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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B5E02 it is the complementary color #A4A1FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B5E02. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B5E02 shade: #605E00, #717010, #828223, #939436 and #A4A649

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B5E02. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B5E02 shade: #5B5E02, #4A4C00, #393A00, #282800 and #171600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B5E02 shade: #5B5E01, #5E4801, #5E2F01, #5E1601 and #5E0101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B5E02 shade: #5B5E01, #425E01, #295E01, #105E01 and #015E0C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B5E02 shade matches the following richer shades: #5B5E01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B5E02 shade: #5B5E01, #545709, #4D4F11, #454719 and #3E3F21

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B5E02 shade: #5E2E01, #5E4701, #5D5E01, #445E01 and #2B5E01

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B5E02 shade: #0D0E00, #343601, #5B5E01, #838702 and #AAAF03

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B5E02 shade: #5B5E02, #015E16 and #3B015E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B5E02 shade: #5B5E02, #015D5E and #5E015D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B5E02 shade: #5B5E02, #015E16, #03015E and #5E014A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B5E02 shade: #5B5E02, #015E32, #03015E and #5E012E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 98 / 63

HEX #5B5E02

RGB 91 94 2

HSL 61.96, 0.96%, 0.19%

LAB 38.26, -11.8, 44.63

 

Complementary color

CMYK 35 / 36 / 0 / 1

HEX #A4A1FD

RGB 164 161 253

HSL 241.96, 0.96%, 0.81%

LAB 69.81, 22.1, -45.38

 

CMYK 0 / 2 / 100 / 62

HEX #605E00

RGB 96 94 0

HSL 58.75, 1%, 0.19%

LAB 38.71, -9.4, 45.76

 

CMYK 0 / 1 / 86 / 56

HEX #717010

RGB 113 112 16

HSL 59.38, 0.75%, 0.25%

LAB 45.82, -10.86, 47.96

 

CMYK 0 / 0 / 73 / 49

HEX #828223

RGB 130 130 35

HSL 60, 0.58%, 0.32%

LAB 52.77, -12, 48.46

 

CMYK 1 / 0 / 64 / 42

HEX #939436

RGB 147 148 54

HSL 60.64, 0.47%, 0.4%

LAB 59.57, -12.86, 47.95

 

CMYK 1 / 0 / 56 / 35

HEX #A4A649

RGB 164 166 73

HSL 61.29, 0.39%, 0.47%

LAB 66.25, -13.53, 47.01

 

CMYK 3 / 0 / 98 / 63

HEX #5B5E02

RGB 91 94 2

HSL 61.96, 0.96%, 0.19%

LAB 38.26, -11.8, 44.63

 

CMYK 3 / 0 / 100 / 70

HEX #4A4C00

RGB 74 76 0

HSL 61.58, 1%, 0.15%

LAB 30.94, -10, 39.13

 

CMYK 2 / 0 / 100 / 77

HEX #393A00

RGB 57 58 0

HSL 61.03, 1%, 0.11%

LAB 23.32, -8.04, 31.87

 

CMYK 0 / 0 / 100 / 84

HEX #282800

RGB 40 40 0

HSL 60, 1%, 0.08%

LAB 15.32, -5.97, 22.21

 

CMYK 0 / 4 / 100 / 91

HEX #171600

RGB 23 22 0

HSL 57.39, 1%, 0.05%

LAB 6.83, -3.21, 10.17

 

CMYK 3 / 0 / 99 / 63

HEX #5B5E01

RGB 91 94 1

HSL 61.94, 0.98%, 0.19%

LAB 38.26, -11.83, 44.92

 

CMYK 0 / 23 / 99 / 63

HEX #5E4801

RGB 94 72 1

HSL 45.81, 0.98%, 0.19%

LAB 31.84, 2.74, 40.37

 

CMYK 0 / 50 / 99 / 63

HEX #5E2F01

RGB 94 47 1

HSL 29.68, 0.98%, 0.19%

LAB 25, 18.28, 34.75

 

CMYK 0 / 77 / 99 / 63

HEX #5E1601

RGB 94 22 1

HSL 13.55, 0.98%, 0.19%

LAB 19.87, 31.6, 29.38

 

CMYK 0 / 99 / 99 / 63

HEX #5E0101

RGB 94 1 1

HSL 0, 0.98%, 0.19%

LAB 17.48, 38.34, 26.58

 

CMYK 3 / 0 / 99 / 63

HEX #5B5E01

RGB 91 94 1

HSL 61.94, 0.98%, 0.19%

LAB 38.26, -11.83, 44.92

 

CMYK 30 / 0 / 99 / 63

HEX #425E01

RGB 66 94 1

HSL 78.06, 0.98%, 0.19%

LAB 36.3, -23.57, 42.57

 

CMYK 56 / 0 / 99 / 63

HEX #295E01

RGB 41 94 1

HSL 94.19, 0.98%, 0.19%

LAB 34.96, -33.28, 40.94

 

CMYK 83 / 0 / 99 / 63

HEX #105E01

RGB 16 94 1

HSL 110.32, 0.98%, 0.19%

LAB 34.23, -39.42, 40.05

 

CMYK 99 / 0 / 87 / 63

HEX #015E0C

RGB 1 94 12

HSL 127.1, 0.98%, 0.19%

LAB 34.06, -40.7, 36.48

 

CMYK 3 / 0 / 99 / 63

HEX #5B5E01

RGB 91 94 1

HSL 61.94, 0.98%, 0.19%

LAB 38.26, -11.83, 44.92

 

CMYK 3 / 0 / 99 / 63

HEX #5B5E01

RGB 91 94 1

HSL 61.94, 0.98%, 0.19%

LAB 38.26, -11.83, 44.92

 

CMYK 3 / 0 / 90 / 66

HEX #545709

RGB 84 87 9

HSL 62.31, 0.81%, 0.19%

LAB 35.44, -11.02, 40.05

 

CMYK 3 / 0 / 78 / 69

HEX #4D4F11

RGB 77 79 17

HSL 61.94, 0.65%, 0.19%

LAB 32.28, -9.49, 34.17

 

CMYK 3 / 0 / 65 / 72

HEX #454719

RGB 69 71 25

HSL 62.61, 0.48%, 0.19%

LAB 29.01, -8.13, 26.75

 

CMYK 2 / 0 / 48 / 75

HEX #3E3F21

RGB 62 63 33

HSL 62, 0.31%, 0.19%

LAB 25.83, -5.82, 18.22

 

CMYK 0 / 51 / 99 / 63

HEX #5E2E01

RGB 94 46 1

HSL 29.03, 0.98%, 0.19%

LAB 24.75, 18.89, 34.52

 

CMYK 0 / 24 / 99 / 63

HEX #5E4701

RGB 94 71 1

HSL 45.16, 0.98%, 0.19%

LAB 31.55, 3.36, 40.16

 

CMYK 1 / 0 / 99 / 63

HEX #5D5E01

RGB 93 94 1

HSL 60.65, 0.98%, 0.19%

LAB 38.44, -10.85, 45.13

 

CMYK 28 / 0 / 99 / 63

HEX #445E01

RGB 68 94 1

HSL 76.77, 0.98%, 0.19%

LAB 36.44, -22.68, 42.73

 

CMYK 54 / 0 / 99 / 63

HEX #2B5E01

RGB 43 94 1

HSL 92.9, 0.98%, 0.19%

LAB 35.05, -32.62, 41.05

 

CMYK 7 / 0 / 100 / 95

HEX #0D0E00

RGB 13 14 0

HSL 64.29, 1%, 0.03%

LAB 3.61, -2.33, 5.36

 

CMYK 4 / 0 / 98 / 79

HEX #343601

RGB 52 54 1

HSL 62.26, 0.96%, 0.11%

LAB 21.47, -8.19, 29.37

 

CMYK 3 / 0 / 99 / 63

HEX #5B5E01

RGB 91 94 1

HSL 61.94, 0.98%, 0.19%

LAB 38.26, -11.83, 44.92

 

CMYK 3 / 0 / 99 / 47

HEX #838702

RGB 131 135 2

HSL 61.8, 0.97%, 0.27%

LAB 54.19, -15.24, 58.14

 

CMYK 3 / 0 / 98 / 31

HEX #AAAF03

RGB 170 175 3

HSL 61.74, 0.97%, 0.35%

LAB 68.9, -18.41, 70.4

 

CMYK 3 / 0 / 98 / 63

HEX #5B5E02

RGB 91 94 2

HSL 61.96, 0.96%, 0.19%

LAB 38.26, -11.8, 44.63

 

CMYK 99 / 0 / 77 / 63

HEX #015E16

RGB 1 94 22

HSL 133.55, 0.98%, 0.19%

LAB 34.13, -39.86, 32.81

 

CMYK 37 / 99 / 0 / 63

HEX #3B015E

RGB 59 1 94

HSL 277.42, 0.98%, 0.19%

LAB 14.17, 41.44, -40.35

 

CMYK 3 / 0 / 98 / 63

HEX #5B5E02

RGB 91 94 2

HSL 61.96, 0.96%, 0.19%

LAB 38.26, -11.8, 44.63

 

CMYK 99 / 1 / 0 / 63

HEX #015D5E

RGB 1 93 94

HSL 180.65, 0.98%, 0.19%

LAB 35.29, -22.57, -7.31

 

CMYK 0 / 99 / 1 / 63

HEX #5E015D

RGB 94 1 93

HSL 300.65, 0.98%, 0.19%

LAB 20.8, 46.94, -28.63

 

CMYK 3 / 0 / 98 / 63

HEX #5B5E02

RGB 91 94 2

HSL 61.96, 0.96%, 0.19%

LAB 38.26, -11.8, 44.63

 

CMYK 99 / 0 / 77 / 63

HEX #015E16

RGB 1 94 22

HSL 133.55, 0.98%, 0.19%

LAB 34.13, -39.86, 32.81

 

CMYK 97 / 99 / 0 / 63

HEX #03015E

RGB 3 1 94

HSL 241.29, 0.98%, 0.19%

LAB 7.67, 37.57, -51.32

 

CMYK 0 / 99 / 21 / 63

HEX #5E014A

RGB 94 1 74

HSL 312.9, 0.98%, 0.19%

LAB 19.62, 44.02, -17.65

 

CMYK 3 / 0 / 98 / 63

HEX #5B5E02

RGB 91 94 2

HSL 61.96, 0.96%, 0.19%

LAB 38.26, -11.8, 44.63

 

CMYK 99 / 0 / 47 / 63

HEX #015E32

RGB 1 94 50

HSL 151.61, 0.98%, 0.19%

LAB 34.48, -35.5, 18.58

 

CMYK 97 / 99 / 0 / 63

HEX #03015E

RGB 3 1 94

HSL 241.29, 0.98%, 0.19%

LAB 7.67, 37.57, -51.32

 

CMYK 0 / 99 / 51 / 63

HEX #5E012E

RGB 94 1 46

HSL 330.97, 0.98%, 0.19%

LAB 18.36, 40.74, 0.09

 

Description

Color code: HEX #5B5E02 | qconv.com Color code: HEX #5B5E02 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 94 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 94 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 98 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 98% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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