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Color name
HEX #5B3F173F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B3F173F it is the complementary color #A4C0E83F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B3F173F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B3F173F shade: #603F123F, #7151253F, #8263383F, #93754B3F and #A4875E3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B3F173F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B3F173F shade: #5B3F173F, #4A2D043F, #391B003F, #2809003F and #1700003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B3F173F shade: #5A3E16, #5A2C16, #5A1A16 and #5A1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B3F173F shade: #5A3E16, #5A5016, #515A16, #3F5A16 and #2D5A16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B3F173F shade matches the following richer shades: #5A3E16, #63400D and #6C4104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B3F173F shade: #5A3E16, #513C20, #483B29, #3F3932 and #35383B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B3F173F shade: #5A1A16, #5A2C16, #5A3E16, #5A5016 and #525A16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B3F173F shade: #181006, #39270E, #5A3E16, #7B551F and #9C6C27

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B3F173F shade: #5B3F17, #255A16 and #23165A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B3F173F shade: #5B3F17, #165A3E and #3E165A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B3F173F shade: #5B3F17, #255A16, #16325A and #4B165A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B3F173F shade: #5B3F17, #165A1C, #16325A and #5A1654

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 19 / 16

HEX #5B3F173F

RGBA 91 63 23 0.25

HSLA 35.29, 0.6%, 0.22%, 0.25

LABA 29.01, 7.78, 28.52, 0.25

 

Complementary color

CMYK 7 / 4 / 0 / 2

HEX #A4C0E83F

RGBA 164 192 232 0.25

HSLA 215.29, 0.6%, 0.78%, 0.25

LABA 76.93, -0.4, -22.98, 0.25

 

CMYK 0 / 9 / 20 / 16

HEX #603F123F

RGBA 96 63 18 0.25

HSLA 34.62, 0.68%, 0.22%, 0.25

LABA 29.63, 9.99, 31.89, 0.25

 

CMYK 0 / 7 / 17 / 14

HEX #7151253F

RGBA 113 81 37 0.25

HSLA 34.74, 0.51%, 0.29%, 0.25

LABA 36.98, 8.34, 30.56, 0.25

 

CMYK 0 / 6 / 14 / 12

HEX #8263383F

RGBA 130 99 56 0.25

HSLA 34.86, 0.4%, 0.36%, 0.25

LABA 44.17, 7.09, 29.02, 0.25

 

CMYK 0 / 5 / 12 / 11

HEX #93754B3F

RGBA 147 117 75 0.25

HSLA 35, 0.32%, 0.44%, 0.25

LABA 51.19, 6.1, 27.54, 0.25

 

CMYK 0 / 4 / 11 / 9

HEX #A4875E3F

RGBA 164 135 94 0.25

HSLA 35.14, 0.28%, 0.51%, 0.25

LABA 58.06, 5.31, 26.17, 0.25

 

CMYK 0 / 8 / 19 / 16

HEX #5B3F173F

RGBA 91 63 23 0.25

HSLA 35.29, 0.6%, 0.22%, 0.25

LABA 29.01, 7.78, 28.52, 0.25

 

CMYK 0 / 10 / 24 / 18

HEX #4A2D043F

RGBA 74 45 4 0.25

HSLA 35.14, 0.9%, 0.15%, 0.25

LABA 21.36, 9.69, 28.82, 0.25

 

CMYK 0 / 13 / 25 / 19

HEX #391B003F

RGBA 57 27 0 0.25

HSLA 28.42, 1%, 0.11%, 0.25

LABA 13.55, 12.45, 20.37, 0.25

 

CMYK 0 / 19 / 25 / 21

HEX #2809003F

RGBA 40 9 0 0.25

HSLA 13.5, 1%, 0.08%, 0.25

LABA 5.84, 14.42, 9.02, 0.25

 

CMYK 0 / 25 / 25 / 23

HEX #1700003F

RGBA 23 0 0 0.25

HSLA 0, 1%, 0.05%, 0.25

LABA 1.65, 7.38, 2.6, 0.25

 

CMYK 0 / 31 / 76 / 65

HEX #5A3E16

RGB 90 62 22

HSL 35.29, 0.61%, 0.22%

LAB 28.58, 7.85, 28.56

 

CMYK 0 / 51 / 76 / 65

HEX #5A2C16

RGB 90 44 22

HSL 19.41, 0.61%, 0.22%

LAB 23.78, 19.1, 23.35

 

CMYK 0 / 71 / 76 / 65

HEX #5A1A16

RGB 90 26 22

HSL 3.53, 0.61%, 0.22%

LAB 19.92, 29.07, 18.93

 

CMYK 0 / 76 / 76 / 65

HEX #5A1616

RGB 90 22 22

HSL 0, 0.61%, 0.22%

LAB 19.25, 30.92, 18.13

 

CMYK 0 / 31 / 76 / 65

HEX #5A3E16

RGB 90 62 22

HSL 35.29, 0.61%, 0.22%

LAB 28.58, 7.85, 28.56

 

CMYK 0 / 11 / 76 / 65

HEX #5A5016

RGB 90 80 22

HSL 51.18, 0.61%, 0.22%

LAB 33.92, -3.31, 34.04

 

CMYK 10 / 0 / 76 / 65

HEX #515A16

RGB 81 90 22

HSL 67.94, 0.61%, 0.22%

LAB 36.21, -13.55, 36.05

 

CMYK 30 / 0 / 76 / 65

HEX #3F5A16

RGB 63 90 22

HSL 83.82, 0.61%, 0.22%

LAB 34.86, -21.79, 34.24

 

CMYK 50 / 0 / 76 / 65

HEX #2D5A16

RGB 45 90 22

HSL 99.71, 0.61%, 0.22%

LAB 33.83, -28.92, 32.87

 

CMYK 0 / 31 / 76 / 65

HEX #5A3E16

RGB 90 62 22

HSL 35.29, 0.61%, 0.22%

LAB 28.58, 7.85, 28.56

 

CMYK 0 / 35 / 87 / 61

HEX #63400D

RGB 99 64 13

HSL 35.58, 0.77%, 0.22%

LAB 30.28, 10.64, 34.85

 

CMYK 0 / 40 / 96 / 58

HEX #6C4104

RGB 108 65 4

HSL 35.19, 0.93%, 0.22%

LAB 31.76, 14.16, 39.97

 

CMYK 0 / 31 / 76 / 65

HEX #5A3E16

RGB 90 62 22

HSL 35.29, 0.61%, 0.22%

LAB 28.58, 7.85, 28.56

 

CMYK 0 / 26 / 60 / 68

HEX #513C20

RGB 81 60 32

HSL 34.29, 0.43%, 0.22%

LAB 26.98, 5.42, 20.72

 

CMYK 0 / 18 / 43 / 72

HEX #483B29

RGB 72 59 41

HSL 34.84, 0.27%, 0.22%

LAB 25.76, 2.69, 13.29

 

CMYK 0 / 10 / 21 / 75

HEX #3F3932

RGB 63 57 50

HSL 32.31, 0.12%, 0.22%

LAB 24.36, 1.21, 5.31

 

CMYK 10 / 5 / 0 / 77

HEX #35383B

RGB 53 56 59

HSL 210, 0.05%, 0.22%

LAB 23.34, -0.55, -2.31

 

CMYK 0 / 71 / 76 / 65

HEX #5A1A16

RGB 90 26 22

HSL 3.53, 0.61%, 0.22%

LAB 19.92, 29.07, 18.93

 

CMYK 0 / 51 / 76 / 65

HEX #5A2C16

RGB 90 44 22

HSL 19.41, 0.61%, 0.22%

LAB 23.78, 19.1, 23.35

 

CMYK 0 / 31 / 76 / 65

HEX #5A3E16

RGB 90 62 22

HSL 35.29, 0.61%, 0.22%

LAB 28.58, 7.85, 28.56

 

CMYK 0 / 11 / 76 / 65

HEX #5A5016

RGB 90 80 22

HSL 51.18, 0.61%, 0.22%

LAB 33.92, -3.31, 34.04

 

CMYK 9 / 0 / 76 / 65

HEX #525A16

RGB 82 90 22

HSL 67.06, 0.61%, 0.22%

LAB 36.3, -13.08, 36.16

 

CMYK 0 / 33 / 75 / 91

HEX #181006

RGB 24 16 6

HSL 33.33, 0.6%, 0.06%

LAB 5.22, 1.87, 5.39

 

CMYK 0 / 32 / 75 / 78

HEX #39270E

RGB 57 39 14

HSL 34.88, 0.61%, 0.14%

LAB 17.24, 5.27, 19.16

 

CMYK 0 / 31 / 76 / 65

HEX #5A3E16

RGB 90 62 22

HSL 35.29, 0.61%, 0.22%

LAB 28.58, 7.85, 28.56

 

CMYK 0 / 31 / 75 / 52

HEX #7B551F

RGB 123 85 31

HSL 35.22, 0.6%, 0.3%

LAB 39.25, 10.31, 36.46

 

CMYK 0 / 31 / 75 / 39

HEX #9C6C27

RGB 156 108 39

HSL 35.38, 0.6%, 0.38%

LAB 49.42, 12.59, 44.39

 

CMYK 0 / 31 / 75 / 64

HEX #5B3F17

RGB 91 63 23

HSL 35.29, 0.6%, 0.22%

LAB 29.01, 7.78, 28.52

 

CMYK 59 / 0 / 76 / 65

HEX #255A16

RGB 37 90 22

HSL 106.76, 0.61%, 0.22%

LAB 33.49, -31.57, 32.4

 

CMYK 61 / 76 / 0 / 65

HEX #23165A

RGB 35 22 90

HSL 251.47, 0.61%, 0.22%

LAB 13.65, 27.1, -38.66

 

CMYK 0 / 31 / 75 / 64

HEX #5B3F17

RGB 91 63 23

HSL 35.29, 0.6%, 0.22%

LAB 29.01, 7.78, 28.52

 

CMYK 76 / 0 / 31 / 65

HEX #165A3E

RGB 22 90 62

HSL 155.29, 0.61%, 0.22%

LAB 33.63, -28.37, 10.26

 

CMYK 31 / 76 / 0 / 65

HEX #3E165A

RGB 62 22 90

HSL 275.29, 0.61%, 0.22%

LAB 17.16, 32.69, -32.78

 

CMYK 0 / 31 / 75 / 64

HEX #5B3F17

RGB 91 63 23

HSL 35.29, 0.6%, 0.22%

LAB 29.01, 7.78, 28.52

 

CMYK 59 / 0 / 76 / 65

HEX #255A16

RGB 37 90 22

HSL 106.76, 0.61%, 0.22%

LAB 33.49, -31.57, 32.4

 

CMYK 76 / 44 / 0 / 65

HEX #16325A

RGB 22 50 90

HSL 215.29, 0.61%, 0.22%

LAB 20.79, 4.82, -27.15

 

CMYK 17 / 76 / 0 / 65

HEX #4B165A

RGB 75 22 90

HSL 286.76, 0.61%, 0.22%

LAB 19.26, 35.8, -29.29

 

CMYK 0 / 31 / 75 / 64

HEX #5B3F17

RGB 91 63 23

HSL 35.29, 0.6%, 0.22%

LAB 29.01, 7.78, 28.52

 

CMYK 76 / 0 / 69 / 65

HEX #165A1C

RGB 22 90 28

HSL 125.29, 0.61%, 0.22%

LAB 33.06, -34.76, 29

 

CMYK 76 / 44 / 0 / 65

HEX #16325A

RGB 22 50 90

HSL 215.29, 0.61%, 0.22%

LAB 20.79, 4.82, -27.15

 

CMYK 0 / 76 / 7 / 65

HEX #5A1654

RGB 90 22 84

HSL 305.29, 0.61%, 0.22%

LAB 21.53, 38.44, -21.49

 

Description

Color code: HEX #5B3F173F | qconv.com Color code: HEX #5B3F173F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 63 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 63 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 19 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 19% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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