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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B760B it is the complementary color #A489F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B760B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B760B shade: #607606, #718819, #829A2C, #93AC3F and #A4BE52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B760B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B760B shade: #5B760B, #4A6400, #395200, #284000 and #172E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B760B shade: #5A750B, #75730B, #75560B, #753A0B and #751D0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B760B shade: #5A750B, #3D750B, #21750B, #0B7511 and #0B752E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B760B shade matches the following richer shades: #5A750B and #5F7F01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B760B shade: #5A750B, #556A15, #50601F, #4B562A and #464B34

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B760B shade: #75570B, #75730B, #5A750B, #3E750B and #22750B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B760B shade: #202904, #3D4F07, #5A750B, #779A0E and #94C012

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B760B shade: #5B760B, #0B753A and #650B75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B760B shade: #5B760B, #0B5A75 and #750B5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B760B shade: #5B760B, #0B753A, #250B75 and #750B45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B760B shade: #5B760B, #0B755A, #250B75 and #750B25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 91 / 54

HEX #5B760B

RGB 91 118 11

HSL 75.14, 0.83%, 0.25%

LAB 45.91, -24.3, 48.57

 

Complementary color

CMYK 33 / 44 / 0 / 4

HEX #A489F4

RGB 164 137 244

HSL 255.14, 0.83%, 0.75%

LAB 63.6, 33.4, -50.23

 

CMYK 19 / 0 / 95 / 54

HEX #607606

RGB 96 118 6

HSL 71.79, 0.9%, 0.24%

LAB 46.25, -22.22, 50.05

 

CMYK 17 / 0 / 82 / 47

HEX #718819

RGB 113 136 25

HSL 72.43, 0.69%, 0.32%

LAB 53.16, -23.22, 51.78

 

CMYK 16 / 0 / 71 / 40

HEX #829A2C

RGB 130 154 44

HSL 73.09, 0.56%, 0.39%

LAB 59.92, -23.95, 52.04

 

CMYK 15 / 0 / 63 / 33

HEX #93AC3F

RGB 147 172 63

HSL 73.76, 0.46%, 0.46%

LAB 66.57, -24.48, 51.52

 

CMYK 14 / 0 / 57 / 25

HEX #A4BE52

RGB 164 190 82

HSL 74.44, 0.45%, 0.53%

LAB 73.11, -24.86, 50.63

 

CMYK 23 / 0 / 91 / 54

HEX #5B760B

RGB 91 118 11

HSL 75.14, 0.83%, 0.25%

LAB 45.91, -24.3, 48.57

 

CMYK 26 / 0 / 100 / 61

HEX #4A6400

RGB 74 100 0

HSL 75.6, 1%, 0.2%

LAB 38.85, -23.09, 45.06

 

CMYK 30 / 0 / 100 / 68

HEX #395200

RGB 57 82 0

HSL 78.29, 1%, 0.16%

LAB 31.59, -21.54, 39.01

 

CMYK 38 / 0 / 100 / 75

HEX #284000

RGB 40 64 0

HSL 82.5, 1%, 0.13%

LAB 24.06, -19.94, 32.15

 

CMYK 50 / 0 / 100 / 82

HEX #172E00

RGB 23 46 0

HSL 90, 1%, 0.09%

LAB 16.19, -18.24, 23.01

 

CMYK 23 / 0 / 91 / 54

HEX #5A750B

RGB 90 117 11

HSL 75.28, 0.83%, 0.25%

LAB 45.52, -24.23, 48.22

 

CMYK 0 / 2 / 91 / 54

HEX #75730B

RGB 117 115 11

HSL 58.87, 0.83%, 0.25%

LAB 47.06, -10.77, 50.37

 

CMYK 0 / 26 / 91 / 54

HEX #75560B

RGB 117 86 11

HSL 42.45, 0.83%, 0.25%

LAB 38.66, 6.01, 43.57

 

CMYK 0 / 50 / 91 / 54

HEX #753A0B

RGB 117 58 11

HSL 26.6, 0.83%, 0.25%

LAB 31.42, 22.73, 37.68

 

CMYK 0 / 75 / 91 / 54

HEX #751D0B

RGB 117 29 11

HSL 10.19, 0.83%, 0.25%

LAB 25.82, 37.37, 32.96

 

CMYK 23 / 0 / 91 / 54

HEX #5A750B

RGB 90 117 11

HSL 75.28, 0.83%, 0.25%

LAB 45.52, -24.23, 48.22

 

CMYK 48 / 0 / 91 / 54

HEX #3D750B

RGB 61 117 11

HSL 91.7, 0.83%, 0.25%

LAB 43.86, -35.76, 46.14

 

CMYK 72 / 0 / 91 / 54

HEX #21750B

RGB 33 117 11

HSL 107.55, 0.83%, 0.25%

LAB 42.87, -43.67, 44.9

 

CMYK 91 / 0 / 85 / 54

HEX #0B7511

RGB 11 117 17

HSL 123.4, 0.83%, 0.25%

LAB 42.51, -46.69, 42.85

 

CMYK 91 / 0 / 61 / 54

HEX #0B752E

RGB 11 117 46

HSL 139.81, 0.83%, 0.25%

LAB 42.75, -43.72, 31.02

 

CMYK 23 / 0 / 91 / 54

HEX #5A750B

RGB 90 117 11

HSL 75.28, 0.83%, 0.25%

LAB 45.52, -24.23, 48.22

 

CMYK 25 / 0 / 99 / 50

HEX #5F7F01

RGB 95 127 1

HSL 75.24, 0.98%, 0.25%

LAB 49.02, -27.27, 53.22

 

CMYK 23 / 0 / 91 / 54

HEX #5A750B

RGB 90 117 11

HSL 75.28, 0.83%, 0.25%

LAB 45.52, -24.23, 48.22

 

CMYK 20 / 0 / 80 / 58

HEX #556A15

RGB 85 106 21

HSL 74.82, 0.67%, 0.25%

LAB 41.68, -20.42, 41.81

 

CMYK 17 / 0 / 68 / 62

HEX #50601F

RGB 80 96 31

HSL 74.77, 0.51%, 0.25%

LAB 38.15, -16.68, 33.96

 

CMYK 13 / 0 / 51 / 66

HEX #4B562A

RGB 75 86 42

HSL 75, 0.34%, 0.25%

LAB 34.64, -12.26, 24.05

 

CMYK 7 / 0 / 31 / 71

HEX #464B34

RGB 70 75 52

HSL 73.04, 0.18%, 0.25%

LAB 30.84, -6.61, 13.06

 

CMYK 0 / 26 / 91 / 54

HEX #75570B

RGB 117 87 11

HSL 43.02, 0.83%, 0.25%

LAB 38.94, 5.41, 43.79

 

CMYK 0 / 2 / 91 / 54

HEX #75730B

RGB 117 115 11

HSL 58.87, 0.83%, 0.25%

LAB 47.06, -10.77, 50.37

 

CMYK 23 / 0 / 91 / 54

HEX #5A750B

RGB 90 117 11

HSL 75.28, 0.83%, 0.25%

LAB 45.52, -24.23, 48.22

 

CMYK 47 / 0 / 91 / 54

HEX #3E750B

RGB 62 117 11

HSL 91.13, 0.83%, 0.25%

LAB 43.9, -35.41, 46.2

 

CMYK 71 / 0 / 91 / 54

HEX #22750B

RGB 34 117 11

HSL 106.98, 0.83%, 0.25%

LAB 42.89, -43.46, 44.93

 

CMYK 22 / 0 / 90 / 84

HEX #202904

RGB 32 41 4

HSL 74.59, 0.82%, 0.09%

LAB 14.96, -10.59, 19.97

 

CMYK 23 / 0 / 91 / 69

HEX #3D4F07

RGB 61 79 7

HSL 75, 0.84%, 0.17%

LAB 30.88, -17.77, 36.02

 

CMYK 23 / 0 / 91 / 54

HEX #5A750B

RGB 90 117 11

HSL 75.28, 0.83%, 0.25%

LAB 45.52, -24.23, 48.22

 

CMYK 23 / 0 / 91 / 40

HEX #779A0E

RGB 119 154 14

HSL 75, 0.83%, 0.33%

LAB 59.03, -29.83, 59.59

 

CMYK 23 / 0 / 91 / 25

HEX #94C012

RGB 148 192 18

HSL 75.17, 0.83%, 0.41%

LAB 72.25, -35.6, 70.44

 

CMYK 23 / 0 / 91 / 54

HEX #5B760B

RGB 91 118 11

HSL 75.14, 0.83%, 0.25%

LAB 45.91, -24.3, 48.57

 

CMYK 91 / 0 / 50 / 54

HEX #0B753A

RGB 11 117 58

HSL 146.6, 0.83%, 0.25%

LAB 42.91, -41.76, 24.84

 

CMYK 14 / 91 / 0 / 54

HEX #650B75

RGB 101 11 117

HSL 290.94, 0.83%, 0.25%

LAB 24.61, 50.27, -38.1

 

CMYK 23 / 0 / 91 / 54

HEX #5B760B

RGB 91 118 11

HSL 75.14, 0.83%, 0.25%

LAB 45.91, -24.3, 48.57

 

CMYK 91 / 23 / 0 / 54

HEX #0B5A75

RGB 11 90 117

HSL 195.28, 0.83%, 0.25%

LAB 35.34, -11.65, -21.52

 

CMYK 0 / 91 / 23 / 54

HEX #750B5A

RGB 117 11 90

HSL 315.28, 0.83%, 0.25%

LAB 26.04, 49.21, -18.06

 

CMYK 23 / 0 / 91 / 54

HEX #5B760B

RGB 91 118 11

HSL 75.14, 0.83%, 0.25%

LAB 45.91, -24.3, 48.57

 

CMYK 91 / 0 / 50 / 54

HEX #0B753A

RGB 11 117 58

HSL 146.6, 0.83%, 0.25%

LAB 42.91, -41.76, 24.84

 

CMYK 68 / 91 / 0 / 54

HEX #250B75

RGB 37 11 117

HSL 254.72, 0.83%, 0.25%

LAB 15.05, 41.45, -54.13

 

CMYK 0 / 91 / 41 / 54

HEX #750B45

RGB 117 11 69

HSL 327.17, 0.83%, 0.25%

LAB 25.11, 46.66, -5.4

 

CMYK 23 / 0 / 91 / 54

HEX #5B760B

RGB 91 118 11

HSL 75.14, 0.83%, 0.25%

LAB 45.91, -24.3, 48.57

 

CMYK 91 / 0 / 23 / 54

HEX #0B755A

RGB 11 117 90

HSL 164.72, 0.83%, 0.25%

LAB 43.55, -34.47, 7.2

 

CMYK 68 / 91 / 0 / 54

HEX #250B75

RGB 37 11 117

HSL 254.72, 0.83%, 0.25%

LAB 15.05, 41.45, -54.13

 

CMYK 0 / 91 / 68 / 54

HEX #750B25

RGB 117 11 37

HSL 345.28, 0.83%, 0.25%

LAB 24.18, 44.01, 15.28

 

Description

Color code: HEX #5B760B | qconv.com Color code: HEX #5B760B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 118 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 118 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 91 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 91% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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