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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B3AEACE it is the complementary color #A4C515CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B3AEACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B3AEACE shade: #603AE5CE, #714CF8CE, #825EFFCE, #9370FFCE and #A482FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B3AEACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B3AEACE shade: #5B3AEACE, #4A28D7CE, #3916C4CE, #2804B1CE and #17009ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B3AEACE shade: #5A39EA, #8A39EA, #BA39EA, #EA39EA and #EA39BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B3AEACE shade: #5A39EA and #3939EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B3AEACE shade matches the following richer shades: #5A39EA and #4F27FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B3AEACE shade: #5A39EA, #654AD8, #705CC7, #7B6EB5 and #867FA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B3AEACE shade: #3977EA, #3947EA, #5939EA, #8839EA and #B839EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B3AEACE shade: #3314BC, #3E18E2, #5A39EA, #795EEE and #9883F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B3AEACE shade: #5B3AEA, #EA39A6 and #5FEA39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B3AEACE shade: #5B3AEA, #EA5939 and #39EA59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B3AEACE shade: #5B3AEA, #EA39A6, #CAEA39 and #39EA7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B3AEACE shade: #5B3AEA, #EA3971, #CAEA39 and #39EAB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 61 / 0 / 7

HEX #5B3AEACE

RGBA 91 58 234 0.81

HSLA 251.25, 0.81%, 0.57%, 0.81

LABA 39.9, 59.77, -83.27, 0.81

 

Complementary color

CMYK 14 / 0 / 72 / 18

HEX #A4C515CE

RGBA 164 197 21 0.81

HSLA 71.25, 0.81%, 0.43%, 0.81

LABA 74.75, -31.38, 72.4, 0.81

 

CMYK 47 / 60 / 0 / 8

HEX #603AE5CE

RGBA 96 58 229 0.81

HSLA 253.33, 0.77%, 0.56%, 0.81

LABA 39.87, 58.96, -80.47, 0.81

 

CMYK 44 / 56 / 0 / 2

HEX #714CF8CE

RGBA 113 76 248 0.81

HSLA 252.91, 0.92%, 0.64%, 0.81

LABA 46.25, 57.64, -80.64, 0.81

 

CMYK 40 / 51 / 0 / 0

HEX #825EFFCE

RGBA 130 94 255 0.81

HSLA 253.42, 1%, 0.68%, 0.81

LABA 51.8, 52.87, -75.42, 0.81

 

CMYK 34 / 45 / 0 / 0

HEX #9370FFCE

RGBA 147 112 255 0.81

HSLA 254.69, 1%, 0.72%, 0.81

LABA 57.09, 46.32, -66.79, 0.81

 

CMYK 29 / 40 / 0 / 0

HEX #A482FFCE

RGBA 164 130 255 0.81

HSLA 256.32, 1%, 0.75%, 0.81

LABA 62.57, 40.16, -57.91, 0.81

 

CMYK 50 / 61 / 0 / 7

HEX #5B3AEACE

RGBA 91 58 234 0.81

HSLA 251.25, 0.81%, 0.57%, 0.81

LABA 39.9, 59.77, -83.27, 0.81

 

CMYK 53 / 66 / 0 / 13

HEX #4A28D7CE

RGBA 74 40 215 0.81

HSLA 251.66, 0.69%, 0.5%, 0.81

LABA 33.73, 60.85, -82.64, 0.81

 

CMYK 57 / 72 / 0 / 19

HEX #3916C4CE

RGBA 57 22 196 0.81

HSLA 252.07, 0.8%, 0.43%, 0.81

LABA 27.92, 61.07, -81.24, 0.81

 

CMYK 63 / 79 / 0 / 25

HEX #2804B1CE

RGBA 40 4 177 0.81

HSLA 252.49, 0.96%, 0.35%, 0.81

LABA 22.7, 59.87, -78.69, 0.81

 

CMYK 69 / 81 / 0 / 31

HEX #17009ECE

RGBA 23 0 158 0.81

HSLA 248.73, 1%, 0.31%, 0.81

LABA 18.59, 55.65, -74.05, 0.81

 

CMYK 62 / 76 / 0 / 8

HEX #5A39EA

RGB 90 57 234

HSL 251.19, 0.81%, 0.57%

LAB 39.65, 60.14, -83.69

 

CMYK 41 / 76 / 0 / 8

HEX #8A39EA

RGB 138 57 234

HSL 267.46, 0.81%, 0.57%

LAB 44.62, 66.57, -75.34

 

CMYK 21 / 76 / 0 / 8

HEX #BA39EA

RGB 186 57 234

HSL 283.73, 0.81%, 0.57%

LAB 51.04, 74.66, -64.61

 

CMYK 0 / 76 / 0 / 8

HEX #EA39EA

RGB 234 57 234

HSL 300, 0.81%, 0.57%

LAB 58.38, 83.7, -52.45

 

CMYK 0 / 76 / 20 / 8

HEX #EA39BB

RGB 234 57 187

HSL 315.93, 0.81%, 0.57%

LAB 56.09, 77.1, -29.29

 

CMYK 62 / 76 / 0 / 8

HEX #5A39EA

RGB 90 57 234

HSL 251.19, 0.81%, 0.57%

LAB 39.65, 60.14, -83.69

 

CMYK 76 / 76 / 0 / 8

HEX #3939EA

RGB 57 57 234

HSL 240, 0.81%, 0.57%

LAB 37.37, 57.12, -87.53

 

CMYK 62 / 76 / 0 / 8

HEX #5A39EA

RGB 90 57 234

HSL 251.19, 0.81%, 0.57%

LAB 39.65, 60.14, -83.69

 

CMYK 69 / 85 / 0 / 1

HEX #4F27FC

RGB 79 39 252

HSL 251.27, 0.97%, 0.57%

LAB 38.1, 71.58, -96.44

 

CMYK 62 / 76 / 0 / 8

HEX #5A39EA

RGB 90 57 234

HSL 251.19, 0.81%, 0.57%

LAB 39.65, 60.14, -83.69

 

CMYK 53 / 66 / 0 / 15

HEX #654AD8

RGB 101 74 216

HSL 251.41, 0.65%, 0.57%

LAB 42.19, 47.62, -69.22

 

CMYK 44 / 54 / 0 / 22

HEX #705CC7

RGB 112 92 199

HSL 251.21, 0.49%, 0.57%

LAB 45.94, 34.42, -53.33

 

CMYK 32 / 39 / 0 / 29

HEX #7B6EB5

RGB 123 110 181

HSL 250.99, 0.32%, 0.57%

LAB 50.33, 21.47, -35.88

 

CMYK 18 / 22 / 0 / 36

HEX #867FA3

RGB 134 127 163

HSL 251.67, 0.16%, 0.57%

LAB 54.96, 10.31, -18.22

 

CMYK 76 / 49 / 0 / 8

HEX #3977EA

RGB 57 119 234

HSL 218.98, 0.81%, 0.57%

LAB 51.84, 19.77, -63.87

 

CMYK 76 / 70 / 0 / 8

HEX #3947EA

RGB 57 71 234

HSL 235.25, 0.81%, 0.57%

LAB 40.11, 49.43, -83

 

CMYK 62 / 76 / 0 / 8

HEX #5939EA

RGB 89 57 234

HSL 250.85, 0.81%, 0.57%

LAB 39.56, 60.03, -83.83

 

CMYK 42 / 76 / 0 / 8

HEX #8839EA

RGB 136 57 234

HSL 266.78, 0.81%, 0.57%

LAB 44.38, 66.26, -75.74

 

CMYK 21 / 76 / 0 / 8

HEX #B839EA

RGB 184 57 234

HSL 283.05, 0.81%, 0.57%

LAB 50.75, 74.3, -65.09

 

CMYK 73 / 89 / 0 / 26

HEX #3314BC

RGB 51 20 188

HSL 251.07, 0.81%, 0.41%

LAB 26.26, 59.22, -79.3

 

CMYK 73 / 89 / 0 / 11

HEX #3E18E2

RGB 62 24 226

HSL 251.29, 0.81%, 0.49%

LAB 32.19, 68.61, -91.56

 

CMYK 62 / 76 / 0 / 8

HEX #5A39EA

RGB 90 57 234

HSL 251.19, 0.81%, 0.57%

LAB 39.65, 60.14, -83.69

 

CMYK 49 / 61 / 0 / 7

HEX #795EEE

RGB 121 94 238

HSL 251.25, 0.81%, 0.65%

LAB 49.79, 46.4, -69.25

 

CMYK 37 / 46 / 0 / 5

HEX #9883F2

RGB 152 131 242

HSL 251.35, 0.81%, 0.73%

LAB 61.06, 33.22, -53.22

 

CMYK 61 / 75 / 0 / 8

HEX #5B3AEA

RGB 91 58 234

HSL 251.25, 0.81%, 0.57%

LAB 39.9, 59.77, -83.27

 

CMYK 0 / 76 / 29 / 8

HEX #EA39A6

RGB 234 57 166

HSL 323.05, 0.81%, 0.57%

LAB 55.25, 74.57, -18.36

 

CMYK 59 / 0 / 76 / 8

HEX #5FEA39

RGB 95 234 57

HSL 107.12, 0.81%, 0.57%

LAB 82.69, -67.4, 69.4

 

CMYK 61 / 75 / 0 / 8

HEX #5B3AEA

RGB 91 58 234

HSL 251.25, 0.81%, 0.57%

LAB 39.9, 59.77, -83.27

 

CMYK 0 / 62 / 76 / 8

HEX #EA5939

RGB 234 89 57

HSL 10.85, 0.81%, 0.57%

LAB 57.01, 54.43, 47.05

 

CMYK 76 / 0 / 62 / 8

HEX #39EA59

RGB 57 234 89

HSL 130.85, 0.81%, 0.57%

LAB 82.08, -71.62, 56.59

 

CMYK 61 / 75 / 0 / 8

HEX #5B3AEA

RGB 91 58 234

HSL 251.25, 0.81%, 0.57%

LAB 39.9, 59.77, -83.27

 

CMYK 0 / 76 / 29 / 8

HEX #EA39A6

RGB 234 57 166

HSL 323.05, 0.81%, 0.57%

LAB 55.25, 74.57, -18.36

 

CMYK 14 / 0 / 76 / 8

HEX #CAEA39

RGB 202 234 57

HSL 70.85, 0.81%, 0.57%

LAB 87.82, -32.08, 76.09

 

CMYK 76 / 0 / 47 / 8

HEX #39EA7D

RGB 57 234 125

HSL 143.05, 0.81%, 0.57%

LAB 82.48, -66.76, 40.56

 

CMYK 61 / 75 / 0 / 8

HEX #5B3AEA

RGB 91 58 234

HSL 251.25, 0.81%, 0.57%

LAB 39.9, 59.77, -83.27

 

CMYK 0 / 76 / 52 / 8

HEX #EA3971

RGB 234 57 113

HSL 341.02, 0.81%, 0.57%

LAB 53.61, 69.5, 10.72

 

CMYK 14 / 0 / 76 / 8

HEX #CAEA39

RGB 202 234 57

HSL 70.85, 0.81%, 0.57%

LAB 87.82, -32.08, 76.09

 

CMYK 76 / 0 / 24 / 8

HEX #39EAB2

RGB 57 234 178

HSL 161.02, 0.81%, 0.57%

LAB 83.41, -56.46, 14.85

 

Description

Color code: HEX #5B3AEACE | qconv.com Color code: HEX #5B3AEACE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 58 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 58 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 61 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 61% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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