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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B5768 it is the complementary color #A4A897. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B5768. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B5768 shade: #605763, #716976, #827B89, #938D9C and #A49FAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B5768. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B5768 shade: #5B5768, #4A4555, #393342, #28212F and #170F1C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B5768 shade: #5A5667, #5E5667, #635667, #675666 and #675662

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B5768 shade: #5A5667 and #565667

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B5768 shade matches the following richer shades: #5A5667, #524776, #4A3785, #422895 and #3A19A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B5768 shade: #5A5667, #626558, #6A7448, #728439 and #7A932A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B5768 shade: #565B67, #565667, #5A5667, #5E5667 and #635667

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B5768 shade: #33303A, #464350, #5A5667, #6E697D and #827D92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B5768 shade: #5B5768, #67565F and #596756

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B5768 shade: #5B5768, #675A56 and #56675A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B5768 shade: #5B5768, #67565F, #636756 and #56675D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B5768 shade: #5B5768, #67565A, #636756 and #566762

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 16 / 0 / 59

HEX #5B5768

RGB 91 87 104

HSL 254.12, 0.09%, 0.37%

LAB 37.91, 5.38, -9.17

 

Complementary color

CMYK 2 / 0 / 10 / 34

HEX #A4A897

RGB 164 168 151

HSL 74.12, 0.09%, 0.63%

LAB 68.12, -4.54, 8.29

 

CMYK 3 / 12 / 0 / 61

HEX #605763

RGB 96 87 99

HSL 285, 0.06%, 0.36%

LAB 38.21, 6.15, -5.58

 

CMYK 4 / 11 / 0 / 54

HEX #716976

RGB 113 105 118

HSL 276.92, 0.06%, 0.44%

LAB 45.53, 5.79, -6.12

 

CMYK 5 / 10 / 0 / 46

HEX #827B89

RGB 130 123 137

HSL 270, 0.06%, 0.51%

LAB 52.64, 5.47, -6.64

 

CMYK 6 / 10 / 0 / 39

HEX #938D9C

RGB 147 141 156

HSL 264, 0.07%, 0.58%

LAB 59.57, 5.18, -7.14

 

CMYK 6 / 9 / 0 / 31

HEX #A49FAF

RGB 164 159 175

HSL 258.75, 0.09%, 0.65%

LAB 66.35, 4.92, -7.64

 

CMYK 13 / 16 / 0 / 59

HEX #5B5768

RGB 91 87 104

HSL 254.12, 0.09%, 0.37%

LAB 37.91, 5.38, -9.17

 

CMYK 13 / 19 / 0 / 67

HEX #4A4555

RGB 74 69 85

HSL 258.75, 0.1%, 0.3%

LAB 30.32, 5.76, -8.76

 

CMYK 14 / 23 / 0 / 74

HEX #393342

RGB 57 51 66

HSL 264, 0.13%, 0.23%

LAB 22.41, 6.22, -8.38

 

CMYK 15 / 30 / 0 / 82

HEX #28212F

RGB 40 33 47

HSL 270, 0.18%, 0.16%

LAB 14.08, 6.79, -8.03

 

CMYK 18 / 46 / 0 / 89

HEX #170F1C

RGB 23 15 28

HSL 276.92, 0.3%, 0.08%

LAB 5.49, 6.4, -7.17

 

CMYK 13 / 17 / 0 / 60

HEX #5A5667

RGB 90 86 103

HSL 254.12, 0.09%, 0.37%

LAB 37.5, 5.39, -9.18

 

CMYK 9 / 17 / 0 / 60

HEX #5E5667

RGB 94 86 103

HSL 268.24, 0.09%, 0.37%

LAB 37.87, 6.9, -8.59

 

CMYK 4 / 17 / 0 / 60

HEX #635667

RGB 99 86 103

HSL 285.88, 0.09%, 0.37%

LAB 38.35, 8.8, -7.81

 

CMYK 0 / 17 / 1 / 60

HEX #675666

RGB 103 86 102

HSL 303.53, 0.09%, 0.37%

LAB 38.72, 10.13, -6.6

 

CMYK 0 / 17 / 5 / 60

HEX #675662

RGB 103 86 98

HSL 317.65, 0.09%, 0.37%

LAB 38.59, 9.3, -4.32

 

CMYK 13 / 17 / 0 / 60

HEX #5A5667

RGB 90 86 103

HSL 254.12, 0.09%, 0.37%

LAB 37.5, 5.39, -9.18

 

CMYK 17 / 17 / 0 / 60

HEX #565667

RGB 86 86 103

HSL 240, 0.09%, 0.37%

LAB 37.14, 3.92, -9.76

 

CMYK 13 / 17 / 0 / 60

HEX #5A5667

RGB 90 86 103

HSL 254.12, 0.09%, 0.37%

LAB 37.5, 5.39, -9.18

 

CMYK 31 / 40 / 0 / 54

HEX #524776

RGB 82 71 118

HSL 254.04, 0.25%, 0.37%

LAB 33.15, 16.05, -25.29

 

CMYK 44 / 59 / 0 / 48

HEX #4A3785

RGB 74 55 133

HSL 254.62, 0.41%, 0.37%

LAB 29.11, 28.48, -41.13

 

CMYK 56 / 73 / 0 / 42

HEX #422895

RGB 66 40 149

HSL 254.31, 0.58%, 0.37%

LAB 26.29, 40.7, -55.65

 

CMYK 65 / 85 / 0 / 36

HEX #3A19A4

RGB 58 25 164

HSL 254.24, 0.74%, 0.37%

LAB 24.56, 51.31, -67.7

 

CMYK 13 / 17 / 0 / 60

HEX #5A5667

RGB 90 86 103

HSL 254.12, 0.09%, 0.37%

LAB 37.5, 5.39, -9.18

 

CMYK 3 / 0 / 13 / 60

HEX #626558

RGB 98 101 88

HSL 73.85, 0.07%, 0.37%

LAB 42.17, -3.77, 6.96

 

CMYK 9 / 0 / 38 / 55

HEX #6A7448

RGB 106 116 72

HSL 73.64, 0.23%, 0.37%

LAB 47, -11.61, 23.09

 

CMYK 14 / 0 / 57 / 48

HEX #728439

RGB 114 132 57

HSL 74.4, 0.4%, 0.37%

LAB 52.26, -18.55, 37.7

 

CMYK 17 / 0 / 71 / 42

HEX #7A932A

RGB 122 147 42

HSL 74.29, 0.56%, 0.37%

LAB 57.24, -23.98, 49.94

 

CMYK 17 / 12 / 0 / 60

HEX #565B67

RGB 86 91 103

HSL 222.35, 0.09%, 0.37%

LAB 38.62, 0.82, -7.53

 

CMYK 17 / 17 / 0 / 60

HEX #565667

RGB 86 86 103

HSL 240, 0.09%, 0.37%

LAB 37.14, 3.92, -9.76

 

CMYK 13 / 17 / 0 / 60

HEX #5A5667

RGB 90 86 103

HSL 254.12, 0.09%, 0.37%

LAB 37.5, 5.39, -9.18

 

CMYK 9 / 17 / 0 / 60

HEX #5E5667

RGB 94 86 103

HSL 268.24, 0.09%, 0.37%

LAB 37.87, 6.9, -8.59

 

CMYK 4 / 17 / 0 / 60

HEX #635667

RGB 99 86 103

HSL 285.88, 0.09%, 0.37%

LAB 38.35, 8.8, -7.81

 

CMYK 12 / 17 / 0 / 77

HEX #33303A

RGB 51 48 58

HSL 258, 0.09%, 0.21%

LAB 20.53, 3.75, -5.84

 

CMYK 13 / 16 / 0 / 69

HEX #464350

RGB 70 67 80

HSL 253.85, 0.09%, 0.29%

LAB 29.15, 4.27, -7.34

 

CMYK 13 / 17 / 0 / 60

HEX #5A5667

RGB 90 86 103

HSL 254.12, 0.09%, 0.37%

LAB 37.5, 5.39, -9.18

 

CMYK 12 / 16 / 0 / 51

HEX #6E697D

RGB 110 105 125

HSL 255, 0.09%, 0.45%

LAB 45.5, 6.23, -10.4

 

CMYK 11 / 14 / 0 / 43

HEX #827D92

RGB 130 125 146

HSL 254.29, 0.09%, 0.53%

LAB 53.48, 6.24, -10.63

 

CMYK 13 / 16 / 0 / 59

HEX #5B5768

RGB 91 87 104

HSL 254.12, 0.09%, 0.37%

LAB 37.91, 5.38, -9.17

 

CMYK 0 / 17 / 8 / 60

HEX #67565F

RGB 103 86 95

HSL 328.24, 0.09%, 0.37%

LAB 38.49, 8.69, -2.6

 

CMYK 14 / 0 / 17 / 60

HEX #596756

RGB 89 103 86

HSL 109.41, 0.09%, 0.37%

LAB 41.99, -8.93, 7.83

 

CMYK 13 / 16 / 0 / 59

HEX #5B5768

RGB 91 87 104

HSL 254.12, 0.09%, 0.37%

LAB 37.91, 5.38, -9.17

 

CMYK 0 / 13 / 17 / 60

HEX #675A56

RGB 103 90 86

HSL 14.12, 0.09%, 0.37%

LAB 39.36, 4.53, 4.24

 

CMYK 17 / 0 / 13 / 60

HEX #56675A

RGB 86 103 90

HSL 134.12, 0.09%, 0.37%

LAB 41.87, -9.28, 5.2

 

CMYK 13 / 16 / 0 / 59

HEX #5B5768

RGB 91 87 104

HSL 254.12, 0.09%, 0.37%

LAB 37.91, 5.38, -9.17

 

CMYK 0 / 17 / 8 / 60

HEX #67565F

RGB 103 86 95

HSL 328.24, 0.09%, 0.37%

LAB 38.49, 8.69, -2.6

 

CMYK 4 / 0 / 17 / 60

HEX #636756

RGB 99 103 86

HSL 74.12, 0.09%, 0.37%

LAB 42.8, -4.9, 9.08

 

CMYK 17 / 0 / 10 / 60

HEX #56675D

RGB 86 103 93

HSL 144.71, 0.09%, 0.37%

LAB 41.95, -8.64, 3.5

 

CMYK 13 / 16 / 0 / 59

HEX #5B5768

RGB 91 87 104

HSL 254.12, 0.09%, 0.37%

LAB 37.91, 5.38, -9.17

 

CMYK 0 / 17 / 13 / 60

HEX #67565A

RGB 103 86 90

HSL 345.88, 0.09%, 0.37%

LAB 38.34, 7.72, 0.28

 

CMYK 4 / 0 / 17 / 60

HEX #636756

RGB 99 103 86

HSL 74.12, 0.09%, 0.37%

LAB 42.8, -4.9, 9.08

 

CMYK 17 / 0 / 5 / 60

HEX #566762

RGB 86 103 98

HSL 162.35, 0.09%, 0.37%

LAB 42.09, -7.54, 0.67

 

Description

Color code: HEX #5B5768 | qconv.com Color code: HEX #5B5768 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 87 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 87 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 16 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 16% 0% 59% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - William Purves Funer...
Link: http://williampurves.co.uk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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