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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B5482 it is the complementary color #A4AB7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B5482. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B5482 shade: #60547D, #716690, #8278A3, #938AB6 and #A49CC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B5482. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B5482 shade: #5B5482, #4A426F, #39305C, #281E49 and #170C36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B5482 shade: #5B5582, #685582, #745582, #805582 and #825577

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B5482 shade: #5B5582 and #555582

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B5482 shade matches the following richer shades: #5B5582, #4F4393, #4332A4, #3721B6 and #2B0FC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B5482 shade: #5B5582, #686670, #74775F, #80894E and #8C9A3C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B5482 shade: #556682, #555A82, #5B5582, #675582 and #735582

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B5482 shade: #383450, #4A4469, #5B5582, #6D659A and #857EAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B5482 shade: #5B5482, #825572 and #608255

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B5482 shade: #5B5482, #825B55 and #55825B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B5482 shade: #5B5482, #825572, #7B8255 and #558264

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B5482 shade: #5B5482, #825564, #7B8255 and #558272

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 35 / 0 / 49

HEX #5B5482

RGB 91 84 130

HSL 249.13, 0.21%, 0.42%

LAB 38.16, 13.96, -24.83

 

Complementary color

CMYK 4 / 0 / 27 / 33

HEX #A4AB7D

RGB 164 171 125

HSL 69.13, 0.21%, 0.58%

LAB 68.39, -10.29, 22.92

 

CMYK 23 / 33 / 0 / 51

HEX #60547D

RGB 96 84 125

HSL 257.56, 0.2%, 0.41%

LAB 38.39, 14.26, -21.36

 

CMYK 22 / 29 / 0 / 44

HEX #716690

RGB 113 102 144

HSL 255.71, 0.17%, 0.48%

LAB 45.67, 13.64, -21.47

 

CMYK 20 / 26 / 0 / 36

HEX #8278A3

RGB 130 120 163

HSL 253.95, 0.19%, 0.55%

LAB 52.76, 13.1, -21.62

 

CMYK 19 / 24 / 0 / 29

HEX #938AB6

RGB 147 138 182

HSL 252.27, 0.23%, 0.63%

LAB 59.67, 12.62, -21.81

 

CMYK 18 / 22 / 0 / 21

HEX #A49CC9

RGB 164 156 201

HSL 250.67, 0.29%, 0.7%

LAB 66.43, 12.19, -22.02

 

CMYK 30 / 35 / 0 / 49

HEX #5B5482

RGB 91 84 130

HSL 249.13, 0.21%, 0.42%

LAB 38.16, 13.96, -24.83

 

CMYK 33 / 41 / 0 / 56

HEX #4A426F

RGB 74 66 111

HSL 250.67, 0.25%, 0.35%

LAB 30.64, 14.76, -24.88

 

CMYK 38 / 48 / 0 / 64

HEX #39305C

RGB 57 48 92

HSL 252.27, 0.31%, 0.27%

LAB 22.85, 15.76, -25.03

 

CMYK 45 / 59 / 0 / 71

HEX #281E49

RGB 40 30 73

HSL 253.95, 0.42%, 0.2%

LAB 14.74, 17.03, -25.28

 

CMYK 57 / 78 / 0 / 79

HEX #170C36

RGB 23 12 54

HSL 255.71, 0.64%, 0.13%

LAB 6.43, 18.14, -25.33

 

CMYK 30 / 35 / 0 / 49

HEX #5B5582

RGB 91 85 130

HSL 248, 0.21%, 0.42%

LAB 38.43, 13.33, -24.4

 

CMYK 20 / 35 / 0 / 49

HEX #685582

RGB 104 85 130

HSL 265.33, 0.21%, 0.42%

LAB 39.67, 17.58, -22.38

 

CMYK 11 / 35 / 0 / 49

HEX #745582

RGB 116 85 130

HSL 281.33, 0.21%, 0.42%

LAB 40.93, 21.65, -20.33

 

CMYK 2 / 35 / 0 / 49

HEX #805582

RGB 128 85 130

HSL 297.33, 0.21%, 0.42%

LAB 42.3, 25.8, -18.1

 

CMYK 0 / 35 / 8 / 49

HEX #825577

RGB 130 85 119

HSL 314.67, 0.21%, 0.42%

LAB 42.12, 24.33, -11.66

 

CMYK 30 / 35 / 0 / 49

HEX #5B5582

RGB 91 85 130

HSL 248, 0.21%, 0.42%

LAB 38.43, 13.33, -24.4

 

CMYK 35 / 35 / 0 / 49

HEX #555582

RGB 85 85 130

HSL 240, 0.21%, 0.42%

LAB 37.91, 11.45, -25.24

 

CMYK 30 / 35 / 0 / 49

HEX #5B5582

RGB 91 85 130

HSL 248, 0.21%, 0.42%

LAB 38.43, 13.33, -24.4

 

CMYK 46 / 54 / 0 / 42

HEX #4F4393

RGB 79 67 147

HSL 249, 0.37%, 0.42%

LAB 33.53, 26.42, -42.62

 

CMYK 59 / 70 / 0 / 36

HEX #4332A4

RGB 67 50 164

HSL 248.95, 0.53%, 0.42%

LAB 29.8, 39.85, -59.04

 

CMYK 70 / 82 / 0 / 29

HEX #3721B6

RGB 55 33 182

HSL 248.86, 0.69%, 0.42%

LAB 27.51, 52.84, -73.64

 

CMYK 78 / 92 / 0 / 22

HEX #2B0FC7

RGB 43 15 199

HSL 249.13, 0.86%, 0.42%

LAB 26.67, 63.19, -85.11

 

CMYK 30 / 35 / 0 / 49

HEX #5B5582

RGB 91 85 130

HSL 248, 0.21%, 0.42%

LAB 38.43, 13.33, -24.4

 

CMYK 7 / 9 / 0 / 56

HEX #686670

RGB 104 102 112

HSL 252, 0.05%, 0.42%

LAB 43.68, 2.91, -5.33

 

CMYK 3 / 0 / 20 / 53

HEX #74775F

RGB 116 119 95

HSL 67.5, 0.11%, 0.42%

LAB 49.17, -5.61, 12.85

 

CMYK 7 / 0 / 43 / 46

HEX #80894E

RGB 128 137 78

HSL 69.15, 0.27%, 0.42%

LAB 55.1, -12.99, 30.47

 

CMYK 9 / 0 / 61 / 40

HEX #8C9A3C

RGB 140 154 60

HSL 68.94, 0.44%, 0.42%

LAB 60.79, -18.59, 46.41

 

CMYK 35 / 22 / 0 / 49

HEX #556682

RGB 85 102 130

HSL 217.33, 0.21%, 0.42%

LAB 42.83, 0.87, -17.64

 

CMYK 35 / 31 / 0 / 49

HEX #555A82

RGB 85 90 130

HSL 233.33, 0.21%, 0.42%

LAB 39.34, 8.29, -23.03

 

CMYK 30 / 35 / 0 / 49

HEX #5B5582

RGB 91 85 130

HSL 248, 0.21%, 0.42%

LAB 38.43, 13.33, -24.4

 

CMYK 21 / 35 / 0 / 49

HEX #675582

RGB 103 85 130

HSL 264, 0.21%, 0.42%

LAB 39.57, 17.25, -22.55

 

CMYK 12 / 35 / 0 / 49

HEX #735582

RGB 115 85 130

HSL 280, 0.21%, 0.42%

LAB 40.82, 21.31, -20.5

 

CMYK 30 / 35 / 0 / 69

HEX #383450

RGB 56 52 80

HSL 248.57, 0.21%, 0.26%

LAB 23.26, 9.04, -16.47

 

CMYK 30 / 35 / 0 / 59

HEX #4A4469

RGB 74 68 105

HSL 249.73, 0.21%, 0.34%

LAB 30.9, 11.73, -20.67

 

CMYK 30 / 35 / 0 / 49

HEX #5B5582

RGB 91 85 130

HSL 248, 0.21%, 0.42%

LAB 38.43, 13.33, -24.4

 

CMYK 29 / 34 / 0 / 40

HEX #6D659A

RGB 109 101 154

HSL 249.06, 0.21%, 0.5%

LAB 45.49, 15.54, -27.74

 

CMYK 22 / 26 / 0 / 33

HEX #857EAB

RGB 133 126 171

HSL 249.33, 0.21%, 0.58%

LAB 54.92, 12.47, -22.91

 

CMYK 30 / 35 / 0 / 49

HEX #5B5482

RGB 91 84 130

HSL 249.13, 0.21%, 0.42%

LAB 38.16, 13.96, -24.83

 

CMYK 0 / 35 / 12 / 49

HEX #825572

RGB 130 85 114

HSL 321.33, 0.21%, 0.42%

LAB 41.93, 23.4, -8.87

 

CMYK 26 / 0 / 35 / 49

HEX #608255

RGB 96 130 85

HSL 105.33, 0.21%, 0.42%

LAB 50.81, -21.15, 20.6

 

CMYK 30 / 35 / 0 / 49

HEX #5B5482

RGB 91 84 130

HSL 249.13, 0.21%, 0.42%

LAB 38.16, 13.96, -24.83

 

CMYK 0 / 30 / 35 / 49

HEX #825B55

RGB 130 91 85

HSL 8, 0.21%, 0.42%

LAB 42.59, 15.16, 9.85

 

CMYK 35 / 0 / 30 / 49

HEX #55825B

RGB 85 130 91

HSL 128, 0.21%, 0.42%

LAB 50.28, -24.05, 16.35

 

CMYK 30 / 35 / 0 / 49

HEX #5B5482

RGB 91 84 130

HSL 249.13, 0.21%, 0.42%

LAB 38.16, 13.96, -24.83

 

CMYK 0 / 35 / 12 / 49

HEX #825572

RGB 130 85 114

HSL 321.33, 0.21%, 0.42%

LAB 41.93, 23.4, -8.87

 

CMYK 5 / 0 / 35 / 49

HEX #7B8255

RGB 123 130 85

HSL 69.33, 0.21%, 0.42%

LAB 52.77, -10.39, 23.54

 

CMYK 35 / 0 / 23 / 49

HEX #558264

RGB 85 130 100

HSL 140, 0.21%, 0.42%

LAB 50.47, -22.28, 11.43

 

CMYK 30 / 35 / 0 / 49

HEX #5B5482

RGB 91 84 130

HSL 249.13, 0.21%, 0.42%

LAB 38.16, 13.96, -24.83

 

CMYK 0 / 35 / 23 / 49

HEX #825564

RGB 130 85 100

HSL 340, 0.21%, 0.42%

LAB 41.47, 20.99, -0.95

 

CMYK 5 / 0 / 35 / 49

HEX #7B8255

RGB 123 130 85

HSL 69.33, 0.21%, 0.42%

LAB 52.77, -10.39, 23.54

 

CMYK 35 / 0 / 12 / 49

HEX #558272

RGB 85 130 114

HSL 158.67, 0.21%, 0.42%

LAB 50.82, -19.22, 3.77

 

Description

Color code: HEX #5B5482 | qconv.com Color code: HEX #5B5482 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 84 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 84 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 35 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 35% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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