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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B1F63 it is the complementary color #A4E09C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B1F63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B1F63 shade: #601F5E, #713171, #824384, #935597 and #A467AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B1F63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B1F63 shade: #5B1F63, #4A0D50, #39003D, #28002A and #170017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B1F63 shade: #591F61, #611F57, #611F45, #611F33 and #611F21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B1F63 shade: #591F61, #471F61, #351F61, #231F61 and #1F1F61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B1F63 shade matches the following richer shades: #591F61, #61146B and #690A76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B1F63 shade: #591F61, #512957, #49334C, #413E42 and #3A4838

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B1F63 shade: #351F61, #461F61, #581F61, #611F58 and #611F46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B1F63 shade: #1F0B22, #3C1542, #591F61, #762980 and #9332A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B1F63 shade: #5B1F63, #61231F and #1F613E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B1F63 shade: #5B1F63, #61581F and #1F6158

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B1F63 shade: #5B1F63, #61231F, #27611F and #1F5C61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B1F63 shade: #5B1F63, #61371F, #27611F and #1F4961

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 69 / 0 / 61

HEX #5B1F63

RGB 91 31 99

HSL 292.94, 0.52%, 0.25%

LAB 24.02, 37.67, -27.49

 

Complementary color

CMYK 27 / 0 / 30 / 12

HEX #A4E09C

RGB 164 224 156

HSL 112.94, 0.52%, 0.75%

LAB 83.76, -31.92, 27.34

 

CMYK 0 / 68 / 2 / 62

HEX #601F5E

RGB 96 31 94

HSL 301.85, 0.51%, 0.25%

LAB 24.56, 38.04, -23.3

 

CMYK 0 / 57 / 0 / 56

HEX #713171

RGB 113 49 113

HSL 300, 0.4%, 0.32%

LAB 31.58, 37.77, -24.34

 

CMYK 2 / 49 / 0 / 48

HEX #824384

RGB 130 67 132

HSL 298.15, 0.33%, 0.39%

LAB 38.6, 37.12, -25.03

 

CMYK 3 / 44 / 0 / 41

HEX #935597

RGB 147 85 151

HSL 296.36, 0.28%, 0.46%

LAB 45.54, 36.36, -25.55

 

CMYK 4 / 39 / 0 / 33

HEX #A467AA

RGB 164 103 170

HSL 294.63, 0.28%, 0.54%

LAB 52.39, 35.57, -25.96

 

CMYK 8 / 69 / 0 / 61

HEX #5B1F63

RGB 91 31 99

HSL 292.94, 0.52%, 0.25%

LAB 24.02, 37.67, -27.49

 

CMYK 7 / 84 / 0 / 69

HEX #4A0D50

RGB 74 13 80

HSL 294.63, 0.72%, 0.18%

LAB 17.1, 37.08, -26.02

 

CMYK 7 / 100 / 0 / 76

HEX #39003D

RGB 57 0 61

HSL 296.07, 1%, 0.12%

LAB 10.61, 34.6, -23.35

 

CMYK 5 / 100 / 0 / 84

HEX #28002A

RGB 40 0 42

HSL 297.14, 1%, 0.08%

LAB 5.58, 26.32, -17.6

 

CMYK 0 / 100 / 0 / 91

HEX #170017

RGB 23 0 23

HSL 300, 1%, 0.05%

LAB 2.2, 11.31, -8.08

 

CMYK 8 / 68 / 0 / 62

HEX #591F61

RGB 89 31 97

HSL 292.73, 0.52%, 0.25%

LAB 23.56, 36.71, -26.92

 

CMYK 0 / 68 / 10 / 62

HEX #611F57

RGB 97 31 87

HSL 309.09, 0.52%, 0.25%

LAB 24.35, 37.04, -18.99

 

CMYK 0 / 68 / 29 / 62

HEX #611F45

RGB 97 31 69

HSL 325.45, 0.52%, 0.25%

LAB 23.51, 34.11, -8.2

 

CMYK 0 / 68 / 47 / 62

HEX #611F33

RGB 97 31 51

HSL 341.82, 0.52%, 0.25%

LAB 22.86, 31.76, 3.17

 

CMYK 0 / 68 / 66 / 62

HEX #611F21

RGB 97 31 33

HSL 358.18, 0.52%, 0.25%

LAB 22.41, 30.07, 14.91

 

CMYK 8 / 68 / 0 / 62

HEX #591F61

RGB 89 31 97

HSL 292.73, 0.52%, 0.25%

LAB 23.56, 36.71, -26.92

 

CMYK 27 / 68 / 0 / 62

HEX #471F61

RGB 71 31 97

HSL 276.36, 0.52%, 0.25%

LAB 20.76, 31.92, -31.56

 

CMYK 45 / 68 / 0 / 62

HEX #351F61

RGB 53 31 97

HSL 260, 0.52%, 0.25%

LAB 18.36, 27.46, -35.55

 

CMYK 64 / 68 / 0 / 62

HEX #231F61

RGB 35 31 97

HSL 243.64, 0.52%, 0.25%

LAB 16.51, 23.68, -38.65

 

CMYK 68 / 68 / 0 / 62

HEX #1F1F61

RGB 31 31 97

HSL 240, 0.52%, 0.25%

LAB 16.18, 22.97, -39.2

 

CMYK 8 / 68 / 0 / 62

HEX #591F61

RGB 89 31 97

HSL 292.73, 0.52%, 0.25%

LAB 23.56, 36.71, -26.92

 

CMYK 9 / 81 / 0 / 58

HEX #61146B

RGB 97 20 107

HSL 293.1, 0.69%, 0.25%

LAB 24.01, 45.14, -32.65

 

CMYK 11 / 92 / 0 / 54

HEX #690A76

RGB 105 10 118

HSL 292.78, 0.84%, 0.25%

LAB 25.35, 51.39, -37.51

 

CMYK 8 / 68 / 0 / 62

HEX #591F61

RGB 89 31 97

HSL 292.73, 0.52%, 0.25%

LAB 23.56, 36.71, -26.92

 

CMYK 7 / 53 / 0 / 66

HEX #512957

RGB 81 41 87

HSL 292.17, 0.36%, 0.25%

LAB 23.75, 26.72, -20.12

 

CMYK 4 / 33 / 0 / 70

HEX #49334C

RGB 73 51 76

HSL 292.8, 0.2%, 0.25%

LAB 24.66, 15, -11.49

 

CMYK 2 / 6 / 0 / 74

HEX #413E42

RGB 65 62 66

HSL 285, 0.03%, 0.25%

LAB 26.63, 2.17, -1.99

 

CMYK 19 / 0 / 22 / 72

HEX #3A4838

RGB 58 72 56

HSL 112.5, 0.13%, 0.25%

LAB 28.95, -9.26, 7.78

 

CMYK 45 / 68 / 0 / 62

HEX #351F61

RGB 53 31 97

HSL 260, 0.52%, 0.25%

LAB 18.36, 27.46, -35.55

 

CMYK 28 / 68 / 0 / 62

HEX #461F61

RGB 70 31 97

HSL 275.45, 0.52%, 0.25%

LAB 20.62, 31.66, -31.8

 

CMYK 9 / 68 / 0 / 62

HEX #581F61

RGB 88 31 97

HSL 291.82, 0.52%, 0.25%

LAB 23.4, 36.44, -27.19

 

CMYK 0 / 68 / 9 / 62

HEX #611F58

RGB 97 31 88

HSL 308.18, 0.52%, 0.25%

LAB 24.4, 37.22, -19.57

 

CMYK 0 / 68 / 28 / 62

HEX #611F46

RGB 97 31 70

HSL 324.55, 0.52%, 0.25%

LAB 23.55, 34.26, -8.82

 

CMYK 9 / 68 / 0 / 87

HEX #1F0B22

RGB 31 11 34

HSL 292.17, 0.51%, 0.09%

LAB 5.84, 14.46, -11.2

 

CMYK 9 / 68 / 0 / 74

HEX #3C1542

RGB 60 21 66

HSL 292, 0.52%, 0.17%

LAB 14.9, 26.82, -20

 

CMYK 8 / 68 / 0 / 62

HEX #591F61

RGB 89 31 97

HSL 292.73, 0.52%, 0.25%

LAB 23.56, 36.71, -26.92

 

CMYK 8 / 68 / 0 / 50

HEX #762980

RGB 118 41 128

HSL 293.1, 0.51%, 0.33%

LAB 31.8, 45.92, -33.38

 

CMYK 8 / 69 / 0 / 37

HEX #9332A0

RGB 147 50 160

HSL 292.91, 0.52%, 0.41%

LAB 39.62, 55.26, -40.27

 

CMYK 8 / 69 / 0 / 61

HEX #5B1F63

RGB 91 31 99

HSL 292.94, 0.52%, 0.25%

LAB 24.02, 37.67, -27.49

 

CMYK 0 / 64 / 68 / 62

HEX #61231F

RGB 97 35 31

HSL 3.64, 0.52%, 0.25%

LAB 23.14, 27.88, 17.18

 

CMYK 68 / 0 / 36 / 62

HEX #1F613E

RGB 31 97 62

HSL 148.18, 0.52%, 0.25%

LAB 36.34, -29.81, 14.02

 

CMYK 8 / 69 / 0 / 61

HEX #5B1F63

RGB 91 31 99

HSL 292.94, 0.52%, 0.25%

LAB 24.02, 37.67, -27.49

 

CMYK 0 / 9 / 68 / 62

HEX #61581F

RGB 97 88 31

HSL 51.82, 0.52%, 0.25%

LAB 37.15, -4.05, 33.34

 

CMYK 68 / 0 / 9 / 62

HEX #1F6158

RGB 31 97 88

HSL 171.82, 0.52%, 0.25%

LAB 37.01, -22.98, -0.97

 

CMYK 8 / 69 / 0 / 61

HEX #5B1F63

RGB 91 31 99

HSL 292.94, 0.52%, 0.25%

LAB 24.02, 37.67, -27.49

 

CMYK 0 / 64 / 68 / 62

HEX #61231F

RGB 97 35 31

HSL 3.64, 0.52%, 0.25%

LAB 23.14, 27.88, 17.18

 

CMYK 60 / 0 / 68 / 62

HEX #27611F

RGB 39 97 31

HSL 112.73, 0.52%, 0.25%

LAB 36.14, -33, 31.1

 

CMYK 68 / 5 / 0 / 62

HEX #1F5C61

RGB 31 92 97

HSL 184.55, 0.52%, 0.25%

LAB 35.61, -17.48, -8.64

 

CMYK 8 / 69 / 0 / 61

HEX #5B1F63

RGB 91 31 99

HSL 292.94, 0.52%, 0.25%

LAB 24.02, 37.67, -27.49

 

CMYK 0 / 43 / 68 / 62

HEX #61371F

RGB 97 55 31

HSL 21.82, 0.52%, 0.25%

LAB 27.77, 16.25, 22.8

 

CMYK 60 / 0 / 68 / 62

HEX #27611F

RGB 39 97 31

HSL 112.73, 0.52%, 0.25%

LAB 36.14, -33, 31.1

 

CMYK 68 / 25 / 0 / 62

HEX #1F4961

RGB 31 73 97

HSL 201.82, 0.52%, 0.25%

LAB 29.21, -6.21, -18.43

 

Description

Color code: HEX #5B1F63 | qconv.com Color code: HEX #5B1F63 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 31 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 31 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 69 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 69% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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