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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B3971 it is the complementary color #A4C68E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B3971. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B3971 shade: #60396C, #714B7F, #825D92, #936FA5 and #A481B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B3971. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B3971 shade: #5B3971, #4A275E, #39154B, #280338 and #170025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B3971 shade: #5A3870, #693870, #703868, #703859 and #70384A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B3971 shade: #5A3870, #4B3870, #3C3870 and #383870

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B3971 shade matches the following richer shades: #5A3870, #5D2B7E, #601D8B, #631099 and #6602A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B3971 shade: #5A3870, #574662, #545455, #516147 and #4E6F39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B3971 shade: #3C3870, #4B3870, #5A3870, #693870 and #703869

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B3971 shade: #2E1D39, #442B54, #5A3870, #70468B and #8654A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B3971 shade: #5B3971, #703843 and #387043

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B3971 shade: #5B3971, #705A38 and #38705A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B3971 shade: #5B3971, #703843, #4F7038 and #387065

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B3971 shade: #5B3971, #703E38, #4F7038 and #386A70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 50 / 0 / 56

HEX #5B3971

RGB 91 57 113

HSL 276.43, 0.33%, 0.33%

LAB 30.26, 26.44, -26.62

 

Complementary color

CMYK 17 / 0 / 28 / 22

HEX #A4C68E

RGB 164 198 142

HSL 96.43, 0.33%, 0.67%

LAB 76.21, -21.57, 24.43

 

CMYK 11 / 47 / 0 / 58

HEX #60396C

RGB 96 57 108

HSL 285.88, 0.31%, 0.32%

LAB 30.63, 26.85, -22.82

 

CMYK 11 / 41 / 0 / 50

HEX #714B7F

RGB 113 75 127

HSL 283.85, 0.26%, 0.4%

LAB 37.98, 25.99, -23.09

 

CMYK 11 / 36 / 0 / 43

HEX #825D92

RGB 130 93 146

HSL 281.89, 0.22%, 0.47%

LAB 45.15, 25.18, -23.33

 

CMYK 11 / 33 / 0 / 35

HEX #936FA5

RGB 147 111 165

HSL 280, 0.23%, 0.54%

LAB 52.16, 24.45, -23.56

 

CMYK 11 / 30 / 0 / 28

HEX #A481B8

RGB 164 129 184

HSL 278.18, 0.28%, 0.61%

LAB 59.02, 23.77, -23.8

 

CMYK 19 / 50 / 0 / 56

HEX #5B3971

RGB 91 57 113

HSL 276.43, 0.33%, 0.33%

LAB 30.26, 26.44, -26.62

 

CMYK 21 / 59 / 0 / 63

HEX #4A275E

RGB 74 39 94

HSL 278.18, 0.41%, 0.26%

LAB 22.71, 27.37, -26.45

 

CMYK 24 / 72 / 0 / 71

HEX #39154B

RGB 57 21 75

HSL 280, 0.56%, 0.19%

LAB 15.03, 28.13, -26.07

 

CMYK 29 / 95 / 0 / 78

HEX #280338

RGB 40 3 56

HSL 281.89, 0.9%, 0.12%

LAB 7.24, 28.53, -25.35

 

CMYK 38 / 100 / 0 / 85

HEX #170025

RGB 23 0 37

HSL 277.3, 1%, 0.07%

LAB 2.85, 15.86, -18.21

 

CMYK 20 / 50 / 0 / 56

HEX #5A3870

RGB 90 56 112

HSL 276.43, 0.33%, 0.33%

LAB 29.84, 26.48, -26.65

 

CMYK 6 / 50 / 0 / 56

HEX #693870

RGB 105 56 112

HSL 292.5, 0.33%, 0.33%

LAB 31.81, 31.25, -23.43

 

CMYK 0 / 50 / 7 / 56

HEX #703868

RGB 112 56 104

HSL 308.57, 0.33%, 0.33%

LAB 32.42, 31.93, -17.32

 

CMYK 0 / 50 / 21 / 56

HEX #703859

RGB 112 56 89

HSL 324.64, 0.33%, 0.33%

LAB 31.79, 29.24, -8.66

 

CMYK 0 / 50 / 34 / 56

HEX #70384A

RGB 112 56 74

HSL 340.71, 0.33%, 0.33%

LAB 31.27, 26.91, 0.28

 

CMYK 20 / 50 / 0 / 56

HEX #5A3870

RGB 90 56 112

HSL 276.43, 0.33%, 0.33%

LAB 29.84, 26.48, -26.65

 

CMYK 33 / 50 / 0 / 56

HEX #4B3870

RGB 75 56 112

HSL 260.36, 0.33%, 0.33%

LAB 28.1, 21.88, -29.53

 

CMYK 46 / 50 / 0 / 56

HEX #3C3870

RGB 60 56 112

HSL 244.29, 0.33%, 0.33%

LAB 26.62, 17.6, -31.97

 

CMYK 50 / 50 / 0 / 56

HEX #383870

RGB 56 56 112

HSL 240, 0.33%, 0.33%

LAB 26.27, 16.55, -32.55

 

CMYK 20 / 50 / 0 / 56

HEX #5A3870

RGB 90 56 112

HSL 276.43, 0.33%, 0.33%

LAB 29.84, 26.48, -26.65

 

CMYK 26 / 66 / 0 / 51

HEX #5D2B7E

RGB 93 43 126

HSL 276.14, 0.49%, 0.33%

LAB 28.28, 38.25, -37.97

 

CMYK 31 / 79 / 0 / 45

HEX #601D8B

RGB 96 29 139

HSL 276.55, 0.65%, 0.33%

LAB 27.38, 48.46, -47.53

 

CMYK 35 / 90 / 0 / 40

HEX #631099

RGB 99 16 153

HSL 276.35, 0.81%, 0.33%

LAB 27.64, 56.17, -55.74

 

CMYK 39 / 99 / 0 / 35

HEX #6602A6

RGB 102 2 166

HSL 276.59, 0.98%, 0.33%

LAB 28.44, 61.95, -62.33

 

CMYK 20 / 50 / 0 / 56

HEX #5A3870

RGB 90 56 112

HSL 276.43, 0.33%, 0.33%

LAB 29.84, 26.48, -26.65

 

CMYK 11 / 29 / 0 / 62

HEX #574662

RGB 87 70 98

HSL 276.43, 0.17%, 0.33%

LAB 32.45, 13.2, -13.72

 

CMYK 1 / 1 / 0 / 67

HEX #545455

RGB 84 84 85

HSL 240, 0.01%, 0.33%

LAB 35.75, 0.22, -0.59

 

CMYK 16 / 0 / 27 / 62

HEX #516147

RGB 81 97 71

HSL 96.92, 0.15%, 0.33%

LAB 39.16, -11.53, 12.86

 

CMYK 30 / 0 / 49 / 56

HEX #4E6F39

RGB 78 111 57

HSL 96.67, 0.32%, 0.33%

LAB 43.19, -22.55, 26.23

 

CMYK 46 / 50 / 0 / 56

HEX #3C3870

RGB 60 56 112

HSL 244.29, 0.33%, 0.33%

LAB 26.62, 17.6, -31.97

 

CMYK 33 / 50 / 0 / 56

HEX #4B3870

RGB 75 56 112

HSL 260.36, 0.33%, 0.33%

LAB 28.1, 21.88, -29.53

 

CMYK 20 / 50 / 0 / 56

HEX #5A3870

RGB 90 56 112

HSL 276.43, 0.33%, 0.33%

LAB 29.84, 26.48, -26.65

 

CMYK 6 / 50 / 0 / 56

HEX #693870

RGB 105 56 112

HSL 292.5, 0.33%, 0.33%

LAB 31.81, 31.25, -23.43

 

CMYK 0 / 50 / 6 / 56

HEX #703869

RGB 112 56 105

HSL 307.5, 0.33%, 0.33%

LAB 32.46, 32.12, -17.89

 

CMYK 19 / 49 / 0 / 78

HEX #2E1D39

RGB 46 29 57

HSL 276.43, 0.33%, 0.17%

LAB 14.15, 14.78, -15

 

CMYK 19 / 49 / 0 / 67

HEX #442B54

RGB 68 43 84

HSL 276.59, 0.32%, 0.25%

LAB 22.29, 20.38, -20.54

 

CMYK 20 / 50 / 0 / 56

HEX #5A3870

RGB 90 56 112

HSL 276.43, 0.33%, 0.33%

LAB 29.84, 26.48, -26.65

 

CMYK 19 / 50 / 0 / 45

HEX #70468B

RGB 112 70 139

HSL 276.52, 0.33%, 0.41%

LAB 37.28, 31.44, -31.55

 

CMYK 20 / 50 / 0 / 35

HEX #8654A7

RGB 134 84 167

HSL 276.14, 0.33%, 0.49%

LAB 44.52, 36.43, -36.78

 

CMYK 19 / 50 / 0 / 56

HEX #5B3971

RGB 91 57 113

HSL 276.43, 0.33%, 0.33%

LAB 30.26, 26.44, -26.62

 

CMYK 0 / 50 / 40 / 56

HEX #703843

RGB 112 56 67

HSL 348.21, 0.33%, 0.33%

LAB 31.06, 25.96, 4.54

 

CMYK 50 / 0 / 40 / 56

HEX #387043

RGB 56 112 67

HSL 131.79, 0.33%, 0.33%

LAB 42.51, -29.16, 19.48

 

CMYK 19 / 50 / 0 / 56

HEX #5B3971

RGB 91 57 113

HSL 276.43, 0.33%, 0.33%

LAB 30.26, 26.44, -26.62

 

CMYK 0 / 20 / 50 / 56

HEX #705A38

RGB 112 90 56

HSL 36.43, 0.33%, 0.33%

LAB 39.65, 4.17, 22.97

 

CMYK 50 / 0 / 20 / 56

HEX #38705A

RGB 56 112 90

HSL 156.43, 0.33%, 0.33%

LAB 43.01, -24.21, 6.6

 

CMYK 19 / 50 / 0 / 56

HEX #5B3971

RGB 91 57 113

HSL 276.43, 0.33%, 0.33%

LAB 30.26, 26.44, -26.62

 

CMYK 0 / 50 / 40 / 56

HEX #703843

RGB 112 56 67

HSL 348.21, 0.33%, 0.33%

LAB 31.06, 25.96, 4.54

 

CMYK 29 / 0 / 50 / 56

HEX #4F7038

RGB 79 112 56

HSL 95.36, 0.33%, 0.33%

LAB 43.56, -22.81, 27.26

 

CMYK 50 / 0 / 10 / 56

HEX #387065

RGB 56 112 101

HSL 168.21, 0.33%, 0.33%

LAB 43.31, -21.41, 0.42

 

CMYK 19 / 50 / 0 / 56

HEX #5B3971

RGB 91 57 113

HSL 276.43, 0.33%, 0.33%

LAB 30.26, 26.44, -26.62

 

CMYK 0 / 45 / 50 / 56

HEX #703E38

RGB 112 62 56

HSL 6.43, 0.33%, 0.33%

LAB 32.2, 21.12, 13.22

 

CMYK 29 / 0 / 50 / 56

HEX #4F7038

RGB 79 112 56

HSL 95.36, 0.33%, 0.33%

LAB 43.56, -22.81, 27.26

 

CMYK 50 / 5 / 0 / 56

HEX #386A70

RGB 56 106 112

HSL 186.43, 0.33%, 0.33%

LAB 41.72, -15.05, -8.59

 

Description

Color code: HEX #5B3971 | qconv.com Color code: HEX #5B3971 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 57 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 57 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 50 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 50% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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