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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B40C8 it is the complementary color #A4BF37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B40C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B40C8 shade: #6040C3, #7152D6, #8264E9, #9376FC and #A488FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B40C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B40C8 shade: #5B40C8, #4A2EB5, #391CA2, #280A8F and #17007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B40C8 shade: #5C41C8, #8041C8, #A541C8, #C841C7 and #C841A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B40C8 shade: #5C41C8 and #4141C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B40C8 shade matches the following richer shades: #5C41C8, #502DDC and #441AF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B40C8 shade: #5C41C8, #6855B4, #7469A0, #807D8D and #8C9079

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B40C8 shade: #4170C8, #414DC8, #5A41C8, #7E41C8 and #A241C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B40C8 shade: #3D298E, #4B32AE, #5C41C8, #7761D1 and #9381DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B40C8 shade: #5B40C8, #C84194 and #5EC841

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B40C8 shade: #5B40C8, #C85A41 and #41C85A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B40C8 shade: #5B40C8, #C84194, #AFC841 and #41C875

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B40C8 shade: #5B40C8, #C8416C, #AFC841 and #41C89D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 68 / 0 / 22

HEX #5B40C8

RGB 91 64 200

HSL 251.91, 0.55%, 0.52%

LAB 37.95, 46.78, -66.95

 

Complementary color

CMYK 14 / 0 / 71 / 25

HEX #A4BF37

RGB 164 191 55

HSL 71.91, 0.55%, 0.48%

LAB 73.17, -27.26, 61.86

 

CMYK 51 / 67 / 0 / 24

HEX #6040C3

RGB 96 64 195

HSL 254.66, 0.52%, 0.51%

LAB 38.01, 46.16, -63.92

 

CMYK 47 / 62 / 0 / 16

HEX #7152D6

RGB 113 82 214

HSL 254.09, 0.62%, 0.58%

LAB 44.8, 44.76, -63.78

 

CMYK 44 / 57 / 0 / 9

HEX #8264E9

RGB 130 100 233

HSL 253.53, 0.75%, 0.65%

LAB 51.55, 43.4, -63.56

 

CMYK 42 / 53 / 0 / 1

HEX #9376FC

RGB 147 118 252

HSL 252.99, 0.96%, 0.73%

LAB 58.22, 42.14, -63.32

 

CMYK 36 / 47 / 0 / 0

HEX #A488FF

RGB 164 136 255

HSL 254.12, 1%, 0.77%

LAB 63.93, 36.79, -55.74

 

CMYK 55 / 68 / 0 / 22

HEX #5B40C8

RGB 91 64 200

HSL 251.91, 0.55%, 0.52%

LAB 37.95, 46.78, -66.95

 

CMYK 59 / 75 / 0 / 29

HEX #4A2EB5

RGB 74 46 181

HSL 252.44, 0.59%, 0.45%

LAB 31.22, 48.27, -66.87

 

CMYK 65 / 83 / 0 / 36

HEX #391CA2

RGB 57 28 162

HSL 252.99, 0.71%, 0.37%

LAB 24.67, 49.39, -66.31

 

CMYK 72 / 93 / 0 / 44

HEX #280A8F

RGB 40 10 143

HSL 253.53, 0.87%, 0.3%

LAB 18.59, 49.34, -64.74

 

CMYK 81 / 100 / 0 / 51

HEX #17007C

RGB 23 0 124

HSL 251.13, 1%, 0.24%

LAB 13.46, 46.83, -61.32

 

CMYK 54 / 68 / 0 / 22

HEX #5C41C8

RGB 92 65 200

HSL 252, 0.55%, 0.52%

LAB 38.25, 46.39, -66.46

 

CMYK 36 / 68 / 0 / 22

HEX #8041C8

RGB 128 65 200

HSL 268, 0.55%, 0.52%

LAB 42.06, 53.05, -60.08

 

CMYK 18 / 68 / 0 / 22

HEX #A541C8

RGB 165 65 200

HSL 284.44, 0.55%, 0.52%

LAB 46.91, 60.87, -52.02

 

CMYK 0 / 68 / 0 / 22

HEX #C841C7

RGB 200 65 199

HSL 300.44, 0.55%, 0.52%

LAB 52.04, 68.53, -42.95

 

CMYK 0 / 68 / 19 / 22

HEX #C841A3

RGB 200 65 163

HSL 316.44, 0.55%, 0.52%

LAB 50.34, 63.05, -24.63

 

CMYK 54 / 68 / 0 / 22

HEX #5C41C8

RGB 92 65 200

HSL 252, 0.55%, 0.52%

LAB 38.25, 46.39, -66.46

 

CMYK 68 / 68 / 0 / 22

HEX #4141C8

RGB 65 65 200

HSL 240, 0.55%, 0.52%

LAB 36.13, 42.45, -70.01

 

CMYK 54 / 68 / 0 / 22

HEX #5C41C8

RGB 92 65 200

HSL 252, 0.55%, 0.52%

LAB 38.25, 46.39, -66.46

 

CMYK 64 / 80 / 0 / 14

HEX #502DDC

RGB 80 45 220

HSL 252, 0.71%, 0.52%

LAB 35.5, 60.65, -82.58

 

CMYK 72 / 89 / 0 / 6

HEX #441AF0

RGB 68 26 240

HSL 251.78, 0.88%, 0.52%

LAB 34.52, 71.93, -95.64

 

CMYK 54 / 68 / 0 / 22

HEX #5C41C8

RGB 92 65 200

HSL 252, 0.55%, 0.52%

LAB 38.25, 46.39, -66.46

 

CMYK 42 / 53 / 0 / 29

HEX #6855B4

RGB 104 85 180

HSL 252, 0.39%, 0.52%

LAB 42.36, 31.23, -48.06

 

CMYK 28 / 34 / 0 / 37

HEX #7469A0

RGB 116 105 160

HSL 252, 0.22%, 0.52%

LAB 47.44, 16.85, -28.2

 

CMYK 9 / 11 / 0 / 45

HEX #807D8D

RGB 128 125 141

HSL 251.25, 0.07%, 0.52%

LAB 53.15, 4.44, -8.24

 

CMYK 3 / 0 / 16 / 44

HEX #8C9079

RGB 140 144 121

HSL 70.43, 0.09%, 0.52%

LAB 58.88, -5.7, 11.74

 

CMYK 68 / 44 / 0 / 22

HEX #4170C8

RGB 65 112 200

HSL 219.11, 0.55%, 0.52%

LAB 48.11, 12.9, -50.59

 

CMYK 68 / 62 / 0 / 22

HEX #414DC8

RGB 65 77 200

HSL 234.67, 0.55%, 0.52%

LAB 38.9, 35.1, -65.47

 

CMYK 55 / 68 / 0 / 22

HEX #5A41C8

RGB 90 65 200

HSL 251.11, 0.55%, 0.52%

LAB 38.06, 46.07, -66.76

 

CMYK 37 / 68 / 0 / 22

HEX #7E41C8

RGB 126 65 200

HSL 267.11, 0.55%, 0.52%

LAB 41.82, 52.65, -60.48

 

CMYK 19 / 68 / 0 / 22

HEX #A241C8

RGB 162 65 200

HSL 283.11, 0.55%, 0.52%

LAB 46.49, 60.21, -52.72

 

CMYK 57 / 71 / 0 / 44

HEX #3D298E

RGB 61 41 142

HSL 251.88, 0.55%, 0.36%

LAB 25.35, 37.16, -52.88

 

CMYK 57 / 71 / 0 / 32

HEX #4B32AE

RGB 75 50 174

HSL 252.1, 0.55%, 0.44%

LAB 31.42, 44.19, -62.36

 

CMYK 54 / 68 / 0 / 22

HEX #5C41C8

RGB 92 65 200

HSL 252, 0.55%, 0.52%

LAB 38.25, 46.39, -66.46

 

CMYK 43 / 54 / 0 / 18

HEX #7761D1

RGB 119 97 209

HSL 251.79, 0.55%, 0.6%

LAB 48.35, 35.95, -55.16

 

CMYK 33 / 41 / 0 / 15

HEX #9381DA

RGB 147 129 218

HSL 252.13, 0.55%, 0.68%

LAB 58.94, 26.75, -43.25

 

CMYK 55 / 68 / 0 / 22

HEX #5B40C8

RGB 91 64 200

HSL 251.91, 0.55%, 0.52%

LAB 37.95, 46.78, -66.95

 

CMYK 0 / 68 / 26 / 22

HEX #C84194

RGB 200 65 148

HSL 323.11, 0.55%, 0.52%

LAB 49.74, 61.03, -16.65

 

CMYK 53 / 0 / 68 / 22

HEX #5EC841

RGB 94 200 65

HSL 107.11, 0.55%, 0.52%

LAB 72.28, -54.99, 55.98

 

CMYK 55 / 68 / 0 / 22

HEX #5B40C8

RGB 91 64 200

HSL 251.91, 0.55%, 0.52%

LAB 37.95, 46.78, -66.95

 

CMYK 0 / 55 / 68 / 22

HEX #C85A41

RGB 200 90 65

HSL 11.11, 0.55%, 0.52%

LAB 51.81, 42.11, 35.45

 

CMYK 68 / 0 / 55 / 22

HEX #41C85A

RGB 65 200 90

HSL 131.11, 0.55%, 0.52%

LAB 71.67, -58.91, 44.09

 

CMYK 55 / 68 / 0 / 22

HEX #5B40C8

RGB 91 64 200

HSL 251.91, 0.55%, 0.52%

LAB 37.95, 46.78, -66.95

 

CMYK 0 / 68 / 26 / 22

HEX #C84194

RGB 200 65 148

HSL 323.11, 0.55%, 0.52%

LAB 49.74, 61.03, -16.65

 

CMYK 13 / 0 / 68 / 22

HEX #AFC841

RGB 175 200 65

HSL 71.11, 0.55%, 0.52%

LAB 76.56, -26.51, 61.77

 

CMYK 68 / 0 / 42 / 22

HEX #41C875

RGB 65 200 117

HSL 143.11, 0.55%, 0.52%

LAB 72.04, -54.71, 31.15

 

CMYK 55 / 68 / 0 / 22

HEX #5B40C8

RGB 91 64 200

HSL 251.91, 0.55%, 0.52%

LAB 37.95, 46.78, -66.95

 

CMYK 0 / 68 / 46 / 22

HEX #C8416C

RGB 200 65 108

HSL 340.89, 0.55%, 0.52%

LAB 48.44, 56.58, 5.57

 

CMYK 13 / 0 / 68 / 22

HEX #AFC841

RGB 175 200 65

HSL 71.11, 0.55%, 0.52%

LAB 76.56, -26.51, 61.77

 

CMYK 68 / 0 / 22 / 22

HEX #41C89D

RGB 65 200 157

HSL 160.89, 0.55%, 0.52%

LAB 72.8, -46.48, 11.03

 

Description

Color code: HEX #5B40C8 | qconv.com Color code: HEX #5B40C8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 64 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 64 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 68 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 68% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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