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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B197F it is the complementary color #A4E680. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B197F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B197F shade: #60197A, #712B8D, #823DA0, #934FB3 and #A461C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B197F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B197F shade: #5B197F, #4A076C, #390059, #280046 and #170033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B197F shade: #5C1980, #771980, #80196D, #801951 and #801935

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B197F shade: #5C1980, #401980, #241980 and #191980

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B197F shade matches the following richer shades: #5C1980, #5F0D8C and #630099

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B197F shade: #5C1980, #582673, #543267, #513E5B and #4D4B4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B197F shade: #231980, #3F1980, #5A1980, #761980 and #80196F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B197F shade: #2A0C3B, #43125D, #5C1980, #7420A2 and #8D27C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B197F shade: #5B197F, #80192A and #198031

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B197F shade: #5B197F, #805A19 and #19805A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B197F shade: #5B197F, #80192A, #3F8019 and #19806F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B197F shade: #5B197F, #802719, #3F8019 and #197280

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 80 / 0 / 50

HEX #5B197F

RGB 91 25 127

HSL 278.82, 0.67%, 0.3%

LAB 25.11, 46.33, -43.73

 

Complementary color

CMYK 29 / 0 / 44 / 10

HEX #A4E680

RGB 164 230 128

HSL 98.82, 0.67%, 0.7%

LAB 85.02, -38.63, 43.07

 

CMYK 21 / 80 / 0 / 52

HEX #60197A

RGB 96 25 122

HSL 283.92, 0.66%, 0.29%

LAB 25.52, 46.21, -39.85

 

CMYK 20 / 70 / 0 / 45

HEX #712B8D

RGB 113 43 141

HSL 282.86, 0.53%, 0.36%

LAB 32.17, 46.51, -40.9

 

CMYK 19 / 62 / 0 / 37

HEX #823DA0

RGB 130 61 160

HSL 281.82, 0.45%, 0.43%

LAB 38.94, 46.13, -41.5

 

CMYK 18 / 56 / 0 / 30

HEX #934FB3

RGB 147 79 179

HSL 280.8, 0.4%, 0.51%

LAB 45.7, 45.46, -41.86

 

CMYK 17 / 51 / 0 / 22

HEX #A461C6

RGB 164 97 198

HSL 279.8, 0.47%, 0.58%

LAB 52.42, 44.68, -42.1

 

CMYK 28 / 80 / 0 / 50

HEX #5B197F

RGB 91 25 127

HSL 278.82, 0.67%, 0.3%

LAB 25.11, 46.33, -43.73

 

CMYK 31 / 94 / 0 / 58

HEX #4A076C

RGB 74 7 108

HSL 279.8, 0.88%, 0.23%

LAB 18.76, 44.81, -41.99

 

CMYK 36 / 100 / 0 / 65

HEX #390059

RGB 57 0 89

HSL 278.43, 1%, 0.17%

LAB 13.18, 40.44, -38.63

 

CMYK 43 / 100 / 0 / 73

HEX #280046

RGB 40 0 70

HSL 274.29, 1%, 0.14%

LAB 8.07, 33.84, -34.02

 

CMYK 55 / 100 / 0 / 80

HEX #170033

RGB 23 0 51

HSL 267.06, 1%, 0.1%

LAB 3.8, 22.37, -27.34

 

CMYK 28 / 80 / 0 / 50

HEX #5C1980

RGB 92 25 128

HSL 279.03, 0.67%, 0.3%

LAB 25.35, 46.74, -43.97

 

CMYK 7 / 80 / 0 / 50

HEX #771980

RGB 119 25 128

HSL 294.76, 0.67%, 0.3%

LAB 29.85, 52.16, -36.48

 

CMYK 0 / 80 / 15 / 50

HEX #80196D

RGB 128 25 109

HSL 311.07, 0.67%, 0.3%

LAB 30.37, 51.02, -23.5

 

CMYK 0 / 80 / 37 / 50

HEX #801951

RGB 128 25 81

HSL 327.38, 0.67%, 0.3%

LAB 29.1, 47.28, -7.22

 

CMYK 0 / 80 / 59 / 50

HEX #801935

RGB 128 25 53

HSL 343.69, 0.67%, 0.3%

LAB 28.22, 44.57, 10.23

 

CMYK 28 / 80 / 0 / 50

HEX #5C1980

RGB 92 25 128

HSL 279.03, 0.67%, 0.3%

LAB 25.35, 46.74, -43.97

 

CMYK 50 / 80 / 0 / 50

HEX #401980

RGB 64 25 128

HSL 262.72, 0.67%, 0.3%

LAB 21.37, 41.89, -50.63

 

CMYK 72 / 80 / 0 / 50

HEX #241980

RGB 36 25 128

HSL 246.41, 0.67%, 0.3%

LAB 18.49, 38.32, -55.47

 

CMYK 80 / 80 / 0 / 50

HEX #191980

RGB 25 25 128

HSL 240, 0.67%, 0.3%

LAB 17.74, 37.38, -56.74

 

CMYK 28 / 80 / 0 / 50

HEX #5C1980

RGB 92 25 128

HSL 279.03, 0.67%, 0.3%

LAB 25.35, 46.74, -43.97

 

CMYK 32 / 91 / 0 / 45

HEX #5F0D8C

RGB 95 13 140

HSL 278.74, 0.83%, 0.3%

LAB 25.61, 53.49, -51.05

 

CMYK 35 / 100 / 0 / 40

HEX #630099

RGB 99 0 153

HSL 278.82, 1%, 0.3%

LAB 26.6, 59.27, -57.44

 

CMYK 28 / 80 / 0 / 50

HEX #5C1980

RGB 92 25 128

HSL 279.03, 0.67%, 0.3%

LAB 25.35, 46.74, -43.97

 

CMYK 23 / 67 / 0 / 55

HEX #582673

RGB 88 38 115

HSL 278.96, 0.5%, 0.3%

LAB 25.86, 36.97, -34.92

 

CMYK 18 / 51 / 0 / 60

HEX #543267

RGB 84 50 103

HSL 278.49, 0.35%, 0.3%

LAB 27.14, 26.03, -25.2

 

CMYK 11 / 32 / 0 / 64

HEX #513E5B

RGB 81 62 91

HSL 279.31, 0.19%, 0.3%

LAB 29.29, 14.43, -14.15

 

CMYK 1 / 4 / 0 / 69

HEX #4D4B4E

RGB 77 75 78

HSL 280, 0.02%, 0.3%

LAB 32.17, 1.48, -1.49

 

CMYK 73 / 80 / 0 / 50

HEX #231980

RGB 35 25 128

HSL 245.83, 0.67%, 0.3%

LAB 18.41, 38.22, -55.6

 

CMYK 51 / 80 / 0 / 50

HEX #3F1980

RGB 63 25 128

HSL 262.14, 0.67%, 0.3%

LAB 21.25, 41.74, -50.84

 

CMYK 30 / 80 / 0 / 50

HEX #5A1980

RGB 90 25 128

HSL 277.86, 0.67%, 0.3%

LAB 25.04, 46.36, -44.49

 

CMYK 8 / 80 / 0 / 50

HEX #761980

RGB 118 25 128

HSL 294.17, 0.67%, 0.3%

LAB 29.68, 51.95, -36.77

 

CMYK 0 / 80 / 13 / 50

HEX #80196F

RGB 128 25 111

HSL 309.9, 0.67%, 0.3%

LAB 30.48, 51.32, -24.61

 

CMYK 29 / 80 / 0 / 77

HEX #2A0C3B

RGB 42 12 59

HSL 278.3, 0.66%, 0.14%

LAB 9.57, 24.91, -23.73

 

CMYK 28 / 81 / 0 / 64

HEX #43125D

RGB 67 18 93

HSL 279.2, 0.68%, 0.22%

LAB 17.54, 36.42, -34.14

 

CMYK 28 / 80 / 0 / 50

HEX #5C1980

RGB 92 25 128

HSL 279.03, 0.67%, 0.3%

LAB 25.35, 46.74, -43.97

 

CMYK 28 / 80 / 0 / 36

HEX #7420A2

RGB 116 32 162

HSL 278.77, 0.67%, 0.38%

LAB 32.6, 56.07, -53.01

 

CMYK 28 / 80 / 0 / 23

HEX #8D27C5

RGB 141 39 197

HSL 278.73, 0.67%, 0.46%

LAB 39.82, 65.39, -61.89

 

CMYK 28 / 80 / 0 / 50

HEX #5B197F

RGB 91 25 127

HSL 278.82, 0.67%, 0.3%

LAB 25.11, 46.33, -43.73

 

CMYK 0 / 80 / 67 / 50

HEX #80192A

RGB 128 25 42

HSL 350.1, 0.67%, 0.3%

LAB 27.98, 43.81, 17.28

 

CMYK 80 / 0 / 62 / 50

HEX #198031

RGB 25 128 49

HSL 133.98, 0.67%, 0.3%

LAB 46.8, -45.57, 34.29

 

CMYK 28 / 80 / 0 / 50

HEX #5B197F

RGB 91 25 127

HSL 278.82, 0.67%, 0.3%

LAB 25.11, 46.33, -43.73

 

CMYK 0 / 30 / 80 / 50

HEX #805A19

RGB 128 90 25

HSL 37.86, 0.67%, 0.3%

LAB 41.17, 9.42, 41.28

 

CMYK 80 / 0 / 30 / 50

HEX #19805A

RGB 25 128 90

HSL 157.86, 0.67%, 0.3%

LAB 47.47, -37.82, 12.73

 

CMYK 28 / 80 / 0 / 50

HEX #5B197F

RGB 91 25 127

HSL 278.82, 0.67%, 0.3%

LAB 25.11, 46.33, -43.73

 

CMYK 0 / 80 / 67 / 50

HEX #80192A

RGB 128 25 42

HSL 350.1, 0.67%, 0.3%

LAB 27.98, 43.81, 17.28

 

CMYK 51 / 0 / 80 / 50

HEX #3F8019

RGB 63 128 25

HSL 97.86, 0.67%, 0.3%

LAB 47.71, -39, 45.69

 

CMYK 80 / 0 / 13 / 50

HEX #19806F

RGB 25 128 111

HSL 170.1, 0.67%, 0.3%

LAB 48, -32.27, 1.19

 

CMYK 28 / 80 / 0 / 50

HEX #5B197F

RGB 91 25 127

HSL 278.82, 0.67%, 0.3%

LAB 25.11, 46.33, -43.73

 

CMYK 0 / 70 / 80 / 50

HEX #802719

RGB 128 39 25

HSL 8.16, 0.67%, 0.3%

LAB 29.69, 37.55, 29.97

 

CMYK 51 / 0 / 80 / 50

HEX #3F8019

RGB 63 128 25

HSL 97.86, 0.67%, 0.3%

LAB 47.71, -39, 45.69

 

CMYK 80 / 11 / 0 / 50

HEX #197280

RGB 25 114 128

HSL 188.16, 0.67%, 0.3%

LAB 43.94, -19.89, -14.96

 

Description

Color code: HEX #5B197F | qconv.com Color code: HEX #5B197F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 25 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 25 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 80 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 80% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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