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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B5EAB it is the complementary color #A4A154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B5EAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B5EAB shade: #605EA6, #7170B9, #8282CC, #9394DF and #A4A6F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B5EAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B5EAB shade: #5B5EAB, #4A4C98, #393A85, #282872 and #17165F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B5EAB shade: #5A5DAA, #6D5AAA, #825AAA, #985AAA and #AA5AA7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B5EAB shade: #5A5DAA and #5A5AAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B5EAB shade matches the following richer shades: #5A5DAA, #464ABE, #3238D2, #1D25E7 and #0912FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B5EAB shade: #5A5DAA, #6E7096, #828282, #97956D and #ABA859

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B5EAB shade: #5A89AA, #5A73AA, #5A5EAA, #6B5AAA and #815AAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B5EAB shade: #3C3F75, #4A4D90, #5A5DAA, #7578B8 and #9193C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B5EAB shade: #5B5EAB, #AA5A9E and #7EAA5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B5EAB shade: #5B5EAB, #AA5A5E and #5EAA5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B5EAB shade: #5B5EAB, #AA5A9E, #AAA65A and #5AAA66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B5EAB shade: #5B5EAB, #AA5A86, #AAA65A and #5AAA7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 45 / 0 / 33

HEX #5B5EAB

RGB 91 94 171

HSL 237.75, 0.32%, 0.51%

LAB 43.02, 19.76, -41.78

 

Complementary color

CMYK 0 / 2 / 49 / 36

HEX #A4A154

RGB 164 161 84

HSL 57.75, 0.32%, 0.49%

LAB 64.98, -9.93, 40.16

 

CMYK 42 / 43 / 0 / 35

HEX #605EA6

RGB 96 94 166

HSL 241.67, 0.29%, 0.51%

LAB 43.13, 19.52, -38.62

 

CMYK 39 / 39 / 0 / 27

HEX #7170B9

RGB 113 112 185

HSL 240.82, 0.34%, 0.58%

LAB 50.22, 18.57, -38.43

 

CMYK 36 / 36 / 0 / 20

HEX #8282CC

RGB 130 130 204

HSL 240, 0.42%, 0.65%

LAB 57.14, 17.76, -38.3

 

CMYK 34 / 34 / 0 / 13

HEX #9394DF

RGB 147 148 223

HSL 239.21, 0.54%, 0.73%

LAB 63.93, 17.06, -38.22

 

CMYK 32 / 31 / 0 / 5

HEX #A4A6F2

RGB 164 166 242

HSL 238.46, 0.75%, 0.8%

LAB 70.58, 16.44, -38.19

 

CMYK 47 / 45 / 0 / 33

HEX #5B5EAB

RGB 91 94 171

HSL 237.75, 0.32%, 0.51%

LAB 43.02, 19.76, -41.78

 

CMYK 51 / 50 / 0 / 40

HEX #4A4C98

RGB 74 76 152

HSL 238.46, 0.35%, 0.44%

LAB 35.77, 21.05, -42.08

 

CMYK 57 / 56 / 0 / 48

HEX #393A85

RGB 57 58 133

HSL 239.21, 0.4%, 0.37%

LAB 28.35, 22.66, -42.43

 

CMYK 65 / 65 / 0 / 55

HEX #282872

RGB 40 40 114

HSL 240, 0.48%, 0.3%

LAB 20.76, 24.68, -42.78

 

CMYK 76 / 77 / 0 / 63

HEX #17165F

RGB 23 22 95

HSL 240.82, 0.62%, 0.23%

LAB 13.12, 27.15, -42.91

 

CMYK 47 / 45 / 0 / 33

HEX #5A5DAA

RGB 90 93 170

HSL 237.75, 0.32%, 0.51%

LAB 42.62, 19.83, -41.83

 

CMYK 36 / 47 / 0 / 33

HEX #6D5AAA

RGB 109 90 170

HSL 254.25, 0.32%, 0.51%

LAB 43.46, 26.64, -40.39

 

CMYK 24 / 47 / 0 / 33

HEX #825AAA

RGB 130 90 170

HSL 270, 0.32%, 0.51%

LAB 45.58, 32.55, -36.9

 

CMYK 11 / 47 / 0 / 33

HEX #985AAA

RGB 152 90 170

HSL 286.5, 0.32%, 0.51%

LAB 48.12, 39.03, -32.72

 

CMYK 0 / 47 / 2 / 33

HEX #AA5AA7

RGB 170 90 167

HSL 302.25, 0.32%, 0.51%

LAB 50.27, 43.87, -27.44

 

CMYK 47 / 45 / 0 / 33

HEX #5A5DAA

RGB 90 93 170

HSL 237.75, 0.32%, 0.51%

LAB 42.62, 19.83, -41.83

 

CMYK 47 / 47 / 0 / 33

HEX #5A5AAA

RGB 90 90 170

HSL 240, 0.32%, 0.51%

LAB 41.83, 21.72, -43.09

 

CMYK 47 / 45 / 0 / 33

HEX #5A5DAA

RGB 90 93 170

HSL 237.75, 0.32%, 0.51%

LAB 42.62, 19.83, -41.83

 

CMYK 63 / 61 / 0 / 25

HEX #464ABE

RGB 70 74 190

HSL 238, 0.48%, 0.51%

LAB 37.69, 34.3, -61.6

 

CMYK 76 / 73 / 0 / 18

HEX #3238D2

RGB 50 56 210

HSL 237.75, 0.64%, 0.51%

LAB 34.31, 49.45, -78.84

 

CMYK 87 / 84 / 0 / 9

HEX #1D25E7

RGB 29 37 231

HSL 237.62, 0.81%, 0.51%

LAB 32.6, 64.23, -93.77

 

CMYK 96 / 93 / 0 / 2

HEX #0912FB

RGB 9 18 251

HSL 237.77, 0.97%, 0.51%

LAB 32.82, 75.31, -104.74

 

CMYK 47 / 45 / 0 / 33

HEX #5A5DAA

RGB 90 93 170

HSL 237.75, 0.32%, 0.51%

LAB 42.62, 19.83, -41.83

 

CMYK 27 / 25 / 0 / 41

HEX #6E7096

RGB 110 112 150

HSL 237, 0.16%, 0.51%

LAB 48.39, 8.13, -20.86

 

CMYK 0 / 0 / 0 / 49

HEX #828282

RGB 130 130 130

HSL 0, 0%, 0.51%

LAB 54.37, 0, -0.01

 

CMYK 0 / 1 / 28 / 41

HEX #97956D

RGB 151 149 109

HSL 57.14, 0.17%, 0.51%

LAB 60.94, -5.94, 21.45

 

CMYK 0 / 2 / 48 / 33

HEX #ABA859

RGB 171 168 89

HSL 57.8, 0.33%, 0.51%

LAB 67.56, -10.19, 40.9

 

CMYK 47 / 19 / 0 / 33

HEX #5A89AA

RGB 90 137 170

HSL 204.75, 0.32%, 0.51%

LAB 55.04, -6.75, -22.4

 

CMYK 47 / 32 / 0 / 33

HEX #5A73AA

RGB 90 115 170

HSL 221.25, 0.32%, 0.51%

LAB 48.68, 6.2, -32.25

 

CMYK 47 / 45 / 0 / 33

HEX #5A5EAA

RGB 90 94 170

HSL 237, 0.32%, 0.51%

LAB 42.89, 19.21, -41.4

 

CMYK 37 / 47 / 0 / 33

HEX #6B5AAA

RGB 107 90 170

HSL 252.75, 0.32%, 0.51%

LAB 43.27, 26.09, -40.7

 

CMYK 24 / 47 / 0 / 33

HEX #815AAA

RGB 129 90 170

HSL 269.25, 0.32%, 0.51%

LAB 45.47, 32.26, -37.08

 

CMYK 49 / 46 / 0 / 54

HEX #3C3F75

RGB 60 63 117

HSL 236.84, 0.32%, 0.35%

LAB 28.9, 14.55, -31.5

 

CMYK 49 / 47 / 0 / 44

HEX #4A4D90

RGB 74 77 144

HSL 237.43, 0.32%, 0.43%

LAB 35.55, 17.8, -37.58

 

CMYK 47 / 45 / 0 / 33

HEX #5A5DAA

RGB 90 93 170

HSL 237.75, 0.32%, 0.51%

LAB 42.62, 19.83, -41.83

 

CMYK 36 / 35 / 0 / 28

HEX #7578B8

RGB 117 120 184

HSL 237.31, 0.32%, 0.59%

LAB 52.59, 14.58, -34.1

 

CMYK 27 / 26 / 0 / 22

HEX #9193C6

RGB 145 147 198

HSL 237.74, 0.32%, 0.67%

LAB 62.48, 10.67, -26.54

 

CMYK 47 / 45 / 0 / 33

HEX #5B5EAB

RGB 91 94 171

HSL 237.75, 0.32%, 0.51%

LAB 43.02, 19.76, -41.78

 

CMYK 0 / 47 / 7 / 33

HEX #AA5A9E

RGB 170 90 158

HSL 309, 0.32%, 0.51%

LAB 49.89, 42.24, -22.74

 

CMYK 26 / 0 / 47 / 33

HEX #7EAA5A

RGB 126 170 90

HSL 93, 0.32%, 0.51%

LAB 64.9, -29.11, 36.39

 

CMYK 47 / 45 / 0 / 33

HEX #5B5EAB

RGB 91 94 171

HSL 237.75, 0.32%, 0.51%

LAB 43.02, 19.76, -41.78

 

CMYK 0 / 47 / 45 / 33

HEX #AA5A5E

RGB 170 90 94

HSL 357, 0.32%, 0.51%

LAB 47.84, 33.01, 12.52

 

CMYK 45 / 0 / 47 / 33

HEX #5EAA5A

RGB 94 170 90

HSL 117, 0.32%, 0.51%

LAB 63.23, -40.04, 33.95

 

CMYK 47 / 45 / 0 / 33

HEX #5B5EAB

RGB 91 94 171

HSL 237.75, 0.32%, 0.51%

LAB 43.02, 19.76, -41.78

 

CMYK 0 / 47 / 7 / 33

HEX #AA5A9E

RGB 170 90 158

HSL 309, 0.32%, 0.51%

LAB 49.89, 42.24, -22.74

 

CMYK 0 / 2 / 47 / 33

HEX #AAA65A

RGB 170 166 90

HSL 57, 0.32%, 0.51%

LAB 66.94, -9.46, 39.62

 

CMYK 47 / 0 / 40 / 33

HEX #5AAA66

RGB 90 170 102

HSL 129, 0.32%, 0.51%

LAB 63.25, -39.36, 27.65

 

CMYK 47 / 45 / 0 / 33

HEX #5B5EAB

RGB 91 94 171

HSL 237.75, 0.32%, 0.51%

LAB 43.02, 19.76, -41.78

 

CMYK 0 / 47 / 21 / 33

HEX #AA5A86

RGB 170 90 134

HSL 327, 0.32%, 0.51%

LAB 48.98, 38.27, -9.86

 

CMYK 0 / 2 / 47 / 33

HEX #AAA65A

RGB 170 166 90

HSL 57, 0.32%, 0.51%

LAB 66.94, -9.46, 39.62

 

CMYK 47 / 0 / 26 / 33

HEX #5AAA7E

RGB 90 170 126

HSL 147, 0.32%, 0.51%

LAB 63.7, -34.87, 15.23

 

Description

Color code: HEX #5B5EAB | qconv.com Color code: HEX #5B5EAB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 94 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 94 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 45 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 45% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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