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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B4296 it is the complementary color #A4BD69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B4296. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B4296 shade: #604291, #7154A4, #8266B7, #9378CA and #A48ADD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B4296. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B4296 shade: #5B4296, #4A3083, #391E70, #280C5D and #17004A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B4296 shade: #5A4195, #714195, #874195, #95418C and #954175

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B4296 shade: #5A4195, #444195 and #414195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B4296 shade matches the following richer shades: #5A4195, #5330A6, #4C1FB8 and #450DC9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B4296 shade: #5A4195, #615384, #686472, #6F7561 and #768750

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B4296 shade: #415695, #434195, #594195, #6F4195 and #864195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B4296 shade: #37285C, #493578, #5A4195, #6C4EB1 and #846BBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B4296 shade: #5B4296, #95416C and #4B9541

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B4296 shade: #5B4296, #955941 and #419559

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B4296 shade: #5B4296, #95416C, #7D9541 and #41956A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B4296 shade: #5B4296, #954153, #7D9541 and #419583

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 56 / 0 / 41

HEX #5B4296

RGB 91 66 150

HSL 257.86, 0.39%, 0.42%

LAB 34.65, 30.9, -42.59

 

Complementary color

CMYK 13 / 0 / 44 / 26

HEX #A4BD69

RGB 164 189 105

HSL 77.86, 0.39%, 0.58%

LAB 73.09, -22.07, 39.53

 

CMYK 34 / 54 / 0 / 43

HEX #604291

RGB 96 66 145

HSL 262.78, 0.37%, 0.41%

LAB 34.86, 30.8, -39.18

 

CMYK 31 / 49 / 0 / 36

HEX #7154A4

RGB 113 84 164

HSL 261.75, 0.32%, 0.49%

LAB 42.05, 29.73, -39.05

 

CMYK 29 / 44 / 0 / 28

HEX #8266B7

RGB 130 102 183

HSL 260.74, 0.36%, 0.56%

LAB 49.09, 28.76, -38.95

 

CMYK 27 / 41 / 0 / 21

HEX #9378CA

RGB 147 120 202

HSL 259.76, 0.44%, 0.63%

LAB 55.99, 27.89, -38.88

 

CMYK 26 / 38 / 0 / 13

HEX #A48ADD

RGB 164 138 221

HSL 258.8, 0.55%, 0.7%

LAB 62.75, 27.11, -38.84

 

CMYK 39 / 56 / 0 / 41

HEX #5B4296

RGB 91 66 150

HSL 257.86, 0.39%, 0.42%

LAB 34.65, 30.9, -42.59

 

CMYK 44 / 63 / 0 / 49

HEX #4A3083

RGB 74 48 131

HSL 258.8, 0.46%, 0.35%

LAB 27.32, 32.19, -42.77

 

CMYK 49 / 73 / 0 / 56

HEX #391E70

RGB 57 30 112

HSL 259.76, 0.58%, 0.28%

LAB 19.92, 33.48, -42.81

 

CMYK 57 / 87 / 0 / 64

HEX #280C5D

RGB 40 12 93

HSL 260.74, 0.77%, 0.21%

LAB 12.64, 34.27, -42.31

 

CMYK 69 / 100 / 0 / 71

HEX #17004A

RGB 23 0 74

HSL 258.65, 1%, 0.15%

LAB 6.11, 32.55, -40.14

 

CMYK 40 / 56 / 0 / 42

HEX #5A4195

RGB 90 65 149

HSL 257.86, 0.39%, 0.42%

LAB 34.24, 30.97, -42.64

 

CMYK 24 / 56 / 0 / 42

HEX #714195

RGB 113 65 149

HSL 274.29, 0.39%, 0.42%

LAB 36.86, 37.01, -38.3

 

CMYK 9 / 56 / 0 / 42

HEX #874195

RGB 135 65 149

HSL 290, 0.39%, 0.42%

LAB 39.75, 43.09, -33.53

 

CMYK 0 / 56 / 6 / 42

HEX #95418C

RGB 149 65 140

HSL 306.43, 0.39%, 0.42%

LAB 41.32, 45.39, -25.48

 

CMYK 0 / 56 / 21 / 42

HEX #954175

RGB 149 65 117

HSL 322.86, 0.39%, 0.42%

LAB 40.34, 41.6, -12.88

 

CMYK 40 / 56 / 0 / 42

HEX #5A4195

RGB 90 65 149

HSL 257.86, 0.39%, 0.42%

LAB 34.24, 30.97, -42.64

 

CMYK 54 / 56 / 0 / 42

HEX #444195

RGB 68 65 149

HSL 242.14, 0.39%, 0.42%

LAB 32.21, 25.84, -46.01

 

CMYK 56 / 56 / 0 / 42

HEX #414195

RGB 65 65 149

HSL 240, 0.39%, 0.42%

LAB 31.98, 25.21, -46.4

 

CMYK 40 / 56 / 0 / 42

HEX #5A4195

RGB 90 65 149

HSL 257.86, 0.39%, 0.42%

LAB 34.24, 30.97, -42.64

 

CMYK 50 / 71 / 0 / 35

HEX #5330A6

RGB 83 48 166

HSL 257.8, 0.55%, 0.42%

LAB 31.13, 44.21, -58.01

 

CMYK 59 / 83 / 0 / 28

HEX #4C1FB8

RGB 76 31 184

HSL 257.65, 0.71%, 0.42%

LAB 29.35, 56.19, -71.72

 

CMYK 66 / 94 / 0 / 21

HEX #450DC9

RGB 69 13 201

HSL 257.87, 0.88%, 0.42%

LAB 28.82, 65.33, -82.65

 

CMYK 40 / 56 / 0 / 42

HEX #5A4195

RGB 90 65 149

HSL 257.86, 0.39%, 0.42%

LAB 34.24, 30.97, -42.64

 

CMYK 27 / 37 / 0 / 48

HEX #615384

RGB 97 83 132

HSL 257.14, 0.23%, 0.42%

LAB 38.54, 17.05, -25.41

 

CMYK 9 / 12 / 0 / 55

HEX #686472

RGB 104 100 114

HSL 257.14, 0.07%, 0.42%

LAB 43.17, 4.56, -7.3

 

CMYK 5 / 0 / 17 / 54

HEX #6F7561

RGB 111 117 97

HSL 78, 0.09%, 0.42%

LAB 48.22, -6.15, 10.28

 

CMYK 13 / 0 / 41 / 47

HEX #768750

RGB 118 135 80

HSL 78.55, 0.26%, 0.42%

LAB 53.77, -15.83, 27.53

 

CMYK 56 / 42 / 0 / 42

HEX #415695

RGB 65 86 149

HSL 225, 0.39%, 0.42%

LAB 37.75, 11.48, -37.15

 

CMYK 55 / 56 / 0 / 42

HEX #434195

RGB 67 65 149

HSL 241.43, 0.39%, 0.42%

LAB 32.13, 25.63, -46.14

 

CMYK 40 / 56 / 0 / 42

HEX #594195

RGB 89 65 149

HSL 257.14, 0.39%, 0.42%

LAB 34.14, 30.72, -42.81

 

CMYK 26 / 56 / 0 / 42

HEX #6F4195

RGB 111 65 149

HSL 272.86, 0.39%, 0.42%

LAB 36.61, 36.47, -38.71

 

CMYK 10 / 56 / 0 / 42

HEX #864195

RGB 134 65 149

HSL 289.29, 0.39%, 0.42%

LAB 39.61, 42.81, -33.76

 

CMYK 40 / 57 / 0 / 64

HEX #37285C

RGB 55 40 92

HSL 257.31, 0.39%, 0.26%

LAB 20.45, 20.58, -28.87

 

CMYK 39 / 56 / 0 / 53

HEX #493578

RGB 73 53 120

HSL 257.91, 0.39%, 0.34%

LAB 27.62, 25.57, -35.37

 

CMYK 40 / 56 / 0 / 42

HEX #5A4195

RGB 90 65 149

HSL 257.86, 0.39%, 0.42%

LAB 34.24, 30.97, -42.64

 

CMYK 39 / 56 / 0 / 31

HEX #6C4EB1

RGB 108 78 177

HSL 258.18, 0.39%, 0.5%

LAB 40.91, 35.53, -48.59

 

CMYK 31 / 44 / 0 / 25

HEX #846BBE

RGB 132 107 190

HSL 258.07, 0.39%, 0.58%

LAB 50.85, 28.18, -40.21

 

CMYK 39 / 56 / 0 / 41

HEX #5B4296

RGB 91 66 150

HSL 257.86, 0.39%, 0.42%

LAB 34.65, 30.9, -42.59

 

CMYK 0 / 56 / 28 / 42

HEX #95416C

RGB 149 65 108

HSL 329.29, 0.39%, 0.42%

LAB 40, 40.27, -7.79

 

CMYK 50 / 0 / 56 / 42

HEX #4B9541

RGB 75 149 65

HSL 112.86, 0.39%, 0.42%

LAB 55.45, -40.19, 36.91

 

CMYK 39 / 56 / 0 / 41

HEX #5B4296

RGB 91 66 150

HSL 257.86, 0.39%, 0.42%

LAB 34.65, 30.9, -42.59

 

CMYK 0 / 40 / 56 / 42

HEX #955941

RGB 149 89 65

HSL 17.14, 0.39%, 0.42%

LAB 44.11, 22.17, 24.31

 

CMYK 56 / 0 / 40 / 42

HEX #419559

RGB 65 149 89

HSL 137.14, 0.39%, 0.42%

LAB 55.42, -39.27, 24.2

 

CMYK 39 / 56 / 0 / 41

HEX #5B4296

RGB 91 66 150

HSL 257.86, 0.39%, 0.42%

LAB 34.65, 30.9, -42.59

 

CMYK 0 / 56 / 28 / 42

HEX #95416C

RGB 149 65 108

HSL 329.29, 0.39%, 0.42%

LAB 40, 40.27, -7.79

 

CMYK 16 / 0 / 56 / 42

HEX #7D9541

RGB 125 149 65

HSL 77.14, 0.39%, 0.42%

LAB 58.26, -21.91, 40.91

 

CMYK 56 / 0 / 29 / 42

HEX #41956A

RGB 65 149 106

HSL 149.29, 0.39%, 0.42%

LAB 55.75, -35.91, 15.2

 

CMYK 39 / 56 / 0 / 41

HEX #5B4296

RGB 91 66 150

HSL 257.86, 0.39%, 0.42%

LAB 34.65, 30.9, -42.59

 

CMYK 0 / 56 / 44 / 42

HEX #954153

RGB 149 65 83

HSL 347.14, 0.39%, 0.42%

LAB 39.23, 37.12, 6.73

 

CMYK 16 / 0 / 56 / 42

HEX #7D9541

RGB 125 149 65

HSL 77.14, 0.39%, 0.42%

LAB 58.26, -21.91, 40.91

 

CMYK 56 / 0 / 12 / 42

HEX #419583

RGB 65 149 131

HSL 167.14, 0.39%, 0.42%

LAB 56.34, -29.98, 1.84

 

Description

Color code: HEX #5B4296 | qconv.com Color code: HEX #5B4296 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 66 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 66 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 56 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 56% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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