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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B396D it is the complementary color #A4C692. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B396D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B396D shade: #603968, #714B7B, #825D8E, #936FA1 and #A481B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B396D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B396D shade: #5B396D, #4A275A, #391547, #280334 and #170021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B396D shade: #5C3A6E, #6A3A6E, #6E3A64, #6E3A56 and #6E3A48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B396D shade: #5C3A6E, #4E3A6E, #403A6E and #3A3A6E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B396D shade matches the following richer shades: #5C3A6E, #602C7C, #651F89, #691197 and #6D04A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B396D shade: #5C3A6E, #584861, #545553, #506345 and #4B7138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B396D shade: #403A6E, #4E3A6E, #5C3A6E, #6A3A6E and #6E3A65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B396D shade: #2F1E38, #462C53, #5C3A6E, #734889 and #8957A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B396D shade: #5B396D, #6E3A42 and #3A6E47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B396D shade: #5B396D, #6E5C3A and #3A6E5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B396D shade: #5B396D, #6E3A42, #4C6E3A and #3A6E66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B396D shade: #5B396D, #6E423A, #4C6E3A and #3A666E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 48 / 0 / 57

HEX #5B396D

RGB 91 57 109

HSL 279.23, 0.31%, 0.33%

LAB 30.05, 25.45, -24.42

 

Complementary color

CMYK 17 / 0 / 26 / 22

HEX #A4C692

RGB 164 198 146

HSL 99.23, 0.31%, 0.67%

LAB 76.29, -20.95, 22.41

 

CMYK 8 / 45 / 0 / 59

HEX #603968

RGB 96 57 104

HSL 289.79, 0.29%, 0.32%

LAB 30.43, 25.94, -20.58

 

CMYK 8 / 39 / 0 / 52

HEX #714B7B

RGB 113 75 123

HSL 287.5, 0.24%, 0.39%

LAB 37.79, 25.09, -20.91

 

CMYK 8 / 35 / 0 / 44

HEX #825D8E

RGB 130 93 142

HSL 285.31, 0.21%, 0.46%

LAB 44.98, 24.3, -21.2

 

CMYK 9 / 31 / 0 / 37

HEX #936FA1

RGB 147 111 161

HSL 283.2, 0.21%, 0.53%

LAB 52, 23.58, -21.48

 

CMYK 9 / 28 / 0 / 29

HEX #A481B4

RGB 164 129 180

HSL 281.18, 0.25%, 0.61%

LAB 58.87, 22.92, -21.76

 

CMYK 17 / 48 / 0 / 57

HEX #5B396D

RGB 91 57 109

HSL 279.23, 0.31%, 0.33%

LAB 30.05, 25.45, -24.42

 

CMYK 18 / 57 / 0 / 65

HEX #4A275A

RGB 74 39 90

HSL 281.18, 0.4%, 0.25%

LAB 22.46, 26.37, -24.2

 

CMYK 20 / 70 / 0 / 72

HEX #391547

RGB 57 21 71

HSL 283.2, 0.54%, 0.18%

LAB 14.74, 27.12, -23.77

 

CMYK 23 / 94 / 0 / 80

HEX #280334

RGB 40 3 52

HSL 285.31, 0.89%, 0.11%

LAB 6.9, 27.46, -22.97

 

CMYK 30 / 100 / 0 / 87

HEX #170021

RGB 23 0 33

HSL 281.82, 1%, 0.06%

LAB 2.64, 14.35, -15.4

 

CMYK 16 / 47 / 0 / 57

HEX #5C3A6E

RGB 92 58 110

HSL 279.23, 0.31%, 0.33%

LAB 30.47, 25.41, -24.39

 

CMYK 4 / 47 / 0 / 57

HEX #6A3A6E

RGB 106 58 110

HSL 295.38, 0.31%, 0.33%

LAB 32.29, 30, -21.4

 

CMYK 0 / 47 / 9 / 57

HEX #6E3A64

RGB 110 58 100

HSL 311.54, 0.31%, 0.33%

LAB 32.39, 29.35, -14.84

 

CMYK 0 / 47 / 22 / 57

HEX #6E3A56

RGB 110 58 86

HSL 327.69, 0.31%, 0.33%

LAB 31.84, 26.85, -6.7

 

CMYK 0 / 47 / 35 / 57

HEX #6E3A48

RGB 110 58 72

HSL 343.85, 0.31%, 0.33%

LAB 31.37, 24.68, 1.68

 

CMYK 16 / 47 / 0 / 57

HEX #5C3A6E

RGB 92 58 110

HSL 279.23, 0.31%, 0.33%

LAB 30.47, 25.41, -24.39

 

CMYK 29 / 47 / 0 / 57

HEX #4E3A6E

RGB 78 58 110

HSL 263.08, 0.31%, 0.33%

LAB 28.83, 20.94, -27.08

 

CMYK 42 / 47 / 0 / 57

HEX #403A6E

RGB 64 58 110

HSL 246.92, 0.31%, 0.33%

LAB 27.41, 16.73, -29.41

 

CMYK 47 / 47 / 0 / 57

HEX #3A3A6E

RGB 58 58 110

HSL 240, 0.31%, 0.33%

LAB 26.88, 15.05, -30.29

 

CMYK 16 / 47 / 0 / 57

HEX #5C3A6E

RGB 92 58 110

HSL 279.23, 0.31%, 0.33%

LAB 30.47, 25.41, -24.39

 

CMYK 23 / 65 / 0 / 51

HEX #602C7C

RGB 96 44 124

HSL 279, 0.48%, 0.33%

LAB 28.76, 38.01, -35.92

 

CMYK 26 / 77 / 0 / 46

HEX #651F89

RGB 101 31 137

HSL 279.62, 0.63%, 0.33%

LAB 28.26, 48.18, -44.83

 

CMYK 30 / 89 / 0 / 41

HEX #691197

RGB 105 17 151

HSL 279.4, 0.8%, 0.33%

LAB 28.48, 56.37, -53.09

 

CMYK 34 / 98 / 0 / 35

HEX #6D04A5

RGB 109 4 165

HSL 279.13, 0.95%, 0.33%

LAB 29.55, 62.21, -59.86

 

CMYK 16 / 47 / 0 / 57

HEX #5C3A6E

RGB 92 58 110

HSL 279.23, 0.31%, 0.33%

LAB 30.47, 25.41, -24.39

 

CMYK 9 / 26 / 0 / 62

HEX #584861

RGB 88 72 97

HSL 278.4, 0.15%, 0.33%

LAB 33.08, 12.06, -12.13

 

CMYK 1 / 0 / 2 / 67

HEX #545553

RGB 84 85 83

HSL 90, 0.01%, 0.33%

LAB 36, -0.83, 1.02

 

CMYK 19 / 0 / 30 / 61

HEX #506345

RGB 80 99 69

HSL 98, 0.18%, 0.33%

LAB 39.68, -13.42, 14.76

 

CMYK 34 / 0 / 50 / 56

HEX #4B7138

RGB 75 113 56

HSL 100, 0.34%, 0.33%

LAB 43.64, -24.87, 27.31

 

CMYK 42 / 47 / 0 / 57

HEX #403A6E

RGB 64 58 110

HSL 246.92, 0.31%, 0.33%

LAB 27.41, 16.73, -29.41

 

CMYK 29 / 47 / 0 / 57

HEX #4E3A6E

RGB 78 58 110

HSL 263.08, 0.31%, 0.33%

LAB 28.83, 20.94, -27.08

 

CMYK 16 / 47 / 0 / 57

HEX #5C3A6E

RGB 92 58 110

HSL 279.23, 0.31%, 0.33%

LAB 30.47, 25.41, -24.39

 

CMYK 4 / 47 / 0 / 57

HEX #6A3A6E

RGB 106 58 110

HSL 295.38, 0.31%, 0.33%

LAB 32.29, 30, -21.4

 

CMYK 0 / 47 / 8 / 57

HEX #6E3A65

RGB 110 58 101

HSL 310.38, 0.31%, 0.33%

LAB 32.44, 29.54, -15.41

 

CMYK 16 / 46 / 0 / 78

HEX #2F1E38

RGB 47 30 56

HSL 279.23, 0.3%, 0.17%

LAB 14.5, 14.19, -13.72

 

CMYK 16 / 47 / 0 / 67

HEX #462C53

RGB 70 44 83

HSL 280, 0.31%, 0.25%

LAB 22.75, 20.16, -19.13

 

CMYK 16 / 47 / 0 / 57

HEX #5C3A6E

RGB 92 58 110

HSL 279.23, 0.31%, 0.33%

LAB 30.47, 25.41, -24.39

 

CMYK 16 / 47 / 0 / 46

HEX #734889

RGB 115 72 137

HSL 279.69, 0.31%, 0.41%

LAB 38, 30.71, -29.18

 

CMYK 16 / 47 / 0 / 36

HEX #8957A4

RGB 137 87 164

HSL 278.96, 0.31%, 0.49%

LAB 45.38, 34.92, -33.62

 

CMYK 17 / 48 / 0 / 57

HEX #5B396D

RGB 91 57 109

HSL 279.23, 0.31%, 0.33%

LAB 30.05, 25.45, -24.42

 

CMYK 0 / 47 / 40 / 57

HEX #6E3A42

RGB 110 58 66

HSL 350.77, 0.31%, 0.33%

LAB 31.19, 23.85, 5.33

 

CMYK 47 / 0 / 35 / 57

HEX #3A6E47

RGB 58 110 71

HSL 135, 0.31%, 0.33%

LAB 42.01, -26.81, 16.5

 

CMYK 17 / 48 / 0 / 57

HEX #5B396D

RGB 91 57 109

HSL 279.23, 0.31%, 0.33%

LAB 30.05, 25.45, -24.42

 

CMYK 0 / 16 / 47 / 57

HEX #6E5C3A

RGB 110 92 58

HSL 39.23, 0.31%, 0.33%

LAB 40.04, 2.27, 22.25

 

CMYK 47 / 0 / 16 / 57

HEX #3A6E5C

RGB 58 110 92

HSL 159.23, 0.31%, 0.33%

LAB 42.5, -22.13, 4.67

 

CMYK 17 / 48 / 0 / 57

HEX #5B396D

RGB 91 57 109

HSL 279.23, 0.31%, 0.33%

LAB 30.05, 25.45, -24.42

 

CMYK 0 / 47 / 40 / 57

HEX #6E3A42

RGB 110 58 66

HSL 350.77, 0.31%, 0.33%

LAB 31.19, 23.85, 5.33

 

CMYK 31 / 0 / 47 / 57

HEX #4C6E3A

RGB 76 110 58

HSL 99.23, 0.31%, 0.33%

LAB 42.75, -22.68, 25.11

 

CMYK 47 / 0 / 7 / 57

HEX #3A6E66

RGB 58 110 102

HSL 170.77, 0.31%, 0.33%

LAB 42.78, -19.55, -0.95

 

CMYK 17 / 48 / 0 / 57

HEX #5B396D

RGB 91 57 109

HSL 279.23, 0.31%, 0.33%

LAB 30.05, 25.45, -24.42

 

CMYK 0 / 40 / 47 / 57

HEX #6E423A

RGB 110 66 58

HSL 9.23, 0.31%, 0.33%

LAB 32.96, 18.08, 12.92

 

CMYK 31 / 0 / 47 / 57

HEX #4C6E3A

RGB 76 110 58

HSL 99.23, 0.31%, 0.33%

LAB 42.75, -22.68, 25.11

 

CMYK 47 / 7 / 0 / 57

HEX #3A666E

RGB 58 102 110

HSL 189.23, 0.31%, 0.33%

LAB 40.46, -12.85, -9.26

 

Description

Color code: HEX #5B396D | qconv.com Color code: HEX #5B396D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 57 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 57 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 48 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 48% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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