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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B2ABD it is the complementary color #A4D542. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B2ABD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B2ABD shade: #602AB8, #713CCB, #824EDE, #9360F1 and #A472FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B2ABD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B2ABD shade: #5B2ABD, #4A18AA, #390697, #280084 and #170071

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B2ABD shade: #5A29BC, #8229BC, #A929BC, #BC29A7 and #BC2980

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B2ABD shade: #5A29BC, #3329BC and #2929BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B2ABD shade matches the following richer shades: #5A29BC, #5417CF and #4E04E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B2ABD shade: #5A29BC, #603CAA, #674E97, #6D6184 and #737472

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B2ABD shade: #2947BC, #3329BC, #5A29BC, #8129BC and #A929BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B2ABD shade: #3A1A79, #4A229A, #5A29BC, #6E3BD4 and #875DDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B2ABD shade: #5B2ABD, #BC296E and #33BC29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B2ABD shade: #5B2ABD, #BC5A29 and #29BC5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B2ABD shade: #5B2ABD, #BC296E, #8BBC29 and #29BC78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B2ABD shade: #5B2ABD, #BC2942, #8BBC29 and #29BCA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 78 / 0 / 26

HEX #5B2ABD

RGB 91 42 189

HSL 260, 0.64%, 0.45%

LAB 33.04, 54.74, -68.56

 

Complementary color

CMYK 23 / 0 / 69 / 16

HEX #A4D542

RGB 164 213 66

HSL 80, 0.64%, 0.55%

LAB 79.54, -36.85, 64.2

 

CMYK 48 / 77 / 0 / 28

HEX #602AB8

RGB 96 42 184

HSL 262.82, 0.63%, 0.44%

LAB 33.14, 54.13, -65.41

 

CMYK 44 / 70 / 0 / 20

HEX #713CCB

RGB 113 60 203

HSL 262.24, 0.58%, 0.52%

LAB 39.67, 53.44, -65.79

 

CMYK 41 / 65 / 0 / 13

HEX #824EDE

RGB 130 78 222

HSL 261.67, 0.69%, 0.59%

LAB 46.27, 52.45, -65.88

 

CMYK 39 / 60 / 0 / 5

HEX #9360F1

RGB 147 96 241

HSL 261.1, 0.84%, 0.66%

LAB 52.86, 51.35, -65.84

 

CMYK 36 / 55 / 0 / 0

HEX #A472FF

RGB 164 114 255

HSL 261.28, 1%, 0.72%

LAB 59.11, 48.99, -63.45

 

CMYK 52 / 78 / 0 / 26

HEX #5B2ABD

RGB 91 42 189

HSL 260, 0.64%, 0.45%

LAB 33.04, 54.74, -68.56

 

CMYK 56 / 86 / 0 / 33

HEX #4A18AA

RGB 74 24 170

HSL 260.55, 0.75%, 0.38%

LAB 26.77, 54.86, -67.63

 

CMYK 62 / 96 / 0 / 41

HEX #390697

RGB 57 6 151

HSL 261.1, 0.92%, 0.31%

LAB 20.96, 53.6, -65.71

 

CMYK 70 / 100 / 0 / 48

HEX #280084

RGB 40 0 132

HSL 258.18, 1%, 0.26%

LAB 16.09, 49.53, -61.98

 

CMYK 80 / 100 / 0 / 56

HEX #170071

RGB 23 0 113

HSL 252.21, 1%, 0.22%

LAB 11.79, 43.91, -57

 

CMYK 52 / 78 / 0 / 26

HEX #5A29BC

RGB 90 41 188

HSL 260, 0.64%, 0.45%

LAB 32.68, 54.78, -68.56

 

CMYK 31 / 78 / 0 / 26

HEX #8229BC

RGB 130 41 188

HSL 276.33, 0.64%, 0.45%

LAB 37.78, 60.95, -60.02

 

CMYK 10 / 78 / 0 / 26

HEX #A929BC

RGB 169 41 188

HSL 292.24, 0.64%, 0.45%

LAB 43.73, 68.08, -50.11

 

CMYK 0 / 78 / 11 / 26

HEX #BC29A7

RGB 188 41 167

HSL 308.57, 0.64%, 0.45%

LAB 45.73, 68.63, -34.34

 

CMYK 0 / 78 / 32 / 26

HEX #BC2980

RGB 188 41 128

HSL 324.49, 0.64%, 0.45%

LAB 44, 63.57, -13.48

 

CMYK 52 / 78 / 0 / 26

HEX #5A29BC

RGB 90 41 188

HSL 260, 0.64%, 0.45%

LAB 32.68, 54.78, -68.56

 

CMYK 73 / 78 / 0 / 26

HEX #3329BC

RGB 51 41 188

HSL 244.08, 0.64%, 0.45%

LAB 29.21, 50.51, -74.4

 

CMYK 78 / 78 / 0 / 26

HEX #2929BC

RGB 41 41 188

HSL 240, 0.64%, 0.45%

LAB 28.61, 49.77, -75.41

 

CMYK 52 / 78 / 0 / 26

HEX #5A29BC

RGB 90 41 188

HSL 260, 0.64%, 0.45%

LAB 32.68, 54.78, -68.56

 

CMYK 59 / 89 / 0 / 19

HEX #5417CF

RGB 84 23 207

HSL 259.89, 0.8%, 0.45%

LAB 31.81, 65.46, -81.15

 

CMYK 65 / 98 / 0 / 12

HEX #4E04E1

RGB 78 4 225

HSL 260.09, 0.97%, 0.45%

LAB 32.13, 73.01, -91.04

 

CMYK 52 / 78 / 0 / 26

HEX #5A29BC

RGB 90 41 188

HSL 260, 0.64%, 0.45%

LAB 32.68, 54.78, -68.56

 

CMYK 44 / 65 / 0 / 33

HEX #603CAA

RGB 96 60 170

HSL 259.64, 0.48%, 0.45%

LAB 35.24, 41.25, -53.65

 

CMYK 32 / 48 / 0 / 41

HEX #674E97

RGB 103 78 151

HSL 260.55, 0.32%, 0.45%

LAB 38.84, 27.07, -36.43

 

CMYK 17 / 27 / 0 / 48

HEX #6D6184

RGB 109 97 132

HSL 260.57, 0.15%, 0.45%

LAB 43.46, 12.38, -17.71

 

CMYK 1 / 0 / 2 / 55

HEX #737472

RGB 115 116 114

HSL 90, 0.01%, 0.45%

LAB 48.7, -0.78, 0.96

 

CMYK 78 / 62 / 0 / 26

HEX #2947BC

RGB 41 71 188

HSL 227.76, 0.64%, 0.45%

LAB 35.22, 31.75, -64.53

 

CMYK 73 / 78 / 0 / 26

HEX #3329BC

RGB 51 41 188

HSL 244.08, 0.64%, 0.45%

LAB 29.21, 50.51, -74.4

 

CMYK 52 / 78 / 0 / 26

HEX #5A29BC

RGB 90 41 188

HSL 260, 0.64%, 0.45%

LAB 32.68, 54.78, -68.56

 

CMYK 31 / 78 / 0 / 26

HEX #8129BC

RGB 129 41 188

HSL 275.92, 0.64%, 0.45%

LAB 37.63, 60.78, -60.26

 

CMYK 10 / 78 / 0 / 26

HEX #A929BC

RGB 169 41 188

HSL 292.24, 0.64%, 0.45%

LAB 43.73, 68.08, -50.11

 

CMYK 52 / 79 / 0 / 53

HEX #3A1A79

RGB 58 26 121

HSL 260.21, 0.65%, 0.29%

LAB 20.12, 38.47, -48.26

 

CMYK 52 / 78 / 0 / 40

HEX #4A229A

RGB 74 34 154

HSL 260, 0.64%, 0.37%

LAB 26.54, 46.44, -58.28

 

CMYK 52 / 78 / 0 / 26

HEX #5A29BC

RGB 90 41 188

HSL 260, 0.64%, 0.45%

LAB 32.68, 54.78, -68.56

 

CMYK 48 / 72 / 0 / 17

HEX #6E3BD4

RGB 110 59 212

HSL 260, 0.64%, 0.53%

LAB 39.91, 55.8, -70.61

 

CMYK 38 / 58 / 0 / 14

HEX #875DDB

RGB 135 93 219

HSL 260, 0.64%, 0.61%

LAB 49.61, 44.63, -58.75

 

CMYK 52 / 78 / 0 / 26

HEX #5B2ABD

RGB 91 42 189

HSL 260, 0.64%, 0.45%

LAB 33.04, 54.74, -68.56

 

CMYK 0 / 78 / 41 / 26

HEX #BC296E

RGB 188 41 110

HSL 331.84, 0.64%, 0.45%

LAB 43.36, 61.66, -3.31

 

CMYK 73 / 0 / 78 / 26

HEX #33BC29

RGB 51 188 41

HSL 115.92, 0.64%, 0.45%

LAB 67.15, -62.26, 59.02

 

CMYK 52 / 78 / 0 / 26

HEX #5B2ABD

RGB 91 42 189

HSL 260, 0.64%, 0.45%

LAB 33.04, 54.74, -68.56

 

CMYK 0 / 52 / 78 / 26

HEX #BC5A29

RGB 188 90 41

HSL 20, 0.64%, 0.45%

LAB 49.69, 36.32, 45.17

 

CMYK 78 / 0 / 52 / 26

HEX #29BC5A

RGB 41 188 90

HSL 140, 0.64%, 0.45%

LAB 67.41, -58.49, 38.81

 

CMYK 52 / 78 / 0 / 26

HEX #5B2ABD

RGB 91 42 189

HSL 260, 0.64%, 0.45%

LAB 33.04, 54.74, -68.56

 

CMYK 0 / 78 / 41 / 26

HEX #BC296E

RGB 188 41 110

HSL 331.84, 0.64%, 0.45%

LAB 43.36, 61.66, -3.31

 

CMYK 26 / 0 / 78 / 26

HEX #8BBC29

RGB 139 188 41

HSL 80, 0.64%, 0.45%

LAB 70.61, -36.57, 63.51

 

CMYK 78 / 0 / 36 / 26

HEX #29BC78

RGB 41 188 120

HSL 152.24, 0.64%, 0.45%

LAB 67.87, -53.17, 23.97

 

CMYK 52 / 78 / 0 / 26

HEX #5B2ABD

RGB 91 42 189

HSL 260, 0.64%, 0.45%

LAB 33.04, 54.74, -68.56

 

CMYK 0 / 78 / 65 / 26

HEX #BC2942

RGB 188 41 66

HSL 349.8, 0.64%, 0.45%

LAB 42.26, 58.24, 22.64

 

CMYK 26 / 0 / 78 / 26

HEX #8BBC29

RGB 139 188 41

HSL 80, 0.64%, 0.45%

LAB 70.61, -36.57, 63.51

 

CMYK 78 / 0 / 13 / 26

HEX #29BCA4

RGB 41 188 164

HSL 170.2, 0.64%, 0.45%

LAB 68.84, -42.78, 1.47

 

Description

Color code: HEX #5B2ABD | qconv.com Color code: HEX #5B2ABD | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 42 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 42 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 78 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 78% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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