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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B1DA7 it is the complementary color #A4E258. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B1DA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B1DA7 shade: #601DA2, #712FB5, #8241C8, #9353DB and #A465EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B1DA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B1DA7 shade: #5B1DA7, #4A0B94, #390081, #28006E and #17005B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B1DA7 shade: #5A1DA5, #7F1DA5, #A31DA5, #A51D82 and #A51D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B1DA7 shade: #5A1DA5, #351DA5 and #1D1DA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B1DA7 shade matches the following richer shades: #5A1DA5 and #580DB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B1DA7 shade: #5A1DA5, #5C2D95, #5D3C85, #5F4C76 and #605C66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B1DA7 shade: #1D2BA5, #341DA5, #581DA5, #7C1DA5 and #A01DA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B1DA7 shade: #34115F, #471782, #5A1DA5, #6D23C8 and #8238DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B1DA7 shade: #5B1DA7, #A51D4F and #1DA522

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B1DA7 shade: #5B1DA7, #A5581D and #1DA558

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B1DA7 shade: #5B1DA7, #A51D4F, #6AA51D and #1DA573

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B1DA7 shade: #5B1DA7, #A51D26, #6AA51D and #1DA59C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 83 / 0 / 35

HEX #5B1DA7

RGB 91 29 167

HSL 266.96, 0.7%, 0.38%

LAB 29.14, 54.36, -61.84

 

Complementary color

CMYK 27 / 0 / 61 / 11

HEX #A4E258

RGB 164 226 88

HSL 86.96, 0.7%, 0.62%

LAB 83.44, -41.04, 59.57

 

CMYK 41 / 82 / 0 / 36

HEX #601DA2

RGB 96 29 162

HSL 270.23, 0.7%, 0.37%

LAB 29.35, 53.86, -58.45

 

CMYK 38 / 74 / 0 / 29

HEX #712FB5

RGB 113 47 181

HSL 269.55, 0.59%, 0.45%

LAB 35.75, 53.97, -59.28

 

CMYK 35 / 68 / 0 / 22

HEX #8241C8

RGB 130 65 200

HSL 268.89, 0.55%, 0.52%

LAB 42.3, 53.45, -59.68

 

CMYK 33 / 62 / 0 / 14

HEX #9353DB

RGB 147 83 219

HSL 268.24, 0.65%, 0.59%

LAB 48.89, 52.65, -59.85

 

CMYK 31 / 58 / 0 / 7

HEX #A465EE

RGB 164 101 238

HSL 267.59, 0.8%, 0.66%

LAB 55.45, 51.74, -59.89

 

CMYK 46 / 83 / 0 / 35

HEX #5B1DA7

RGB 91 29 167

HSL 266.96, 0.7%, 0.38%

LAB 29.14, 54.36, -61.84

 

CMYK 50 / 93 / 0 / 42

HEX #4A0B94

RGB 74 11 148

HSL 267.59, 0.86%, 0.31%

LAB 23.11, 53.14, -60.23

 

CMYK 56 / 100 / 0 / 49

HEX #390081

RGB 57 0 129

HSL 266.51, 1%, 0.25%

LAB 17.71, 49.82, -57.33

 

CMYK 64 / 100 / 0 / 57

HEX #28006E

RGB 40 0 110

HSL 261.82, 1%, 0.22%

LAB 13.09, 43.91, -52.82

 

CMYK 75 / 100 / 0 / 64

HEX #17005B

RGB 23 0 91

HSL 255.16, 1%, 0.18%

LAB 8.46, 37.96, -47.94

 

CMYK 45 / 82 / 0 / 35

HEX #5A1DA5

RGB 90 29 165

HSL 266.91, 0.7%, 0.38%

LAB 28.82, 53.72, -61.15

 

CMYK 23 / 82 / 0 / 35

HEX #7F1DA5

RGB 127 29 165

HSL 283.24, 0.7%, 0.38%

LAB 34.21, 59.58, -52.14

 

CMYK 1 / 82 / 0 / 35

HEX #A31DA5

RGB 163 29 165

HSL 299.12, 0.7%, 0.38%

LAB 40.22, 66.23, -42.16

 

CMYK 0 / 82 / 21 / 35

HEX #A51D82

RGB 165 29 130

HSL 315.44, 0.7%, 0.38%

LAB 38.71, 61.52, -23.2

 

CMYK 0 / 82 / 44 / 35

HEX #A51D5D

RGB 165 29 93

HSL 331.76, 0.7%, 0.38%

LAB 37.24, 57.29, -2.13

 

CMYK 45 / 82 / 0 / 35

HEX #5A1DA5

RGB 90 29 165

HSL 266.91, 0.7%, 0.38%

LAB 28.82, 53.72, -61.15

 

CMYK 68 / 82 / 0 / 35

HEX #351DA5

RGB 53 29 165

HSL 250.59, 0.7%, 0.38%

LAB 24.8, 49.45, -67.92

 

CMYK 82 / 82 / 0 / 35

HEX #1D1DA5

RGB 29 29 165

HSL 240, 0.7%, 0.38%

LAB 23.19, 47.77, -70.64

 

CMYK 45 / 82 / 0 / 35

HEX #5A1DA5

RGB 90 29 165

HSL 266.91, 0.7%, 0.38%

LAB 28.82, 53.72, -61.15

 

CMYK 51 / 93 / 0 / 29

HEX #580DB4

RGB 88 13 180

HSL 266.95, 0.87%, 0.38%

LAB 28.53, 61.69, -70.65

 

CMYK 45 / 82 / 0 / 35

HEX #5A1DA5

RGB 90 29 165

HSL 266.91, 0.7%, 0.38%

LAB 28.82, 53.72, -61.15

 

CMYK 38 / 70 / 0 / 42

HEX #5C2D95

RGB 92 45 149

HSL 267.12, 0.54%, 0.38%

LAB 30.21, 42.82, -49.13

 

CMYK 30 / 55 / 0 / 48

HEX #5D3C85

RGB 93 60 133

HSL 267.12, 0.38%, 0.38%

LAB 32.37, 30.36, -35.78

 

CMYK 19 / 36 / 0 / 54

HEX #5F4C76

RGB 95 76 118

HSL 267.14, 0.22%, 0.38%

LAB 35.81, 17.15, -21.05

 

CMYK 6 / 10 / 0 / 60

HEX #605C66

RGB 96 92 102

HSL 264, 0.05%, 0.38%

LAB 39.75, 3.73, -5.14

 

CMYK 82 / 74 / 0 / 35

HEX #1D2BA5

RGB 29 43 165

HSL 233.82, 0.7%, 0.38%

LAB 25.88, 40.08, -66.19

 

CMYK 68 / 82 / 0 / 35

HEX #341DA5

RGB 52 29 165

HSL 250.15, 0.7%, 0.38%

LAB 24.72, 49.36, -68.06

 

CMYK 47 / 82 / 0 / 35

HEX #581DA5

RGB 88 29 165

HSL 266.03, 0.7%, 0.38%

LAB 28.56, 53.45, -61.59

 

CMYK 25 / 82 / 0 / 35

HEX #7C1DA5

RGB 124 29 165

HSL 281.91, 0.7%, 0.38%

LAB 33.73, 59.06, -52.93

 

CMYK 3 / 82 / 0 / 35

HEX #A01DA5

RGB 160 29 165

HSL 297.79, 0.7%, 0.38%

LAB 39.7, 65.65, -43.02

 

CMYK 45 / 82 / 0 / 63

HEX #34115F

RGB 52 17 95

HSL 266.92, 0.7%, 0.22%

LAB 15.26, 34.44, -39.28

 

CMYK 45 / 82 / 0 / 49

HEX #471782

RGB 71 23 130

HSL 266.92, 0.7%, 0.3%

LAB 22.17, 44.38, -50.54

 

CMYK 45 / 82 / 0 / 35

HEX #5A1DA5

RGB 90 29 165

HSL 266.91, 0.7%, 0.38%

LAB 28.82, 53.72, -61.15

 

CMYK 46 / 83 / 0 / 22

HEX #6D23C8

RGB 109 35 200

HSL 266.91, 0.7%, 0.46%

LAB 35.25, 62.64, -71.3

 

CMYK 41 / 75 / 0 / 14

HEX #8238DC

RGB 130 56 220

HSL 267.07, 0.7%, 0.54%

LAB 42.37, 62.39, -71.09

 

CMYK 46 / 83 / 0 / 35

HEX #5B1DA7

RGB 91 29 167

HSL 266.96, 0.7%, 0.38%

LAB 29.14, 54.36, -61.84

 

CMYK 0 / 82 / 52 / 35

HEX #A51D4F

RGB 165 29 79

HSL 337.94, 0.7%, 0.38%

LAB 36.82, 56.05, 6.26

 

CMYK 82 / 0 / 79 / 35

HEX #1DA522

RGB 29 165 34

HSL 122.21, 0.7%, 0.38%

LAB 59.24, -58.68, 53.49

 

CMYK 46 / 83 / 0 / 35

HEX #5B1DA7

RGB 91 29 167

HSL 266.96, 0.7%, 0.38%

LAB 29.14, 54.36, -61.84

 

CMYK 0 / 47 / 82 / 35

HEX #A5581D

RGB 165 88 29

HSL 26.03, 0.7%, 0.38%

LAB 45.73, 27.46, 45.64

 

CMYK 82 / 0 / 47 / 35

HEX #1DA558

RGB 29 165 88

HSL 146.03, 0.7%, 0.38%

LAB 59.78, -52.15, 30.22

 

CMYK 46 / 83 / 0 / 35

HEX #5B1DA7

RGB 91 29 167

HSL 266.96, 0.7%, 0.38%

LAB 29.14, 54.36, -61.84

 

CMYK 0 / 82 / 52 / 35

HEX #A51D4F

RGB 165 29 79

HSL 337.94, 0.7%, 0.38%

LAB 36.82, 56.05, 6.26

 

CMYK 36 / 0 / 82 / 35

HEX #6AA51D

RGB 106 165 29

HSL 86.03, 0.7%, 0.38%

LAB 61.71, -39.45, 58.17

 

CMYK 82 / 0 / 30 / 35

HEX #1DA573

RGB 29 165 115

HSL 157.94, 0.7%, 0.38%

LAB 60.26, -46.67, 16.28

 

CMYK 46 / 83 / 0 / 35

HEX #5B1DA7

RGB 91 29 167

HSL 266.96, 0.7%, 0.38%

LAB 29.14, 54.36, -61.84

 

CMYK 0 / 82 / 77 / 35

HEX #A51D26

RGB 165 29 38

HSL 356.03, 0.7%, 0.38%

LAB 36.02, 53.61, 31.26

 

CMYK 36 / 0 / 82 / 35

HEX #6AA51D

RGB 106 165 29

HSL 86.03, 0.7%, 0.38%

LAB 61.71, -39.45, 58.17

 

CMYK 82 / 0 / 5 / 35

HEX #1DA59C

RGB 29 165 156

HSL 176.03, 0.7%, 0.38%

LAB 61.28, -35.91, -5.19

 

Description

Color code: HEX #5B1DA7 | qconv.com Color code: HEX #5B1DA7 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 29 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 29 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 83 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 83% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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