0 / 70 / 79

HEX #2A3610

RGB 42 54 16

HSL 78.95, 0.54%, 0.14%

LAB 20.7, -12.19, 21.72

 

CMYK 23 / 0 / 70 / 66

HEX #42561A

RGB 66 86 26

HSL 80, 0.54%, 0.22%

LAB 33.75, -18.03, 31.33

 

CMYK 23 / 0 / 70 / 54

HEX #5B7623

RGB 91 118 35

HSL 79.52, 0.54%, 0.3%

LAB 46.05, -23.07, 40.72

 

CMYK 23 / 0 / 70 / 41

HEX #73962D

RGB 115 150 45

HSL 80, 0.54%, 0.38%

LAB 57.7, -28.17, 49.06

 

CMYK 23 / 0 / 70 / 29

HEX #8CB536

RGB 140 181 54

HSL 79.37, 0.54%, 0.46%

LAB 68.67, -32.25, 57.22

 

CMYK 23 / 0 / 70 / 54

HEX #5B7623

RGB 91 118 35

HSL 79.52, 0.54%, 0.3%

LAB 46.05, -23.07, 40.72

 

CMYK 70 / 0 / 34 / 54

HEX #23764E

RGB 35 118 78

HSL 151.08, 0.54%, 0.3%

LAB 44.04, -34.78, 15.02

 

CMYK 6 / 70 / 0 / 54

HEX #6F2376

RGB 111 35 118

HSL 294.94, 0.54%, 0.3%

LAB 29.13, 44.82, -31.39

 

CMYK 23 / 0 / 70 / 54

HEX #5B7623

RGB 91 118 35

HSL 79.52, 0.54%, 0.3%

LAB 46.05, -23.07, 40.72

 

CMYK 70 / 22 / 0 / 54

HEX #235C76

RGB 35 92 118

HSL 198.8, 0.54%, 0.3%

LAB 36.59, -9.5, -20.15

 

CMYK 0 / 70 / 22 / 54

HEX #76235C

RGB 118 35 92

HSL 318.8, 0.54%, 0.3%

LAB 28.97, 42.24, -14.82

 

CMYK 23 / 0 / 70 / 54

HEX #5B7623

RGB 91 118 35

HSL 79.52, 0.54%, 0.3%

LAB 46.05, -23.07, 40.72

 

CMYK 70 / 0 / 34 / 54

HEX #23764E

RGB 35 118 78

HSL 151.08, 0.54%, 0.3%

LAB 44.04, -34.78, 15.02

 

CMYK 48 / 70 / 0 / 54

HEX #3D2376

RGB 61 35 118

HSL 258.8, 0.54%, 0.3%

LAB 21.95, 33.21, -43.33

 

CMYK 0 / 70 / 36 / 54

HEX #76234B

RGB 118 35 75

HSL 331.08, 0.54%, 0.3%

LAB 28.28, 39.89, -4.68

 

CMYK 23 / 0 / 70 / 54

HEX #5B7623

RGB 91 118 35

HSL 79.52, 0.54%, 0.3%

LAB 46.05, -23.07, 40.72

 

CMYK 70 / 0 / 13 / 54

HEX #237667

RGB 35 118 103

HSL 169.16, 0.54%, 0.3%

LAB 44.65, -28.41, 1.08

 

CMYK 48 / 70 / 0 / 54

HEX #3D2376

RGB 61 35 118

HSL 258.8, 0.54%, 0.3%

LAB 21.95, 33.21, -43.33

 

CMYK 0 / 70 / 58 / 54

HEX #762332

RGB 118 35 50

HSL 349.16, 0.54%, 0.3%

LAB 27.53, 37.26, 10.97

 

Description

Color code: HEX #5B7623 | qconv.com Color code: HEX #5B7623 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 118 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 118 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 70 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 70% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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