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Color name
HEX #5B2B0D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B2B0D it is the complementary color #A4D4F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B2B0D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B2B0D shade: #602B08, #713D1B, #824F2E, #936141 and #A47354

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B2B0D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B2B0D shade: #5B2B0D, #4A1900, #390700, #280000 and #170000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B2B0D shade: #592A0D, #59160D and #590D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B2B0D shade: #592A0D, #593F0D, #59530D, #4A590D and #36590D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B2B0D shade matches the following richer shades: #592A0D and #622804

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B2B0D shade: #592A0D, #512C15, #492E1D, #403026 and #38322E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B2B0D shade: #590D18, #59160D, #592A0D, #593E0D and #59530D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B2B0D shade: #110802, #351908, #592A0D, #7D3B12 and #A14C17

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B2B0D shade: #5B2B0D, #2D590D and #0D0E59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B2B0D shade: #5B2B0D, #0D592A and #2A0D59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B2B0D shade: #5B2B0D, #2D590D, #0D3C59 and #390D59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B2B0D shade: #5B2B0D, #16590D, #0D3C59 and #500D59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 86 / 64

HEX #5B2B0D

RGB 91 43 13

HSL 23.08, 0.75%, 0.2%

LAB 23.61, 19.7, 28.23

 

Complementary color

CMYK 32 / 12 / 0 / 5

HEX #A4D4F2

RGB 164 212 242

HSL 203.08, 0.75%, 0.8%

LAB 82.59, -8.59, -19.75

 

CMYK 0 / 55 / 92 / 62

HEX #602B08

RGB 96 43 8

HSL 23.86, 0.85%, 0.2%

LAB 24.42, 21.83, 31.46

 

CMYK 0 / 46 / 76 / 56

HEX #713D1B

RGB 113 61 27

HSL 23.72, 0.61%, 0.27%

LAB 31.64, 19.79, 30.11

 

CMYK 0 / 39 / 65 / 49

HEX #824F2E

RGB 130 79 46

HSL 23.57, 0.48%, 0.35%

LAB 38.79, 18.09, 28.2

 

CMYK 0 / 34 / 56 / 42

HEX #936141

RGB 147 97 65

HSL 23.41, 0.39%, 0.42%

LAB 45.82, 16.7, 26.41

 

CMYK 0 / 30 / 49 / 36

HEX #A47354

RGB 164 115 84

HSL 23.25, 0.32%, 0.49%

LAB 52.72, 15.54, 24.82

 

CMYK 0 / 53 / 86 / 64

HEX #5B2B0D

RGB 91 43 13

HSL 23.08, 0.75%, 0.2%

LAB 23.61, 19.7, 28.23

 

CMYK 0 / 66 / 100 / 71

HEX #4A1900

RGB 74 25 0

HSL 20.27, 1%, 0.15%

LAB 16.26, 21.92, 24.49

 

CMYK 0 / 88 / 100 / 78

HEX #390700

RGB 57 7 0

HSL 7.37, 1%, 0.11%

LAB 9.17, 23.86, 14.32

 

CMYK 0 / 100 / 100 / 84

HEX #280000

RGB 40 0 0

HSL 0, 1%, 0.08%

LAB 4.07, 18.26, 6.44

 

CMYK 0 / 100 / 100 / 91

HEX #170000

RGB 23 0 0

HSL 0, 1%, 0.05%

LAB 1.65, 7.38, 2.6

 

CMYK 0 / 53 / 85 / 65

HEX #592A0D

RGB 89 42 13

HSL 22.89, 0.75%, 0.2%

LAB 23.03, 19.37, 27.53

 

CMYK 0 / 75 / 85 / 65

HEX #59160D

RGB 89 22 13

HSL 7.11, 0.75%, 0.2%

LAB 18.91, 30.11, 23.01

 

CMYK 0 / 85 / 85 / 65

HEX #590D0D

RGB 89 13 13

HSL 0, 0.75%, 0.2%

LAB 17.65, 33.63, 21.51

 

CMYK 0 / 53 / 85 / 65

HEX #592A0D

RGB 89 42 13

HSL 22.89, 0.75%, 0.2%

LAB 23.03, 19.37, 27.53

 

CMYK 0 / 29 / 85 / 65

HEX #593F0D

RGB 89 63 13

HSL 39.47, 0.75%, 0.2%

LAB 28.66, 6.24, 32.9

 

CMYK 0 / 7 / 85 / 65

HEX #59530D

RGB 89 83 13

HSL 55.26, 0.75%, 0.2%

LAB 34.68, -6.05, 38.33

 

CMYK 17 / 0 / 85 / 65

HEX #4A590D

RGB 74 89 13

HSL 71.84, 0.75%, 0.2%

LAB 35.26, -16.81, 38.34

 

CMYK 39 / 0 / 85 / 65

HEX #36590D

RGB 54 89 13

HSL 87.63, 0.75%, 0.2%

LAB 33.9, -25.66, 36.59

 

CMYK 0 / 53 / 85 / 65

HEX #592A0D

RGB 89 42 13

HSL 22.89, 0.75%, 0.2%

LAB 23.03, 19.37, 27.53

 

CMYK 0 / 59 / 96 / 62

HEX #622804

RGB 98 40 4

HSL 22.98, 0.92%, 0.2%

LAB 24.07, 24.32, 32.87

 

CMYK 0 / 53 / 85 / 65

HEX #592A0D

RGB 89 42 13

HSL 22.89, 0.75%, 0.2%

LAB 23.03, 19.37, 27.53

 

CMYK 0 / 46 / 74 / 68

HEX #512C15

RGB 81 44 21

HSL 23, 0.59%, 0.2%

LAB 22.32, 14.76, 21.91

 

CMYK 0 / 37 / 60 / 71

HEX #492E1D

RGB 73 46 29

HSL 23.18, 0.43%, 0.2%

LAB 21.8, 10.22, 15.95

 

CMYK 0 / 25 / 41 / 75

HEX #403026

RGB 64 48 38

HSL 23.08, 0.25%, 0.2%

LAB 21.37, 5.6, 9.2

 

CMYK 0 / 11 / 18 / 78

HEX #38322E

RGB 56 50 46

HSL 24, 0.1%, 0.2%

LAB 21.28, 1.84, 3.51

 

CMYK 0 / 85 / 73 / 65

HEX #590D18

RGB 89 13 24

HSL 351.32, 0.75%, 0.2%

LAB 17.82, 34.16, 14.95

 

CMYK 0 / 75 / 85 / 65

HEX #59160D

RGB 89 22 13

HSL 7.11, 0.75%, 0.2%

LAB 18.91, 30.11, 23.01

 

CMYK 0 / 53 / 85 / 65

HEX #592A0D

RGB 89 42 13

HSL 22.89, 0.75%, 0.2%

LAB 23.03, 19.37, 27.53

 

CMYK 0 / 30 / 85 / 65

HEX #593E0D

RGB 89 62 13

HSL 38.68, 0.75%, 0.2%

LAB 28.38, 6.87, 32.63

 

CMYK 0 / 7 / 85 / 65

HEX #59530D

RGB 89 83 13

HSL 55.26, 0.75%, 0.2%

LAB 34.68, -6.05, 38.33

 

CMYK 0 / 53 / 88 / 93

HEX #110802

RGB 17 8 2

HSL 24, 0.79%, 0.04%

LAB 2.68, 1.9, 3.23

 

CMYK 0 / 53 / 85 / 79

HEX #351908

RGB 53 25 8

HSL 22.67, 0.74%, 0.12%

LAB 12.41, 12.26, 15.46

 

CMYK 0 / 53 / 85 / 65

HEX #592A0D

RGB 89 42 13

HSL 22.89, 0.75%, 0.2%

LAB 23.03, 19.37, 27.53

 

CMYK 0 / 53 / 86 / 51

HEX #7D3B12

RGB 125 59 18

HSL 22.99, 0.75%, 0.28%

LAB 32.99, 25.91, 36.6

 

CMYK 0 / 53 / 86 / 37

HEX #A14C17

RGB 161 76 23

HSL 23.04, 0.75%, 0.36%

LAB 42.47, 32.07, 45.02

 

CMYK 0 / 53 / 86 / 64

HEX #5B2B0D

RGB 91 43 13

HSL 23.08, 0.75%, 0.2%

LAB 23.61, 19.7, 28.23

 

CMYK 49 / 0 / 85 / 65

HEX #2D590D

RGB 45 89 13

HSL 94.74, 0.75%, 0.2%

LAB 33.42, -29.13, 35.97

 

CMYK 85 / 84 / 0 / 65

HEX #0D0E59

RGB 13 14 89

HSL 239.21, 0.75%, 0.2%

LAB 9.96, 28.98, -44.12

 

CMYK 0 / 53 / 86 / 64

HEX #5B2B0D

RGB 91 43 13

HSL 23.08, 0.75%, 0.2%

LAB 23.61, 19.7, 28.23

 

CMYK 85 / 0 / 53 / 65

HEX #0D592A

RGB 13 89 42

HSL 142.89, 0.75%, 0.2%

LAB 32.7, -33.74, 20.98

 

CMYK 53 / 85 / 0 / 65

HEX #2A0D59

RGB 42 13 89

HSL 262.89, 0.75%, 0.2%

LAB 12.62, 32.93, -39.64

 

CMYK 0 / 53 / 86 / 64

HEX #5B2B0D

RGB 91 43 13

HSL 23.08, 0.75%, 0.2%

LAB 23.61, 19.7, 28.23

 

CMYK 49 / 0 / 85 / 65

HEX #2D590D

RGB 45 89 13

HSL 94.74, 0.75%, 0.2%

LAB 33.42, -29.13, 35.97

 

CMYK 85 / 33 / 0 / 65

HEX #0D3C59

RGB 13 60 89

HSL 202.89, 0.75%, 0.2%

LAB 23.8, -3.86, -21.74

 

CMYK 36 / 85 / 0 / 65

HEX #390D59

RGB 57 13 89

HSL 274.74, 0.75%, 0.2%

LAB 14.84, 35.52, -35.91

 

CMYK 0 / 53 / 86 / 64

HEX #5B2B0D

RGB 91 43 13

HSL 23.08, 0.75%, 0.2%

LAB 23.61, 19.7, 28.23

 

CMYK 75 / 0 / 85 / 65

HEX #16590D

RGB 22 89 13

HSL 112.89, 0.75%, 0.2%

LAB 32.58, -35.82, 34.88

 

CMYK 85 / 33 / 0 / 65

HEX #0D3C59

RGB 13 60 89

HSL 202.89, 0.75%, 0.2%

LAB 23.8, -3.86, -21.74

 

CMYK 10 / 85 / 0 / 65

HEX #500D59

RGB 80 13 89

HSL 292.89, 0.75%, 0.2%

LAB 18.86, 40.21, -29.21

 

Description

Color code: HEX #5B2B0D | qconv.com Color code: HEX #5B2B0D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 43 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 43 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 86 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 86% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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