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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B5E12 it is the complementary color #A4A1ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B5E12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B5E12 shade: #605E0D, #717020, #828233, #939446 and #A4A659

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B5E12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B5E12 shade: #5B5E12, #4A4C00, #393A00, #282800 and #171600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B5E12 shade: #5B5E11, #5E4C11, #5E3811, #5E2311 and #5E1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B5E12 shade: #5B5E11, #465E11, #325E11, #1D5E11 and #115E1A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B5E12 shade matches the following richer shades: #5B5E11 and #636708

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B5E12 shade: #5B5E11, #52551B, #4A4C24, #42432D and #393936

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B5E12 shade: #5E3811, #5E4C11, #5B5E11, #475E11 and #335E11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B5E12 shade: #181804, #393B0B, #5B5E11, #7C8018 and #9EA31F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B5E12 shade: #5B5E12, #115E23 and #42115E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B5E12 shade: #5B5E12, #115B5E and #5E115B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B5E12 shade: #5B5E12, #115E23, #14115E and #5E114C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B5E12 shade: #5B5E12, #115E3A, #14115E and #5E1135

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 81 / 63

HEX #5B5E12

RGB 91 94 18

HSL 62.37, 0.68%, 0.22%

LAB 38.33, -11.23, 39.94

 

Complementary color

CMYK 31 / 32 / 0 / 7

HEX #A4A1ED

RGB 164 161 237

HSL 242.37, 0.68%, 0.78%

LAB 69.11, 18, -37.75

 

CMYK 0 / 2 / 86 / 62

HEX #605E0D

RGB 96 94 13

HSL 58.55, 0.76%, 0.21%

LAB 38.76, -9, 42.16

 

CMYK 0 / 1 / 72 / 56

HEX #717020

RGB 113 112 32

HSL 59.26, 0.56%, 0.28%

LAB 45.91, -10.14, 42.42

 

CMYK 0 / 0 / 61 / 49

HEX #828233

RGB 130 130 51

HSL 60, 0.44%, 0.35%

LAB 52.89, -10.97, 41.68

 

CMYK 1 / 0 / 53 / 42

HEX #939446

RGB 147 148 70

HSL 60.77, 0.36%, 0.43%

LAB 59.73, -11.59, 40.59

 

CMYK 1 / 0 / 46 / 35

HEX #A4A659

RGB 164 166 89

HSL 61.56, 0.3%, 0.5%

LAB 66.43, -12.07, 39.39

 

CMYK 3 / 0 / 81 / 63

HEX #5B5E12

RGB 91 94 18

HSL 62.37, 0.68%, 0.22%

LAB 38.33, -11.23, 39.94

 

CMYK 3 / 0 / 100 / 70

HEX #4A4C00

RGB 74 76 0

HSL 61.58, 1%, 0.15%

LAB 30.94, -10, 39.13

 

CMYK 2 / 0 / 100 / 77

HEX #393A00

RGB 57 58 0

HSL 61.03, 1%, 0.11%

LAB 23.32, -8.04, 31.87

 

CMYK 0 / 0 / 100 / 84

HEX #282800

RGB 40 40 0

HSL 60, 1%, 0.08%

LAB 15.32, -5.97, 22.21

 

CMYK 0 / 4 / 100 / 91

HEX #171600

RGB 23 22 0

HSL 57.39, 1%, 0.05%

LAB 6.83, -3.21, 10.17

 

CMYK 3 / 0 / 82 / 63

HEX #5B5E11

RGB 91 94 17

HSL 62.34, 0.69%, 0.22%

LAB 38.32, -11.27, 40.29

 

CMYK 0 / 19 / 82 / 63

HEX #5E4C11

RGB 94 76 17

HSL 45.97, 0.69%, 0.22%

LAB 33.11, 0.86, 35.58

 

CMYK 0 / 40 / 82 / 63

HEX #5E3811

RGB 94 56 17

HSL 30.39, 0.69%, 0.22%

LAB 27.43, 13.33, 30.13

 

CMYK 0 / 63 / 82 / 63

HEX #5E2311

RGB 94 35 17

HSL 14.03, 0.69%, 0.22%

LAB 22.38, 25.81, 25.01

 

CMYK 0 / 82 / 82 / 63

HEX #5E1111

RGB 94 17 17

HSL 0, 0.69%, 0.22%

LAB 19.31, 34.1, 21.63

 

CMYK 3 / 0 / 82 / 63

HEX #5B5E11

RGB 91 94 17

HSL 62.34, 0.69%, 0.22%

LAB 38.32, -11.27, 40.29

 

CMYK 26 / 0 / 82 / 63

HEX #465E11

RGB 70 94 17

HSL 78.7, 0.69%, 0.22%

LAB 36.65, -21.1, 38.13

 

CMYK 47 / 0 / 82 / 63

HEX #325E11

RGB 50 94 17

HSL 94.29, 0.69%, 0.22%

LAB 35.45, -29.31, 36.57

 

CMYK 69 / 0 / 82 / 63

HEX #1D5E11

RGB 29 94 17

HSL 110.65, 0.69%, 0.22%

LAB 34.61, -35.81, 35.48

 

CMYK 82 / 0 / 72 / 63

HEX #115E1A

RGB 17 94 26

HSL 127.01, 0.69%, 0.22%

LAB 34.39, -37.41, 31.39

 

CMYK 3 / 0 / 82 / 63

HEX #5B5E11

RGB 91 94 17

HSL 62.34, 0.69%, 0.22%

LAB 38.32, -11.27, 40.29

 

CMYK 4 / 0 / 92 / 60

HEX #636708

RGB 99 103 8

HSL 62.53, 0.86%, 0.22%

LAB 41.8, -12.78, 46.12

 

CMYK 3 / 0 / 82 / 63

HEX #5B5E11

RGB 91 94 17

HSL 62.34, 0.69%, 0.22%

LAB 38.32, -11.27, 40.29

 

CMYK 4 / 0 / 68 / 67

HEX #52551B

RGB 82 85 27

HSL 63.1, 0.52%, 0.22%

LAB 34.74, -9.87, 32.3

 

CMYK 3 / 0 / 53 / 70

HEX #4A4C24

RGB 74 76 36

HSL 63, 0.36%, 0.22%

LAB 31.24, -7.58, 23.33

 

CMYK 1 / 0 / 33 / 74

HEX #42432D

RGB 66 67 45

HSL 62.73, 0.2%, 0.22%

LAB 27.74, -4.66, 13.26

 

CMYK 0 / 0 / 5 / 78

HEX #393936

RGB 57 57 54

HSL 60, 0.03%, 0.22%

LAB 23.88, -0.67, 1.87

 

CMYK 0 / 40 / 82 / 63

HEX #5E3811

RGB 94 56 17

HSL 30.39, 0.69%, 0.22%

LAB 27.43, 13.33, 30.13

 

CMYK 0 / 19 / 82 / 63

HEX #5E4C11

RGB 94 76 17

HSL 45.97, 0.69%, 0.22%

LAB 33.11, 0.86, 35.58

 

CMYK 3 / 0 / 82 / 63

HEX #5B5E11

RGB 91 94 17

HSL 62.34, 0.69%, 0.22%

LAB 38.32, -11.27, 40.29

 

CMYK 24 / 0 / 82 / 63

HEX #475E11

RGB 71 94 17

HSL 77.92, 0.69%, 0.22%

LAB 36.72, -20.65, 38.22

 

CMYK 46 / 0 / 82 / 63

HEX #335E11

RGB 51 94 17

HSL 93.51, 0.69%, 0.22%

LAB 35.5, -28.94, 36.63

 

CMYK 0 / 0 / 83 / 91

HEX #181804

RGB 24 24 4

HSL 60, 0.71%, 0.05%

LAB 7.73, -3.63, 9.87

 

CMYK 3 / 0 / 81 / 77

HEX #393B0B

RGB 57 59 11

HSL 62.5, 0.69%, 0.14%

LAB 23.74, -8, 27.8

 

CMYK 3 / 0 / 82 / 63

HEX #5B5E11

RGB 91 94 17

HSL 62.34, 0.69%, 0.22%

LAB 38.32, -11.27, 40.29

 

CMYK 3 / 0 / 81 / 50

HEX #7C8018

RGB 124 128 24

HSL 62.31, 0.68%, 0.3%

LAB 51.6, -14.17, 51.02

 

CMYK 3 / 0 / 81 / 36

HEX #9EA31F

RGB 158 163 31

HSL 62.27, 0.68%, 0.38%

LAB 64.61, -16.99, 61.52

 

CMYK 3 / 0 / 81 / 63

HEX #5B5E12

RGB 91 94 18

HSL 62.37, 0.68%, 0.22%

LAB 38.33, -11.23, 39.94

 

CMYK 82 / 0 / 63 / 63

HEX #115E23

RGB 17 94 35

HSL 134.03, 0.69%, 0.22%

LAB 34.49, -36.25, 27.03

 

CMYK 30 / 82 / 0 / 63

HEX #42115E

RGB 66 17 94

HSL 278.18, 0.69%, 0.22%

LAB 17.31, 36.88, -35.19

 

CMYK 3 / 0 / 81 / 63

HEX #5B5E12

RGB 91 94 18

HSL 62.37, 0.68%, 0.22%

LAB 38.33, -11.23, 39.94

 

CMYK 82 / 3 / 0 / 63

HEX #115B5E

RGB 17 91 94

HSL 182.34, 0.69%, 0.22%

LAB 34.82, -20.05, -7.99

 

CMYK 0 / 82 / 3 / 63

HEX #5E115B

RGB 94 17 91

HSL 302.34, 0.69%, 0.22%

LAB 22.07, 42.48, -25.27

 

CMYK 3 / 0 / 81 / 63

HEX #5B5E12

RGB 91 94 18

HSL 62.37, 0.68%, 0.22%

LAB 38.33, -11.23, 39.94

 

CMYK 82 / 0 / 63 / 63

HEX #115E23

RGB 17 94 35

HSL 134.03, 0.69%, 0.22%

LAB 34.49, -36.25, 27.03

 

CMYK 79 / 82 / 0 / 63

HEX #14115E

RGB 20 17 94

HSL 242.34, 0.69%, 0.22%

LAB 11.67, 29.6, -44.64

 

CMYK 0 / 82 / 19 / 63

HEX #5E114C

RGB 94 17 76

HSL 314.03, 0.69%, 0.22%

LAB 21.22, 40, -16.53

 

CMYK 3 / 0 / 81 / 63

HEX #5B5E12

RGB 91 94 18

HSL 62.37, 0.68%, 0.22%

LAB 38.33, -11.23, 39.94

 

CMYK 82 / 0 / 38 / 63

HEX #115E3A

RGB 17 94 58

HSL 151.95, 0.69%, 0.22%

LAB 34.86, -31.92, 14.36

 

CMYK 79 / 82 / 0 / 63

HEX #14115E

RGB 20 17 94

HSL 242.34, 0.69%, 0.22%

LAB 11.67, 29.6, -44.64

 

CMYK 0 / 82 / 44 / 63

HEX #5E1135

RGB 94 17 53

HSL 331.95, 0.69%, 0.22%

LAB 20.19, 36.91, -2.18

 

Description

Color code: HEX #5B5E12 | qconv.com Color code: HEX #5B5E12 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 94 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 94 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 81 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 81% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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