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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B5E90 it is the complementary color #A4A16F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B5E90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B5E90 shade: #605E8B, #71709E, #8282B1, #9394C4 and #A4A6D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B5E90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B5E90 shade: #5B5E90, #4A4C7D, #393A6A, #282857 and #171644

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B5E90 shade: #5A5D90, #665A90, #745A90, #835A90 and #905A8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B5E90 shade: #5A5D90 and #5A5A90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B5E90 shade matches the following richer shades: #5A5D90, #474DA3, #343CB6, #212BC9 and #0E1ADC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B5E90 shade: #5A5D90, #6D6E7D, #807F6A, #939057 and #A6A144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B5E90 shade: #5A7B90, #5A6C90, #5A5E90, #655A90 and #745A90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B5E90 shade: #3B3D5E, #4A4D77, #5A5D90, #6F72A5 and #888BB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B5E90 shade: #5B5E90, #905A89 and #74905A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B5E90 shade: #5B5E90, #905A5E and #5E905A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B5E90 shade: #5B5E90, #905A89, #908D5A and #5A9062

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B5E90 shade: #5B5E90, #905A79, #908D5A and #5A9072

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 35 / 0 / 44

HEX #5B5E90

RGB 91 94 144

HSL 236.6, 0.23%, 0.46%

LAB 41.6, 11.64, -27.94

 

Complementary color

CMYK 0 / 2 / 32 / 36

HEX #A4A16F

RGB 164 161 111

HSL 56.6, 0.23%, 0.54%

LAB 65.38, -6.89, 26.48

 

CMYK 31 / 32 / 0 / 45

HEX #605E8B

RGB 96 94 139

HSL 242.67, 0.19%, 0.46%

LAB 41.78, 11.75, -24.62

 

CMYK 28 / 29 / 0 / 38

HEX #71709E

RGB 113 112 158

HSL 241.3, 0.19%, 0.53%

LAB 48.97, 11.17, -24.66

 

CMYK 27 / 27 / 0 / 31

HEX #8282B1

RGB 130 130 177

HSL 240, 0.23%, 0.6%

LAB 55.97, 10.66, -24.75

 

CMYK 25 / 24 / 0 / 23

HEX #9394C4

RGB 147 148 196

HSL 238.78, 0.29%, 0.67%

LAB 62.82, 10.22, -24.88

 

CMYK 24 / 23 / 0 / 16

HEX #A4A6D7

RGB 164 166 215

HSL 237.65, 0.39%, 0.74%

LAB 69.52, 9.82, -25.04

 

CMYK 37 / 35 / 0 / 44

HEX #5B5E90

RGB 91 94 144

HSL 236.6, 0.23%, 0.46%

LAB 41.6, 11.64, -27.94

 

CMYK 41 / 39 / 0 / 51

HEX #4A4C7D

RGB 74 76 125

HSL 237.65, 0.26%, 0.39%

LAB 34.2, 12.44, -28.05

 

CMYK 46 / 45 / 0 / 58

HEX #393A6A

RGB 57 58 106

HSL 238.78, 0.3%, 0.32%

LAB 26.55, 13.45, -28.25

 

CMYK 54 / 54 / 0 / 66

HEX #282857

RGB 40 40 87

HSL 240, 0.37%, 0.25%

LAB 18.61, 14.81, -28.57

 

CMYK 66 / 68 / 0 / 73

HEX #171644

RGB 23 22 68

HSL 241.3, 0.51%, 0.18%

LAB 10.36, 16.72, -28.96

 

CMYK 38 / 35 / 0 / 44

HEX #5A5D90

RGB 90 93 144

HSL 236.67, 0.23%, 0.46%

LAB 41.24, 11.97, -28.51

 

CMYK 29 / 38 / 0 / 44

HEX #665A90

RGB 102 90 144

HSL 253.33, 0.23%, 0.46%

LAB 41.45, 17.47, -28.1

 

CMYK 19 / 38 / 0 / 44

HEX #745A90

RGB 116 90 144

HSL 268.89, 0.23%, 0.46%

LAB 42.82, 21.92, -25.86

 

CMYK 9 / 38 / 0 / 44

HEX #835A90

RGB 131 90 144

HSL 285.56, 0.23%, 0.46%

LAB 44.45, 26.84, -23.21

 

CMYK 0 / 38 / 1 / 44

HEX #905A8F

RGB 144 90 143

HSL 301.11, 0.23%, 0.46%

LAB 45.94, 30.98, -20.18

 

CMYK 38 / 35 / 0 / 44

HEX #5A5D90

RGB 90 93 144

HSL 236.67, 0.23%, 0.46%

LAB 41.24, 11.97, -28.51

 

CMYK 38 / 38 / 0 / 44

HEX #5A5A90

RGB 90 90 144

HSL 240, 0.23%, 0.46%

LAB 40.41, 13.85, -29.81

 

CMYK 38 / 35 / 0 / 44

HEX #5A5D90

RGB 90 93 144

HSL 236.67, 0.23%, 0.46%

LAB 41.24, 11.97, -28.51

 

CMYK 56 / 53 / 0 / 36

HEX #474DA3

RGB 71 77 163

HSL 236.09, 0.39%, 0.46%

LAB 36.54, 23.41, -47.48

 

CMYK 71 / 67 / 0 / 29

HEX #343CB6

RGB 52 60 182

HSL 236.31, 0.56%, 0.46%

LAB 32.57, 37.78, -65.31

 

CMYK 84 / 79 / 0 / 21

HEX #212BC9

RGB 33 43 201

HSL 236.43, 0.72%, 0.46%

LAB 30.08, 52.45, -80.64

 

CMYK 94 / 88 / 0 / 14

HEX #0E1ADC

RGB 14 26 220

HSL 236.5, 0.88%, 0.46%

LAB 29.41, 64.94, -92.79

 

CMYK 38 / 35 / 0 / 44

HEX #5A5D90

RGB 90 93 144

HSL 236.67, 0.23%, 0.46%

LAB 41.24, 11.97, -28.51

 

CMYK 13 / 12 / 0 / 51

HEX #6D6E7D

RGB 109 110 125

HSL 236.25, 0.07%, 0.46%

LAB 46.82, 2.88, -8.41

 

CMYK 0 / 1 / 17 / 50

HEX #807F6A

RGB 128 127 106

HSL 57.27, 0.09%, 0.46%

LAB 52.74, -3.46, 11.57

 

CMYK 0 / 2 / 41 / 42

HEX #939057

RGB 147 144 87

HSL 57, 0.26%, 0.46%

LAB 58.82, -7.69, 30.66

 

CMYK 0 / 3 / 59 / 35

HEX #A6A144

RGB 166 161 68

HSL 56.94, 0.42%, 0.46%

LAB 64.97, -10.44, 47.96

 

CMYK 38 / 15 / 0 / 44

HEX #5A7B90

RGB 90 123 144

HSL 203.33, 0.23%, 0.46%

LAB 49.92, -6.16, -15.12

 

CMYK 38 / 25 / 0 / 44

HEX #5A6C90

RGB 90 108 144

HSL 220, 0.23%, 0.46%

LAB 45.51, 2.71, -21.87

 

CMYK 38 / 35 / 0 / 44

HEX #5A5E90

RGB 90 94 144

HSL 235.56, 0.23%, 0.46%

LAB 41.52, 11.34, -28.07

 

CMYK 30 / 38 / 0 / 44

HEX #655A90

RGB 101 90 144

HSL 252.22, 0.23%, 0.46%

LAB 41.36, 17.16, -28.25

 

CMYK 19 / 38 / 0 / 44

HEX #745A90

RGB 116 90 144

HSL 268.89, 0.23%, 0.46%

LAB 42.82, 21.92, -25.86

 

CMYK 37 / 35 / 0 / 63

HEX #3B3D5E

RGB 59 61 94

HSL 236.57, 0.23%, 0.3%

LAB 26.95, 8.19, -19.88

 

CMYK 38 / 35 / 0 / 53

HEX #4A4D77

RGB 74 77 119

HSL 236, 0.23%, 0.38%

LAB 34.18, 9.96, -24.36

 

CMYK 38 / 35 / 0 / 44

HEX #5A5D90

RGB 90 93 144

HSL 236.67, 0.23%, 0.46%

LAB 41.24, 11.97, -28.51

 

CMYK 33 / 31 / 0 / 35

HEX #6F72A5

RGB 111 114 165

HSL 236.67, 0.23%, 0.54%

LAB 49.65, 11.22, -27.71

 

CMYK 25 / 23 / 0 / 29

HEX #888BB5

RGB 136 139 181

HSL 236, 0.23%, 0.62%

LAB 59.01, 8.3, -22.33

 

CMYK 37 / 35 / 0 / 44

HEX #5B5E90

RGB 91 94 144

HSL 236.6, 0.23%, 0.46%

LAB 41.6, 11.64, -27.94

 

CMYK 0 / 38 / 5 / 44

HEX #905A89

RGB 144 90 137

HSL 307.78, 0.23%, 0.46%

LAB 45.7, 29.82, -16.96

 

CMYK 19 / 0 / 38 / 44

HEX #74905A

RGB 116 144 90

HSL 91.11, 0.23%, 0.46%

LAB 56.48, -19.97, 25.54

 

CMYK 37 / 35 / 0 / 44

HEX #5B5E90

RGB 91 94 144

HSL 236.6, 0.23%, 0.46%

LAB 41.6, 11.64, -27.94

 

CMYK 0 / 38 / 35 / 44

HEX #905A5E

RGB 144 90 94

HSL 355.56, 0.23%, 0.46%

LAB 44.3, 22.76, 7.04

 

CMYK 35 / 0 / 38 / 44

HEX #5E905A

RGB 94 144 90

HSL 115.56, 0.23%, 0.46%

LAB 55.14, -28.08, 23.52

 

CMYK 37 / 35 / 0 / 44

HEX #5B5E90

RGB 91 94 144

HSL 236.6, 0.23%, 0.46%

LAB 41.6, 11.64, -27.94

 

CMYK 0 / 38 / 5 / 44

HEX #905A89

RGB 144 90 137

HSL 307.78, 0.23%, 0.46%

LAB 45.7, 29.82, -16.96

 

CMYK 0 / 2 / 38 / 44

HEX #908D5A

RGB 144 141 90

HSL 56.67, 0.23%, 0.46%

LAB 57.77, -6.97, 27.63

 

CMYK 38 / 0 / 32 / 44

HEX #5A9062

RGB 90 144 98

HSL 128.89, 0.23%, 0.46%

LAB 55.07, -28.03, 18.95

 

CMYK 37 / 35 / 0 / 44

HEX #5B5E90

RGB 91 94 144

HSL 236.6, 0.23%, 0.46%

LAB 41.6, 11.64, -27.94

 

CMYK 0 / 38 / 16 / 44

HEX #905A79

RGB 144 90 121

HSL 325.56, 0.23%, 0.46%

LAB 45.11, 26.92, -8.19

 

CMYK 0 / 2 / 38 / 44

HEX #908D5A

RGB 144 141 90

HSL 56.67, 0.23%, 0.46%

LAB 57.77, -6.97, 27.63

 

CMYK 38 / 0 / 21 / 44

HEX #5A9072

RGB 90 144 114

HSL 146.67, 0.23%, 0.46%

LAB 55.42, -24.87, 10.37

 

Description

Color code: HEX #5B5E90 | qconv.com Color code: HEX #5B5E90 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 94 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 94 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 35 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 35% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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