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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B464F it is the complementary color #A4B9B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B464F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B464F shade: #60464A, #71585D, #826A70, #937C83 and #A48E96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B464F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B464F shade: #5B464F, #4A343C, #392229, #281016 and #170003

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B464F shade: #5C4750, #5C474A and #5C4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B464F shade: #5C4750, #5C4756, #5C475C, #57475C and #51475C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B464F shade matches the following richer shades: #5C4750, #693A4E, #772D4C, #841F4A and #911249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B464F shade: #5C4750, #4F5452, #426154, #356F56 and #277C58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B464F shade: #5C475C, #5C4756, #5C4750, #5C474B and #5C4947

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B464F shade: #2E2328, #45353C, #5C4750, #745964 and #8B6B79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B464F shade: #5B464F, #5C5747 and #47595C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B464F shade: #5B464F, #505C47 and #47505C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B464F shade: #5B464F, #5C5747, #475C53 and #474C5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B464F shade: #5B464F, #5B5C47, #475C53 and #48475C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 13 / 64

HEX #5B464F

RGB 91 70 79

HSL 334.29, 0.13%, 0.32%

LAB 32.19, 10.64, -1.93

 

Complementary color

CMYK 11 / 0 / 5 / 27

HEX #A4B9B0

RGB 164 185 176

HSL 154.29, 0.13%, 0.68%

LAB 73.37, -8.97, 2.11

 

CMYK 0 / 27 / 23 / 62

HEX #60464A

RGB 96 70 74

HSL 350.77, 0.16%, 0.33%

LAB 32.62, 11.83, 1.97

 

CMYK 0 / 22 / 18 / 56

HEX #71585D

RGB 113 88 93

HSL 348, 0.12%, 0.39%

LAB 40.05, 11.15, 1.05

 

CMYK 0 / 18 / 14 / 49

HEX #826A70

RGB 130 106 112

HSL 345, 0.1%, 0.46%

LAB 47.27, 10.58, 0.24

 

CMYK 0 / 16 / 11 / 42

HEX #937C83

RGB 147 124 131

HSL 341.74, 0.1%, 0.53%

LAB 54.3, 10.08, -0.51

 

CMYK 0 / 13 / 9 / 36

HEX #A48E96

RGB 164 142 150

HSL 338.18, 0.11%, 0.6%

LAB 61.17, 9.65, -1.2

 

CMYK 0 / 23 / 13 / 64

HEX #5B464F

RGB 91 70 79

HSL 334.29, 0.13%, 0.32%

LAB 32.19, 10.64, -1.93

 

CMYK 0 / 30 / 19 / 71

HEX #4A343C

RGB 74 52 60

HSL 338.18, 0.17%, 0.25%

LAB 24.44, 11.35, -1.1

 

CMYK 0 / 40 / 28 / 78

HEX #392229

RGB 57 34 41

HSL 341.74, 0.25%, 0.18%

LAB 16.38, 12.25, -0.08

 

CMYK 0 / 60 / 45 / 84

HEX #281016

RGB 40 16 22

HSL 345, 0.43%, 0.11%

LAB 7.95, 13.38, 1.32

 

CMYK 0 / 100 / 87 / 91

HEX #170003

RGB 23 0 3

HSL 352.17, 1%, 0.05%

LAB 1.7, 7.8, 1.46

 

CMYK 0 / 23 / 13 / 64

HEX #5C4750

RGB 92 71 80

HSL 334.29, 0.13%, 0.32%

LAB 32.61, 10.62, -1.93

 

CMYK 0 / 23 / 20 / 64

HEX #5C474A

RGB 92 71 74

HSL 351.43, 0.13%, 0.32%

LAB 32.43, 9.49, 1.63

 

CMYK 0 / 23 / 23 / 64

HEX #5C4747

RGB 92 71 71

HSL 0, 0.13%, 0.32%

LAB 32.34, 8.96, 3.43

 

CMYK 0 / 23 / 13 / 64

HEX #5C4750

RGB 92 71 80

HSL 334.29, 0.13%, 0.32%

LAB 32.61, 10.62, -1.93

 

CMYK 0 / 23 / 7 / 64

HEX #5C4756

RGB 92 71 86

HSL 317.14, 0.13%, 0.32%

LAB 32.82, 11.82, -5.47

 

CMYK 0 / 23 / 0 / 64

HEX #5C475C

RGB 92 71 92

HSL 300, 0.13%, 0.32%

LAB 33.04, 13.09, -8.97

 

CMYK 5 / 23 / 0 / 64

HEX #57475C

RGB 87 71 92

HSL 285.71, 0.13%, 0.32%

LAB 32.49, 11.15, -9.84

 

CMYK 12 / 23 / 0 / 64

HEX #51475C

RGB 81 71 92

HSL 268.57, 0.13%, 0.32%

LAB 31.87, 8.86, -10.84

 

CMYK 0 / 23 / 13 / 64

HEX #5C4750

RGB 92 71 80

HSL 334.29, 0.13%, 0.32%

LAB 32.61, 10.62, -1.93

 

CMYK 0 / 45 / 26 / 59

HEX #693A4E

RGB 105 58 78

HSL 334.47, 0.29%, 0.32%

LAB 30.83, 23.6, -3.09

 

CMYK 0 / 62 / 36 / 53

HEX #772D4C

RGB 119 45 76

HSL 334.86, 0.45%, 0.32%

LAB 30.21, 35.69, -2.46

 

CMYK 0 / 77 / 44 / 48

HEX #841F4A

RGB 132 31 74

HSL 334.46, 0.62%, 0.32%

LAB 30.35, 45.64, -0.65

 

CMYK 0 / 88 / 50 / 43

HEX #911249

RGB 145 18 73

HSL 334.02, 0.78%, 0.32%

LAB 31.65, 52.84, 2.23

 

CMYK 0 / 23 / 13 / 64

HEX #5C4750

RGB 92 71 80

HSL 334.29, 0.13%, 0.32%

LAB 32.61, 10.62, -1.93

 

CMYK 6 / 0 / 2 / 67

HEX #4F5452

RGB 79 84 82

HSL 156, 0.03%, 0.32%

LAB 35.23, -2.43, 0.47

 

CMYK 32 / 0 / 13 / 62

HEX #426154

RGB 66 97 84

HSL 154.84, 0.19%, 0.32%

LAB 38.46, -14.51, 3.79

 

CMYK 52 / 0 / 23 / 56

HEX #356F56

RGB 53 111 86

HSL 154.14, 0.35%, 0.32%

LAB 42.46, -25.5, 8.18

 

CMYK 69 / 0 / 29 / 51

HEX #277C58

RGB 39 124 88

HSL 154.59, 0.52%, 0.32%

LAB 46.38, -34.38, 12.42

 

CMYK 0 / 23 / 0 / 64

HEX #5C475C

RGB 92 71 92

HSL 300, 0.13%, 0.32%

LAB 33.04, 13.09, -8.97

 

CMYK 0 / 23 / 7 / 64

HEX #5C4756

RGB 92 71 86

HSL 317.14, 0.13%, 0.32%

LAB 32.82, 11.82, -5.47

 

CMYK 0 / 23 / 13 / 64

HEX #5C4750

RGB 92 71 80

HSL 334.29, 0.13%, 0.32%

LAB 32.61, 10.62, -1.93

 

CMYK 0 / 23 / 18 / 64

HEX #5C474B

RGB 92 71 75

HSL 348.57, 0.13%, 0.32%

LAB 32.46, 9.68, 1.04

 

CMYK 0 / 21 / 23 / 64

HEX #5C4947

RGB 92 73 71

HSL 5.71, 0.13%, 0.32%

LAB 32.91, 7.7, 4.24

 

CMYK 0 / 24 / 13 / 82

HEX #2E2328

RGB 46 35 40

HSL 332.73, 0.14%, 0.16%

LAB 15.15, 6.28, -1.34

 

CMYK 0 / 23 / 13 / 73

HEX #45353C

RGB 69 53 60

HSL 333.75, 0.13%, 0.24%

LAB 24.12, 8.52, -1.64

 

CMYK 0 / 23 / 13 / 64

HEX #5C4750

RGB 92 71 80

HSL 334.29, 0.13%, 0.32%

LAB 32.61, 10.62, -1.93

 

CMYK 0 / 23 / 14 / 55

HEX #745964

RGB 116 89 100

HSL 335.56, 0.13%, 0.4%

LAB 40.86, 13.02, -2.04

 

CMYK 0 / 23 / 13 / 45

HEX #8B6B79

RGB 139 107 121

HSL 333.75, 0.13%, 0.48%

LAB 48.74, 15.11, -2.87

 

CMYK 0 / 23 / 13 / 64

HEX #5B464F

RGB 91 70 79

HSL 334.29, 0.13%, 0.32%

LAB 32.19, 10.64, -1.93

 

CMYK 0 / 5 / 23 / 64

HEX #5C5747

RGB 92 87 71

HSL 45.71, 0.13%, 0.32%

LAB 37.02, -0.97, 10.04

 

CMYK 23 / 3 / 0 / 64

HEX #47595C

RGB 71 89 92

HSL 188.57, 0.13%, 0.32%

LAB 36.47, -6.13, -4.02

 

CMYK 0 / 23 / 13 / 64

HEX #5B464F

RGB 91 70 79

HSL 334.29, 0.13%, 0.32%

LAB 32.19, 10.64, -1.93

 

CMYK 13 / 0 / 23 / 64

HEX #505C47

RGB 80 92 71

HSL 94.29, 0.13%, 0.32%

LAB 37.51, -9.05, 10.56

 

CMYK 23 / 13 / 0 / 64

HEX #47505C

RGB 71 80 92

HSL 214.29, 0.13%, 0.32%

LAB 33.67, -0.59, -8.22

 

CMYK 0 / 23 / 13 / 64

HEX #5B464F

RGB 91 70 79

HSL 334.29, 0.13%, 0.32%

LAB 32.19, 10.64, -1.93

 

CMYK 0 / 5 / 23 / 64

HEX #5C5747

RGB 92 87 71

HSL 45.71, 0.13%, 0.32%

LAB 37.02, -0.97, 10.04

 

CMYK 23 / 0 / 10 / 64

HEX #475C53

RGB 71 92 83

HSL 154.29, 0.13%, 0.32%

LAB 37.15, -10.09, 2.56

 

CMYK 23 / 17 / 0 / 64

HEX #474C5C

RGB 71 76 92

HSL 225.71, 0.13%, 0.32%

LAB 32.44, 1.93, -10.07

 

CMYK 0 / 23 / 13 / 64

HEX #5B464F

RGB 91 70 79

HSL 334.29, 0.13%, 0.32%

LAB 32.19, 10.64, -1.93

 

CMYK 1 / 0 / 23 / 64

HEX #5B5C47

RGB 91 92 71

HSL 62.86, 0.13%, 0.32%

LAB 38.43, -4.4, 11.99

 

CMYK 23 / 0 / 10 / 64

HEX #475C53

RGB 71 92 83

HSL 154.29, 0.13%, 0.32%

LAB 37.15, -10.09, 2.56

 

CMYK 22 / 23 / 0 / 64

HEX #48475C

RGB 72 71 92

HSL 242.86, 0.13%, 0.32%

LAB 31.01, 5.51, -12.23

 

Description

Color code: HEX #5B464F | qconv.com Color code: HEX #5B464F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 70 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 70 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 13 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 13% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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