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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B6F20 it is the complementary color #A490DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B6F20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B6F20 shade: #606F1B, #71812E, #829341, #93A554 and #A4B767

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B6F20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B6F20 shade: #5B6F20, #4A5D0D, #394B00, #283900 and #172700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B6F20 shade: #5B6F20, #6F6D20, #6F5820, #6F4320 and #6F2E20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B6F20 shade: #5B6F20, #466F20, #306F20, #206F25 and #206F3A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B6F20 shade matches the following richer shades: #5B6F20, #607A15 and #668609

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B6F20 shade: #5B6F20, #55632C, #4F5837, #4A4C43 and #44404E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B6F20 shade: #6F5820, #6F6D20, #5B6F20, #466F20 and #316F20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B6F20 shade: #262F0E, #414F17, #5B6F20, #758F29 and #8FAF33

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B6F20 shade: #5B6F20, #206F43 and #63206F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B6F20 shade: #5B6F20, #205B6F and #6F205B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B6F20 shade: #5B6F20, #206F43, #34206F and #6F204B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B6F20 shade: #5B6F20, #206F5B, #34206F and #6F2034

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 71 / 56

HEX #5B6F20

RGB 91 111 32

HSL 75.19, 0.55%, 0.28%

LAB 43.8, -19.67, 39.69

 

Complementary color

CMYK 26 / 35 / 0 / 13

HEX #A490DF

RGB 164 144 223

HSL 255.19, 0.55%, 0.72%

LAB 64.3, 24.18, -37.54

 

CMYK 14 / 0 / 76 / 56

HEX #606F1B

RGB 96 111 27

HSL 70.71, 0.61%, 0.27%

LAB 44.14, -17.75, 42.21

 

CMYK 12 / 0 / 64 / 49

HEX #71812E

RGB 113 129 46

HSL 71.57, 0.47%, 0.34%

LAB 51.16, -18.37, 41.72

 

CMYK 12 / 0 / 56 / 42

HEX #829341

RGB 130 147 65

HSL 72.44, 0.39%, 0.42%

LAB 58.03, -18.79, 40.74

 

CMYK 11 / 0 / 49 / 35

HEX #93A554

RGB 147 165 84

HSL 73.33, 0.33%, 0.49%

LAB 64.77, -19.09, 39.59

 

CMYK 10 / 0 / 44 / 28

HEX #A4B767

RGB 164 183 103

HSL 74.25, 0.36%, 0.56%

LAB 71.38, -19.3, 38.39

 

CMYK 18 / 0 / 71 / 56

HEX #5B6F20

RGB 91 111 32

HSL 75.19, 0.55%, 0.28%

LAB 43.8, -19.67, 39.69

 

CMYK 20 / 0 / 86 / 64

HEX #4A5D0D

RGB 74 93 13

HSL 74.25, 0.75%, 0.21%

LAB 36.58, -18.96, 39.53

 

CMYK 24 / 0 / 100 / 71

HEX #394B00

RGB 57 75 0

HSL 74.4, 1%, 0.15%

LAB 29.16, -17.85, 37.16

 

CMYK 30 / 0 / 100 / 78

HEX #283900

RGB 40 57 0

HSL 77.89, 1%, 0.11%

LAB 21.5, -16.2, 29.5

 

CMYK 41 / 0 / 100 / 85

HEX #172700

RGB 23 39 0

HSL 84.62, 1%, 0.08%

LAB 13.43, -14.49, 19.46

 

CMYK 18 / 0 / 71 / 56

HEX #5B6F20

RGB 91 111 32

HSL 75.19, 0.55%, 0.28%

LAB 43.8, -19.67, 39.69

 

CMYK 0 / 2 / 71 / 56

HEX #6F6D20

RGB 111 109 32

HSL 58.48, 0.55%, 0.28%

LAB 44.83, -9.4, 41.27

 

CMYK 0 / 21 / 71 / 56

HEX #6F5820

RGB 111 88 32

HSL 42.53, 0.55%, 0.28%

LAB 38.66, 2.82, 34.91

 

CMYK 0 / 40 / 71 / 56

HEX #6F4320

RGB 111 67 32

HSL 26.58, 0.55%, 0.28%

LAB 32.91, 15.56, 28.66

 

CMYK 0 / 59 / 71 / 56

HEX #6F2E20

RGB 111 46 32

HSL 10.63, 0.55%, 0.28%

LAB 27.95, 27.79, 22.95

 

CMYK 18 / 0 / 71 / 56

HEX #5B6F20

RGB 91 111 32

HSL 75.19, 0.55%, 0.28%

LAB 43.8, -19.67, 39.69

 

CMYK 37 / 0 / 71 / 56

HEX #466F20

RGB 70 111 32

HSL 91.14, 0.55%, 0.28%

LAB 42.42, -28.48, 37.84

 

CMYK 57 / 0 / 71 / 56

HEX #306F20

RGB 48 111 32

HSL 107.85, 0.55%, 0.28%

LAB 41.38, -36.11, 36.41

 

CMYK 71 / 0 / 67 / 56

HEX #206F25

RGB 32 111 37

HSL 123.8, 0.55%, 0.28%

LAB 40.91, -39.65, 33.45

 

CMYK 71 / 0 / 48 / 56

HEX #206F3A

RGB 32 111 58

HSL 139.75, 0.55%, 0.28%

LAB 41.19, -36.47, 22.73

 

CMYK 18 / 0 / 71 / 56

HEX #5B6F20

RGB 91 111 32

HSL 75.19, 0.55%, 0.28%

LAB 43.8, -19.67, 39.69

 

CMYK 21 / 0 / 83 / 52

HEX #607A15

RGB 96 122 21

HSL 75.45, 0.71%, 0.28%

LAB 47.57, -23.75, 47.51

 

CMYK 24 / 0 / 93 / 47

HEX #668609

RGB 102 134 9

HSL 75.36, 0.87%, 0.28%

LAB 51.72, -27.49, 54.04

 

CMYK 18 / 0 / 71 / 56

HEX #5B6F20

RGB 91 111 32

HSL 75.19, 0.55%, 0.28%

LAB 43.8, -19.67, 39.69

 

CMYK 14 / 0 / 56 / 61

HEX #55632C

RGB 85 99 44

HSL 75.27, 0.38%, 0.28%

LAB 39.64, -14.82, 29.14

 

CMYK 10 / 0 / 38 / 65

HEX #4F5837

RGB 79 88 55

HSL 76.36, 0.23%, 0.28%

LAB 35.83, -9.85, 18

 

CMYK 3 / 0 / 12 / 70

HEX #4A4C43

RGB 74 76 67

HSL 73.33, 0.06%, 0.28%

LAB 31.88, -2.71, 5.07

 

CMYK 13 / 18 / 0 / 69

HEX #44404E

RGB 68 64 78

HSL 257.14, 0.1%, 0.28%

LAB 27.97, 4.95, -7.83

 

CMYK 0 / 21 / 71 / 56

HEX #6F5820

RGB 111 88 32

HSL 42.53, 0.55%, 0.28%

LAB 38.66, 2.82, 34.91

 

CMYK 0 / 2 / 71 / 56

HEX #6F6D20

RGB 111 109 32

HSL 58.48, 0.55%, 0.28%

LAB 44.83, -9.4, 41.27

 

CMYK 18 / 0 / 71 / 56

HEX #5B6F20

RGB 91 111 32

HSL 75.19, 0.55%, 0.28%

LAB 43.8, -19.67, 39.69

 

CMYK 37 / 0 / 71 / 56

HEX #466F20

RGB 70 111 32

HSL 91.14, 0.55%, 0.28%

LAB 42.42, -28.48, 37.84

 

CMYK 56 / 0 / 71 / 56

HEX #316F20

RGB 49 111 32

HSL 107.09, 0.55%, 0.28%

LAB 41.42, -35.81, 36.47

 

CMYK 19 / 0 / 70 / 82

HEX #262F0E

RGB 38 47 14

HSL 76.36, 0.54%, 0.12%

LAB 17.81, -10.17, 19.36

 

CMYK 18 / 0 / 71 / 69

HEX #414F17

RGB 65 79 23

HSL 75, 0.55%, 0.2%

LAB 31.3, -14.89, 30.14

 

CMYK 18 / 0 / 71 / 56

HEX #5B6F20

RGB 91 111 32

HSL 75.19, 0.55%, 0.28%

LAB 43.8, -19.67, 39.69

 

CMYK 18 / 0 / 71 / 44

HEX #758F29

RGB 117 143 41

HSL 75.29, 0.55%, 0.36%

LAB 55.67, -24.16, 48.65

 

CMYK 18 / 0 / 71 / 31

HEX #8FAF33

RGB 143 175 51

HSL 75.48, 0.55%, 0.44%

LAB 67.08, -28.39, 56.81

 

CMYK 18 / 0 / 71 / 56

HEX #5B6F20

RGB 91 111 32

HSL 75.19, 0.55%, 0.28%

LAB 43.8, -19.67, 39.69

 

CMYK 71 / 0 / 40 / 56

HEX #206F43

RGB 32 111 67

HSL 146.58, 0.55%, 0.28%

LAB 41.34, -34.71, 17.78

 

CMYK 11 / 71 / 0 / 56

HEX #63206F

RGB 99 32 111

HSL 290.89, 0.55%, 0.28%

LAB 26.25, 41.74, -31.63

 

CMYK 18 / 0 / 71 / 56

HEX #5B6F20

RGB 91 111 32

HSL 75.19, 0.55%, 0.28%

LAB 43.8, -19.67, 39.69

 

CMYK 71 / 18 / 0 / 56

HEX #205B6F

RGB 32 91 111

HSL 195.19, 0.55%, 0.28%

LAB 35.86, -11.93, -16.96

 

CMYK 0 / 71 / 18 / 56

HEX #6F205B

RGB 111 32 91

HSL 315.19, 0.55%, 0.28%

LAB 27.21, 41.32, -16.99

 

CMYK 18 / 0 / 71 / 56

HEX #5B6F20

RGB 91 111 32

HSL 75.19, 0.55%, 0.28%

LAB 43.8, -19.67, 39.69

 

CMYK 71 / 0 / 40 / 56

HEX #206F43

RGB 32 111 67

HSL 146.58, 0.55%, 0.28%

LAB 41.34, -34.71, 17.78

 

CMYK 53 / 71 / 0 / 56

HEX #34206F

RGB 52 32 111

HSL 255.19, 0.55%, 0.28%

LAB 19.68, 31.03, -42.56

 

CMYK 0 / 71 / 32 / 56

HEX #6F204B

RGB 111 32 75

HSL 327.34, 0.55%, 0.28%

LAB 26.51, 38.98, -7.46

 

CMYK 18 / 0 / 71 / 56

HEX #5B6F20

RGB 91 111 32

HSL 75.19, 0.55%, 0.28%

LAB 43.8, -19.67, 39.69

 

CMYK 71 / 0 / 18 / 56

HEX #206F5B

RGB 32 111 91

HSL 164.81, 0.55%, 0.28%

LAB 41.89, -28.89, 4.28

 

CMYK 53 / 71 / 0 / 56

HEX #34206F

RGB 52 32 111

HSL 255.19, 0.55%, 0.28%

LAB 19.68, 31.03, -42.56

 

CMYK 0 / 71 / 53 / 56

HEX #6F2034

RGB 111 32 52

HSL 344.81, 0.55%, 0.28%

LAB 25.74, 36.34, 6.94

 

Description

Color code: HEX #5B6F20 | qconv.com Color code: HEX #5B6F20 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 111 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 111 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 71 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 71% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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