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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B32E0 it is the complementary color #A4CD1F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B32E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B32E0 shade: #6032DB, #7144EE, #8256FF, #9368FF and #A47AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B32E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B32E0 shade: #5B32E0, #4A20CD, #390EBA, #2800A7 and #170094

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B32E0 shade: #5B32E0, #8A32E0, #B932E0, #E032D8 and #E032A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B32E0 shade: #5B32E0 and #3232E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B32E0 shade matches the following richer shades: #5B32E0 and #511FF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B32E0 shade: #5B32E0, #6545CD, #6F58BA, #796BA7 and #837E94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B32E0 shade: #3266E0, #3238E0, #5B32E0, #8932E0 and #B732E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B32E0 shade: #3A19A7, #471ECB, #5B32E0, #7856E5 and #957AEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B32E0 shade: #5B32E0, #E03295 and #4FE032

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B32E0 shade: #5B32E0, #E05B32 and #32E05B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B32E0 shade: #5B32E0, #E03295, #B7E032 and #32E07E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B32E0 shade: #5B32E0, #E03261, #B7E032 and #32E0B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 78 / 0 / 12

HEX #5B32E0

RGB 91 50 224

HSL 254.14, 0.74%, 0.54%

LAB 37.64, 60.69, -81.3

 

Complementary color

CMYK 20 / 0 / 85 / 20

HEX #A4CD1F

RGB 164 205 31

HSL 74.14, 0.74%, 0.46%

LAB 77.07, -34.82, 72.41

 

CMYK 56 / 77 / 0 / 14

HEX #6032DB

RGB 96 50 219

HSL 256.33, 0.7%, 0.53%

LAB 37.63, 59.9, -78.43

 

CMYK 53 / 71 / 0 / 7

HEX #7144EE

RGB 113 68 238

HSL 255.88, 0.83%, 0.6%

LAB 43.97, 58.89, -78.77

 

CMYK 49 / 66 / 0 / 0

HEX #8256FF

RGB 130 86 255

HSL 255.62, 1%, 0.67%

LAB 50.24, 57.1, -77.96

 

CMYK 42 / 59 / 0 / 0

HEX #9368FF

RGB 147 104 255

HSL 257.09, 1%, 0.7%

LAB 55.4, 50.72, -69.51

 

CMYK 36 / 52 / 0 / 0

HEX #A47AFF

RGB 164 122 255

HSL 258.95, 1%, 0.74%

LAB 60.81, 44.61, -60.73

 

CMYK 59 / 78 / 0 / 12

HEX #5B32E0

RGB 91 50 224

HSL 254.14, 0.74%, 0.54%

LAB 37.64, 60.69, -81.3

 

CMYK 64 / 84 / 0 / 20

HEX #4A20CD

RGB 74 32 205

HSL 254.57, 0.73%, 0.46%

LAB 31.57, 61.26, -80.42

 

CMYK 69 / 92 / 0 / 27

HEX #390EBA

RGB 57 14 186

HSL 255, 0.86%, 0.39%

LAB 25.95, 60.67, -78.61

 

CMYK 76 / 100 / 0 / 35

HEX #2800A7

RGB 40 0 167

HSL 254.37, 1%, 0.33%

LAB 20.98, 58.33, -75.51

 

CMYK 84 / 100 / 0 / 42

HEX #170094

RGB 23 0 148

HSL 249.32, 1%, 0.29%

LAB 17.09, 53.09, -70.39

 

CMYK 59 / 78 / 0 / 12

HEX #5B32E0

RGB 91 50 224

HSL 254.14, 0.74%, 0.54%

LAB 37.64, 60.69, -81.3

 

CMYK 38 / 78 / 0 / 12

HEX #8A32E0

RGB 138 50 224

HSL 270.34, 0.74%, 0.54%

LAB 42.86, 66.97, -72.53

 

CMYK 17 / 78 / 0 / 12

HEX #B932E0

RGB 185 50 224

HSL 286.55, 0.74%, 0.54%

LAB 49.47, 74.83, -61.5

 

CMYK 0 / 78 / 4 / 12

HEX #E032D8

RGB 224 50 216

HSL 302.76, 0.74%, 0.54%

LAB 55.16, 80.87, -47.49

 

CMYK 0 / 78 / 25 / 12

HEX #E032A9

RGB 224 50 169

HSL 318.97, 0.74%, 0.54%

LAB 52.94, 74.52, -23.81

 

CMYK 59 / 78 / 0 / 12

HEX #5B32E0

RGB 91 50 224

HSL 254.14, 0.74%, 0.54%

LAB 37.64, 60.69, -81.3

 

CMYK 78 / 78 / 0 / 12

HEX #3232E0

RGB 50 50 224

HSL 240, 0.74%, 0.54%

LAB 34.68, 57.1, -86.28

 

CMYK 59 / 78 / 0 / 12

HEX #5B32E0

RGB 91 50 224

HSL 254.14, 0.74%, 0.54%

LAB 37.64, 60.69, -81.3

 

CMYK 67 / 87 / 0 / 5

HEX #511FF3

RGB 81 31 243

HSL 254.15, 0.9%, 0.54%

LAB 36.37, 71.98, -94.24

 

CMYK 59 / 78 / 0 / 12

HEX #5B32E0

RGB 91 50 224

HSL 254.14, 0.74%, 0.54%

LAB 37.64, 60.69, -81.3

 

CMYK 51 / 66 / 0 / 20

HEX #6545CD

RGB 101 69 205

HSL 254.12, 0.58%, 0.54%

LAB 40.3, 47.18, -65.98

 

CMYK 40 / 53 / 0 / 27

HEX #6F58BA

RGB 111 88 186

HSL 254.08, 0.42%, 0.54%

LAB 44.1, 32.85, -48.75

 

CMYK 28 / 36 / 0 / 35

HEX #796BA7

RGB 121 107 167

HSL 254, 0.25%, 0.54%

LAB 48.72, 19, -30.26

 

CMYK 11 / 15 / 0 / 42

HEX #837E94

RGB 131 126 148

HSL 253.64, 0.09%, 0.54%

LAB 53.9, 6.45, -11.15

 

CMYK 78 / 54 / 0 / 12

HEX #3266E0

RGB 50 102 224

HSL 222.07, 0.74%, 0.54%

LAB 46.4, 26.06, -67.06

 

CMYK 78 / 75 / 0 / 12

HEX #3238E0

RGB 50 56 224

HSL 237.93, 0.74%, 0.54%

LAB 35.77, 53.99, -84.49

 

CMYK 59 / 78 / 0 / 12

HEX #5B32E0

RGB 91 50 224

HSL 254.14, 0.74%, 0.54%

LAB 37.64, 60.69, -81.3

 

CMYK 39 / 78 / 0 / 12

HEX #8932E0

RGB 137 50 224

HSL 270, 0.74%, 0.54%

LAB 42.74, 66.81, -72.74

 

CMYK 18 / 78 / 0 / 12

HEX #B732E0

RGB 183 50 224

HSL 285.86, 0.74%, 0.54%

LAB 49.17, 74.47, -62

 

CMYK 65 / 85 / 0 / 35

HEX #3A19A7

RGB 58 25 167

HSL 253.94, 0.74%, 0.38%

LAB 24.9, 52.15, -68.95

 

CMYK 65 / 85 / 0 / 20

HEX #471ECB

RGB 71 30 203

HSL 254.22, 0.74%, 0.46%

LAB 30.83, 61.21, -80.48

 

CMYK 59 / 78 / 0 / 12

HEX #5B32E0

RGB 91 50 224

HSL 254.14, 0.74%, 0.54%

LAB 37.64, 60.69, -81.3

 

CMYK 48 / 62 / 0 / 10

HEX #7856E5

RGB 120 86 229

HSL 254.27, 0.73%, 0.62%

LAB 47.37, 48.12, -68.11

 

CMYK 37 / 48 / 0 / 8

HEX #957AEB

RGB 149 122 235

HSL 254.34, 0.74%, 0.7%

LAB 58.33, 35.77, -53.71

 

CMYK 59 / 78 / 0 / 12

HEX #5B32E0

RGB 91 50 224

HSL 254.14, 0.74%, 0.54%

LAB 37.64, 60.69, -81.3

 

CMYK 0 / 78 / 33 / 12

HEX #E03295

RGB 224 50 149

HSL 325.86, 0.74%, 0.54%

LAB 52.17, 72.24, -13.16

 

CMYK 65 / 0 / 78 / 12

HEX #4FE032

RGB 79 224 50

HSL 110, 0.74%, 0.54%

LAB 79.16, -68.02, 68

 

CMYK 59 / 78 / 0 / 12

HEX #5B32E0

RGB 91 50 224

HSL 254.14, 0.74%, 0.54%

LAB 37.64, 60.69, -81.3

 

CMYK 0 / 59 / 78 / 12

HEX #E05B32

RGB 224 91 50

HSL 14.14, 0.74%, 0.54%

LAB 55.64, 49.77, 48.63

 

CMYK 78 / 0 / 59 / 12

HEX #32E05B

RGB 50 224 91

HSL 134.14, 0.74%, 0.54%

LAB 78.89, -69.13, 52.06

 

CMYK 59 / 78 / 0 / 12

HEX #5B32E0

RGB 91 50 224

HSL 254.14, 0.74%, 0.54%

LAB 37.64, 60.69, -81.3

 

CMYK 0 / 78 / 33 / 12

HEX #E03295

RGB 224 50 149

HSL 325.86, 0.74%, 0.54%

LAB 52.17, 72.24, -13.16

 

CMYK 18 / 0 / 78 / 12

HEX #B7E032

RGB 183 224 50

HSL 74.14, 0.74%, 0.54%

LAB 83.76, -35.29, 73.95

 

CMYK 78 / 0 / 44 / 12

HEX #32E07E

RGB 50 224 126

HSL 146.21, 0.74%, 0.54%

LAB 79.33, -64.01, 36.01

 

CMYK 59 / 78 / 0 / 12

HEX #5B32E0

RGB 91 50 224

HSL 254.14, 0.74%, 0.54%

LAB 37.64, 60.69, -81.3

 

CMYK 0 / 78 / 57 / 12

HEX #E03261

RGB 224 50 97

HSL 343.79, 0.74%, 0.54%

LAB 50.68, 67.67, 16.02

 

CMYK 18 / 0 / 78 / 12

HEX #B7E032

RGB 183 224 50

HSL 74.14, 0.74%, 0.54%

LAB 83.76, -35.29, 73.95

 

CMYK 78 / 0 / 21 / 12

HEX #32E0B2

RGB 50 224 178

HSL 164.14, 0.74%, 0.54%

LAB 80.29, -53.27, 10.44

 

Description

Color code: HEX #5B32E0 | qconv.com Color code: HEX #5B32E0 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 50 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 50 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 78 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 78% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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