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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B457F it is the complementary color #A4BA80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B457F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B457F shade: #60457A, #71578D, #8269A0, #937BB3 and #A48DC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B457F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B457F shade: #5B457F, #4A336C, #392159, #280F46 and #170033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B457F shade: #5A447E, #6A447E, #79447E, #7E4473 and #7E4463

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B457F shade: #5A447E, #4A447E and #44447E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B457F shade matches the following richer shades: #5A447E, #56348E, #52249D, #4F15AD and #4B05BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B457F shade: #5A447E, #5E546E, #61635F, #65734F and #69833F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B457F shade: #444E7E, #4A447E, #59447E, #69447E and #78447E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B457F shade: #342748, #473563, #5A447E, #6D5299 and #8267AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B457F shade: #5B457F, #7E445D and #467E44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B457F shade: #5B457F, #7E5944 and #447E59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B457F shade: #5B457F, #7E445D, #697E44 and #447E65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B457F shade: #5B457F, #7E444C, #697E44 and #447E76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 46 / 0 / 50

HEX #5B457F

RGB 91 69 127

HSL 262.76, 0.3%, 0.38%

LAB 34.01, 22.62, -29.48

 

Complementary color

CMYK 12 / 0 / 31 / 27

HEX #A4BA80

RGB 164 186 128

HSL 82.76, 0.3%, 0.62%

LAB 72.61, -17.62, 26.99

 

CMYK 21 / 43 / 0 / 52

HEX #60457A

RGB 96 69 122

HSL 270.57, 0.28%, 0.37%

LAB 34.29, 22.88, -25.9

 

CMYK 20 / 38 / 0 / 45

HEX #71578D

RGB 113 87 141

HSL 268.89, 0.24%, 0.45%

LAB 41.61, 22.03, -25.97

 

CMYK 19 / 34 / 0 / 37

HEX #8269A0

RGB 130 105 160

HSL 267.27, 0.22%, 0.52%

LAB 48.74, 21.28, -26.06

 

CMYK 18 / 31 / 0 / 30

HEX #937BB3

RGB 147 123 179

HSL 265.71, 0.27%, 0.59%

LAB 55.71, 20.61, -26.19

 

CMYK 17 / 29 / 0 / 22

HEX #A48DC6

RGB 164 141 198

HSL 264.21, 0.33%, 0.66%

LAB 62.52, 20.01, -26.34

 

CMYK 28 / 46 / 0 / 50

HEX #5B457F

RGB 91 69 127

HSL 262.76, 0.3%, 0.38%

LAB 34.01, 22.62, -29.48

 

CMYK 31 / 53 / 0 / 58

HEX #4A336C

RGB 74 51 108

HSL 264.21, 0.36%, 0.31%

LAB 26.47, 23.65, -29.57

 

CMYK 36 / 63 / 0 / 65

HEX #392159

RGB 57 33 89

HSL 265.71, 0.46%, 0.24%

LAB 18.71, 24.81, -29.65

 

CMYK 43 / 79 / 0 / 73

HEX #280F46

RGB 40 15 70

HSL 267.27, 0.65%, 0.17%

LAB 10.81, 25.86, -29.54

 

CMYK 55 / 100 / 0 / 80

HEX #170033

RGB 23 0 51

HSL 267.06, 1%, 0.1%

LAB 3.8, 22.37, -27.34

 

CMYK 29 / 46 / 0 / 51

HEX #5A447E

RGB 90 68 126

HSL 262.76, 0.3%, 0.38%

LAB 33.59, 22.67, -29.53

 

CMYK 16 / 46 / 0 / 51

HEX #6A447E

RGB 106 68 126

HSL 279.31, 0.3%, 0.38%

LAB 35.41, 27.68, -26.54

 

CMYK 4 / 46 / 0 / 51

HEX #79447E

RGB 121 68 126

HSL 294.83, 0.3%, 0.38%

LAB 37.31, 32.5, -23.44

 

CMYK 0 / 46 / 9 / 51

HEX #7E4473

RGB 126 68 115

HSL 311.38, 0.3%, 0.38%

LAB 37.5, 32, -16.27

 

CMYK 0 / 46 / 21 / 51

HEX #7E4463

RGB 126 68 99

HSL 327.93, 0.3%, 0.38%

LAB 36.88, 29.2, -7.19

 

CMYK 29 / 46 / 0 / 51

HEX #5A447E

RGB 90 68 126

HSL 262.76, 0.3%, 0.38%

LAB 33.59, 22.67, -29.53

 

CMYK 41 / 46 / 0 / 51

HEX #4A447E

RGB 74 68 126

HSL 246.21, 0.3%, 0.38%

LAB 32.03, 17.96, -32.11

 

CMYK 46 / 46 / 0 / 51

HEX #44447E

RGB 68 68 126

HSL 240, 0.3%, 0.38%

LAB 31.51, 16.31, -32.96

 

CMYK 29 / 46 / 0 / 51

HEX #5A447E

RGB 90 68 126

HSL 262.76, 0.3%, 0.38%

LAB 33.59, 22.67, -29.53

 

CMYK 39 / 63 / 0 / 44

HEX #56348E

RGB 86 52 142

HSL 262.67, 0.46%, 0.38%

LAB 30.37, 35.77, -44.61

 

CMYK 48 / 77 / 0 / 38

HEX #52249D

RGB 82 36 157

HSL 262.81, 0.63%, 0.38%

LAB 28.09, 47.55, -57.54

 

CMYK 54 / 88 / 0 / 32

HEX #4F15AD

RGB 79 21 173

HSL 262.89, 0.78%, 0.38%

LAB 27.34, 57.11, -68.47

 

CMYK 60 / 97 / 0 / 26

HEX #4B05BD

RGB 75 5 189

HSL 262.83, 0.95%, 0.38%

LAB 27.51, 64.25, -77.74

 

CMYK 29 / 46 / 0 / 51

HEX #5A447E

RGB 90 68 126

HSL 262.76, 0.3%, 0.38%

LAB 33.59, 22.67, -29.53

 

CMYK 15 / 24 / 0 / 57

HEX #5E546E

RGB 94 84 110

HSL 263.08, 0.13%, 0.38%

LAB 37.56, 9.8, -13.39

 

CMYK 2 / 0 / 4 / 61

HEX #61635F

RGB 97 99 95

HSL 90, 0.02%, 0.38%

LAB 41.68, -1.61, 1.99

 

CMYK 12 / 0 / 31 / 55

HEX #65734F

RGB 101 115 79

HSL 83.33, 0.19%, 0.38%

LAB 46.44, -12.11, 18.24

 

CMYK 20 / 0 / 52 / 49

HEX #69833F

RGB 105 131 63

HSL 82.94, 0.35%, 0.38%

LAB 51.38, -21.18, 33.45

 

CMYK 46 / 38 / 0 / 51

HEX #444E7E

RGB 68 78 126

HSL 229.66, 0.3%, 0.38%

LAB 34.36, 9.75, -28.45

 

CMYK 41 / 46 / 0 / 51

HEX #4A447E

RGB 74 68 126

HSL 246.21, 0.3%, 0.38%

LAB 32.03, 17.96, -32.11

 

CMYK 29 / 46 / 0 / 51

HEX #59447E

RGB 89 68 126

HSL 261.72, 0.3%, 0.38%

LAB 33.49, 22.36, -29.7

 

CMYK 17 / 46 / 0 / 51

HEX #69447E

RGB 105 68 126

HSL 278.28, 0.3%, 0.38%

LAB 35.29, 27.36, -26.74

 

CMYK 5 / 46 / 0 / 51

HEX #78447E

RGB 120 68 126

HSL 293.79, 0.3%, 0.38%

LAB 37.18, 32.17, -23.65

 

CMYK 28 / 46 / 0 / 72

HEX #342748

RGB 52 39 72

HSL 263.64, 0.3%, 0.22%

LAB 18.58, 14.25, -18.42

 

CMYK 28 / 46 / 0 / 61

HEX #473563

RGB 71 53 99

HSL 263.48, 0.3%, 0.3%

LAB 26.12, 18.9, -24.34

 

CMYK 29 / 46 / 0 / 51

HEX #5A447E

RGB 90 68 126

HSL 262.76, 0.3%, 0.38%

LAB 33.59, 22.67, -29.53

 

CMYK 29 / 46 / 0 / 40

HEX #6D5299

RGB 109 82 153

HSL 262.82, 0.3%, 0.46%

LAB 40.55, 26.89, -34.89

 

CMYK 25 / 40 / 0 / 32

HEX #8267AD

RGB 130 103 173

HSL 263.14, 0.3%, 0.54%

LAB 48.84, 25.64, -33.53

 

CMYK 28 / 46 / 0 / 50

HEX #5B457F

RGB 91 69 127

HSL 262.76, 0.3%, 0.38%

LAB 34.01, 22.62, -29.48

 

CMYK 0 / 46 / 26 / 51

HEX #7E445D

RGB 126 68 93

HSL 334.14, 0.3%, 0.38%

LAB 36.67, 28.24, -3.72

 

CMYK 44 / 0 / 46 / 51

HEX #467E44

RGB 70 126 68

HSL 117.93, 0.3%, 0.38%

LAB 47.8, -31.14, 25.89

 

CMYK 28 / 46 / 0 / 50

HEX #5B457F

RGB 91 69 127

HSL 262.76, 0.3%, 0.38%

LAB 34.01, 22.62, -29.48

 

CMYK 0 / 29 / 46 / 51

HEX #7E5944

RGB 126 89 68

HSL 21.72, 0.3%, 0.38%

LAB 41.21, 12.45, 18.19

 

CMYK 46 / 0 / 29 / 51

HEX #447E59

RGB 68 126 89

HSL 141.72, 0.3%, 0.38%

LAB 48.1, -27.93, 14.38

 

CMYK 28 / 46 / 0 / 50

HEX #5B457F

RGB 91 69 127

HSL 262.76, 0.3%, 0.38%

LAB 34.01, 22.62, -29.48

 

CMYK 0 / 46 / 26 / 51

HEX #7E445D

RGB 126 68 93

HSL 334.14, 0.3%, 0.38%

LAB 36.67, 28.24, -3.72

 

CMYK 17 / 0 / 46 / 51

HEX #697E44

RGB 105 126 68

HSL 81.72, 0.3%, 0.38%

LAB 49.91, -17.97, 28.99

 

CMYK 46 / 0 / 20 / 51

HEX #447E65

RGB 68 126 101

HSL 154.14, 0.3%, 0.38%

LAB 48.37, -25.3, 7.77

 

CMYK 28 / 46 / 0 / 50

HEX #5B457F

RGB 91 69 127

HSL 262.76, 0.3%, 0.38%

LAB 34.01, 22.62, -29.48

 

CMYK 0 / 46 / 40 / 51

HEX #7E444C

RGB 126 68 76

HSL 351.72, 0.3%, 0.38%

LAB 36.16, 25.84, 6.3

 

CMYK 17 / 0 / 46 / 51

HEX #697E44

RGB 105 126 68

HSL 81.72, 0.3%, 0.38%

LAB 49.91, -17.97, 28.99

 

CMYK 46 / 0 / 6 / 51

HEX #447E76

RGB 68 126 118

HSL 171.72, 0.3%, 0.38%

LAB 48.83, -21.08, -1.56

 

Description

Color code: HEX #5B457F | qconv.com Color code: HEX #5B457F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 69 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 69 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 46 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 46% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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