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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B56DD it is the complementary color #A4A922. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B56DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B56DD shade: #6056D8, #7168EB, #827AFE, #938CFF and #A49EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B56DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B56DD shade: #5B56DD, #4A44CA, #3932B7, #2820A4 and #170E91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B56DD shade: #5A55DD, #7F55DD, #A355DD, #C855DD and #DD55CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B56DD shade: #5A55DD and #5555DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B56DD shade matches the following richer shades: #5A55DD, #4A44EE and #3B34FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B56DD shade: #5A55DD, #6965CD, #7876BC, #8886AC and #97979B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B56DD shade: #5599DD, #5575DD, #5955DD, #7E55DD and #A255DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B56DD shade: #2A25BB, #3832D7, #5A55DD, #7B77E4 and #9D9AEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B56DD shade: #5B56DD, #DD55BD and #87DD55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B56DD shade: #5B56DD, #DD5955 and #55DD59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B56DD shade: #5B56DD, #DD55BD, #D9DD55 and #55DD75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B56DD shade: #5B56DD, #DD5594, #D9DD55 and #55DD9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 61 / 0 / 13

HEX #5B56DD

RGB 91 86 221

HSL 242.22, 0.67%, 0.6%

LAB 44.38, 40.55, -68.55

 

Complementary color

CMYK 3 / 0 / 80 / 34

HEX #A4A922

RGB 164 169 34

HSL 62.22, 0.67%, 0.4%

LAB 66.81, -17.33, 62.79

 

CMYK 56 / 60 / 0 / 15

HEX #6056D8

RGB 96 86 216

HSL 244.62, 0.63%, 0.59%

LAB 44.38, 39.84, -65.68

 

CMYK 52 / 56 / 0 / 8

HEX #7168EB

RGB 113 104 235

HSL 244.12, 0.77%, 0.66%

LAB 51.16, 38.19, -65.37

 

CMYK 49 / 52 / 0 / 0

HEX #827AFE

RGB 130 122 254

HSL 243.64, 0.99%, 0.74%

LAB 57.87, 36.74, -65.06

 

CMYK 42 / 45 / 0 / 0

HEX #938CFF

RGB 147 140 255

HSL 243.65, 1%, 0.77%

LAB 63.49, 30.37, -56.53

 

CMYK 36 / 38 / 0 / 0

HEX #A49EFF

RGB 164 158 255

HSL 243.71, 1%, 0.81%

LAB 69.16, 24.32, -47.48

 

CMYK 59 / 61 / 0 / 13

HEX #5B56DD

RGB 91 86 221

HSL 242.22, 0.67%, 0.6%

LAB 44.38, 40.55, -68.55

 

CMYK 63 / 66 / 0 / 21

HEX #4A44CA

RGB 74 68 202

HSL 242.69, 0.56%, 0.53%

LAB 37.58, 42.53, -68.77

 

CMYK 69 / 73 / 0 / 28

HEX #3932B7

RGB 57 50 183

HSL 243.16, 0.57%, 0.46%

LAB 30.81, 44.65, -68.79

 

CMYK 76 / 80 / 0 / 36

HEX #2820A4

RGB 40 32 164

HSL 243.64, 0.67%, 0.38%

LAB 24.21, 46.65, -68.33

 

CMYK 84 / 90 / 0 / 43

HEX #170E91

RGB 23 14 145

HSL 244.12, 0.82%, 0.31%

LAB 18.1, 47.82, -66.83

 

CMYK 59 / 62 / 0 / 13

HEX #5A55DD

RGB 90 85 221

HSL 242.21, 0.67%, 0.6%

LAB 44.08, 40.98, -69.04

 

CMYK 43 / 62 / 0 / 13

HEX #7F55DD

RGB 127 85 221

HSL 258.53, 0.67%, 0.6%

LAB 47.27, 47.85, -63.7

 

CMYK 26 / 62 / 0 / 13

HEX #A355DD

RGB 163 85 221

HSL 274.41, 0.67%, 0.6%

LAB 51.27, 55.7, -57.05

 

CMYK 10 / 62 / 0 / 13

HEX #C855DD

RGB 200 85 221

HSL 290.74, 0.67%, 0.6%

LAB 56.08, 64.36, -49.09

 

CMYK 0 / 62 / 7 / 13

HEX #DD55CE

RGB 221 85 206

HSL 306.62, 0.67%, 0.6%

LAB 58.34, 66.95, -36.82

 

CMYK 59 / 62 / 0 / 13

HEX #5A55DD

RGB 90 85 221

HSL 242.21, 0.67%, 0.6%

LAB 44.08, 40.98, -69.04

 

CMYK 62 / 62 / 0 / 13

HEX #5555DD

RGB 85 85 221

HSL 240, 0.67%, 0.6%

LAB 43.72, 40.19, -69.63

 

CMYK 59 / 62 / 0 / 13

HEX #5A55DD

RGB 90 85 221

HSL 242.21, 0.67%, 0.6%

LAB 44.08, 40.98, -69.04

 

CMYK 69 / 71 / 0 / 7

HEX #4A44EE

RGB 74 68 238

HSL 242.12, 0.83%, 0.6%

LAB 40.84, 54, -84.03

 

CMYK 77 / 80 / 0 / 0

HEX #3B34FE

RGB 59 52 254

HSL 242.08, 0.99%, 0.6%

LAB 38.8, 65.7, -96.43

 

CMYK 59 / 62 / 0 / 13

HEX #5A55DD

RGB 90 85 221

HSL 242.21, 0.67%, 0.6%

LAB 44.08, 40.98, -69.04

 

CMYK 49 / 51 / 0 / 20

HEX #6965CD

RGB 105 101 205

HSL 242.31, 0.51%, 0.6%

LAB 47.9, 29.2, -53.66

 

CMYK 36 / 37 / 0 / 26

HEX #7876BC

RGB 120 118 188

HSL 241.71, 0.34%, 0.6%

LAB 52.49, 17.73, -36.55

 

CMYK 21 / 22 / 0 / 33

HEX #8886AC

RGB 136 134 172

HSL 243.16, 0.19%, 0.6%

LAB 57.33, 9.01, -19.76

 

CMYK 3 / 3 / 0 / 39

HEX #97979B

RGB 151 151 155

HSL 240, 0.02%, 0.6%

LAB 62.57, 0.78, -2.1

 

CMYK 62 / 31 / 0 / 13

HEX #5599DD

RGB 85 153 221

HSL 210, 0.67%, 0.6%

LAB 61.6, -1.03, -41.02

 

CMYK 62 / 47 / 0 / 13

HEX #5575DD

RGB 85 117 221

HSL 225.88, 0.67%, 0.6%

LAB 51.69, 20.5, -56.73

 

CMYK 60 / 62 / 0 / 13

HEX #5955DD

RGB 89 85 221

HSL 241.76, 0.67%, 0.6%

LAB 44, 40.82, -69.16

 

CMYK 43 / 62 / 0 / 13

HEX #7E55DD

RGB 126 85 221

HSL 258.09, 0.67%, 0.6%

LAB 47.17, 47.64, -63.87

 

CMYK 27 / 62 / 0 / 13

HEX #A255DD

RGB 162 85 221

HSL 273.97, 0.67%, 0.6%

LAB 51.15, 55.47, -57.25

 

CMYK 78 / 80 / 0 / 27

HEX #2A25BB

RGB 42 37 187

HSL 242, 0.67%, 0.44%

LAB 27.85, 51.54, -76.07

 

CMYK 74 / 77 / 0 / 16

HEX #3832D7

RGB 56 50 215

HSL 242.18, 0.67%, 0.52%

LAB 34.04, 54.73, -82.16

 

CMYK 59 / 62 / 0 / 13

HEX #5A55DD

RGB 90 85 221

HSL 242.21, 0.67%, 0.6%

LAB 44.08, 40.98, -69.04

 

CMYK 46 / 48 / 0 / 11

HEX #7B77E4

RGB 123 119 228

HSL 242.2, 0.67%, 0.68%

LAB 55.08, 29.34, -55.11

 

CMYK 33 / 34 / 0 / 8

HEX #9D9AEB

RGB 157 154 235

HSL 242.22, 0.67%, 0.76%

LAB 66.73, 19.51, -40.4

 

CMYK 59 / 61 / 0 / 13

HEX #5B56DD

RGB 91 86 221

HSL 242.22, 0.67%, 0.6%

LAB 44.38, 40.55, -68.55

 

CMYK 0 / 62 / 14 / 13

HEX #DD55BD

RGB 221 85 189

HSL 314.12, 0.67%, 0.6%

LAB 57.6, 64.35, -28.27

 

CMYK 39 / 0 / 62 / 13

HEX #87DD55

RGB 135 221 85

HSL 97.94, 0.67%, 0.6%

LAB 80.47, -49.14, 57.13

 

CMYK 59 / 61 / 0 / 13

HEX #5B56DD

RGB 91 86 221

HSL 242.22, 0.67%, 0.6%

LAB 44.38, 40.55, -68.55

 

CMYK 0 / 60 / 62 / 13

HEX #DD5955

RGB 221 89 85

HSL 1.76, 0.67%, 0.6%

LAB 55.25, 51.38, 29.08

 

CMYK 62 / 0 / 60 / 13

HEX #55DD59

RGB 85 221 89

HSL 121.76, 0.67%, 0.6%

LAB 78.67, -62.41, 52.88

 

CMYK 59 / 61 / 0 / 13

HEX #5B56DD

RGB 91 86 221

HSL 242.22, 0.67%, 0.6%

LAB 44.38, 40.55, -68.55

 

CMYK 0 / 62 / 14 / 13

HEX #DD55BD

RGB 221 85 189

HSL 314.12, 0.67%, 0.6%

LAB 57.6, 64.35, -28.27

 

CMYK 2 / 0 / 62 / 13

HEX #D9DD55

RGB 217 221 85

HSL 61.76, 0.67%, 0.6%

LAB 85.56, -18.33, 64.15

 

CMYK 62 / 0 / 47 / 13

HEX #55DD75

RGB 85 221 117

HSL 134.12, 0.67%, 0.6%

LAB 79, -58.72, 40.19

 

CMYK 59 / 61 / 0 / 13

HEX #5B56DD

RGB 91 86 221

HSL 242.22, 0.67%, 0.6%

LAB 44.38, 40.55, -68.55

 

CMYK 0 / 62 / 33 / 13

HEX #DD5594

RGB 221 85 148

HSL 332.21, 0.67%, 0.6%

LAB 56.1, 58.92, -6.74

 

CMYK 2 / 0 / 62 / 13

HEX #D9DD55

RGB 217 221 85

HSL 61.76, 0.67%, 0.6%

LAB 85.56, -18.33, 64.15

 

CMYK 62 / 0 / 29 / 13

HEX #55DD9E

RGB 85 221 158

HSL 152.21, 0.67%, 0.6%

LAB 79.68, -51.4, 20.2

 

Description

Color code: HEX #5B56DD | qconv.com Color code: HEX #5B56DD | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 86 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 86 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 61 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 61% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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