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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B4349 it is the complementary color #A4BCB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B4349. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B4349 shade: #604344, #715557, #82676A, #93797D and #A48B90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B4349. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B4349 shade: #5B4349, #4A3136, #391F23, #280D10 and #170000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B4349 shade: #5B4349 and #5B4343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B4349 shade: #5B4349, #5B4350, #5B4356, #5A435B and #53435B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B4349 shade matches the following richer shades: #5B4349, #683643, #742A3C, #811D36 and #8E1030

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B4349 shade: #5B4349, #4E5050, #415D56, #356A5C and #287663

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B4349 shade: #5B4356, #5B434F, #5B4349, #5B4443 and #5B4A43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B4349 shade: #2B2023, #433236, #5B4349, #73555C and #8A666F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B4349 shade: #5B4349, #5B5A43 and #43535B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B4349 shade: #5B4349, #495B43 and #43495B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B4349 shade: #5B4349, #5B5A43, #435B55 and #43445B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B4349 shade: #5B4349, #555B43, #435B55 and #49435B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 20 / 64

HEX #5B4349

RGB 91 67 73

HSL 345, 0.15%, 0.31%

LAB 31.16, 11.41, 0.42

 

Complementary color

CMYK 13 / 0 / 3 / 26

HEX #A4BCB6

RGB 164 188 182

HSL 165, 0.15%, 0.69%

LAB 74.34, -9.36, 0.26

 

CMYK 0 / 30 / 29 / 62

HEX #604344

RGB 96 67 68

HSL 357.93, 0.18%, 0.32%

LAB 31.62, 12.71, 4.39

 

CMYK 0 / 25 / 23 / 56

HEX #715557

RGB 113 85 87

HSL 355.71, 0.14%, 0.39%

LAB 39.06, 11.94, 3.34

 

CMYK 0 / 21 / 18 / 49

HEX #82676A

RGB 130 103 106

HSL 353.33, 0.12%, 0.46%

LAB 46.29, 11.3, 2.42

 

CMYK 0 / 18 / 15 / 42

HEX #93797D

RGB 147 121 125

HSL 350.77, 0.11%, 0.53%

LAB 53.34, 10.75, 1.6

 

CMYK 0 / 15 / 12 / 36

HEX #A48B90

RGB 164 139 144

HSL 348, 0.12%, 0.59%

LAB 60.22, 10.28, 0.84

 

CMYK 0 / 26 / 20 / 64

HEX #5B4349

RGB 91 67 73

HSL 345, 0.15%, 0.31%

LAB 31.16, 11.41, 0.42

 

CMYK 0 / 34 / 27 / 71

HEX #4A3136

RGB 74 49 54

HSL 348, 0.2%, 0.24%

LAB 23.4, 12.22, 1.42

 

CMYK 0 / 46 / 39 / 78

HEX #391F23

RGB 57 31 35

HSL 350.77, 0.3%, 0.17%

LAB 15.34, 13.25, 2.7

 

CMYK 0 / 68 / 60 / 84

HEX #280D10

RGB 40 13 16

HSL 353.33, 0.51%, 0.1%

LAB 7.01, 14.33, 3.77

 

CMYK 0 / 100 / 100 / 91

HEX #170000

RGB 23 0 0

HSL 0, 1%, 0.05%

LAB 1.65, 7.38, 2.6

 

CMYK 0 / 26 / 20 / 64

HEX #5B4349

RGB 91 67 73

HSL 345, 0.15%, 0.31%

LAB 31.16, 11.41, 0.42

 

CMYK 0 / 26 / 26 / 64

HEX #5B4343

RGB 91 67 67

HSL 0, 0.15%, 0.31%

LAB 30.98, 10.36, 4.03

 

CMYK 0 / 26 / 20 / 64

HEX #5B4349

RGB 91 67 73

HSL 345, 0.15%, 0.31%

LAB 31.16, 11.41, 0.42

 

CMYK 0 / 26 / 12 / 64

HEX #5B4350

RGB 91 67 80

HSL 327.5, 0.15%, 0.31%

LAB 31.39, 12.74, -3.76

 

CMYK 0 / 26 / 5 / 64

HEX #5B4356

RGB 91 67 86

HSL 312.5, 0.15%, 0.31%

LAB 31.6, 13.95, -7.3

 

CMYK 1 / 26 / 0 / 64

HEX #5A435B

RGB 90 67 91

HSL 297.5, 0.15%, 0.31%

LAB 31.68, 14.63, -10.41

 

CMYK 9 / 26 / 0 / 64

HEX #53435B

RGB 83 67 91

HSL 280, 0.15%, 0.31%

LAB 30.9, 11.95, -11.66

 

CMYK 0 / 26 / 20 / 64

HEX #5B4349

RGB 91 67 73

HSL 345, 0.15%, 0.31%

LAB 31.16, 11.41, 0.42

 

CMYK 0 / 48 / 36 / 59

HEX #683643

RGB 104 54 67

HSL 344.4, 0.32%, 0.31%

LAB 29.38, 23.9, 1.95

 

CMYK 0 / 64 / 48 / 55

HEX #742A3C

RGB 116 42 60

HSL 345.41, 0.47%, 0.31%

LAB 28.63, 34.22, 5.77

 

CMYK 0 / 78 / 58 / 49

HEX #811D36

RGB 129 29 54

HSL 345, 0.63%, 0.31%

LAB 28.93, 43.6, 10.56

 

CMYK 0 / 89 / 66 / 44

HEX #8E1030

RGB 142 16 48

HSL 344.76, 0.8%, 0.31%

LAB 30.24, 50.63, 16.79

 

CMYK 0 / 26 / 20 / 64

HEX #5B4349

RGB 91 67 73

HSL 345, 0.15%, 0.31%

LAB 31.16, 11.41, 0.42

 

CMYK 2 / 0 / 0 / 69

HEX #4E5050

RGB 78 80 80

HSL 180, 0.01%, 0.31%

LAB 33.85, -0.81, -0.29

 

CMYK 30 / 0 / 8 / 64

HEX #415D56

RGB 65 93 86

HSL 165, 0.18%, 0.31%

LAB 37.16, -12.1, 0.67

 

CMYK 50 / 0 / 13 / 58

HEX #356A5C

RGB 53 106 92

HSL 164.15, 0.33%, 0.31%

LAB 40.96, -21.44, 2.42

 

CMYK 66 / 0 / 16 / 54

HEX #287663

RGB 40 118 99

HSL 165.38, 0.49%, 0.31%

LAB 44.67, -28.62, 3.52

 

CMYK 0 / 26 / 5 / 64

HEX #5B4356

RGB 91 67 86

HSL 312.5, 0.15%, 0.31%

LAB 31.6, 13.95, -7.3

 

CMYK 0 / 26 / 13 / 64

HEX #5B434F

RGB 91 67 79

HSL 330, 0.15%, 0.31%

LAB 31.35, 12.54, -3.17

 

CMYK 0 / 26 / 20 / 64

HEX #5B4349

RGB 91 67 73

HSL 345, 0.15%, 0.31%

LAB 31.16, 11.41, 0.42

 

CMYK 0 / 25 / 26 / 64

HEX #5B4443

RGB 91 68 67

HSL 2.5, 0.15%, 0.31%

LAB 31.26, 9.73, 4.44

 

CMYK 0 / 19 / 26 / 64

HEX #5B4A43

RGB 91 74 67

HSL 17.5, 0.15%, 0.31%

LAB 32.98, 5.95, 6.87

 

CMYK 0 / 26 / 19 / 83

HEX #2B2023

RGB 43 32 35

HSL 343.64, 0.15%, 0.15%

LAB 13.64, 5.92, -0

 

CMYK 0 / 25 / 19 / 74

HEX #433236

RGB 67 50 54

HSL 345.88, 0.15%, 0.23%

LAB 22.8, 8.43, 0.43

 

CMYK 0 / 26 / 20 / 64

HEX #5B4349

RGB 91 67 73

HSL 345, 0.15%, 0.31%

LAB 31.16, 11.41, 0.42

 

CMYK 0 / 26 / 20 / 55

HEX #73555C

RGB 115 85 92

HSL 346, 0.15%, 0.39%

LAB 39.44, 13.62, 0.81

 

CMYK 0 / 26 / 20 / 46

HEX #8A666F

RGB 138 102 111

HSL 345, 0.15%, 0.47%

LAB 47.04, 15.93, 0.62

 

CMYK 0 / 26 / 20 / 64

HEX #5B4349

RGB 91 67 73

HSL 345, 0.15%, 0.31%

LAB 31.16, 11.41, 0.42

 

CMYK 0 / 1 / 26 / 64

HEX #5B5A43

RGB 91 90 67

HSL 57.5, 0.15%, 0.31%

LAB 37.74, -3.87, 13.47

 

CMYK 26 / 9 / 0 / 64

HEX #43535B

RGB 67 83 91

HSL 200, 0.15%, 0.31%

LAB 34.26, -4.15, -6.72

 

CMYK 0 / 26 / 20 / 64

HEX #5B4349

RGB 91 67 73

HSL 345, 0.15%, 0.31%

LAB 31.16, 11.41, 0.42

 

CMYK 20 / 0 / 26 / 64

HEX #495B43

RGB 73 91 67

HSL 105, 0.15%, 0.31%

LAB 36.56, -12.09, 11.62

 

CMYK 26 / 20 / 0 / 64

HEX #43495B

RGB 67 73 91

HSL 225, 0.15%, 0.31%

LAB 31.15, 2.15, -11.43

 

CMYK 0 / 26 / 20 / 64

HEX #5B4349

RGB 91 67 73

HSL 345, 0.15%, 0.31%

LAB 31.16, 11.41, 0.42

 

CMYK 0 / 1 / 26 / 64

HEX #5B5A43

RGB 91 90 67

HSL 57.5, 0.15%, 0.31%

LAB 37.74, -3.87, 13.47

 

CMYK 26 / 0 / 7 / 64

HEX #435B55

RGB 67 91 85

HSL 165, 0.15%, 0.31%

LAB 36.61, -10.48, 0.51

 

CMYK 26 / 25 / 0 / 64

HEX #43445B

RGB 67 68 91

HSL 237.5, 0.15%, 0.31%

LAB 29.62, 5.39, -13.76

 

CMYK 0 / 26 / 20 / 64

HEX #5B4349

RGB 91 67 73

HSL 345, 0.15%, 0.31%

LAB 31.16, 11.41, 0.42

 

CMYK 7 / 0 / 26 / 64

HEX #555B43

RGB 85 91 67

HSL 75, 0.15%, 0.31%

LAB 37.52, -7.07, 13.08

 

CMYK 26 / 0 / 7 / 64

HEX #435B55

RGB 67 91 85

HSL 165, 0.15%, 0.31%

LAB 36.61, -10.48, 0.51

 

CMYK 20 / 26 / 0 / 64

HEX #49435B

RGB 73 67 91

HSL 255, 0.15%, 0.31%

LAB 29.88, 8.21, -13.31

 

Description

Color code: HEX #5B4349 | qconv.com Color code: HEX #5B4349 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 67 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 67 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 20 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 20% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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