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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B5086 it is the complementary color #A4AF79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B5086. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B5086 shade: #605081, #716294, #8274A7, #9386BA and #A498CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B5086. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B5086 shade: #5B5086, #4A3E73, #392C60, #281A4D and #17083A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B5086 shade: #5B5086, #6A5086, #785086, #865085 and #865077

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B5086 shade: #5B5086 and #505086

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B5086 shade matches the following richer shades: #5B5086, #513F97, #472EA9, #3C1CBA and #320BCB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B5086 shade: #5B5086, #666275, #707363, #7A8452 and #849641

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B5086 shade: #506286, #505486, #5B5086, #695086 and #785086

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B5086 shade: #383152, #4A416C, #5B5086, #6D60A0 and #857AAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B5086 shade: #5B5086, #865070 and #5B8650

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B5086 shade: #5B5086, #865B50 and #50865B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B5086 shade: #5B5086, #865070, #7B8650 and #508666

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B5086 shade: #5B5086, #865060, #7B8650 and #508676

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 40 / 0 / 47

HEX #5B5086

RGB 91 80 134

HSL 252.22, 0.25%, 0.42%

LAB 37.27, 17.6, -28.67

 

Complementary color

CMYK 6 / 0 / 31 / 31

HEX #A4AF79

RGB 164 175 121

HSL 72.22, 0.25%, 0.58%

LAB 69.42, -12.94, 26.47

 

CMYK 26 / 38 / 0 / 49

HEX #605081

RGB 96 80 129

HSL 259.59, 0.23%, 0.41%

LAB 37.5, 17.81, -25.21

 

CMYK 24 / 34 / 0 / 42

HEX #716294

RGB 113 98 148

HSL 258, 0.2%, 0.48%

LAB 44.78, 17.08, -25.24

 

CMYK 22 / 31 / 0 / 35

HEX #8274A7

RGB 130 116 167

HSL 256.47, 0.22%, 0.55%

LAB 51.87, 16.43, -25.32

 

CMYK 21 / 28 / 0 / 27

HEX #9386BA

RGB 147 134 186

HSL 255, 0.27%, 0.63%

LAB 58.79, 15.87, -25.44

 

CMYK 20 / 26 / 0 / 20

HEX #A498CD

RGB 164 152 205

HSL 253.58, 0.35%, 0.7%

LAB 65.56, 15.36, -25.58

 

CMYK 32 / 40 / 0 / 47

HEX #5B5086

RGB 91 80 134

HSL 252.22, 0.25%, 0.42%

LAB 37.27, 17.6, -28.67

 

CMYK 36 / 46 / 0 / 55

HEX #4A3E73

RGB 74 62 115

HSL 253.58, 0.3%, 0.35%

LAB 29.76, 18.55, -28.8

 

CMYK 41 / 54 / 0 / 62

HEX #392C60

RGB 57 44 96

HSL 255, 0.37%, 0.27%

LAB 22, 19.72, -29.01

 

CMYK 48 / 66 / 0 / 70

HEX #281A4D

RGB 40 26 77

HSL 256.47, 0.5%, 0.2%

LAB 13.98, 21.14, -29.26

 

CMYK 60 / 86 / 0 / 77

HEX #17083A

RGB 23 8 58

HSL 258, 0.76%, 0.13%

LAB 5.97, 21.84, -28.97

 

CMYK 32 / 40 / 0 / 47

HEX #5B5086

RGB 91 80 134

HSL 252.22, 0.25%, 0.42%

LAB 37.27, 17.6, -28.67

 

CMYK 21 / 40 / 0 / 47

HEX #6A5086

RGB 106 80 134

HSL 268.89, 0.25%, 0.42%

LAB 38.76, 22.32, -26.21

 

CMYK 10 / 40 / 0 / 47

HEX #785086

RGB 120 80 134

HSL 284.44, 0.25%, 0.42%

LAB 40.33, 26.9, -23.65

 

CMYK 0 / 40 / 1 / 47

HEX #865085

RGB 134 80 133

HSL 301.11, 0.25%, 0.42%

LAB 42, 31.35, -20.33

 

CMYK 0 / 40 / 11 / 47

HEX #865077

RGB 134 80 119

HSL 316.67, 0.25%, 0.42%

LAB 41.43, 28.69, -12.64

 

CMYK 32 / 40 / 0 / 47

HEX #5B5086

RGB 91 80 134

HSL 252.22, 0.25%, 0.42%

LAB 37.27, 17.6, -28.67

 

CMYK 40 / 40 / 0 / 47

HEX #505086

RGB 80 80 134

HSL 240, 0.25%, 0.42%

LAB 36.3, 14.34, -30.26

 

CMYK 32 / 40 / 0 / 47

HEX #5B5086

RGB 91 80 134

HSL 252.22, 0.25%, 0.42%

LAB 37.27, 17.6, -28.67

 

CMYK 46 / 58 / 0 / 41

HEX #513F97

RGB 81 63 151

HSL 252.27, 0.41%, 0.42%

LAB 33, 30.63, -45.89

 

CMYK 58 / 73 / 0 / 34

HEX #472EA9

RGB 71 46 169

HSL 252.2, 0.57%, 0.42%

LAB 29.81, 44.26, -62.03

 

CMYK 68 / 85 / 0 / 27

HEX #3C1CBA

RGB 60 28 186

HSL 252.15, 0.74%, 0.42%

LAB 27.67, 56.46, -75.74

 

CMYK 75 / 95 / 0 / 20

HEX #320BCB

RGB 50 11 203

HSL 252.19, 0.9%, 0.42%

LAB 27.38, 65.34, -86.27

 

CMYK 32 / 40 / 0 / 47

HEX #5B5086

RGB 91 80 134

HSL 252.22, 0.25%, 0.42%

LAB 37.27, 17.6, -28.67

 

CMYK 13 / 16 / 0 / 54

HEX #666275

RGB 102 98 117

HSL 252.63, 0.09%, 0.42%

LAB 42.53, 5.72, -10.1

 

CMYK 3 / 0 / 14 / 55

HEX #707363

RGB 112 115 99

HSL 71.25, 0.07%, 0.42%

LAB 47.76, -4.24, 8.47

 

CMYK 8 / 0 / 38 / 48

HEX #7A8452

RGB 122 132 82

HSL 72, 0.23%, 0.42%

LAB 53.22, -12.3, 25.79

 

CMYK 12 / 0 / 57 / 41

HEX #849641

RGB 132 150 65

HSL 72.71, 0.4%, 0.42%

LAB 59.07, -19.5, 41.97

 

CMYK 40 / 27 / 0 / 47

HEX #506286

RGB 80 98 134

HSL 220, 0.25%, 0.42%

LAB 41.47, 2.96, -22.17

 

CMYK 40 / 37 / 0 / 47

HEX #505486

RGB 80 84 134

HSL 235.56, 0.25%, 0.42%

LAB 37.42, 11.77, -28.49

 

CMYK 32 / 40 / 0 / 47

HEX #5B5086

RGB 91 80 134

HSL 252.22, 0.25%, 0.42%

LAB 37.27, 17.6, -28.67

 

CMYK 22 / 40 / 0 / 47

HEX #695086

RGB 105 80 134

HSL 267.78, 0.25%, 0.42%

LAB 38.66, 22, -26.39

 

CMYK 10 / 40 / 0 / 47

HEX #785086

RGB 120 80 134

HSL 284.44, 0.25%, 0.42%

LAB 40.33, 26.9, -23.65

 

CMYK 32 / 40 / 0 / 68

HEX #383152

RGB 56 49 82

HSL 252.73, 0.25%, 0.26%

LAB 22.47, 11.69, -19.03

 

CMYK 31 / 40 / 0 / 58

HEX #4A416C

RGB 74 65 108

HSL 252.56, 0.25%, 0.34%

LAB 30.2, 14.55, -23.67

 

CMYK 32 / 40 / 0 / 47

HEX #5B5086

RGB 91 80 134

HSL 252.22, 0.25%, 0.42%

LAB 37.27, 17.6, -28.67

 

CMYK 32 / 40 / 0 / 37

HEX #6D60A0

RGB 109 96 160

HSL 252.19, 0.25%, 0.5%

LAB 44.45, 20.22, -32.91

 

CMYK 24 / 30 / 0 / 31

HEX #857AAF

RGB 133 122 175

HSL 252.45, 0.25%, 0.58%

LAB 54.03, 15.8, -26.59

 

CMYK 32 / 40 / 0 / 47

HEX #5B5086

RGB 91 80 134

HSL 252.22, 0.25%, 0.42%

LAB 37.27, 17.6, -28.67

 

CMYK 0 / 40 / 16 / 47

HEX #865070

RGB 134 80 112

HSL 324.44, 0.25%, 0.42%

LAB 41.18, 27.45, -8.73

 

CMYK 32 / 0 / 40 / 47

HEX #5B8650

RGB 91 134 80

HSL 107.78, 0.25%, 0.42%

LAB 51.67, -25.83, 24.47

 

CMYK 32 / 40 / 0 / 47

HEX #5B5086

RGB 91 80 134

HSL 252.22, 0.25%, 0.42%

LAB 37.27, 17.6, -28.67

 

CMYK 0 / 32 / 40 / 47

HEX #865B50

RGB 134 91 80

HSL 12.22, 0.25%, 0.42%

LAB 42.96, 16.2, 13.47

 

CMYK 40 / 0 / 32 / 47

HEX #50865B

RGB 80 134 91

HSL 132.22, 0.25%, 0.42%

LAB 51.28, -27.7, 17.67

 

CMYK 32 / 40 / 0 / 47

HEX #5B5086

RGB 91 80 134

HSL 252.22, 0.25%, 0.42%

LAB 37.27, 17.6, -28.67

 

CMYK 0 / 40 / 16 / 47

HEX #865070

RGB 134 80 112

HSL 324.44, 0.25%, 0.42%

LAB 41.18, 27.45, -8.73

 

CMYK 8 / 0 / 40 / 47

HEX #7B8650

RGB 123 134 80

HSL 72.22, 0.25%, 0.42%

LAB 53.86, -13.23, 27.72

 

CMYK 40 / 0 / 24 / 47

HEX #508666

RGB 80 134 102

HSL 144.44, 0.25%, 0.42%

LAB 51.51, -25.5, 11.69

 

CMYK 32 / 40 / 0 / 47

HEX #5B5086

RGB 91 80 134

HSL 252.22, 0.25%, 0.42%

LAB 37.27, 17.6, -28.67

 

CMYK 0 / 40 / 28 / 47

HEX #865060

RGB 134 80 96

HSL 342.22, 0.25%, 0.42%

LAB 40.65, 24.86, 0.39

 

CMYK 8 / 0 / 40 / 47

HEX #7B8650

RGB 123 134 80

HSL 72.22, 0.25%, 0.42%

LAB 53.86, -13.23, 27.72

 

CMYK 40 / 0 / 12 / 47

HEX #508676

RGB 80 134 118

HSL 162.22, 0.25%, 0.42%

LAB 51.91, -21.89, 2.99

 

Description

Color code: HEX #5B5086 | qconv.com Color code: HEX #5B5086 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 80 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 80 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 40 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 40% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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