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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B6F28 it is the complementary color #A490D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B6F28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B6F28 shade: #606F23, #718136, #829349, #93A55C and #A4B76F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B6F28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B6F28 shade: #5B6F28, #4A5D15, #394B02, #283900 and #172700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B6F28 shade: #5C7029, #707029, #705E29, #704B29 and #703729

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B6F28 shade: #5C7029, #497029, #357029, #29702F and #297042

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B6F28 shade matches the following richer shades: #5C7029, #627D1C, #678910 and #6C9603

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B6F28 shade: #5C7029, #576435, #515841, #4C4B4E and #473F5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B6F28 shade: #705D29, #707029, #5D7029, #4A7029 and #377029

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B6F28 shade: #2A3413, #43521E, #5C7029, #758F33 and #8EAD3E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B6F28 shade: #5B6F28, #29704A and #672970

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B6F28 shade: #5B6F28, #295D70 and #70295D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B6F28 shade: #5B6F28, #29704A, #3C2970 and #70294F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B6F28 shade: #5B6F28, #297060, #3C2970 and #702939

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 64 / 56

HEX #5B6F28

RGB 91 111 40

HSL 76.9, 0.47%, 0.3%

LAB 43.87, -19.04, 36.11

 

Complementary color

CMYK 24 / 33 / 0 / 16

HEX #A490D7

RGB 164 144 215

HSL 256.9, 0.47%, 0.7%

LAB 63.95, 22.25, -33.63

 

CMYK 14 / 0 / 68 / 56

HEX #606F23

RGB 96 111 35

HSL 71.84, 0.52%, 0.29%

LAB 44.2, -17.22, 38.91

 

CMYK 12 / 0 / 58 / 49

HEX #718136

RGB 113 129 54

HSL 72.8, 0.41%, 0.36%

LAB 51.24, -17.69, 38

 

CMYK 12 / 0 / 50 / 42

HEX #829349

RGB 130 147 73

HSL 73.78, 0.34%, 0.43%

LAB 58.13, -18, 36.85

 

CMYK 11 / 0 / 44 / 35

HEX #93A55C

RGB 147 165 92

HSL 74.79, 0.29%, 0.5%

LAB 64.87, -18.21, 35.64

 

CMYK 10 / 0 / 39 / 28

HEX #A4B76F

RGB 164 183 111

HSL 75.83, 0.33%, 0.58%

LAB 71.49, -18.35, 34.44

 

CMYK 18 / 0 / 64 / 56

HEX #5B6F28

RGB 91 111 40

HSL 76.9, 0.47%, 0.3%

LAB 43.87, -19.04, 36.11

 

CMYK 20 / 0 / 77 / 64

HEX #4A5D15

RGB 74 93 21

HSL 75.83, 0.63%, 0.22%

LAB 36.63, -18.53, 36.68

 

CMYK 24 / 0 / 97 / 71

HEX #394B02

RGB 57 75 2

HSL 74.79, 0.95%, 0.15%

LAB 29.18, -17.75, 36.35

 

CMYK 30 / 0 / 100 / 78

HEX #283900

RGB 40 57 0

HSL 77.89, 1%, 0.11%

LAB 21.5, -16.2, 29.5

 

CMYK 41 / 0 / 100 / 85

HEX #172700

RGB 23 39 0

HSL 84.62, 1%, 0.08%

LAB 13.43, -14.49, 19.46

 

CMYK 18 / 0 / 63 / 56

HEX #5C7029

RGB 92 112 41

HSL 76.9, 0.46%, 0.3%

LAB 44.27, -19.04, 36.09

 

CMYK 0 / 0 / 63 / 56

HEX #707029

RGB 112 112 41

HSL 60, 0.46%, 0.3%

LAB 45.9, -10, 38.34

 

CMYK 0 / 16 / 63 / 56

HEX #705E29

RGB 112 94 41

HSL 44.79, 0.46%, 0.3%

LAB 40.59, 0.37, 32.47

 

CMYK 0 / 33 / 63 / 56

HEX #704B29

RGB 112 75 41

HSL 28.73, 0.46%, 0.3%

LAB 35.28, 11.82, 26.31

 

CMYK 0 / 51 / 63 / 56

HEX #703729

RGB 112 55 41

HSL 11.83, 0.46%, 0.3%

LAB 30.25, 23.8, 20.18

 

CMYK 18 / 0 / 63 / 56

HEX #5C7029

RGB 92 112 41

HSL 76.9, 0.46%, 0.3%

LAB 44.27, -19.04, 36.09

 

CMYK 35 / 0 / 63 / 56

HEX #497029

RGB 73 112 41

HSL 92.96, 0.46%, 0.3%

LAB 43.01, -26.95, 34.34

 

CMYK 53 / 0 / 63 / 56

HEX #357029

RGB 53 112 41

HSL 109.86, 0.46%, 0.3%

LAB 42.01, -34.04, 32.94

 

CMYK 63 / 0 / 58 / 56

HEX #29702F

RGB 41 112 47

HSL 125.07, 0.46%, 0.3%

LAB 41.63, -36.65, 29.33

 

CMYK 63 / 0 / 41 / 56

HEX #297042

RGB 41 112 66

HSL 141.13, 0.46%, 0.3%

LAB 41.93, -33.41, 19.18

 

CMYK 18 / 0 / 63 / 56

HEX #5C7029

RGB 92 112 41

HSL 76.9, 0.46%, 0.3%

LAB 44.27, -19.04, 36.09

 

CMYK 22 / 0 / 78 / 51

HEX #627D1C

RGB 98 125 28

HSL 76.7, 0.63%, 0.3%

LAB 48.7, -24.05, 46.28

 

CMYK 25 / 0 / 88 / 46

HEX #678910

RGB 103 137 16

HSL 76.86, 0.79%, 0.3%

LAB 52.74, -28.33, 53.53

 

CMYK 28 / 0 / 98 / 41

HEX #6C9603

RGB 108 150 3

HSL 77.14, 0.96%, 0.3%

LAB 57.08, -32.71, 59.46

 

CMYK 18 / 0 / 63 / 56

HEX #5C7029

RGB 92 112 41

HSL 76.9, 0.46%, 0.3%

LAB 44.27, -19.04, 36.09

 

CMYK 13 / 0 / 47 / 61

HEX #576435

RGB 87 100 53

HSL 76.6, 0.31%, 0.3%

LAB 40.24, -13.43, 24.94

 

CMYK 8 / 0 / 26 / 65

HEX #515841

RGB 81 88 65

HSL 78.26, 0.15%, 0.3%

LAB 36.2, -7.36, 12.45

 

CMYK 3 / 4 / 0 / 69

HEX #4C4B4E

RGB 76 75 78

HSL 260, 0.02%, 0.3%

LAB 32.08, 1.07, -1.64

 

CMYK 21 / 30 / 0 / 65

HEX #473F5A

RGB 71 63 90

HSL 257.78, 0.18%, 0.3%

LAB 28.47, 9.84, -14.85

 

CMYK 0 / 17 / 63 / 56

HEX #705D29

RGB 112 93 41

HSL 43.94, 0.46%, 0.3%

LAB 40.3, 0.96, 32.14

 

CMYK 0 / 0 / 63 / 56

HEX #707029

RGB 112 112 41

HSL 60, 0.46%, 0.3%

LAB 45.9, -10, 38.34

 

CMYK 17 / 0 / 63 / 56

HEX #5D7029

RGB 93 112 41

HSL 76.06, 0.46%, 0.3%

LAB 44.34, -18.6, 36.19

 

CMYK 34 / 0 / 63 / 56

HEX #4A7029

RGB 74 112 41

HSL 92.11, 0.46%, 0.3%

LAB 43.07, -26.56, 34.42

 

CMYK 51 / 0 / 63 / 56

HEX #377029

RGB 55 112 41

HSL 108.17, 0.46%, 0.3%

LAB 42.09, -33.4, 33.06

 

CMYK 19 / 0 / 63 / 80

HEX #2A3413

RGB 42 52 19

HSL 78.18, 0.46%, 0.14%

LAB 20.02, -10.65, 19.23

 

CMYK 18 / 0 / 63 / 68

HEX #43521E

RGB 67 82 30

HSL 77.31, 0.46%, 0.22%

LAB 32.53, -15, 28

 

CMYK 18 / 0 / 63 / 56

HEX #5C7029

RGB 92 112 41

HSL 76.9, 0.46%, 0.3%

LAB 44.27, -19.04, 36.09

 

CMYK 18 / 0 / 64 / 44

HEX #758F33

RGB 117 143 51

HSL 76.96, 0.47%, 0.38%

LAB 55.75, -23.45, 44.5

 

CMYK 18 / 0 / 64 / 32

HEX #8EAD3E

RGB 142 173 62

HSL 76.76, 0.47%, 0.46%

LAB 66.51, -27.09, 51.78

 

CMYK 18 / 0 / 64 / 56

HEX #5B6F28

RGB 91 111 40

HSL 76.9, 0.47%, 0.3%

LAB 43.87, -19.04, 36.11

 

CMYK 63 / 0 / 34 / 56

HEX #29704A

RGB 41 112 74

HSL 147.89, 0.46%, 0.3%

LAB 42.08, -31.74, 14.72

 

CMYK 8 / 63 / 0 / 56

HEX #672970

RGB 103 41 112

HSL 292.39, 0.46%, 0.3%

LAB 28.48, 38.75, -28.68

 

CMYK 18 / 0 / 64 / 56

HEX #5B6F28

RGB 91 111 40

HSL 76.9, 0.47%, 0.3%

LAB 43.87, -19.04, 36.11

 

CMYK 63 / 17 / 0 / 56

HEX #295D70

RGB 41 93 112

HSL 196.06, 0.46%, 0.3%

LAB 36.87, -11.06, -16

 

CMYK 0 / 63 / 17 / 56

HEX #70295D

RGB 112 41 93

HSL 316.06, 0.46%, 0.3%

LAB 28.96, 37.86, -15.58

 

CMYK 18 / 0 / 64 / 56

HEX #5B6F28

RGB 91 111 40

HSL 76.9, 0.47%, 0.3%

LAB 43.87, -19.04, 36.11

 

CMYK 63 / 0 / 34 / 56

HEX #29704A

RGB 41 112 74

HSL 147.89, 0.46%, 0.3%

LAB 42.08, -31.74, 14.72

 

CMYK 46 / 63 / 0 / 56

HEX #3C2970

RGB 60 41 112

HSL 256.06, 0.46%, 0.3%

LAB 22.71, 27.48, -38.25

 

CMYK 0 / 63 / 29 / 56

HEX #70294F

RGB 112 41 79

HSL 327.89, 0.46%, 0.3%

LAB 28.37, 35.7, -7.3

 

CMYK 18 / 0 / 64 / 56

HEX #5B6F28

RGB 91 111 40

HSL 76.9, 0.47%, 0.3%

LAB 43.87, -19.04, 36.11

 

CMYK 63 / 0 / 14 / 56

HEX #297060

RGB 41 112 96

HSL 166.48, 0.46%, 0.3%

LAB 42.62, -26.3, 2.35

 

CMYK 46 / 63 / 0 / 56

HEX #3C2970

RGB 60 41 112

HSL 256.06, 0.46%, 0.3%

LAB 22.71, 27.48, -38.25

 

CMYK 0 / 63 / 49 / 56

HEX #702939

RGB 112 41 57

HSL 346.48, 0.46%, 0.3%

LAB 27.64, 32.93, 6.27

 

Description

Color code: HEX #5B6F28 | qconv.com Color code: HEX #5B6F28 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 111 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 111 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 64 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 64% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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