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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B43AE it is the complementary color #A4BC51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B43AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B43AE shade: #6043A9, #7155BC, #8267CF, #9379E2 and #A48BF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B43AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B43AE shade: #5B43AE, #4A319B, #391F88, #280D75 and #170062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B43AE shade: #5B43AD, #7743AD, #9443AD, #AD43A9 and #AD438D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B43AE shade: #5B43AD and #4343AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B43AE shade matches the following richer shades: #5B43AD, #5030C0, #451CD3 and #3B09E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B43AE shade: #5B43AD, #655799, #706A86, #7B7D72 and #86915F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B43AE shade: #4365AD, #4348AD, #5A43AD, #7643AD and #9243AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B43AE shade: #3C2C71, #4B388F, #5B43AD, #715ABF and #8A78CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B43AE shade: #5B43AE, #AD4381 and #56AD43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B43AE shade: #5B43AE, #AD5A43 and #43AD5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B43AE shade: #5B43AE, #AD4381, #96AD43 and #43AD6F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B43AE shade: #5B43AE, #AD4361, #96AD43 and #43AD8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 61 / 0 / 32

HEX #5B43AE

RGB 91 67 174

HSL 253.46, 0.44%, 0.47%

LAB 36.55, 37.33, -53.95

 

Complementary color

CMYK 13 / 0 / 57 / 26

HEX #A4BC51

RGB 164 188 81

HSL 73.46, 0.44%, 0.53%

LAB 72.53, -23.97, 50.43

 

CMYK 43 / 60 / 0 / 34

HEX #6043A9

RGB 96 67 169

HSL 257.06, 0.43%, 0.46%

LAB 36.68, 36.95, -50.73

 

CMYK 40 / 55 / 0 / 26

HEX #7155BC

RGB 113 85 188

HSL 256.31, 0.43%, 0.54%

LAB 43.71, 35.68, -50.53

 

CMYK 37 / 50 / 0 / 19

HEX #8267CF

RGB 130 103 207

HSL 255.58, 0.52%, 0.61%

LAB 50.63, 34.52, -50.31

 

CMYK 35 / 46 / 0 / 11

HEX #9379E2

RGB 147 121 226

HSL 254.86, 0.64%, 0.68%

LAB 57.43, 33.47, -50.12

 

CMYK 33 / 43 / 0 / 4

HEX #A48BF5

RGB 164 139 245

HSL 254.15, 0.84%, 0.75%

LAB 64.12, 32.52, -49.96

 

CMYK 48 / 61 / 0 / 32

HEX #5B43AE

RGB 91 67 174

HSL 253.46, 0.44%, 0.47%

LAB 36.55, 37.33, -53.95

 

CMYK 52 / 68 / 0 / 39

HEX #4A319B

RGB 74 49 155

HSL 254.15, 0.52%, 0.4%

LAB 29.46, 38.82, -54.11

 

CMYK 58 / 77 / 0 / 47

HEX #391F88

RGB 57 31 136

HSL 254.86, 0.63%, 0.33%

LAB 22.4, 40.22, -54.01

 

CMYK 66 / 89 / 0 / 54

HEX #280D75

RGB 40 13 117

HSL 255.58, 0.8%, 0.25%

LAB 15.61, 40.94, -53.19

 

CMYK 77 / 100 / 0 / 62

HEX #170062

RGB 23 0 98

HSL 254.08, 1%, 0.19%

LAB 9.51, 39.87, -50.89

 

CMYK 47 / 61 / 0 / 32

HEX #5B43AD

RGB 91 67 173

HSL 253.58, 0.44%, 0.47%

LAB 36.47, 37.03, -53.47

 

CMYK 31 / 61 / 0 / 32

HEX #7743AD

RGB 119 67 173

HSL 269.43, 0.44%, 0.47%

LAB 39.5, 43.35, -48.43

 

CMYK 14 / 61 / 0 / 32

HEX #9443AD

RGB 148 67 173

HSL 285.85, 0.44%, 0.47%

LAB 43.25, 50.49, -42.22

 

CMYK 0 / 61 / 2 / 32

HEX #AD43A9

RGB 173 67 169

HSL 302.26, 0.44%, 0.47%

LAB 46.66, 56.14, -34.22

 

CMYK 0 / 61 / 18 / 32

HEX #AD438D

RGB 173 67 141

HSL 318.11, 0.44%, 0.47%

LAB 45.39, 51.63, -19.49

 

CMYK 47 / 61 / 0 / 32

HEX #5B43AD

RGB 91 67 173

HSL 253.58, 0.44%, 0.47%

LAB 36.47, 37.03, -53.47

 

CMYK 61 / 61 / 0 / 32

HEX #4343AD

RGB 67 67 173

HSL 240, 0.44%, 0.47%

LAB 34.45, 32.44, -56.85

 

CMYK 47 / 61 / 0 / 32

HEX #5B43AD

RGB 91 67 173

HSL 253.58, 0.44%, 0.47%

LAB 36.47, 37.03, -53.47

 

CMYK 58 / 75 / 0 / 25

HEX #5030C0

RGB 80 48 192

HSL 253.33, 0.6%, 0.47%

LAB 33.19, 51.27, -70.11

 

CMYK 67 / 87 / 0 / 17

HEX #451CD3

RGB 69 28 211

HSL 253.44, 0.77%, 0.47%

LAB 31.34, 63.87, -84.29

 

CMYK 74 / 96 / 0 / 9

HEX #3B09E7

RGB 59 9 231

HSL 253.51, 0.93%, 0.47%

LAB 31.57, 72.91, -95.46

 

CMYK 47 / 61 / 0 / 32

HEX #5B43AD

RGB 91 67 173

HSL 253.58, 0.44%, 0.47%

LAB 36.47, 37.03, -53.47

 

CMYK 34 / 43 / 0 / 40

HEX #655799

RGB 101 87 153

HSL 252.73, 0.28%, 0.47%

LAB 41.03, 21.5, -34.18

 

CMYK 16 / 21 / 0 / 47

HEX #706A86

RGB 112 106 134

HSL 252.86, 0.12%, 0.47%

LAB 46.28, 8.44, -14.59

 

CMYK 2 / 0 / 9 / 51

HEX #7B7D72

RGB 123 125 114

HSL 70.91, 0.05%, 0.47%

LAB 51.94, -2.88, 5.73

 

CMYK 8 / 0 / 34 / 43

HEX #86915F

RGB 134 145 95

HSL 73.2, 0.21%, 0.47%

LAB 58.17, -12.62, 25.26

 

CMYK 61 / 42 / 0 / 32

HEX #4365AD

RGB 67 101 173

HSL 220.75, 0.44%, 0.47%

LAB 43.53, 10.63, -42.22

 

CMYK 61 / 58 / 0 / 32

HEX #4348AD

RGB 67 72 173

HSL 237.17, 0.44%, 0.47%

LAB 35.68, 29.27, -54.84

 

CMYK 48 / 61 / 0 / 32

HEX #5A43AD

RGB 90 67 173

HSL 253.02, 0.44%, 0.47%

LAB 36.38, 36.82, -53.63

 

CMYK 32 / 61 / 0 / 32

HEX #7643AD

RGB 118 67 173

HSL 268.87, 0.44%, 0.47%

LAB 39.38, 43.11, -48.63

 

CMYK 16 / 61 / 0 / 32

HEX #9243AD

RGB 146 67 173

HSL 284.72, 0.44%, 0.47%

LAB 42.98, 49.99, -42.67

 

CMYK 47 / 61 / 0 / 56

HEX #3C2C71

RGB 60 44 113

HSL 253.91, 0.44%, 0.31%

LAB 23.52, 25.88, -37.59

 

CMYK 48 / 61 / 0 / 44

HEX #4B388F

RGB 75 56 143

HSL 253.1, 0.44%, 0.39%

LAB 30.18, 31.15, -45.6

 

CMYK 47 / 61 / 0 / 32

HEX #5B43AD

RGB 91 67 173

HSL 253.58, 0.44%, 0.47%

LAB 36.47, 37.03, -53.47

 

CMYK 41 / 53 / 0 / 25

HEX #715ABF

RGB 113 90 191

HSL 253.66, 0.44%, 0.55%

LAB 45.06, 33.56, -50.11

 

CMYK 32 / 41 / 0 / 21

HEX #8A78CA

RGB 138 120 202

HSL 253.17, 0.44%, 0.63%

LAB 55.18, 25.34, -40.21

 

CMYK 48 / 61 / 0 / 32

HEX #5B43AE

RGB 91 67 174

HSL 253.46, 0.44%, 0.47%

LAB 36.55, 37.33, -53.95

 

CMYK 0 / 61 / 25 / 32

HEX #AD4381

RGB 173 67 129

HSL 324.91, 0.44%, 0.47%

LAB 44.92, 49.91, -12.93

 

CMYK 50 / 0 / 61 / 32

HEX #56AD43

RGB 86 173 67

HSL 109.25, 0.44%, 0.47%

LAB 63.57, -46.58, 45.48

 

CMYK 48 / 61 / 0 / 32

HEX #5B43AE

RGB 91 67 174

HSL 253.46, 0.44%, 0.47%

LAB 36.55, 37.33, -53.95

 

CMYK 0 / 48 / 61 / 32

HEX #AD5A43

RGB 173 90 67

HSL 13.02, 0.44%, 0.47%

LAB 47.75, 31.74, 28.45

 

CMYK 61 / 0 / 48 / 32

HEX #43AD5A

RGB 67 173 90

HSL 133.02, 0.44%, 0.47%

LAB 63.19, -48.46, 33.69

 

CMYK 48 / 61 / 0 / 32

HEX #5B43AE

RGB 91 67 174

HSL 253.46, 0.44%, 0.47%

LAB 36.55, 37.33, -53.95

 

CMYK 0 / 61 / 25 / 32

HEX #AD4381

RGB 173 67 129

HSL 324.91, 0.44%, 0.47%

LAB 44.92, 49.91, -12.93

 

CMYK 13 / 0 / 61 / 32

HEX #96AD43

RGB 150 173 67

HSL 73.02, 0.44%, 0.47%

LAB 67.11, -23.43, 50.41

 

CMYK 61 / 0 / 36 / 32

HEX #43AD6F

RGB 67 173 111

HSL 144.91, 0.44%, 0.47%

LAB 63.53, -44.78, 23.06

 

CMYK 48 / 61 / 0 / 32

HEX #5B43AE

RGB 91 67 174

HSL 253.46, 0.44%, 0.47%

LAB 36.55, 37.33, -53.95

 

CMYK 0 / 61 / 44 / 32

HEX #AD4361

RGB 173 67 97

HSL 343.02, 0.44%, 0.47%

LAB 43.89, 46.03, 5.19

 

CMYK 13 / 0 / 61 / 32

HEX #96AD43

RGB 150 173 67

HSL 73.02, 0.44%, 0.47%

LAB 67.11, -23.43, 50.41

 

CMYK 61 / 0 / 17 / 32

HEX #43AD8F

RGB 67 173 143

HSL 163.02, 0.44%, 0.47%

LAB 64.21, -37.75, 6.45

 

Description

Color code: HEX #5B43AE | qconv.com Color code: HEX #5B43AE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 67 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 67 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 61 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 61% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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